Archaeologists defile the tomb of mummified Kharis, who was buried alive for falling in love with an Egyptian princess.Archaeologists defile the tomb of mummified Kharis, who was buried alive for falling in love with an Egyptian princess.Archaeologists defile the tomb of mummified Kharis, who was buried alive for falling in love with an Egyptian princess.
- Awards
- 1 nomination
- The High Priest
- (as Eduardo Cianelli)
- Mr. Solvani
- (as Cecil Kelloway)
- The Beggar
- (as Siegfried Arno)
- Bar Patron
- (uncredited)
- King Amenophis
- (archive footage)
- (uncredited)
- Egyptian Thug
- (uncredited)
- Princess Ananka
- (archive footage)
- (uncredited)
- Director
- Writers
- Griffin Jay
- Maxwell Shane
- John L. Balderston(1932 screenplay) (uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsA little before 15 minutes into the movie, Professor Andoheb refers to "the Inca ruins in Mexico", yet the Incas never were in Mexico. In reality, the Incas were centered in Peru with their empire stretching from Ecuador to northern Chile.
- Quotes
Andoheb: Tana leaves!
The High Priest: Bring three of them. Three of the leaves will make enough fluid to keep Kharis's heart beating. Once each night, during the cycle of the full moon, you will dissolve three tana leaves and give the fluid to Kharis.
[a jackal howls]
The High Priest: Children of the night, they howl about the Hill of the Seven Jackals when Kharis must be fed. Should unbelievers seek to desecrate the tomb of Ananka, you will use nine leaves each night to give life and movement to Kharis. Thus you will enable him to bring vengeance on the heads of those who try to enter.
Andoheb: Yes, master.
The High Priest: But never, for any reason, must you brew more than *nine* leaves at one time. Should Kharis obtain a large amount of the fluid, he would become an uncontrollable *monster*, a soulless demon with the desire to kill and kill.
- ConnectionsEdited from The Mummy (1932)
It does start off rather sluggishly and takes too long to get going, it's all relevant but one does wish that the film got to the point quicker than it did. Two performances didn't come over so good, Wallace Ford's bumbling gets irritating after a while and Eduardo Ciannelli is for my tastes rather stiff. And I do have to agree about some of the comedy, some of it is witty and amusing but too much of it was intrusive and unnecessary so it felt more annoying than funny.
Visually however The Mummy's Hand is a solidly made film, the best-looking of the four Universal Kharis films most certainly, everything's professionally shot, moodily(appropriately) lit and crisply edited, the sets are suitably atmospheric and it's clear what the time and place is meant to be. The score fits well and is haunting, again the best score of the four films, being very stock in the other three. The story while not much new is interesting and doesn't try to do anything too simple or complicated, while it has more than one type of film genre it didn't feel muddled or have the feeling of not-knowing-what-it-was-trying-to-be and once it gets going it is quick moving and is pretty exciting and atmospherically spooky. The direction is decent and while none of the performances are award-worthy the performances are solid enough, George Zucco's excellent(brimming with sinister authority) performance standing out. Cecil Kellaway is very likable and Tom Tyler is surprisingly good as Kharis, he's actually genuinely unnerving(particularly the eyes). Dick Foran is amiable and Peggy Moran brings charm and spunk to her role.
Overall, a decent if not great film and easily the best of the Universal Kharis films. 6.5/10 Bethany Cox
- TheLittleSongbird
- May 9, 2015
Details
- Runtime1 hour 7 minutes
- Color
- Aspect ratio
- 1.37 : 1
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