The Salvation: Spur der Vergeltung

"The Salvation" drew my curiosity for two things: the lead and the fact that it's a Danish western.

The atmosphere of the wild-west is really well done and has immersed me in the mid 1800's, and with a well-paced narrative and suspense of a typical revenge-story told effectively.

Mads Mikkelsen shines as the lead but the overall cast is good. Compliments to the screenwriter, too, for creating several characters that I would wish to see more of.

However, what stops me from giving "The Salvation" an 8 or more is the ending, the very final scene. For me, it feels out of place, fake- looking and preachy. It's funny how less than a minute of a scenery- footage can lessen the quality of the entire story.

If you like Open Range, 3:10 to Yuma, True Grit and Unforgiven, you should certainly check this movie out.

By the Danish, and why not? Especially if it's done as well as this was/is. Mads Mikkelsen has proved himself worthy of leading roles even in (his not native tongue) English. But there is a bit of Danish thrown into the mix with this. But it's not the spoken language that will get your attention with this movie.

It's the framing, it's the "picture" language it speaks. This looks as down and dirty as Westerns come and it does a really good job throwing us into a situation Western fans know very well. So while the story itself is not new, we do get a very well made movie, that you should be able to enjoy a lot.

A straight up western starring Mads Mikkelsen, Eva Green, Jeffery Dean Morgan, and even Eric Cantona. Danish production, shot in South Africa, it looked convincingly American west. It's very old school in its story, good guy vs bad guy, revenge, gun fights, the whole nine yards. And it's a pretty fine movie too.

Danish guy waits for his wife and son to arrive in America to start new lives, but bad guys are going to spoil their plan. There's no way he's going to let them bad guys go, after toiling for 7 years to start a new life only to see it destroyed as soon as his family arrives. And did I mention he fought wars in the Danish army before he moved to America? Oh yeah, this Dane know how to shoot straight too.

You really do get the feeling that this guy wants no trouble and just wants to get on with his life, but it's trouble that comes looking for him. A lot of new westerns tend to be "different" and avoid the straight up good vs bad revenge trope because it's been done to death during the genre's heyday. But I think it's a good time revisit that trope with today's new talent and technology. The story may be cliché, but everything else feels fresh. The best western I've watched in a long time.

If you like traditional westerns you will enjoy this film.

These days you don't get to see American westerns very often, so is nice to see that genre is not dead thanks to productions like this one from Denmark or others like The Dark Valley (Das finstere Tal).

Mads Mikkelsen plays the main character with great professionalism, without excesses. Same thing with Eva Green, portraying a scarred mute woman that talks only with her eyes.

You have the good guy, the VERY bad guy, the town full of cowards, the tormented girl, the backstabbing character. All the things you expect to find in a good old western. If you add to that the good performances, my only advice is, see this movie.

Saw this on premiere-night in Denmark and left the cinema relieved and with a smile on my face. Director Kristian Levring delivers a very believable, dark and uncompromising western set in a very classic western atmosphere.

The story is straightforward and although it moves along slowly at times (fast paced at others), it's quite intense and is generally beautifully shot.

If you're going for a feel good movie, this is not it, but if you like classic westerns, you'll enjoy it.

Mads Mikkelsen and Mikael Persbrandt deliver solid performances as the danish brothers Jon and Peter who've emigrated to America after fighting the Germans in the danish/German war of 1864. But for me, Eva Green steals the show as the mute Madelaine (princess). She has a very mystical and powerful presence and leaves you wondering, wanting more.

All in all a very enjoyable picture that is a great testament to how far danish cinema has come. This is quite uncharacteristic for a typical danish movie, but Levring really pulls it off and I think any lover of westerns will find this a solid addition to the batch of quality westerns in the past 10 years (The Proposition, 3:10 to Yuma, True grit, Django Unchained etc.) It doesn't quite reach those levels, but it's close and it's enjoyable.