The relationship between a politician and a contemporary dancer is affected by mysterious forces keeping them apart.The relationship between a politician and a contemporary dancer is affected by mysterious forces keeping them apart.The relationship between a politician and a contemporary dancer is affected by mysterious forces keeping them apart.
- Awards
- 1 win & 9 nominations
- Suburban Neighbor
- (as Natalie E. Carter)
- U.S. Coast Guard Officer
- (as Capt. Gregory P. Hitchen)
- Upstate Farmer
- (as Darrell James LeNormand)
- Mayor Michael R. Bloomberg
- (as Mayor Michael R. Bloomberg)
- Political Consultant
- (as Kar)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe phone number given to Matt Damon by Emily Blunt in the movie ((212) 664-7665) is owned by Universal Studios and has appeared in other films distributed by the company (Definitely, Maybe (2008), Scott Pilgrim vs. the World (2010) and Munich (2005)) in an effort to avoid the much overused "555" prefix. If called, it will ring indefinitely. As of 10/1/2022, the number is out of service.
- GoofsThe newspaper that reports Elise's dance career and engagement repeats the same paragraphs several times, taking up space in order to fill the article.
- Quotes
[last lines]
Harry Mitchell: Most people live life on the path we set for them, too afraid to explore any other. But once in a while people like you come along who knock down all the obstacles we put in your way. People who realize freewill is a gift that you'll never know how to use until you fight for it. I think that's the chairman's real plan. That maybe one day, we won't write the plan, you will.
- Crazy creditsSpecial Thanks: The Chairman
Matt Damon is a charismatic presence and commands the film with ease without ever trying too hard. Emily Blunt has a genuine winning charm as one often finds with Blunt, her character is not quite as interesting as Damon's but Blunt makes it work. The two have great chemistry together, it really sparkles. In fact it is the romance that comes off the best and most consistently, being where 'The Adjustment Bureau' really comes alive. Anthony Mackie is suitably mysterious while also quite likable in the film's latter stages.
John Slattery really looks the part and has a lot of fun in a suitably shady role while Terence Stamp brings some sinister dignity and authority to a rather severely underwritten character that appears in the film too late somewhat. On the acting front, 'The Adjustment Bureau' is very good.
As it is too with the way it's made, suitably gritty and slick with some inventive moments and an audacious style. The locations are chosen well and used cleverly. The music score has a good mix of understatement and thrilling pulsation. The first half has a lot of very interesting and smart ideas that leaves one gripped enough to carry on and see further how it goes and there is a good deal of fun and a few suspenseful jolts to be had.
For all those great things, 'The Adjustment Bureau' would have been an even better film if it had done more with the premise. The romance is the most well done and memorable element of it and the rest doesn't live up. It's intriguing and entertaining, but the second half suffers from playing it too safe and having too many ideas needing to be tied up, meaning that potentially great ideas are not fully expanded upon (even the whole basic premise doesn't feel fully cooked).
Pacing does get stodgy, as a result of the lack of risk-taking and struggles with keeping things probable and consistent. Despite the conflict being well performed the threat feels lacking because it is handled in a way that's under-cooked and somewhat repetitive which dilutes the suspense quite badly. The more under-explored 'The Adjustment Bureau' gets, the more confusing, tonally muddled and far-fetched it gets too. This is especially true with the ending, which to me is down there with the decade's "what the heck" film endings.
Overall, has a lot to recommend but there was a lot more to the film that never fully emerged. 6/10 Bethany Cox
- TheLittleSongbird
- Oct 30, 2017
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Bản Đồ Định Mệnh
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,200,000 (estimated)
- Gross US & Canada
- $62,495,645
- Opening weekend US & Canada
- $21,157,730
- Mar 6, 2011
- Gross worldwide
- $127,869,379
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1