Aggiungi una trama nella tua linguaA psychologically damaged young man murders young women who sexually excite him.A psychologically damaged young man murders young women who sexually excite him.A psychologically damaged young man murders young women who sexually excite him.
Domingo Codesido Ascanio
- Julio Nieto
- (as David Carpenter)
Maria Rohm
- Teresa
- (as María Rohm)
Concha Gómez Conde
- Empleada pensión
- (as Concepción Gómez Conde)
Trama
Lo sapevi?
- Citazioni
Julio Nieto: [calling Dona Dolores, after having attempted to garrote her] I'm very sorry.
Doña Dolores: It's not important!
- Colonne sonoreNo le roces con tu sonrisa
Written by Ann Collin (as Collin), Jesús García de Dueñas (as Dueñas) and Pattuchi
Performed by Ann Collin
Published by Cam España S.A. Ediciones Musicales
Recensione in evidenza
A troubled young man goes around murdering women who sexually excite him.
It's not the most original concept in the world. There have been movies before and since that have dealt with a similar idea. But this Spanish production still registers. It has decent performances and a story that essentially holds up. But more importantly it has a good sense of style. The killer's inner turmoil is shown by flashbacks, close-ups of eyes and eerie music. In the murder scenes all of these elements kick in together and are well executed. Generally speaking, it's a well photographed film, with nice exterior shots of various Spanish locales and great detail of a religious festival incorporated into the story which adds good additional atmosphere. The killer's obsession with women's shoes also adds a further fetishtic detail; similarly, images and sounds of trains add additional material that recalls his past trauma. The music varies from cheesy Spanish pop to atmospheric glockenspiel and piano driven pieces.
It's a psychological thriller with some slasher violence. It's more interested in setting an atmosphere that glorifying in bloody mayhem though. Overall, it works pretty well. It's a stylish film and the Spanish feel to it adds a lot to the aesthetic. Definitely a movie that deserves to be more widely seen.
It's not the most original concept in the world. There have been movies before and since that have dealt with a similar idea. But this Spanish production still registers. It has decent performances and a story that essentially holds up. But more importantly it has a good sense of style. The killer's inner turmoil is shown by flashbacks, close-ups of eyes and eerie music. In the murder scenes all of these elements kick in together and are well executed. Generally speaking, it's a well photographed film, with nice exterior shots of various Spanish locales and great detail of a religious festival incorporated into the story which adds good additional atmosphere. The killer's obsession with women's shoes also adds a further fetishtic detail; similarly, images and sounds of trains add additional material that recalls his past trauma. The music varies from cheesy Spanish pop to atmospheric glockenspiel and piano driven pieces.
It's a psychological thriller with some slasher violence. It's more interested in setting an atmosphere that glorifying in bloody mayhem though. Overall, it works pretty well. It's a stylish film and the Spanish feel to it adds a lot to the aesthetic. Definitely a movie that deserves to be more widely seen.
- Red-Barracuda
- 7 apr 2012
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Killer is Not Alone
- Luoghi delle riprese
- Malaga, Costa del Sol, Spagna(Semana Santa observances)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 21 minuti
- Mix di suoni
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was El asesino no está solo (1975) officially released in Canada in English?
Rispondi