L'arbre

Sometime i feel alone in this world...and when I saw that this movie only had 6.6, it really just proved it again.

Enough is enough, I had to find my old password in order to log in, and vote 10, and of course, to write this review.

This movie is a masterpiece. It has some of the most wonderful pictures, cuts and acting I've ever seen. The acting is so psychological correct, that you forget all about you are watching a movie. Instead you feel like a fly on the wall. The only place were i lost my focus to the movie, where when I think: Where did they find that girl? (Simone) I found out later that more than 200 girls were auditioned to find her. This does not necessarily mean she, Morgana Davies, is excellent, but...she just is. I will bet what i have in my pockets, that this girl just has started a carrier, like Nathalie Portman did in Leon, this is her phantom star. Surely a great carrier is waiting.

But, let us not loose our focus from the movie. If you are a deep person, who loves themes like: family, the unexplained, loyalty, love, and great moving pictures, spiced with the best acting in cinemas right now...then go and buy this movie, and give it to your friend to enjoy it after wards.

I will "only" give it 9 though..just because of movies like Braveheart, La Vita e Bella and The Matrix still exists :) Peace E

A strong, layered second film by Julie Bertocelli, one which probably deserves more recognition that it has been given by most critics. I found it difficult to take my eyes off of Charlotte Gainsbourg, who gave a sensitive and complex portrayal of a woman grieving her husband's passing. While the film may have been compared to WALKABOUT, given the cinematic opportunities of the outback, the spiritual nature of the environment paves way for specific beautiful and endearing unexpected visual delights which compliment the narrative in obvious ways, but perhaps not offensively so. The film is quite focused. It is kept simple and unfolds nicely. I found it much more pleasing to sit through than TREE OF LIFE. Bertocelli's film is much more tightly woven and traditional in form, not necessarily any less authentic or profound. Moments were delightful, not excruciatingly painful in the sense of wallowing, allowing the occasional irritation from the daughter to seep into the point where you just want Dawn to slap her across the face. May make more of an interesting comparison the that tree scene in Poltergeist or the horror film about the WOODS. Definitely underrated on here, a film well worth checking out.

The universal theme of suffering after the abrupt death of a dear one, with the necessity for those who remain to go on with life, is here presented in a very serene way. No melodrama, no anxiety, no exaggeration in sensitivity, but solid realism, with a touch of the magic of this tree, heart of the family and of the movie. It's a movie which follows the pace and the inner development of the single characters, mainly of Dawn, the mother, and Simone, the daughter, both wonderfully interpreted by a high-talented Charlotte Gainsbourg, and by a surprisingly mature little girl. It's a movie about the need to go on, to accept the strokes of life with the force and dignity that, let me say it, sometimes only women have, with no sentimentalism, no pathetic indulgence, but with sober realism and a strong feeling for human courage. Another movie that unfortunately will not reach the great distribution, but we know that the phantasmagoric magic of Harry Potter attracts more public and brings more money than the humble magic of a fig tree. However, a truly valid picture.

This film is about a family that griefs the sudden death of the husband / father, as he collapsed while driving.

"The Tree" is an intensely introspective film, as it attempts to sculpt the emotional states, thoughts and feelings of the family members after the husband's death. As the husband's car hit a tree next to their house, the rest of the family have a special attachment to this tree. This attachment become central to the plot, and it requires much empathy to understand the characters' actions and motivation. The wife uses the tree for comfort, while the daughter Simone uses the tree as a replacement for her father. Even though the portrayals of the family's internal world are excellent, "The Tree" still suffers from being too slow and too plain for an average viewer.

Peter O'Neil dies suddenly in front of his family. His wife Dawn (Charlotte Gainsbourg) is devastated and she's left with four kids to care for in the outbacks of Australia. The girl Simone starts talking to the giant tree next to their home. Its roots are getting into the pipe and a giant branch crashes into the home. She gets a job at the plumbing supply store and starts a relationship with owner George. Her neighbors want her to cut down the tree before the roots get into their pipes. Simone defends the tree against George claiming to hear her father.

This is a slower, meandering story like a tree slowly strangling the house. It has a dreamy feel. Some of it looks beautiful but some of it gently rocks the audience to sleep. It has some appeal but mostly, it's a low intensity tale. The neighbors could have given more tension. In the end, the storm is a convenient way to blow all the story branches away.