A lawyer's wife starts an affair with a mobster but is confronted by his other flame who ends up murdered and the adulterous wife is set up to take the blame for the killing.A lawyer's wife starts an affair with a mobster but is confronted by his other flame who ends up murdered and the adulterous wife is set up to take the blame for the killing.A lawyer's wife starts an affair with a mobster but is confronted by his other flame who ends up murdered and the adulterous wife is set up to take the blame for the killing.
Archie Twitchell
- Roger Alison
- (as Michael Branden)
Frank Wilcox
- McKingby
- (scenes deleted)
Griff Barnett
- Mr. Adams
- (uncredited)
Barbara Billingsley
- Weil
- (uncredited)
Lillian Bronson
- Secretary
- (uncredited)
George M. Carleton
- Attendant
- (uncredited)
James Carlisle
- Member
- (uncredited)
Thaddeus Jones
- Mr. Porterville
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film resulted in a loss to MGM, not even making back its negative cost, according to studio records.
- GoofsThe newspaper report of the murder spells the word 'clue' as 'clew'. The use of the word "clew" for "clue" is old British English; a high-brow, literary spelling of the word. It is now considered archaic.
- Quotes
Tony Arnelo: All my life I've played it smart. It's not true anymore.
- ConnectionsReferenced in Akvaariorakkaus (1993)
Featured review
More romantic weeper than noir, Arnelo Affair bulges with lost opportunities
In The Arnelo Affair, the letter `A' keeps cropping up again and again - as a monogram on a dressing gown, a compact, a key. Ostensibly it signifies one of the two main characters: Tony Arnelo (John Hodiak ), a predatory nightclub owner, or Ann Parkson (Frances Gifford), wife of Arnelo's square-rigger of an attorney (George Murphy). But really the `A' serves to remind us that the story is chiefly about the Scarlet Letter of Adultery - the Affair of the title.
The movie's sinister, noirish elements are not quite an afterthought, but almost. During the first half of the movie, ignored and restive, Gifford sulks nobly in the household she shares with Murphy, forever working late on his legal briefs, and her nine-year-old son (Dean Stockwell) who thinks he could benefit from psychoanalysis. (She, however, may be a riper candidate for the couch, given as she is to swoons and passive-aggressive feigned headaches.)
When smooth-talking Hodiak flatters her and hires her as decorator, she obliges and soon finds herself with the key to his apartment and an inclination to use it for naughtier purposes than updating the chintz. But she soon finds out that Hodiak has many another slip in which to dock his dinghy; and when one of his stable of lady friends is found murdered, Gifford's initialed compact is found with the body. With the prompting of police detective Warner Anderson, Murphy is jolted out of his complacency and sets out to find the truth....
Like The Unfaithful of the same year (a sweetened-up remake of The Letter), The Arnelo Affair seems geared to the women in its audience, more a weeper than a noir. Even the redoubtable Eve Arden, as a dress-designing upstairs neighbor, gets paraded out as much for her eye-popping post-war get-ups as for her trademark mordant lines (and she's a welcome foil to all Gifford's suffering saintliness). The Arnelo Affair holds interest, if slackly; its director, Arch Oboler, hadn't much of a feel for the possibilities inherent in the script or the knack for bringing them out. It's telling that the most memorable characters in the movie are not the principals but Anderson, Arden and the nine-year-old Stockwell.
The movie's sinister, noirish elements are not quite an afterthought, but almost. During the first half of the movie, ignored and restive, Gifford sulks nobly in the household she shares with Murphy, forever working late on his legal briefs, and her nine-year-old son (Dean Stockwell) who thinks he could benefit from psychoanalysis. (She, however, may be a riper candidate for the couch, given as she is to swoons and passive-aggressive feigned headaches.)
When smooth-talking Hodiak flatters her and hires her as decorator, she obliges and soon finds herself with the key to his apartment and an inclination to use it for naughtier purposes than updating the chintz. But she soon finds out that Hodiak has many another slip in which to dock his dinghy; and when one of his stable of lady friends is found murdered, Gifford's initialed compact is found with the body. With the prompting of police detective Warner Anderson, Murphy is jolted out of his complacency and sets out to find the truth....
Like The Unfaithful of the same year (a sweetened-up remake of The Letter), The Arnelo Affair seems geared to the women in its audience, more a weeper than a noir. Even the redoubtable Eve Arden, as a dress-designing upstairs neighbor, gets paraded out as much for her eye-popping post-war get-ups as for her trademark mordant lines (and she's a welcome foil to all Gifford's suffering saintliness). The Arnelo Affair holds interest, if slackly; its director, Arch Oboler, hadn't much of a feel for the possibilities inherent in the script or the knack for bringing them out. It's telling that the most memorable characters in the movie are not the principals but Anderson, Arden and the nine-year-old Stockwell.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Hemligt möte
- Filming locations
- Art Institute of Chicago - 111 S. Michigan Avenue, Downtown, Chicago, Illinois, USA(Opening shot when Tony Arnelo picks up Anne Parkson in his car)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $892,000 (estimated)
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.37 : 1
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