Three women take a road trip to Santa Barbara in order to deliver the ashes of one of their dead husbands to his resentful daughter.Three women take a road trip to Santa Barbara in order to deliver the ashes of one of their dead husbands to his resentful daughter.Three women take a road trip to Santa Barbara in order to deliver the ashes of one of their dead husbands to his resentful daughter.
Robert Conder
- Taxi Driver
- (as Bob Condor)
Ivey Lloyd Mitchell
- Evelyn Brimm
- (as Ivey Mitchell)
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I watched Bonneville this past week at a screener in New York and this film motivated me to get out there and try and spread the good word and the great feelings of friendship and commitment to your friends. I also give a lot of credit to the producers of the film for bringing such a stellar cast together for a common cause. Kathy Bates doesn't disappoint and she plays a great supporting cast for Jessica Lange. Joan Allen rides in the back seat and she provides a good balance of Bates and Lange as they take the Road Trip through some awesome scenery that is filled with a lot of turns and wonderful moments along the way. I will be looking for the film to come out wide so I can take my Mom and my Aunt out to see this film.
Three of the four leads have strong theatre backgrounds (Jessica Lange has been on stage, but not to the extent of the other actors), all have extensive movie and TV backgrounds, and all four were hung out to dry with a wretched script and inept direction. No surprises in the script - one knew where and how it was going after the first five minutes. The actors were reduced to playing one dimensional characters with no assistance or inventiveness from the director. I live in hope that when the actors signed on, it was done mainly to have the chance to work together and the expectancy that they could bring depth to a shallow work. No such luck. Hope the paycheck was good. For the audience, it was a loooooooong 90 minutes.
I have read some negative reviews around this movie, mainly based on a comparison with Thelma and Louise. I consider Ridley Scott's masterpiece one of the best movies ever, certainly the best dealing with women's friendship in the most authentic and sincere way. Bonneville is undoubtedly something different, we have three middle-aged women, we have a road trip, we have almost the same breathtaking scenery, but the whole context and the motivations are totally different, so that I find it totally useless to try make a comparison. The cast remains a talented one, and the only presence of Cathy Bates could not make a movie a bad one, and indeed it is a movie that with no pretension simply tries to reflect upon life, death, relationships, introducing some good entertaining and amusing moments. I have also read about an accusation of being too sentimental, on the contrary I appreciated its sentimental side. We are probably nowadays so used to insensitiveness around us, that whenever a movie with some feelings inside is released it risks an accusation of being a melodrama. This is not the case with Bonneville, it's a decent, pleasant road-comedy , with a good story inside, starring a good and cohesive cast.
Very little in Bonneville differs from numerous other road-trip movies. I watched it mainly for Joan Allen, and she did not disappoint. The three road-trip ladies were all worth watching, and it was good to see a story where most of the people get along and enjoy it with good humor. There's lots of fantastic Western scenery along the way. The bitter daughter was a major stereotype. All in all, glad I watched it but no desire to see it again.
Road movies with female leads are rarer than I thought. The only ones that come to mind are "Thelma & Louise" (which I never saw) and the 1965 sexploitation flick "Faster Pussycat! Kill! Kill!" (which, despite being a hetero male, I could only take 20 minutes of). "Bonneville" is the only one I've seen all the way through, and it was an enjoyable experience.
The film is very tame by today's standards, and depending on what you're in the mood for, that could be a good thing or a bad thing. It caught me on a day when I was craving a break from the shocking, disturbing, edgy films of late. And if you're in the same mindset, I think you'll like it, too. It reminded me of the kind of film that might have been made in the late 40s, all about good values & morality. The 3 characters are portrayed as being Mormon which accounts for their "old fashioned" customs like not drinking coffee, no swearing, lying or philandering (if that word can be applied to women). But within those confines, we get the story of a bunch of chicks gone wild.
If you like this type of movie, I highly recommend "Ladies in Lavender" (2004) with Judi Dench. Another good one, though touching on a heavy subject (Alzheimer's), is "Away From Her" (2006) with Julie Christie. And for a morbidly good time, check out the classic "Arsenic & Old Lace" (1944). I seem to have a thing for wild & crazy grandmothers.
The film is very tame by today's standards, and depending on what you're in the mood for, that could be a good thing or a bad thing. It caught me on a day when I was craving a break from the shocking, disturbing, edgy films of late. And if you're in the same mindset, I think you'll like it, too. It reminded me of the kind of film that might have been made in the late 40s, all about good values & morality. The 3 characters are portrayed as being Mormon which accounts for their "old fashioned" customs like not drinking coffee, no swearing, lying or philandering (if that word can be applied to women). But within those confines, we get the story of a bunch of chicks gone wild.
If you like this type of movie, I highly recommend "Ladies in Lavender" (2004) with Judi Dench. Another good one, though touching on a heavy subject (Alzheimer's), is "Away From Her" (2006) with Julie Christie. And for a morbidly good time, check out the classic "Arsenic & Old Lace" (1944). I seem to have a thing for wild & crazy grandmothers.
Did you know
- TriviaThe car used in this film was a 1966 Pontiac Bonneville Convertible, of which about 11,000 were produced. The standard model came with a 389 cubic inch (6.4 liter) engine with 2-barrel carburetor that produced about 325 horsepower. It was also available with an optional 421 cubic inch (6.9 L) engine with 4-barrel carb or GM's "Tri-Power" carb. Turbo-Hydramatic 3 speed transmission was standard, manual optional. The front seat in the movie car was a standard split-back bench seat, but bucket front seats were also available. The dark copper-red exterior of movie car was not an authentic color offered by Pontiac-General Motors in 1966. Original available colors included Black, White, Milano Maroon, Nocturne Blue, Martinique Bronze (aka Martinique Gold), and a creamy shade of Yellow. The interior of the movie car appears original (judging by the door panels) and is white/ivory. Other available interior colors included Black, Nocturne Blue, and Martinique Bronze. The rear-view mirror had been removed from all of the movie cars, probably to prevent the chrome mirror housing from casting a reflection of the film crew. The opaque black steering wheel appeared to be an aftermarket replacement, as the originals were transparent acrylic, tinted to match the interior color, overlaid on a chrome circular rod.
- GoofsA stretch of highway with a large distinctive rock formation in the background is seen right before the scene in which Arvilla gives her friends their sunglasses and scarves. Much later in the film, when they are supposedly in another state, the same stretch of road with the unique rock formation (also same trees, etc.) is seen again.
- SoundtracksUnder the Waves
Written by Pete Droge and Elaine Summers
Performed by Pete Droge
Courtesy of Puzzle Tree Records
By Arrangement with Coda Music
Details
Box office
- Gross US & Canada
- $488,393
- Opening weekend US & Canada
- $174,571
- Mar 2, 2008
- Gross worldwide
- $1,338,570
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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