An Accidental Soldier

I was a little hesitant to view this film, but it's a true keeper. It's on my hard drive where in all likelihood it will stay. And that is a rarity. This is essentially a low action movie, but it is truly atmospheric. All actors are superb and rather understated. I have no knowledge of Marie Bunel - she was simply wonderful in her portrayal of a French woman, struggling through rural French life in World War 1. Dan Spielman is equally good. He found compassion for his role as a deserter. The scenery is finely chosen, and the direction unbelievably good. I know Rachel Ward has credits in varied production areas (including acting and directing) but she shows rare finesse here. Her husband is Brian Brown, who plays a lesser role. I have always thought he over-acts, but he is much more restrained here. Do yourself a favour and catch this. It's currently rating a 7.1 which certainly should indicate a watchable production. I can't think of a recent film I'd give a 10, but this one has that score.

I sat down to watch this film without expecting anything special, and how wrong I was! Rachel Ward has done a wonderful job, the acting is superb, the story original, deeply moving and handled with subtlety. The casting is perfect, I can't imagine any other actors who would have played these roles with the sensitivity, credibility and honesty of Dan Spielman and Marie Bunel in particular. Harry is a vulnerable, sensitive man who just can't stomach the senseless slaughter of war and wants no more part of it, and hence is labeled by society as a worthless deserter. But as the film progresses we see him as a man of great strength, courage and loyalty, and of immense worth as a person, who earns the love and respect of Colombe. Julia Zamiro & Bryan Brown were also terrific and added further complexity and interest to the film. Congratulations to Rachel Ward, your film is just a delight to watch, very highly recommended.

True to period, people & place. Brilliantly done, a visual feast, very captivating & real in performance & visual detail. Refreshing realism in language barrier. Ward has used the medium to the utmost of ability to tell a deep & passionate story, without waste, pretension or fluff. Love it and know that I will be recalling the images for many years to come. I don't think I could have even begun to imagine that a french provincial, Great War movie could have been depicted in such a true fashion so simply & with as much detail. The actors whom I've not come across before, other than Zamiro, were outstanding, the cinematography captured facial expressions & personality beautifully. Loved the way words were almost irrelevant except as a tone of voice. Will be enjoyed & contemplated in many a conversation post viewing.

It is difficult to understanding why a film of this sensitivity and beauty is not more widely recognized as a superb cinematic achievement. The sensitivity of the performances. the lush beauty of the sets, and the unpretentious handling of dialogue in French and English is a wonder to behold. Make no mistake, this is an anti-war movie but only to the extent that it exposes the human toll and injustice suffered by ordinary human beings who are caught in its horror. Marie Bunel and Dan Spielman are nothing short of astonishing. There is nothing predictable, sentimental, maudlin, or vulgar about this perfect movie.

Usually, I wonder if I should watch most Australian movies. They're either wonderful or terrible and rarely anything in between.

It was a delight to watch an intelligent war movie for a change... in other words, one where it's clearly shown that war is one of greatest wrongs and absurdities of humanity.

In running away from the war, an Australian baker, (never meant to go to the killing fields and yet does... supposed to be baking bread for the troops until too many soldiers are murdered and they need anyone they can get their hands on for cannon fodder,) he takes refuge with an older French woman and... although it sounds like a cliché and as if would all go downhill to Hollywood schmoo from there, it most certainly doesn't.

Wonderfully directed by Rachel Ward, this is a kind, sensitive and gentle film that does not whitewash the foulness of war and yet doesn't invite us to partake of it, either.