Vincent & Theo

I have to admit that it took me a while to grasp this movie. My knowledge about Vincent Van Gogh's life is huge (very modest, I know), and I thought that there is nothing new I could learn about him- until I saw this film. Its realistic style is just killing me. You're not gonna see in it any Hollywood glamour or something, Nothing's fixed or cut- Everything is shown like it's for real (unlike "Lust for life", which is a great film, but not as "Vincent and Theo"- well, it's very different). The focusing on the amazing relationship between the two brothers is great, but I think they should focus on the famous letters as well... but it's okay anyway. Tim Roth is a fabulous actor, and he acted Vincent's role very good.

The one who act Theo is also great. The end is so sad and good, and shows that not only Vincent needed Theo's help. Theo needed Vincent's help as well. Some of the scenes are just unforgettable- Vincent painting in the sunflowers field, for example. The director used amazing camera effects! It looks soooo surrealistic, but yes, you feel like you're watching the sunflowers through Vincent's eyes, through the madness. It's an amazing, shocking, interesting and full of Vincent's magical yet tragic life.

Everyone who has even the slightest interest in Vincent Van Gogh- watch it!!!

This story is one of the most interesting I know. Unfortunately, the script misses the real drama of this important life. But never mind. The real art of the film is in two achievements:

--Altman frames and colors his shots through Vincent's eyes. This is the most sensitive use of the cinematic palette I've seen, and makes the experience singular. I saw it on a TV, which I hate to do. I would travel to see this properly projected.

--Time Roth gives interprets Vincent wonderfully. If you ignore the lines, which are vapid, and concentrate on his being, it's quite nuanced. He is meek in body, but passionate in expression. The teeth and pipe are great.

Altman tells the oft-told story of Vincent Van Gogh and the much less told story of his art dealer brother. The story deftly avoids tortured artist cliches and builds both characters as complex, contradictory individuals. The acting is beyond excellent. Tim Roth shows considerable restraint as Van Gogh, a character that many actors would have chosen to overact. And Rhys's Theo calm surface subtly betrays his inner torment.

Altman's camera is a star here as well, and few directors today understand the principle of movement as well as he does. The photography ranges from good to excellent, and the whole films feels like a glimpse into Vincent's world. Like most of Altman's better films, it's character rather than plot driven, so some will certainly say that it's 'boring'. If you are prone to say things like this, it's probably not for you, but anyone who is a fan of Altman's earlier films will be pleased.

The familiar tragic story of Vincent van Gogh (Tim Roth) is broadened by focusing as well on his brother Theodore (Paul Rhys), who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.

There is no overstating the acting talents of Tim Roth. While American audiences may not have really noticed him until "Reservoir Dogs", he had been acting since 1982 and this film may have been his first great role. He makes Vincent his own, fully becoming the character.

Robert Altman had a great decade in the 1970s, slumped a bit in the 1980s, but came back hard in the 1990s with this one. He was a master and utilized Roth to the fullest.

I knew something of Vincent van Gogh, and Theo for that matter, from reading Irving Stone's book about them (Titled "Lust for Life", I think). They were both copious letter writers, which is where most of the knowledge of them today comes from. I can't say enough about Tim Roth's performance in this film. As someone earlier remarked, Roth passed up the chance to ham it up, as many actors would do to portray van Gogh's madness. It's a much more realistic quiet desperation. I had barely heard of Roth, and didn't recognize him in "Pulp Fiction". Coincidentally, I had just seen him in "Little Odessa", another well done, but somewhat low-key performance. That one is worth checking out, too. The other actors, the direction, the photography were all first rate. The only reason I didn't give it a higher score is that the subject matter is sometimes unpleasant to watch. But if you are interested enough to read this comment, then you should see the film.