The son of a slain NYPD officer joins the force, where he falls in with his father's former partner and a team of rogue cops.The son of a slain NYPD officer joins the force, where he falls in with his father's former partner and a team of rogue cops.The son of a slain NYPD officer joins the force, where he falls in with his father's former partner and a team of rogue cops.
- Young Malo
- (as La'Jessie Janoard Smith)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter brief bookings in New York City and Los Angeles on August 10, 2012, the film went quickly to video on August 21.
- Quotes
Malo: What's the worst thing you ever did, Joe?
Joe Sarcone: The worst thing I ever did was trust the wrong man.
Malo: How do you know when you're trusting the wrong man?
Joe Sarcone: You're questioning me? Huh, you lttle shit? I always make my decision with my hed, not my heart. I got to where I am in this world by taking advantage of people's trust, and I'm not ashamed of that. There's a Maldonado seed. You hungry?
Malo: I can always eat.
Joe Sarcone: Kitchen never closes, and everybody eats at my table.
Malo: You really trust everybody in here?
Joe Sarcone: That door you just walked through only works one way - In. Once you're in, the only way out is to the sounds of gunshots and bagpipes.
- ConnectionsReferenced in Bad Movie Beatdown: Set Up (2013)
- SoundtracksStreet Life
Performed by Booke & Swaggalee
Written by D. Dixon, B. Booker, T. Scott,
Produced and Arranged by David Dixon & Mike Burns
Published by Burnmore Music (ASCAP)
(c) 2011 Burnmore Music
Freelancers follow a young cop who joins in with a group of rogue cops led by his father's ex-partner. When the truth about his father's death is revealed it pushes him to finally make sure justice is served. This isn't a bad movie, but it isn't anything different than every other cop movie that has come along over the years. Jackson does a decent job here, but just doesn't have the chops to really sell the emotional aspect of the character. He works well for the action, but as soon as he has to deliver some sort of emotion it just comes off non-existent. Whitaker and DeNiro both pretty much phone this one in, but thanks to their amazing talent still manage to deliver some interesting characters. The story is pretty straight forward, but wants to try and deliver twists and turns where it is pretty obvious as to where it is all headed. In addition there are some aspects of the story that just come off a bit unbelievable in the system. There's some decent action moments here but nothing that really stands out to help push this along.
Overall this is a pretty generic delivery into the cop thriller, but thanks to the star power behind it at least feels a bit bigger than the straight to video release it got. If you are a fan of this genre or any of those involved give it a try, just don't expect anything all that new or original.
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- How long is Freelancers?Powered by Alexa
Details
Box office
- Budget
- $11,000,000 (estimated)
- Gross worldwide
- $456,350
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1