Triangle
- Episode aired Nov 22, 1998
- TV-14
- 45m
IMDb RATING
8.5/10
5.4K
YOUR RATING
Mulder boards the wreck of a legendary missing WWII ship that suddenly appeared in the Bermuda Triangle. The ship turns out to be a time portal. Now Scully must use all of her wits to try an... Read allMulder boards the wreck of a legendary missing WWII ship that suddenly appeared in the Bermuda Triangle. The ship turns out to be a time portal. Now Scully must use all of her wits to try and get the unwilling FBI to help her save him.Mulder boards the wreck of a legendary missing WWII ship that suddenly appeared in the Bermuda Triangle. The ship turns out to be a time portal. Now Scully must use all of her wits to try and get the unwilling FBI to help her save him.
Featured reviews
It's a quite unusual one that at the start has you thinking "wtf is going on??", but it soon makes sense. It's great fun, if it doesn't make you smile then nothing will. Also the scenes are lengthy but all done in one take with no cut aways, which shows the talent of Duchovny & Anderson + other's.
10CGMCC
This is the first episode of this show I have seen.
I don't know if this is the norm for X-Files but, in this day of quick and short shots linked together to form action like in music videos, there are numerous extended takes which are simply superb! To see Gillian try to get some information to save the agent out of time aboard the Queen Anne, going from floor to floor to the parking garage without a cut in the cinematography is amazing! Also great is the music soundtrack of Benny Goodman-like swing music, appropriate to 1939 when some of this program was set! I have no idea why I missed seeing this series, but I have concluded that I need to see more.
I don't know if this is the norm for X-Files but, in this day of quick and short shots linked together to form action like in music videos, there are numerous extended takes which are simply superb! To see Gillian try to get some information to save the agent out of time aboard the Queen Anne, going from floor to floor to the parking garage without a cut in the cinematography is amazing! Also great is the music soundtrack of Benny Goodman-like swing music, appropriate to 1939 when some of this program was set! I have no idea why I missed seeing this series, but I have concluded that I need to see more.
The third episode of the sixth season of The X-Files, titled "Triangle," directed by Chris Carter, is a masterful blend of suspense, humor, and innovative storytelling that showcases the series' unique ability to push narrative boundaries. This episode stands out not only for its intriguing premise but also for its stylistic choices, including a structure reminiscent of Alfred Hitchcock's Rope, where long takes create a sense of immediacy and tension. The plot revolves around Mulder (David Duchovny), who finds himself aboard the Queen Anne, a luxury liner that has mysteriously reappeared in the Bermuda Triangle, but in the year 1939, just before the outbreak of World War II.
As Mulder navigates the ship, he encounters German soldiers searching for a scientist known as "Thor's Hammer," a reference that adds layers to the narrative by intertwining historical context with supernatural elements. The pacing of "Triangle" is brisk, effectively maintaining suspense as Mulder grapples with both the physical threat posed by the Nazis and the psychological implications of being trapped in a time warp. A particularly striking moment occurs when Mulder is confronted by an alternate version of Scully (Gillian Anderson), who embodies both his fears and desires. This encounter not only heightens the stakes but also emphasizes the emotional undertones of their relationship.
Visually, "Triangle" is striking, with cinematography that captures both the claustrophobic interiors of the ship and the expansive ocean outside. The use of lighting and shadow creates an atmosphere filled with tension and uncertainty, reflecting Mulder's precarious situation. The episode's editing is noteworthy as well; the seamless transitions between past and present enhance the surreal quality of Mulder's experience. Critics have praised this visual storytelling for its ability to immerse viewers in a world where time and reality are fluid.
The performances in this episode are particularly commendable, especially from Duchovny and Anderson. Duchovny's portrayal of Mulder showcases his character's unwavering belief in the extraordinary while grappling with personal doubts about his mission. His emotional depth is complemented by Anderson's Scully, who provides crucial support; her skepticism grounds Mulder's theories while emphasizing her determination to uncover the truth. The chemistry between Duchovny and Anderson shines throughout this episode, adding depth to their partnership as they confront complex challenges.
Thematically, "Triangle" raises significant questions about love, destiny, and the nature of reality. The episode critiques how individuals can become ensnared in their own perceptions; it examines how personal relationships can transcend time and space. Additionally, it highlights societal attitudes toward authority; characters like Mulder represent those who seek to expose hidden truths despite facing ridicule and skepticism from those in power. This exploration invites viewers to reflect on their beliefs regarding justice, morality, and the ethical implications of pursuing truth at any cost.
In conclusion, "Triangle" stands out as one of The X-Files' most innovative episodes, successfully blending elements of psychological drama with social commentary while exploring complex themes related to time travel and emotional connection. While it may challenge traditional narrative structures by delving deeply into character development rather than procedural elements, it effectively maintains an engaging pace throughout its runtime. The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society while enjoying a richly layered narrative that showcases both character development and suspenseful storytelling.
As Mulder navigates the ship, he encounters German soldiers searching for a scientist known as "Thor's Hammer," a reference that adds layers to the narrative by intertwining historical context with supernatural elements. The pacing of "Triangle" is brisk, effectively maintaining suspense as Mulder grapples with both the physical threat posed by the Nazis and the psychological implications of being trapped in a time warp. A particularly striking moment occurs when Mulder is confronted by an alternate version of Scully (Gillian Anderson), who embodies both his fears and desires. This encounter not only heightens the stakes but also emphasizes the emotional undertones of their relationship.
Visually, "Triangle" is striking, with cinematography that captures both the claustrophobic interiors of the ship and the expansive ocean outside. The use of lighting and shadow creates an atmosphere filled with tension and uncertainty, reflecting Mulder's precarious situation. The episode's editing is noteworthy as well; the seamless transitions between past and present enhance the surreal quality of Mulder's experience. Critics have praised this visual storytelling for its ability to immerse viewers in a world where time and reality are fluid.
The performances in this episode are particularly commendable, especially from Duchovny and Anderson. Duchovny's portrayal of Mulder showcases his character's unwavering belief in the extraordinary while grappling with personal doubts about his mission. His emotional depth is complemented by Anderson's Scully, who provides crucial support; her skepticism grounds Mulder's theories while emphasizing her determination to uncover the truth. The chemistry between Duchovny and Anderson shines throughout this episode, adding depth to their partnership as they confront complex challenges.
Thematically, "Triangle" raises significant questions about love, destiny, and the nature of reality. The episode critiques how individuals can become ensnared in their own perceptions; it examines how personal relationships can transcend time and space. Additionally, it highlights societal attitudes toward authority; characters like Mulder represent those who seek to expose hidden truths despite facing ridicule and skepticism from those in power. This exploration invites viewers to reflect on their beliefs regarding justice, morality, and the ethical implications of pursuing truth at any cost.
In conclusion, "Triangle" stands out as one of The X-Files' most innovative episodes, successfully blending elements of psychological drama with social commentary while exploring complex themes related to time travel and emotional connection. While it may challenge traditional narrative structures by delving deeply into character development rather than procedural elements, it effectively maintains an engaging pace throughout its runtime. The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society while enjoying a richly layered narrative that showcases both character development and suspenseful storytelling.
Mulder is dragged out of the sea, and finds himself in a boat, and Naval officers claiming it's 1939.
Initially I didn't really know what was going on, but as it moves on it really opens up, it even makes logical sense, despite the elaborate opening fifteen minutes.
Nazis, Smoking man, The Lone Gunmen, it's got all of the main elements, throw in the wonderful, surreal plot, and you have a bit of a classic.
The Production team really did go to town, and have some fun with this, it looks awesome, great sets and costumes, the dance club looked fantastic, as did the cast, who clearly enjoyed their dual roles.
I loved The Spice Girls joke, that was funny, and so true.
Awesome, 10/10.
Initially I didn't really know what was going on, but as it moves on it really opens up, it even makes logical sense, despite the elaborate opening fifteen minutes.
Nazis, Smoking man, The Lone Gunmen, it's got all of the main elements, throw in the wonderful, surreal plot, and you have a bit of a classic.
The Production team really did go to town, and have some fun with this, it looks awesome, great sets and costumes, the dance club looked fantastic, as did the cast, who clearly enjoyed their dual roles.
I loved The Spice Girls joke, that was funny, and so true.
Awesome, 10/10.
From the 'DVD Extras' Chris Carter had this crazy idea he got from Hitchcock, to shoot a 44 minute episode in 4 takes of 11 minutes each - everybody thought he was nuts. Especially hard because if you blow a line or miss your mark, back to the beginning to start all over again, like a play. Throw in some German make it even more difficult, split screens as transitions rather than cuts, and long camera pans - son of a gun they pulled it off, and what a magnificent piece of TV film making it was. Beautiful dialogue, scenery, music, frenetic pace and the usual fab chemistry between the main characters make this episode a wonder to behold.
Ranks among the best episodes of television, or anything really, that I've ever seen. A masterwork by actors, directors, crew and producers at the peak of their power. Apparently they struggled with the German a bit, but I can't find a single flaw.
10/10
Ranks among the best episodes of television, or anything really, that I've ever seen. A masterwork by actors, directors, crew and producers at the peak of their power. Apparently they struggled with the German a bit, but I can't find a single flaw.
10/10
Did you know
- TriviaMulder tells the Captain that the world in 1998 is at peace. He says that there's a little trouble at the White House, but that it will "blow over, so to speak." Mulder is referencing the Monica Lewinsky scandal.
- GoofsThe first time Mulder points out the Bermuda Triangle on a map (Bermuda-Puerto Rico-Florida), he points to Cuba and not Puerto Rico.
- Crazy creditsThe opening tag line reads 'Die Wahrheit Ist Irgendwo Da Draußen', German for 'The Truth Is Somewhere Out There'.
- ConnectionsFeatured in Hospital Central: Turno de noche (2002)
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