Sheriff Hoppy has to find a way to bring the bad guys, headed by Tom Jordan, to justice in the Lone Star state. The problem is that they are hiding out beyond his jurisdiction, in Oklahoma.Sheriff Hoppy has to find a way to bring the bad guys, headed by Tom Jordan, to justice in the Lone Star state. The problem is that they are hiding out beyond his jurisdiction, in Oklahoma.Sheriff Hoppy has to find a way to bring the bad guys, headed by Tom Jordan, to justice in the Lone Star state. The problem is that they are hiding out beyond his jurisdiction, in Oklahoma.
Robert Mitchum
- Rigney
- (as Bob Mitchum)
Victor Adamson
- Townsman
- (uncredited)
Roy Bucko
- Posse Rider
- (uncredited)
Bob Burns
- Poker Player
- (uncredited)
Ben Corbett
- Poker Player
- (uncredited)
Herman Hack
- Henchman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis is one of 54 Hopalong Cassidy features produced by Harry Sherman, initially distributed by Paramount Pictures from 1935-1941, and then by United Artists 1942-1944, which were purchased by their star William Boyd for nationally syndicated television presentation beginning in 1948 and continuing thereafter for many years, as a result of their phenomenal success. Each feature was re-edited to 54 minutes so as to comfortably fit into a 60 minute time slot, with six minutes for commercials. It was not until 50 years later that, with the cooperation of Mrs. Boyd. i.e. Grace Bradley, that they were finally restored to their original length with their original opening and closing credits intact.
- GoofsWhen Hopalong Cassidy crosses the river on his horse, the lower half of his body is completely submerged in the water, but when he arrives at the cabin where he meets Jean Hollister (Jan Christy) and Steve Jordan (George Reeves), his clothes are completely dry.
- Alternate versionsThe original 16mm television syndication prints of this film , and others in the "Hopalong Cassidy" theatrical feature film series, were pre-edited to 54 minutes. Television stations could show these prints, with the typical 6 minutes of commercials and promos, in a one hour time slot. The broadcasters would run them as if they were a one hour Hopalog Cassidy television series or mix them in with other western features.
- ConnectionsFeatured in Forty Thieves (1944)
Featured review
This traditional "Hoppy" adventure was never meant to be any kind of classic, but mainly functions as Saturday Matinée fare, a pitting of the good guys against the bad guys with plenty of horse chases and gun-play to keep the kids in their seats and wanting to come back for more.
Having grown up in the 1940's, I watch the old Westerns today for reasons other than a gripping plot about which the outcome is clearly foretold. The photography in this one, for example, is exceptional, with cinematographer Russell Harlan going beyond the usual camera set-ups to capture the beauty of location shooting in Lone Pine, California-- the desert-like conditions shot against mountain vistas, the beauty of rustling sycamores framing the action, and exceptional long shots giving us such keen perspectives as robbing of the Well's Fargo Stage from several angles (Harlan, incidentally, went on to film the indelible images of To Kill A Mockingbird). FYI, an unsolicited commercial: Platinum Productions (though Echo Bridge) has released the Cassidy adventures in multiples for very little money, and the transfers are remarkable!
Another incidental pleasure of Hoppy Serves A Writ is Hoppy himself, of course, a cool character who always seems a little above the chaos around him: William Boyd, a leading man from the 1930's found his niche in these Westerns--and we don't have to listen to him sing! Frequently pointed out is Robert Mitchum's first major appearance in a film: a performance at the edge of narcolepsy, but Mitchum actually saddles up a few times and rides; future Superman George Reeves has a meatier role as a dude with attitude, attempting to romance the sole female on the film, but losing her to Hoppy's cute, mild-mannered assistant. And for those with an eye for familiar character actors, the laconic Byron Foulger serves as a shopkeeper; Victor Jory, so often a villain in both Westerns and crime films, sports a nasty scar on his cheek that marks him as the one to hiss.
In all, this is 64 minutes of matinée fun, perfect for a Saturday afternoon with a bowl of popcorn and all your memories of time well spent with your Hollywood pals.
Having grown up in the 1940's, I watch the old Westerns today for reasons other than a gripping plot about which the outcome is clearly foretold. The photography in this one, for example, is exceptional, with cinematographer Russell Harlan going beyond the usual camera set-ups to capture the beauty of location shooting in Lone Pine, California-- the desert-like conditions shot against mountain vistas, the beauty of rustling sycamores framing the action, and exceptional long shots giving us such keen perspectives as robbing of the Well's Fargo Stage from several angles (Harlan, incidentally, went on to film the indelible images of To Kill A Mockingbird). FYI, an unsolicited commercial: Platinum Productions (though Echo Bridge) has released the Cassidy adventures in multiples for very little money, and the transfers are remarkable!
Another incidental pleasure of Hoppy Serves A Writ is Hoppy himself, of course, a cool character who always seems a little above the chaos around him: William Boyd, a leading man from the 1930's found his niche in these Westerns--and we don't have to listen to him sing! Frequently pointed out is Robert Mitchum's first major appearance in a film: a performance at the edge of narcolepsy, but Mitchum actually saddles up a few times and rides; future Superman George Reeves has a meatier role as a dude with attitude, attempting to romance the sole female on the film, but losing her to Hoppy's cute, mild-mannered assistant. And for those with an eye for familiar character actors, the laconic Byron Foulger serves as a shopkeeper; Victor Jory, so often a villain in both Westerns and crime films, sports a nasty scar on his cheek that marks him as the one to hiss.
In all, this is 64 minutes of matinée fun, perfect for a Saturday afternoon with a bowl of popcorn and all your memories of time well spent with your Hollywood pals.
- museumofdave
- Jun 22, 2015
- Permalink
Details
- Runtime1 hour 7 minutes
- Color
- Aspect ratio
- 1.37 : 1
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