Open 24 Hours
- 2018
- 1h 42min
VALUTAZIONE IMDb
5,5/10
5777
LA TUA VALUTAZIONE
Dopo la morte del fidanzato che era un assassino seriale, una donna paranoica e delirante accetta un lavoro in una stazione di servizio aperta tutta la notte.Dopo la morte del fidanzato che era un assassino seriale, una donna paranoica e delirante accetta un lavoro in una stazione di servizio aperta tutta la notte.Dopo la morte del fidanzato che era un assassino seriale, una donna paranoica e delirante accetta un lavoro in una stazione di servizio aperta tutta la notte.
- Premi
- 1 vittoria in totale
Glendon Hobgood
- Ed
- (as Glen Hobgood)
Muirenn Brady
- Teenage Girl
- (as Muirenn Eann Sutherland)
Connor Catchpole
- Teenage Boy
- (as Connor Catchple)
Recensioni in evidenza
I think this deserves better than a 5. Okay, so it's not the most original movie I've ever seen, but it was still done pretty well. The acting was great (Brendan Fletcher is terribly underrated IMHO) and it kept me entertained. Also some really good gore, if that's your thing.
Open 24 Hours is a fine little slasher based on a really old script (or a really old concept).
It is listed as a horror but it really isn't. While it has some good gory kills it would've benefited more from in-your-face brutality, just a little more bloody mess.
While small in scale, the film is mostly well done, nothing stands out in a bad way, except for probably pacing and run time. The first 40-45 minutes are just setting things up (which gets repetitive) and it takes them quite a long time to get to the ending.
Some of the supposedly scary scenes border on being hilariously funny, like almost satire level. But it's such a thin line I can't really tell if those were made funny intentionally or by mistake.
The film is mostly ok but besides some memorable funny lines nothing really stands out.
Good for a one-time watch if there is nothing else to see.
It is listed as a horror but it really isn't. While it has some good gory kills it would've benefited more from in-your-face brutality, just a little more bloody mess.
While small in scale, the film is mostly well done, nothing stands out in a bad way, except for probably pacing and run time. The first 40-45 minutes are just setting things up (which gets repetitive) and it takes them quite a long time to get to the ending.
Some of the supposedly scary scenes border on being hilariously funny, like almost satire level. But it's such a thin line I can't really tell if those were made funny intentionally or by mistake.
The film is mostly ok but besides some memorable funny lines nothing really stands out.
Good for a one-time watch if there is nothing else to see.
"Open 24 Hours" is a gory one-location, slasher-like, mystery-in-delusion indie horror, working decreasingly well on those levels in that order. Overall, it proved to be an all-around okay fourth horror feature from Padraig Reynolds, an indie director who seems to love the genre and his role in it.
Mary (Vanessa Grasse) has been through a lot, having escaped from the life together with a serial killer, and is now trying to start anew, still fighting trauma, paranoia and delusions. She lands a well necessary job in a remote gas station as a nightshift clerk, a place where all that can go wrong, will go wrong. The story, written to twist and turn, in the end turns out rather conventional as most of theories that came to mind took a turn to nowhere. The line between Mary's delusion and reality is continuously tried to be blurred, and everything ends in as much conclusion as in ambiguity, but in either case feeling a little underwhelming. In other words, "Open 24 Hours" 'fizzles out' towards the end as the second half gradually favors simpler tropes and actionable filler.
On the other hand, all is well in the horrors taking place in the gas station, for the entire cast provides rather nifty little performances, with the highlight inarguably belonging to Vanessa Grasse. Another satisfying and consistently good aspect of "Open 24 Hours" is its aesthetic coating, built from creative, handsome cinematography and a solid effort by the FX and make-up team. Though perhaps not in excessive amounts, gore hounds will find their desert served extra bloody. On the matters of sound, in my opinion the original score didn't really have an extraordinary touches, as it reminded lot of the musical palette used in a multitude of genre flicks. If musical scores can be described as cliché, this one kind of is.
While the set bar of technical qualities of "Open 24 Hours" never seem to diminish, the substance, or story, on a certain level, does. All in all Padraig Reynold's newest hooray in horror is an entertaining (enough) and effortful indie piece, flaws and some lesser turns included. My rating: 5/10.
Mary (Vanessa Grasse) has been through a lot, having escaped from the life together with a serial killer, and is now trying to start anew, still fighting trauma, paranoia and delusions. She lands a well necessary job in a remote gas station as a nightshift clerk, a place where all that can go wrong, will go wrong. The story, written to twist and turn, in the end turns out rather conventional as most of theories that came to mind took a turn to nowhere. The line between Mary's delusion and reality is continuously tried to be blurred, and everything ends in as much conclusion as in ambiguity, but in either case feeling a little underwhelming. In other words, "Open 24 Hours" 'fizzles out' towards the end as the second half gradually favors simpler tropes and actionable filler.
On the other hand, all is well in the horrors taking place in the gas station, for the entire cast provides rather nifty little performances, with the highlight inarguably belonging to Vanessa Grasse. Another satisfying and consistently good aspect of "Open 24 Hours" is its aesthetic coating, built from creative, handsome cinematography and a solid effort by the FX and make-up team. Though perhaps not in excessive amounts, gore hounds will find their desert served extra bloody. On the matters of sound, in my opinion the original score didn't really have an extraordinary touches, as it reminded lot of the musical palette used in a multitude of genre flicks. If musical scores can be described as cliché, this one kind of is.
While the set bar of technical qualities of "Open 24 Hours" never seem to diminish, the substance, or story, on a certain level, does. All in all Padraig Reynold's newest hooray in horror is an entertaining (enough) and effortful indie piece, flaws and some lesser turns included. My rating: 5/10.
54 year old horror fan. I've seen it all. Nothing scares me anymore, and I'm mainly interesting in how the setup, the acting, the killings, the suspense etc. is done. More analyzing than living my self into it. Boy have I seen a lot of crab. Yes we have seen it all before, nothing new to horror movies since Samara arose from the well. However this little flick is well executed. Nice directing, nice location, good music, well acting. What is real and what is not. Taking the lead actors background into consideration it sure is a messed up mind. Yes the mirror trick is well exposed, and the killer moving from one location to another in 1 minute is unrealistic. All horror movies are unrealistic. Bear that in mind, and watch it anyway. I was entertained and didn't felt bored for a minute.
Decent horror is not that easy to make. So when a small (budget) movie like this comes along, some will probably cherish it more than others. Horror is always something that is fascinating, whether you are appalled by it or drawn to it. You experience something through the eyes of the protagonist and depending on your level of attachment, you go for the fuill ride or just lean back and enjoy whatever happens on screen.
Although enjoy might be the wrong word in some cases. And this is one of them. There is more than a bit of suspense here. And there is some brutal killings. For a slasher normal and obviously since this is a movie, you can't hold it against it. If that floats your boat, you will get what you bargained for. The movie is more than decent overall
Although enjoy might be the wrong word in some cases. And this is one of them. There is more than a bit of suspense here. And there is some brutal killings. For a slasher normal and obviously since this is a movie, you can't hold it against it. If that floats your boat, you will get what you bargained for. The movie is more than decent overall
Lo sapevi?
- QuizThe entire gas station was a set specifically built for this film.
- BlooperThe police dispatcher should have sent another officer to check on the one who was shot after he failed to answer his radio.
- Versioni alternativeThere is an alternate ending that shows the main girl leaving the gas station in shambles, passing all the victims and walking away as the movie ends there.
- ConnessioniFeatured in Projector: Open 24 Hours (2020)
- Colonne sonoreRaindrops
Written and Performed by Dee Clark
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Отворено 24 сата
- Luoghi delle riprese
- Belgrado, Serbia(Serbia Film Commission)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 400.000 USD (previsto)
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Proporzioni
- 2.39:1
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