Ajouter une intrigue dans votre langueAt the house of their target, two hit men bide their time waiting for the kill, only to find death already arrived in the shape of black magic, devilish spirits and the occult.At the house of their target, two hit men bide their time waiting for the kill, only to find death already arrived in the shape of black magic, devilish spirits and the occult.At the house of their target, two hit men bide their time waiting for the kill, only to find death already arrived in the shape of black magic, devilish spirits and the occult.
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...and I'm saying that as an obsessive fan of Kill List--as in, watched it dozens of times. Another reviewer here claims that if "rips off Kill List" and that is simply wrong. True, it features two hit men, one English, one Irish. They run into trouble on the job and the subgenres switch from crime drama to folk horror, but the dynamic between the two principals are completely different, plot doesn't come close to resembling Kill List and, while it can be argued that it's not as good as Kill List, it isn't a bad film by any means. Performances were impressive, especially Billy Clarke's Pinner, the plot was fairly original, and while it isn't terrifying, there are a couple of nice creepy moments.
To be honest, I might have been disappointed if I paid full-price at a theater, but to watch it I Shudder while recovering from a bug wasn't a bad way to kill 90 min or so.
To be honest, I might have been disappointed if I paid full-price at a theater, but to watch it I Shudder while recovering from a bug wasn't a bad way to kill 90 min or so.
A clear rip-off of Ben Wheatley's KILL LIST, THE DEVIL'S BUSINESS is a hopeless travesty of a film. Shot almost entirely in the dark with mainly just two actors on the screen, it sees a couple of hit-man - a seasoned professional and his rookie apprentice - visiting a house to carry out a hit. Once there they find the place deserted so they sit round for about an hour of screen time, waiting for him to show up.
The story is extraordinarily low budget so this needed a fantastic script to make up for it. Sadly there isn't one. The acting is hopeless, particularly on the part of the inexperienced younger guy, but it's the dialogue that crushes the life from this one. There's a ten minute monologue which is one of the dullest ever and has no real connection to the central story, as tenuous as that is. It appears somebody researched the life of Aleister Crowley and decided to do a modern-day version of the tale but the effort is entirely unsuccessful. Indeed THE DEVIL'S BUSINESS is the worst horror film I've seen in a long time, and that comes from somebody frequently exposed to the worst late-night excesses of The Horror Channel.
The story is extraordinarily low budget so this needed a fantastic script to make up for it. Sadly there isn't one. The acting is hopeless, particularly on the part of the inexperienced younger guy, but it's the dialogue that crushes the life from this one. There's a ten minute monologue which is one of the dullest ever and has no real connection to the central story, as tenuous as that is. It appears somebody researched the life of Aleister Crowley and decided to do a modern-day version of the tale but the effort is entirely unsuccessful. Indeed THE DEVIL'S BUSINESS is the worst horror film I've seen in a long time, and that comes from somebody frequently exposed to the worst late-night excesses of The Horror Channel.
The Devil's Business is largely two men talking about their business on the shady side of the law, and the younger man's contemplation of life as a hitman given the older man's experience.
At first, this can be off putting and seemingly slow paced. But, what they are discussing isn't quite as banal as it may seem. There is something deeper happening.
Now, add in some supernatural ritualistic elements from the target of their assignment, and the talking becomes a bit more complex.
Overall this remains a small film that has heart as long as you don't mind a storyline that leaves some gaps in the logic. The acting of the two is earnest if a bit defined by their characters. They are still believable for who they are.
At first, this can be off putting and seemingly slow paced. But, what they are discussing isn't quite as banal as it may seem. There is something deeper happening.
Now, add in some supernatural ritualistic elements from the target of their assignment, and the talking becomes a bit more complex.
Overall this remains a small film that has heart as long as you don't mind a storyline that leaves some gaps in the logic. The acting of the two is earnest if a bit defined by their characters. They are still believable for who they are.
Two hit men arrive at a house under instruction to kill the guy who lives there. They sit around talking waiting for him to get home, one of 'em goes for a Pooh just as he gets back. Timing, eh?
The cast, all four of them, are very good, especially Billy Clarke as Pinner, the elder, experienced hit-man. His unblinking 10 minute monologue is flipping ace, a great, weighty centrepoint of the film. The majority of the runtime is the verbal exchange between the two hit men, there is gore and jump scares but they're not over used and the script will hold your attention as it creates a nice creeping tension.
The only weak point is the very end of the film, without giving anything away, it gets, we thought, a little silly. It's a let-down, but a forgivable one as the hour leading up to it was so enjoyable and well made.
Well worth a purchase/rental!
The cast, all four of them, are very good, especially Billy Clarke as Pinner, the elder, experienced hit-man. His unblinking 10 minute monologue is flipping ace, a great, weighty centrepoint of the film. The majority of the runtime is the verbal exchange between the two hit men, there is gore and jump scares but they're not over used and the script will hold your attention as it creates a nice creeping tension.
The only weak point is the very end of the film, without giving anything away, it gets, we thought, a little silly. It's a let-down, but a forgivable one as the hour leading up to it was so enjoyable and well made.
Well worth a purchase/rental!
I don't get why so many here are accusing this film of 'ripping off' Kill List. It's obviously and occult version of Harold Pinter's play The Dumbwaiter... given an occult twist. One of the characters is even named 'Pinner' as a nod to its inspiration.
In truth, the earlier parts of the movie, that more closely resemble that play, are a lot creepier than the later, bloodier, bits. Still, it's a good show and kept me entertained all the way through.
It is very minimal... just a few (good) actors and a couple of filming locations... but what need would it have for more? As it is it makes perfect sense without a bunch of unnecessary bloat to dilute its story.
I'd be quite interested to see what it's creators make next.
I'd be quite interested to see what it's creators make next.
Le saviez-vous
- AnecdotesCompletely shot on the Canon 5D DSLR digital camera.
- ConnexionsFeatured in Everything Is Terrible! Presents: The Great Satan (2018)
- Bandes originalesMy Enemies I Fear Not, But Protect Me From My Friends
Written by Justin Greaves
Performed by Crippled Black Phoenix
Courtesy of Invada Records
Published by Domino Publishing
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Détails
- Durée
- 1h 9m(69 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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