Ouvrier d'usine, Douglas Quaid, commence à soupçonner qu'il est un espion après avoir rendu visite à Recall, une entreprise qui fournit à ses clients de faux souvenirs d'une vie qu'ils aimer... Tout lireOuvrier d'usine, Douglas Quaid, commence à soupçonner qu'il est un espion après avoir rendu visite à Recall, une entreprise qui fournit à ses clients de faux souvenirs d'une vie qu'ils aimeraient avoir vécue.Ouvrier d'usine, Douglas Quaid, commence à soupçonner qu'il est un espion après avoir rendu visite à Recall, une entreprise qui fournit à ses clients de faux souvenirs d'une vie qu'ils aimeraient avoir vécue.
- Prix
- 2 victoires et 6 nominations au total
- Hammond
- (as Dylan Scott Smith)
Avis en vedette
I always rate a film on two scales: The technical aspects (an objective scale), and if I actually liked it (subjective scale). I'm pretty forgiving with science fiction films so I'll keep my review as objective as possible.
Pros: The futuristic world that has been imagined for this film was well designed. Visually, the film is stunning. If you're the type that reads into the quirky inventions you see on screen, this film is littered with them.
There were plenty of action sequences, and most of the time the film gave us eye candy that we haven't seen before. It seemed as though a general theme in the film (besides "questioning what's real") was constant play with gravity. This may have been influenced by inception, but the world turns upside down a few times, and it's visually interesting.
Cons: The plot. It was there, but not as deep as you would hope for a "Total Recall" remake. There were a few cool things thrown in there, but the plot was definitely not the strong point of the film.
The action sequences. There were a lot of positive aspects to all the action, but the movie seemed to rely too heavily on it. The movie came off as one giant chase scene, and it became slightly repetitive after a while. If you like a little meat on your plot's backbone, you may want to lower your expectations a little bit before seeing this one.
Conclusion: Try not to think of this film as a literal remake of the original. Think of it as analogous to a band doing a cover of someone else's song... in a very different style. It lifts the ideas from the original film, and written source material, but takes a different spin on it.
In all, I liked it. I had my quips, but it's a movie that I gave a lot of forgiveness. From what I recall, it wasn't a TOTAL mess.
Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan Cranston are all solid actors, but their performances here lack energy and charisma. Even though the film was attempting to strike a more serious tone than the original, it's no excuse for the nearly comatose acting on display here. It doesn't help that the script fails to supply them with even a semblance of humor or wit. Most egregious of all, it fails to do anything fresh or original with the premise.
Ironically, 'Total Recall' ends up being utterly forgettable.
1990's Total Recall is a benchmark for the Sci-fi/action genre thanks to Arnold Schwarzenegger's trademark sense of humor and a script and direction that balance the excessive action and camp with some undeniably smart self-effacing satire. In 2009, it was announced that Kurt Wimmer of the cult film Equilibrium would co-write a remake alongside Mark Bomback. Needless to say many were not enthused by the prospect of a remake of Total Recall as not only is it a classic of the genre, but the fact the original still holds up made people question it's purpose. Many of the cast and crew tried to brush off such concerns with statements like "we're going back to the book" or "it's an adaptation of the original story, not the 1990 film" only to have those statements undermined by the fact characters like Melina, Harry, Cohaagen, and the resistance leader were inventions of the 1990 film and not the original story. Made for $125 million the movie performed poorly stateside making only $58 million, but like many action films was alleviated thanks to the international market which brought its total up to $198 million but was still considered a disappointment when factoring in marketing and distribution costs. Critical and audience reception tended to be pretty tepid with even the most positive reviews like Richard Roeper's B- still emphasizing the enduring nature of the original film, but regardless of how you slice it Total Recall 2012 is a soulless product that bares only a fraction of its predecessor's charm.
I'll say that Colin Farrell is okay as Quaid, he's not given all that much to work with because the script just wants to rush him from one CGI filled action/chase scene to the next, but the moments of him questioning his identity or making personal discoveries such as a scene where he realizes he can play the piano are decent. Aside from that one point however, everything else in Total Recall 2012 is either mediocre or below par. Unlike the 1990 film, Total Recall is an ugly movie to look at. Len Wiseman gives J. J. Abrams a run for his money with the awful "lens flare" effects filling the screen with visual noise and from the initial dream sequence that's filled with painful flashing lights you know parts of this movie will be challenging to look at for all the wrong reasons. The movie also plays itself much more seriously than the 1990 film as it plays the altered memory possibility in a manner similar to how the Jason Bourne films handled that character's amnesia, and the movie takes a very "post 9/11/Bush Administration" approach to its story with the core conflict of the government arranging attacks on itself in an attempt to give itself some semblance of cultural relevance and it's basically a xerox of a xerox at this point because the Prince of Persia movie did this same plotline two years before this movie and it wasn't particularly good there either.
I could probably give some leeway to the generic plot if the characters were the least bit interesting or memorable, but aside from a five minute appearance by John Cho as the Rekall rep who administers Quaid's memories most of the cast are non-entities. Jessica Biel feels lifeless as Melina, great actors like Bryan Cranston and Bill Nighy are given very stock roles with nothing for them to work with, but the real standout (for all the wrong reasons) is Kate Beckinsale as Lori who aside from a bunch of lifeless drones is the primary antagonist for Quaid to fight against and she is massively annoying. The character has basically been created as a merger of Richtor and Lori from the original film but not only is Beckinsale not threatening in the role, but with her constant childish taunting to Quaid and her motivation for trying to kill him being "Cohaagen never stopped talking about you" she comes off like a petulant child who's mad they're not getting enough attention. And despite this movie "not being a remake" the movie reminds you every few minutes of the original film by quoting dialogue from it, recreating visual references, and rather surprising for a PG-13 movie for this era they even bring back the three breasted topless woman.
Total Recall 2012 is expensive and pointless mediocrity. It's a dour emotionally muted film with action sequences that feel more akin to watching someone play a video game than watching a movie and instead of doing anything new or interesting with the material it does a generic bare minimum while reminding you of the original with visual and auditory references. Just watch the 1990 film.
In other words, cinemas-TV-Internet are full of similar and far better movies. I would prefer Totall Recall 1990 as well.
Le saviez-vous
- AnecdotesThe single-take fight scene was performed by Colin Farrell himself, and was shot 22 times before Farrell did it perfectly.
- GaffesFor The Fall to travel the diameter of the Earth in 17 minutes, it would have to maintain an average speed of over 45000 kph (28000 mph). At this speed, it would be impossible for anyone to survive standing on the outside, because of both the airflow and the high temperatures resulting from friction.
- Citations
Matthias: Mr. Hauser, What is it you want?
Doug Quaid: I want to help you.
Matthias: That is not the only reason you are here.
Doug Quaid: I want to remember.
Matthias: Why?
Doug Quaid: So I can be myself, be who I was.
Matthias: It is each man's quest to find out who he truly is, but the answer to that lies in the present, not in the past. As it is for all of us.
Doug Quaid: But the past tells us who we've become.
Matthias: The past is a construct of the mind. It blinds us. It fools us into believing it. But the heart wants to live in the present. Look there. You'll find your answer.
- Autres versionsThe scene where the three-breasted woman is topless has been re-shot for the US release due to different moral standards. The version released in European countries is unchanged.
- ConnexionsFeatured in WatchMojo: Another Top 10 Worst Hollywood Remakes (2012)
- Bandes originalesTyphoon
Written by Ebow Graham, Pavan Mukhi, Luca Gulotta and Joe Erskine (as Joseph Erskine)
Performed by Foreign Beggars featuring Chasing Shadows
Courtesy of Dented Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Total Recall
- Lieux de tournage
- Lower Bay Station, Toronto, Ontario, Canada(Subway location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 125 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 58 877 969 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 577 758 $ US
- 5 août 2012
- Brut – à l'échelle mondiale
- 198 467 607 $ US
- Durée
- 1h 58m(118 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1