Mastram

Watched in one full sit and enjoyed it lot of sensuous scenes no nudity but the screenplay and actresses are good it will make you c**!!

This movie had a very thin line and even not developed well. Screenplay is very slow. Dialogues are deliberately tried to keep under the boundary line of explicit stuff. Makers have just tried to encash the title of a widely read porn book. There was clear cut confusion that are they trying to sell some erotic stuff or going to explore the emotional dilemma of a porn writer. Sometimes they lean towards emotion then again bend towards some steamy stuff. Outcome of this confusion is shallow emotions and slow erotica. Publicity guys work is commendable and interesting. They have conceived far better interesting and unique lines then the film has dialogues, like Agar Aapko Inke Bare Mein Pata Nahi Hai To Apne ChaCha Ya Tau se Puchhe, Cumming Today. Performance wise Rahul Bagga is just OK. Tara Alisha Berry, main female lead, looks pretty and acts well. Aakash Dahiya is fine. Music is so so.

The widespread interest in guilty pleasures and fantasies of life can be seen from the popularity of 'kirtu.com', a website that created two famous housewives Savita Bhabhi and Velamma. Erotic stories and magazines have dominated Indian markets for ages. The film 'Mastaram' is débutante director Akhilesh Jaiswal's take on this sensual issue.

A bank clerk Rajaram Vaishnav (Bagga) aspires to be a writer. He decides to quit and pursue his dream following a spat with his superior. However, publishers refuse to work with him as they fail to find uniqueness in his work. At the behest of a publisher Mr Purohit, Rajaram decides to write 'masaledar' stories. Instead, he ends up writing steamy stories using the pseudonym 'Mastram'.

Director Akhilesh Jaiswal who co-wrote Gangs of Wassepur has handled a bold subject with significant ease. We know 'sex sells' but are reluctant to discuss it. This taboo has made lives pleasure and miserable at the same time. He also highlights the plight of struggling writers. The ascent of English made Hindi authors vulnerable as the new generation failed to understand the emotions conveyed through their words. Today, they are left with very few options.

Rahul Bagga is excellent as Rajaram, a timid, ambitious and budding author. Tara Alisha Berry (making her acting debut) fits perfectly into the role of his 'sati-savitri' type wife. The village backdrop has paved the way for a few stage actors to give useful supports and provide better insights into rural mindsets (connected to erotica). The film, which gathers your interest in the first half, hurries to its climax in the other half.

I am going with three out of five stars for Mastram. It is a must watch for all conservative pseudo- intellectuals.

This is the story of struggling writer who quits his job for his dream of writing. But to make his dreams come true he has to write erotica which is not acceptable openly in the society. Nonetheless his books are in demand which earns his good amount. Simultaneously (forced to show his books to his wife) he publishes his decent novel which eventually failed to make success. All this brings frustration. Finally his family and friend know about his writing nevertheless he is happy with his writing because people like. All these situations create comedy which is worth to watch.

To begin with, for the ones in search of all those bold porn scenes, shown in its Youtube videos and more, the film is going to be a big disappointment as the director here is not actually interested in providing that mental masturbation to his viewers, going against all expectations. But for the others, more interested in seeing how the director tries to depict a fictional biography of an unknown controversial personality, this is sure going to be an appealing watch, though might not be a hugely satisfying one, portraying the story in a subtle, controlled manner focusing on the writer alone.

Actually MASTRAM begins with a young educated man aspiring to become a writer and then it progresses as a simple, realistic biography revolving around his initial hardships and struggle in its first 30 minutes. So there is no sexual stuff in these opening reels until, Rajaram (its lead character) forcefully starts writing porn stories to keep his kitchen running. And later too the film focuses more on the writer's mental conflict & his relationships only instead of the expected erotic stuff served repeatedly. Therefore a large proportion of the viewers are bound to feel cheated as the film gives them nothing more than already seen in its bold You Tube trailers promoted well.

In fact the only sexual scenes coming in this 98 minutes movie are the ones when Rajaram starts writing a new story thinking about the fictional characters inspired from his real life acquaintances. And this is only the key feature of movie, brilliantly portraying the fact that every writer takes his basic inspiration from the existing people only in his immediate surroundings and then goes on assigning new roles to them as per his own imagination. In other words, whether it is the respected literature including poetry, novels & stories or the porn stuff including such vulgar texts, the inspiration remains the actual life only flowing around the writer in its various forms.

Moreover, the final insightful moments of the film further reveal that it all depends upon the unlimited capabilities of a human mind only that in what manner he wishes to use his creative imaginations in the end. Because it factually remains the same curvy body of a beautiful girl which is rhythmically compared to the Taj Mahal by one writer and interpreted in a lusty, sensual manner by the other with the mind visualizing the beauty in two different ways.

Hence if you see the film with a viewpoint of studying the person behind those best-selling sex books in the 80s, then it does turns out to be a worthy watch. But if you are just interested in watching some spicy sequences moving a step ahead than its online promos then its certainly going to be a below average film serving nothing as per the promises made.

Also, MASTRAM can easily be explained as a film caught within two distinctive perceptions of its producer/publicity designer and the director. Because where at one end the publicity material of the film suggests it to be one of the boldest films ever, there the film is actually a simple effort to depict a writer's creative struggle and his cracking relationships due to the hidden job under taken. As a result, the end-product keeps standing in the mid-way and the viewer misses the bold content, being promoted all over the net in the last two months through an undoubtedly well designed publicity campaign, for sure.

Coming to the music department, Honey Singh's Gujarati track "Achko Machko" comes at a perfect timing and the song indeed sounds great while watching the film. But I was disappointed not finding the other promoted Punjabi track "Baba Ve" in the film, which ironically is a famous double meaning song of Punjab from the early 80s. Background music supports the on screen sequences well and cinematography gracefully keeps the movie in the category of erotica only, avoiding stepping on to the obvious offensive path of a cheap comedy. Having a perfectly recommended cast by Mukesh Chhabra, it has a fine lead performance played by Rahul Bagga. Still the film actually scores more through its enjoyable supportive acts from a talented cast ensemble including the debutant Tara Alisha.

As a director Akhilesh successfully gives the film a realistic small- town feel, with all lively characters. But yes, he could have given Rajaram a better depth, making him more mysterious as well as expressive providing some additional entertaining moments and a more colourful feel to the project. Because at present his character does seem to be quite dull for a non-existing, exciting porn writer.

To end it on a positive note, MASTRAM is surely an effort to be applauded due to three basic reasons.

One, for making an original Hindi film based on a fictional biography which has been rarely tried in Indian Cinema.

Two, for not going the cheap GRAND MASTI way (disgracing the female actors), whereas that was the most easy and fruitful path to be followed resulting in much bigger returns.

And Three, for some extremely well designed series of posters with a delightful display of creativity using no images at all but just silhouette figures of pen, a nib and a girl.