Down to Their Last Yacht

This 70 minute film made at huge expense at RK0 was their entry into the scatterbrain comedies of the early 30s like DUCK SOUP and MILLION DOLLAR LEGS. Madcap social anarchy mixed with silly kingdoms and sprinkled with songs. KING KELLY OF THE USA and HIPS HIPS HOORAY also fall into this format of two separate halves of a film making up the 60-70 minute running time. In this catastrophe comedy the first 30 minutes aboard the yacht of the title are quite terrific with two truly divine songs set in art deco splendor akin to an Astaire Rogers film: 'Funny little World' especially is worth listening (and watching) over and over. 'The little finger on your hand' is a lilting wistful song and equally memorable and well staged. However..... it all runs aground on some dirt puddle island and complete 'wackiness' takes over. The second half is simply terrible with the shipwrecked socialites living and working like natives while the Polynesians wear silks and top hats and get ordered around by a deranged 'queen' Mary Boland. The film completely falls apart, as if two completely different films were made and wedged together. However the production values are spectacular. I truly love the first half on the yacht. I truly gasp in sheer embarrassment at the second half. as one friend said to me after we lurched thru it: "you sure have shown me some silly films, but that was the silliest"............And not fun either. Apparently it cost half a million dollars in 1934... an epic disaster financially for such a support film.

This movie is fantastic! Pour yourself a cocktail (and have more ready to pour) and sit back and be ready to laugh at what should be a camp classic. It's over the top, it's ridiculous, it's hilarious! The characters are completely over-the-top - it's like everyone's a drag queen. And it's a rarity in that it's a musical where everyone sings live on film. The highlight is Mary Boland, who you probably know as the Countess De Lave from The Women - she's even more hilarious in this.

If you're up for a challenge, definitely see RKO's 1934 bizarrefest DOWN TO THEIR LAST YACHT. You'll have self-inflicted dandruff from scratching your head by the time it's finished, I promise you. A family formerly of the social register hit the skids after the stock market crashes. All they have left is their 80 ft. yacht, which Polly Moran arranges for rental on behalf of skipper Ned Sparks. A boatful of nouveau rich (with the likes of Tom Kennedy, Maurice Black and Blanche Payson!!) set sail for the south seas. Stowaway Sidney Blackmer (watch out - he sings!!) pines for ingenue Sydney Fox, late of MURDERS IN THE RUE MORGUE. Sparks runs aground and the whole gang is captured by Queen Mary Boland and her butler (what else) Charles Coleman. The natives are seen lazily singing of love. The lead is none other than Felix "Tom Tom" Knight. Boland's native guards are armed with tommy guns. She threatens to kill them if Blackmer doesn't marry her. I won't give it all away, but there's more incredulity involving bombs, a radio-wired saxophone and Pooh himself Sterling Holloway.

Whether or not DOWN TO THEIR LAST YACHT was actually the financial disaster that legend has painted must be confirmed with documentation. While not a top drawer release, it was certainly big enough to warrant issuance of motion picture edition sheet music. Also, there are some pretty costly optical and miniature effects. But whatever its cost and subsequent receipts, there is no denying that the film is strange beyond comprehension. And for those who are inquisitive and indulgent of films off the beaten path, DOWN TO THEIR LAST YACHT is definitely worth 64 minutes of your time!

As noted in other comments for this film, this one starts out looking like a typical 1930s screwball comedy about high society but changes course quickly. The story takes several sharp left turns into becoming a musical farce set in a Polynesian island kingdom. Of particular delight is Mary Boland's shabby-glamorous queen and her manservant in tattered livery. The two romantic leads are undistinguished, particularly the male. But any film with Ned Sparks deserves some credit, and the musical numbers aren't as tedious as many others of the period were. It's a curious affair, made all the more startling by the film's rapid pacing, but I feel I must say that other comments make "Down To Their Last Yacht" sound like something from the avant-garde. In truth it's no more 'out there' than W.C. Fields' "Million Dollar Legs" or some of Wheeler & Woolsey's more absurdist work. Not a classic, but certainly worth watching if you come across it.

After the 1929 market crash, the Colt-Stratton family falls from high society to the working poor. Their last major possession is a large luxury yacht where they live. They are forced to rent to the newly rich loud-mouthed Nella Fitzgerald for a gambling trip. The ship runs aground on the South Sea Island of Malakamokolu which is ruled by white Queen Malakamokalu (Mary Boland).

This is a weird little comedy musical adventure. I like the opening premise but it turns into a bit of mess with too many characters. I don't like the music generally although I can't hate that too much. This takes a weird abrupt turn in the middle. It's old Hollywood exoticism with some brown-faced acting and a white crazy Queen. The movie may as well start with the shipwreck and let its freak flag fly.