L'agente di polizia di New York John McClane cerca di salvare sua moglie Holly Gennaro e tutti le altre persone prese in ostaggio dal terrorista tedesco Hans Gruber durante una festa di Nata... Leggi tuttoL'agente di polizia di New York John McClane cerca di salvare sua moglie Holly Gennaro e tutti le altre persone prese in ostaggio dal terrorista tedesco Hans Gruber durante una festa di Natale al Nakatomi Plaza di Los Angeles.L'agente di polizia di New York John McClane cerca di salvare sua moglie Holly Gennaro e tutti le altre persone prese in ostaggio dal terrorista tedesco Hans Gruber durante una festa di Natale al Nakatomi Plaza di Los Angeles.
- Regia
- Sceneggiatura
- Star
- Candidato a 4 Oscar
- 8 vittorie e 8 candidature totali
- Alexander
- (as Joey Plewa)
- Kristoff
- (as Gerard Bonn)
Riepilogo
Recensioni in evidenza
"Die Hard" is about John McClane (Bruce Willis, in one of his all-time best film performances), a basically good, honest New York cop with a penchant for annoying authority figures. Traveling to Los Angeles in a last ditch attempt to patch things up with his estranged wife Holly (Bonnie Bedelia), John McClane suddenly finds himself involved in a hostage situation. Terrorists, led by the enigmatic Hans Gruber (Alan Rickman), have taken over the office building in which Holly is working, and with Gruber holding the upper hand over the LAPD and FBI forces in Los Angeles, it's up to John McClane to save the day . . . .
Kudos should be given to both director John McTiernan and screenwriters Jeb Stuart and Steven DeSouza -- the film is tight, electrifying, and clever, which is something few action films can ever claim. The story isn't completely believable, but it's believable enough, and it manages to move along at a quick enough pace to where the most glaring plotholes can easily be glossed over. There's also enough twists and wrinkles thrown into the story to keep the audience guessing as to what's going to happen next . . . and the surprises don't come out of left field, but are actually clever and well thought-out. (The fact that McClane often relies on his brains instead of his bullets to get out of his predicaments is also a big plus.) Simply put, "Die Hard" is one of the smartest and savviest action screenplays ever written. McTiernan holds up his end of the film admirably as well -- he uses the claustrophobic nature of the office building to great effect (particularly in any scene involving an elevator shaft), and he keeps the film rolling at a rollercoaster pace, building up the anticipation of the audience before unleashing the action. A lot of recent action films just fly along at a mindless, breakneck pace, without ever allowing the story to breathe or the suspense to build . . . unlike those films, "Die Hard" knows how to maximize the impact of each and every scene, and that's why it stands out so clearly from them all. With "Die Hard", John McTiernan puts on a perfect clinic as to how to pace an action movie.
As for the acting, it's darn near close to perfect. Bruce Willis is awesome as John McClane. As played by Willis, McClane's a smartass with a distinct disdain for being given orders . . . but McClane's also clever, and knows how to keep cool under pressure. There's more to McClane than the stereotypical tough guy hero. Fortunately, the role was given to Bruce Willis, who infuses McClane with the perfect mix of cocky arrogance and stone-cold heroism. The fact that Willis plays McClane as a man often in disbelief of his own situation, and who struggles in his fight against bad guys instead of just killing bad guys with ease, like most stereotypical action heroes -- well, not only does it make the character much more believable, it's darn brilliant. (The fact that Willis also knows how to deliver a deadpan one-liner better than anybody else in Hollywood makes the character all the better.) There's only a handful of movies where both character and actor are a completely perfect match; Bruce Willis as John McClane is one such perfect match.
Also worthy of mention is Alan Rickman's performance as the villain Hans Gruber. The Machiavellian Gruber would've been an easy villain to turn into little more than a scenery-chewing Bond villain . . . fortunately, Rickman doesn't travel the easy route. Gruber, as played by Rickman, is cold and calculating, and actually acts smart, instead of merely claiming to be smart and then being thoroughly outwitted by the hero. He always appears to have an ace hidden up his sleeve, and is so convincing at giving this impression, it's hard to tell throughout the film whether he or McClane truly have the upper hand. Other actors probably could've played Gruber fairly well, but Rickman makes Gruber one of the all-time great villains. As for the rest of the cast, they're all pretty good. Bonnie Bedelia does a nice job as John's soon-to-be-ex-wife Holly -- she plays her with enough smarts and feistiness to break the usual "damsel in distress" mold. It's also worth mentioning that Paul Gleason, who plays the obstinate police chief Robinson, pretty much sets up the modern action movie stereotype of the authority figure who refuses to heed the advice of the maverick hero. The character is stupid to a fault, and he's wonderful because of it.
"Die Hard" is a terrific example of what happens when all the pieces of a film fall together perfectly. There simply are no weak spots or dull moments in the film. Is "Die Hard" one of the best overall movies ever made? Probably not. But it's undeniably one of the best action movies ever made, and it just might well be the perfect modern action film. Grade: A
Die Hard is a classic film because it completely revolutionized action films. The 80s were a time of unrealistic action sequences, predictable characters, and rudimentary plots. Die Hard changed all that. Die Hard takes place in a real world setting, or at least about as real as you can get with an action movie, so the action sequences, while insane, are slightly believable. The plot of the movie is simple, yet it's so brilliant at the same time. And the characters in this movie are engaging and a lot of fun to watch. John McClane is a really likable everyman kind of guy, we can all relate to him. Hans Gruber is an awesome villain, both cold and ruthless, yet very human. The supporting characters on the outside of the building are all great as well. Another great thing about Die Hard is that even though it's a hardcore action movie, it manages to be extremely funny at some parts, almost to a point of being able to call it a comedy. This makes the movie really easy to watch over and over again. There's really nothing wrong with this movie whatsoever in any department.
The acting is great. Bruce Willis is hilarious and hardcore as John McClane, and he portrays the adrenaline and the frustration of the situation very well. Alan Rickman is awesome in one of his earlier roles as the main villain Hans Gruber. Reginald VelJohnson is enjoyable as McClane's outside contact Officer Al Powell, and Paul Gleason is funny as a hardheaded and incompetent deputy chief of police.
Overall, Die Hard is the ultimate action film because it's fast, funny, and hardcore. It also gave us one of the most famous action movie one liners of all time...You know the one.
8/10
My family and I catch this fi on cable almost every year during the Christmas season and this never gets old. Unlike other action films from the 80s that spit cheesy little one-liners and mindless gun shootouts, this film presents viewers with a very likable protagonist who is self aware with his flaws and has feels very human, a Villain who is near equally likable and incredibly smart, and the dialogue between these two characters (which are spoken via walkie-talkies for the majority of the time) is very witty and clever that keep viewers' attention. The main character John McClane spends most of the time fighting off the terrorists who are lead by Hans Gruber, and the scenes are exciting to watch. Glossing with intense gunfights, explosions, stellar camera-work and fight choreography, the scenes keep viewers strapped to their seats. In the scenes when the action lightens up, there are some interesting conversations between characters like McClane, who at one point, shares a tender moment with a cop by admitting his flaws as a husband and a man as a whole. These moments are make you feel for the character and are presented in a realistic way and not sappy way. Bruce Willis does an excellent job as the main character and his performances him as the action hero he is today, along with his famous line "Yippie Kay Yay, motherf***er". The same can be said about Alan Rickman is gives off a performances as the one of the most charismatic antagonists ever put on screen. What really impresses me about this film is the action set pieces. The Nakatomi Plaza that serves as the film's main setting (at least during the beginning) is shot nowhere other than Twentieth Century Fox headquarters. Quite interesting!
Die Hard is one of the most influential action films ever made and shines with nearly every aspect an action film needs. It is a good movie for viewers to pop a bag of popcorn, sit on the couch, and watch. Director John McTiernan did a fantastic job with this film as well as the cast. This film is a textbook example of what action films need to be and a movie that every action fan should not miss.
Well, what else can I say besides that this is "THE" (can't stress it more) action movie from the 80's with a young Bruce Willis. Personally, I don't even know how many times I've seen this movie. "Die Hard" remains an example for all action movies that followed. At that time you had the Sly and Arnie action movies. But these were more a performance of brutal violence, with big muscles and a sense of invincibility. Bruce showed a clever, shrewd, caustic action hero, who can take a beating, but on the other hand shows that he's not completely invincible.
Of course, the action in films nowadays is much bigger, more impressive and mind-blowing, but the strength of this film is the story, the accumulated tension, lightness and the dry humor of Bruce Willis. From the first minute he takes you in his grip, and he won't let loose. You see him slowly evolve from a wrinkle-free clean-shaved top cop into a reasonable damaged hero. This pattern keeps coming back in the next two parts, which are also top movies of the same caliber.
You'll notice this is already an old movie because for instance lighting a cigarette in a public place isn't prohibited. But how the action scenes are imaged, is still top-work and should be the aim for many action flicks.
I think the sudden confrontation between Gruber and McClane is one of the strongest scenes in this film, along with the well known "Yippie-kay-yee" cry. Trademark of Willis. The fact he likes the character of McClane a lot, you see clearly in "The Last boyscout". In that movie he plays an impoverished detective with the same coolness and cynical, dry humor as McClane. Too bad that in the last two Die Hard movies, McClane is only a shadow of himself like in the original movie.
"Die Hard" is one of those rarities in movie land, which you can watch without thinking "Pfft Again this movie". It remains, for me, an enjoyment to watch.
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Lo sapevi?
- QuizThe fictional Nakatomi Plaza is the headquarters of 20th Century Studios, so the studio could use one of its own buildings and didn't have to hold back on stunts and action sequences. While Jeb Stuart was writing the screenplay, he did a tour of the building, and immediately incorporated some of the locations and objects he found there into his script as set pieces (such as the cart that McClane and Karl end up riding during their fight). The company charged itself rent for the use of the then-unfinished building. Some of the middle floors were occupied by legal and administrative departments, so only empty floors were used for filming. Still, the filming of scenes that involved gunfire had to be postponed until after hours because some of the employees from the active floors started to complain about the noise.
- BlooperSeveral times during transmissions with the two-way radios, characters interrupt each other, which would be impossible given the type of radios they were using.
- Citazioni
John McClane: [huddled in an air vent, recalls his wife's invitation] "Come out to the coast, we'll get together, have a few laughs..."
- Curiosità sui creditiIn the widescreen version, the 20th Century Fox logo is stretched.
- Versioni alternativeThe Ultimate edition DVD contains the following deleted/extended scenes:
- Extended power shutdown sequence.
- Extended opening flight scene.
- Brief dialogue in the first Hans/McClane confrontation.
- Extended scene where Robinson/Powell brief the FBI on the tower situation.
- Brief dialogue when Hans interrogates Takagi.
- Brief dialogue after Theo says "You didn't bring me along for my charming personality".
- Extended/alternate dialogue in McClane/Powell conversation after McClane uses the plastic explosives.
- Brief scene of FBI agents getting stuck in thorn bushes as they make their way towards the building.
- At the end, McClane says "You got a warranty for this (Holly's watch, a gift from Nakatomi Corporation)?" to which Holly laughs.
- Argyle's dialogue as Powell's police cruiser flies by in the background.
- Brief Ellis dialogue reacting to the terrorist intrusion.
- City engineer briefly coughs before pulling out the power cord.
- Brief dialogue in Hans/Karl argument about "neutralizing" McClane.
- Additional Holly dialogue after seeing Karl's reaction to McClane's escape.
- ConnessioniEdited into Die Hard - Duri a morire (1995)
- Colonne sonoreSingin' in the Rain
Written by Arthur Freed and Nacio Herb Brown
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- A un passo dall'inferno : Trappola di cristallo
- Luoghi delle riprese
- Fox Plaza - 2121 Avenue of the Stars, Century City, Los Angeles, California, Stati Uniti(Nakatomi building, interiors filmed on the 29th and 35th floors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 28.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 85.892.546 USD
- Fine settimana di apertura Stati Uniti e Canada
- 601.851 USD
- 17 lug 1988
- Lordo in tutto il mondo
- 143.651.650 USD
- Tempo di esecuzione
- 2h 12min(132 min)
- Colore
- Proporzioni
- 2.39 : 1