IMDb RATING
3.6/10
2.7K
YOUR RATING
A phony spiritualist raises the dead.A phony spiritualist raises the dead.A phony spiritualist raises the dead.
Duke Moore
- Lt. Daniel Bradford
- (as 'Duke' Moore)
Johnny Carpenter
- Captain Robbins
- (as John Carpenter)
Anthony Cardoza
- Tony
- (as Tony Cardoza)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Wade Williams acquired the rights to Plan 9 from Outer Space (1957) in 1982, Edward D. Wood Jr.'s widow, Kathy Wood, told him this never-released film was being held by a post-production house because the lab fees hadn't been paid. Williams paid the fees and acquired this film, finally releasing it 23 years after it was filmed.
- GoofsIn the scene that features the two teenagers in the car, the film suddenly speeds up tremendously. The whole scene was shot in 1910s silent film style.
- Quotes
Patrolman Paul Kelton: Monsters! Space people! Mad doctors! They didn't teach me about such things in the police academy! And yet that's all I've been assigned to since I became on active duty! Why do I always get picked for these screwy details all the time? I resign.
Capt. Robbins: Kelton, so help me, if you don't get the hell outta here-...
Patrolman Paul Kelton: You're all against me. The whole police force is against me! The whole CITY is against me! I resign!
- Crazy creditsIn the opening credits Tom Mason is credited as Thomas R. Mason, in the closing credits as Tom Mason.
- Alternate versionsThe original title, "Revenge of the Dead, was filmed and appeared on the original print. The replacement title "Night of the Ghouls" was added when Wade Williams bought and distributed the movie in video in the 1980s, as well as the phrase "Wade Williams presents".
- ConnectionsEdited into FrightMare Theater: The Night of the Ghouls (2017)
Featured review
Night of the Ghouls (1959)
* 1/2 (out of 4)
Edward D. Wood, Jr. directs this semi-sequel to his cult film Bride of the Monster. People are seeing ghosts all over Los Angeles so a Detective (Duke Moore) goes to investigate. He comes across the weird Dr. Acula (Kenne Duncan) as well as a burned Lobo (Tor Johnson) among others. This is a rather interesting Wood film as it's probably his best made due to a couple reasons. For starters, Wood couldn't afford to pay the lab bill so the film set unreleased for 24-years. When Wade Williams stepped in and bought the film, he had professional editors edit the movie so this here makes it look somewhat better than normal. Even in other ways the film works better from the better special effects to a couple nice shots, not to mention some nice comedy bits and not those unintentional laughs we're use to. However, the film never reaches that "so bad it's good" level so we're left with a pretty bland film that doesn't go anywhere. The film is pretty boring, which is something you don't normally say in regards to Wood. The burn make up on Tor Johnson is probably the most graphic of any film from this era and looks great.
* 1/2 (out of 4)
Edward D. Wood, Jr. directs this semi-sequel to his cult film Bride of the Monster. People are seeing ghosts all over Los Angeles so a Detective (Duke Moore) goes to investigate. He comes across the weird Dr. Acula (Kenne Duncan) as well as a burned Lobo (Tor Johnson) among others. This is a rather interesting Wood film as it's probably his best made due to a couple reasons. For starters, Wood couldn't afford to pay the lab bill so the film set unreleased for 24-years. When Wade Williams stepped in and bought the film, he had professional editors edit the movie so this here makes it look somewhat better than normal. Even in other ways the film works better from the better special effects to a couple nice shots, not to mention some nice comedy bits and not those unintentional laughs we're use to. However, the film never reaches that "so bad it's good" level so we're left with a pretty bland film that doesn't go anywhere. The film is pretty boring, which is something you don't normally say in regards to Wood. The burn make up on Tor Johnson is probably the most graphic of any film from this era and looks great.
- Michael_Elliott
- Feb 28, 2008
- Permalink
Details
- Runtime1 hour 9 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content