IMDb RATING
6.8/10
17K
YOUR RATING
Another mission of world-known French secret agent leads him to exotic Brazil.Another mission of world-known French secret agent leads him to exotic Brazil.Another mission of world-known French secret agent leads him to exotic Brazil.
- Awards
- 6 nominations
Philippe Hérisson
- Mayeux
- (as Philippe Herisson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaVon Zimmel's lines, 'Hath not a Nazi eyes? Hath not a Nazi hands? .... If you prick us, do we not bleed?..,' are a parody of Shylock's speech from 'The Merchant of Venice,' by William Shakespeare (Act III, Scene I).
- GoofsAn Embraer 110 Bandeirante (aircraft made in Brazil) is shown in the movie, which is supposed to take place in 1967. This type of aircraft flew its maiden flight in 1968, and entered service in 1973.
- Quotes
Dolorès Koulechov: Life here isn't easy for everyone, as in most dictatorships.
OSS 117: Dictatorships! Listen to you. You're sweet, but spare me your politics. You know what a dictatorship is? People are communists. They're cold, with gray hats and boots with zippers. That's a dictatorship.
Dolorès Koulechov: What do you call a country with a military leader, secret police, one TV station, and censorship?
OSS 117: I call that France, Miss. Not any France, De Gaulle's France.
- Crazy creditsThere is a montage of (poor quality) travel snaps from OSS117's camera, as well as a short film clip of the duck-shaped pedal boat, being pedalled by OSS117, in Rio.
- ConnectionsFeatured in Maltin on Movies: Awards Special 2012 (2012)
- SoundtracksThe Girl from Ipanema
Written by Antonio Carlos Jobim and Vinicius de Moraes, adapted by Norman Gimbel
Featured review
OSS 117: Lost in Rio (2009)
Sequels being what they are, this is not quite a match to the original spoof from 2006. But when you have something almost as good as something really terrific, it's still enough. This is enough, for sure, even with the novelty of the situation worn thin.
The main reason is lead actor Jean Dujardin, who continues his parody with aplomb--all the same suave, self-effacing, sexist, racist, ridiculous mix. Instead of Muslims taking the brunt of the jokes, it's Israelis. But the impossibly short skirts and general parading to a male audience is still in place, for better or for worse. And lots of wonderful facial expressions and double-takes.
The rest of the production team is intact here: director, cinematographer, composer. The time period is something like 1968, a few years later than the "Nest of Spies" 2006 version, which is more 1963-ish. So there is an entertaining but less stylish move from "Mad Men" territory (the drinks, the music, the high style) into counterculture territory(most notably the hippie orgy stuff). The hilarious flashbacks of the first movie (on the beach) have been updated to a dramatic but unfunny circus act. And so on. Which is to say, this is a slightly different and slightly less movie.
But, it is still filled with fast, and ridiculous, and comic situations. The cars are great, and Rio is great (it seems to have been largely filmed there, or some impressive CGI stuff is at work). The campy final scenes at the big Jesus statue overlooking the city is purely a Hitchcock spoof (mostly "Suspicion" on the Statue of Liberty with a little "North by Northwest" at Mr. Rushmore). Oddly, this is a kind of parody of something so specific, a kind of post-modern reference, it distracts slightly from the more generic parody that makes up the whole. However, I have to quickly add that it's really well done, very visually astonishing.
So, see this movie if you've seen the first, by all means. If you have a choice (and currently both are streamable on Netflix), I'd start with the start, and then see if you're ready for more. And hang in there because it seems there almost has to be a third. Success is hard to repress.
Sequels being what they are, this is not quite a match to the original spoof from 2006. But when you have something almost as good as something really terrific, it's still enough. This is enough, for sure, even with the novelty of the situation worn thin.
The main reason is lead actor Jean Dujardin, who continues his parody with aplomb--all the same suave, self-effacing, sexist, racist, ridiculous mix. Instead of Muslims taking the brunt of the jokes, it's Israelis. But the impossibly short skirts and general parading to a male audience is still in place, for better or for worse. And lots of wonderful facial expressions and double-takes.
The rest of the production team is intact here: director, cinematographer, composer. The time period is something like 1968, a few years later than the "Nest of Spies" 2006 version, which is more 1963-ish. So there is an entertaining but less stylish move from "Mad Men" territory (the drinks, the music, the high style) into counterculture territory(most notably the hippie orgy stuff). The hilarious flashbacks of the first movie (on the beach) have been updated to a dramatic but unfunny circus act. And so on. Which is to say, this is a slightly different and slightly less movie.
But, it is still filled with fast, and ridiculous, and comic situations. The cars are great, and Rio is great (it seems to have been largely filmed there, or some impressive CGI stuff is at work). The campy final scenes at the big Jesus statue overlooking the city is purely a Hitchcock spoof (mostly "Suspicion" on the Statue of Liberty with a little "North by Northwest" at Mr. Rushmore). Oddly, this is a kind of parody of something so specific, a kind of post-modern reference, it distracts slightly from the more generic parody that makes up the whole. However, I have to quickly add that it's really well done, very visually astonishing.
So, see this movie if you've seen the first, by all means. If you have a choice (and currently both are streamable on Netflix), I'd start with the start, and then see if you're ready for more. And hang in there because it seems there almost has to be a third. Success is hard to repress.
- secondtake
- Sep 16, 2011
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Агент 117: Місія в Ріо
- Filming locations
- Foz do Iguaçu, Paraná, Brazil(footbridge chase in front of a waterfall)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $89,375
- Opening weekend US & Canada
- $10,243
- May 9, 2010
- Gross worldwide
- $21,924,245
- Runtime1 hour 41 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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