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Berlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germa... Read allBerlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germany during the Weimar Republic.Berlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germany during the Weimar Republic.
Gert Fröbe
- Inspector Bauer
- (as Gert Froebe)
Erna Brünell
- Mrs. Rosenberg
- (as Erna Bruenell)
Paul Bürks
- Cabaret Comedian
- (as Paul Buerks)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis is director Ingmar Bergman's only big-budget production. It was made at the height of Bergman's worldwide popularity as an arthouse filmmaker and produced by Dino De Laurentiis, who insisted on shooting in the English language and casting an American star to make it more appealing for the American market. Unfortunately, the film got mostly bad reviews and failed to generate any commercial interest in America, but it did respectable business in Europe.
- GoofsThe Nazi-looking thugs that are beating up people are wearing Model 1943 German army caps and 1940s style clothing. This film is supposed to take place in the 1920s.
- Quotes
Abel Rosenberg: I wake up from a nightmare and find that real life is worse than the dream.
- ConnectionsFeatured in Away from Home (2004)
- SoundtracksDas Lied vom süssen Bonbon
(uncredited)
Music by Rolf A. Wilhelm
Lyrics by Rolf A. Wilhelm and Kurt Wilhelm
Performed by Liv Ullmann
Featured review
Fear, Loathing, and Despair in Berlin, November 1923
This film universally considered "the master's failure" but I don't agree with the statement. It is very different from the rest of Bergman's films I've seen but that does not make it failure for me. It is only Bergman's second film in English and it boasts an unusual for his films large budget (Dino De Laurentis was a producer) with enormous and elaborate sets. Bergman was able to recreate on the screen Germany (Berlin) of 1920th exactly how it was seen in the films of 1920th German directors - Fritz Lang's films come to mind first. Another film that The Serpent's Egg reminded me of was Bob Fosse's Cabaret - the theme of the Feast during the Time of Plague sounds very prominent in both films, and the cabaret's musical numbers in Bergman's film could've came from Fosse's. I was very impressed by Liv Ullmann's singing and dancing in the beginning of the film - she can do anything.
In spite of the film's obvious differences from Bergman's earlier work, it explores many of his favorite themes. It is in part a political film about the helpless, distressed and terrorized members of society that face the merciless and inevitable force of history and are perished without a trace in the process. Also like the earlier films, The Serpent's Egg explores its characters' self-isolation, inability to communicate, their attempt to cope with the pain of living, their despair, fear, and disintegration.
The Serpent's Egg may not be a perfect film and a lot has been said about the abrupt and heavy handed ending, the dialogs that don't always work, and David Carradine's performance as a main character. Perfect or not, I think it is an interesting, visually always amazing (cinematography by Sven Nykvist is above any praise) and very honest and thorough study of the human condition in the unbearable situation.
In the documentary 'Serpent's Egg: Away From Home' (2004), Ingmar Bergman, Liv Ullmann and David Carradine talk about making the film, how it started and how and why it was so different. Liv said that couple of years ago she and Bergman had seen The Serpent's Egg for the first time, and they both liked it. I am in a good company, then, because I believe that Serpent's Egg is an unforgettable film and everyone who was involved in making it should not be ashamed of it. I am yet to see a Bergman's film that I don't like.
This film universally considered "the master's failure" but I don't agree with the statement. It is very different from the rest of Bergman's films I've seen but that does not make it failure for me. It is only Bergman's second film in English and it boasts an unusual for his films large budget (Dino De Laurentis was a producer) with enormous and elaborate sets. Bergman was able to recreate on the screen Germany (Berlin) of 1920th exactly how it was seen in the films of 1920th German directors - Fritz Lang's films come to mind first. Another film that The Serpent's Egg reminded me of was Bob Fosse's Cabaret - the theme of the Feast during the Time of Plague sounds very prominent in both films, and the cabaret's musical numbers in Bergman's film could've came from Fosse's. I was very impressed by Liv Ullmann's singing and dancing in the beginning of the film - she can do anything.
In spite of the film's obvious differences from Bergman's earlier work, it explores many of his favorite themes. It is in part a political film about the helpless, distressed and terrorized members of society that face the merciless and inevitable force of history and are perished without a trace in the process. Also like the earlier films, The Serpent's Egg explores its characters' self-isolation, inability to communicate, their attempt to cope with the pain of living, their despair, fear, and disintegration.
The Serpent's Egg may not be a perfect film and a lot has been said about the abrupt and heavy handed ending, the dialogs that don't always work, and David Carradine's performance as a main character. Perfect or not, I think it is an interesting, visually always amazing (cinematography by Sven Nykvist is above any praise) and very honest and thorough study of the human condition in the unbearable situation.
In the documentary 'Serpent's Egg: Away From Home' (2004), Ingmar Bergman, Liv Ullmann and David Carradine talk about making the film, how it started and how and why it was so different. Liv said that couple of years ago she and Bergman had seen The Serpent's Egg for the first time, and they both liked it. I am in a good company, then, because I believe that Serpent's Egg is an unforgettable film and everyone who was involved in making it should not be ashamed of it. I am yet to see a Bergman's film that I don't like.
- Galina_movie_fan
- Sep 8, 2004
- Permalink
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Zmijsko jaje
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- DEM 12,000,000 (estimated)
- Gross worldwide
- $39,238
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