ÉVALUATION IMDb
5,8/10
2,5 k
MA NOTE
Ajouter une intrigue dans votre langueDon McKay, a high school janitor who leaves his hometown after a tragedy, returns 25 years later to rekindle a romance with his old flame, who is dying, but this homecoming brings McKay more... Tout lireDon McKay, a high school janitor who leaves his hometown after a tragedy, returns 25 years later to rekindle a romance with his old flame, who is dying, but this homecoming brings McKay more than he bargained for.Don McKay, a high school janitor who leaves his hometown after a tragedy, returns 25 years later to rekindle a romance with his old flame, who is dying, but this homecoming brings McKay more than he bargained for.
Melissa Leo
- Marie
- (as Melissa Chessington Leo)
Amanda George
- Clerk
- (as Amanda Donaghey)
Charlie Peabody
- Officer #2
- (as Charles Peabody)
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"Don McKay" is marketed as an edgy thriller, that's probably because they had no idea how to categorize it.
The movie begins as a cross between a romantic drama, a character study, and a dark thriller. Don McKay, played brilliantly by Thomas Haden Church, returns to his hometown by a letter from his high school girlfriend, Sunny (Elisabeth Shue). That's the romantic drama aspect. But we quickly learn that there's something not quite right about Sunny, there's something not quite right with most people in the town, and McKay has dark secrets to his past. We are always on the lookout for creepy turns and shadows around every corner. Those are the dark thriller aspects.
It seems as if it's going to be a character study, but its really not about McKay himself. It's ultimately plot-driven and the mysterious problems that McKay gets himself into. I was riveted throughout.
I actually highly recommend "Don McKay" because it's cleverly written to throw its audience off-guard, it's completely original, and these film-makers know what they are doing. And no matter what genre you decide it is by the end, it won't be what you thought it was at the beginning.
The movie begins as a cross between a romantic drama, a character study, and a dark thriller. Don McKay, played brilliantly by Thomas Haden Church, returns to his hometown by a letter from his high school girlfriend, Sunny (Elisabeth Shue). That's the romantic drama aspect. But we quickly learn that there's something not quite right about Sunny, there's something not quite right with most people in the town, and McKay has dark secrets to his past. We are always on the lookout for creepy turns and shadows around every corner. Those are the dark thriller aspects.
It seems as if it's going to be a character study, but its really not about McKay himself. It's ultimately plot-driven and the mysterious problems that McKay gets himself into. I was riveted throughout.
I actually highly recommend "Don McKay" because it's cleverly written to throw its audience off-guard, it's completely original, and these film-makers know what they are doing. And no matter what genre you decide it is by the end, it won't be what you thought it was at the beginning.
What if you made a low/no budget movie about a con and by the end of the movie it came across as more confusing than smart? What if everything leading up to the final scenes were more boring than interesting? What if everyone acting in this film just mumbled through their cringe worthy lines? Well you'd have the movie Don McKay.
This movie is so stilted it only starts to get interesting in maybe the last 20 minutes before the credits roll, anything before that is just, sadly, nothing about nothing. Within the first 10 minutes of the movie you, the viewer, know something is amiss but the movie gives no clues and drags out this expectation of answers until the very end. The rest of the movie is padded with allusions of something happening 25 years prior and by the time it's all tied up in the end, it's ridiculous that it's all been withheld for the entire running time.
Honestly this would have been perfect fodder for a hour long TV episode of the crime/suspense type, and probably gotten a much better treatment on the small screen. The best con of this movie is the fact it separated you from your hard earned money just to waste an hour and half of your life, both of which you'll never get back.
This movie is so stilted it only starts to get interesting in maybe the last 20 minutes before the credits roll, anything before that is just, sadly, nothing about nothing. Within the first 10 minutes of the movie you, the viewer, know something is amiss but the movie gives no clues and drags out this expectation of answers until the very end. The rest of the movie is padded with allusions of something happening 25 years prior and by the time it's all tied up in the end, it's ridiculous that it's all been withheld for the entire running time.
Honestly this would have been perfect fodder for a hour long TV episode of the crime/suspense type, and probably gotten a much better treatment on the small screen. The best con of this movie is the fact it separated you from your hard earned money just to waste an hour and half of your life, both of which you'll never get back.
I went to see "Don McKay" with some friends last night; it wasn't really on my movie radar because there hasn't been a big ad campaign, but it was thoroughly entertaining! I didn't really know what to expect; it appeared to be a thriller and although I would categorize it as that, I was surprised at how funny it was.
Seriously, the whole audience seemed to be caught up in the plot - the pace and the twists and turns leave you a little breathless at times, but belly-laughing as well. I'm actually considering seeing it again since it's one of those movies that you might want to re-watch and "look for clues."
Thomas Haden Church is perfect as Don the lonely janitor leading a solitary mundane life, pining for his lost love. He has an expressive face that is compelling as he is in turns beguiled, curious, confused, frustrated, and desperate.
Elisabeth Shue as Sunny is a complete wackadoo, I don't know how else to put it she is manipulative to the extreme and it's entertaining to see her in action, turning on the charm and wrapping Don around her finger. She takes full advantage of Don's vulnerability; it seems at times Don is vaguely aware of being played, but is enjoying the attention of this sexy creature so much that he willingly goes along for the ride.
Melissa Leo appears as Sunny's uptight and prim caregiver. If you've seen her in other films, just the sight gag of her character is amusing enough, but I daresay that she delivers some of the best lines in the film.
There are several character actors whom I recognized as "that guy! I love him - he was so great in " who fill out the cast. They may not be household names, but you've seen them countless times before. I especially liked Keith David as Otis but they all delivered solid performances.
I don't want to give too much of the plot away, but suffice it to say that there is a lot of double-crossing going on. Although the viewer may be wondering what the hell is going on in the middle, everything becomes clear by the final act.
Seriously, the whole audience seemed to be caught up in the plot - the pace and the twists and turns leave you a little breathless at times, but belly-laughing as well. I'm actually considering seeing it again since it's one of those movies that you might want to re-watch and "look for clues."
Thomas Haden Church is perfect as Don the lonely janitor leading a solitary mundane life, pining for his lost love. He has an expressive face that is compelling as he is in turns beguiled, curious, confused, frustrated, and desperate.
Elisabeth Shue as Sunny is a complete wackadoo, I don't know how else to put it she is manipulative to the extreme and it's entertaining to see her in action, turning on the charm and wrapping Don around her finger. She takes full advantage of Don's vulnerability; it seems at times Don is vaguely aware of being played, but is enjoying the attention of this sexy creature so much that he willingly goes along for the ride.
Melissa Leo appears as Sunny's uptight and prim caregiver. If you've seen her in other films, just the sight gag of her character is amusing enough, but I daresay that she delivers some of the best lines in the film.
There are several character actors whom I recognized as "that guy! I love him - he was so great in " who fill out the cast. They may not be household names, but you've seen them countless times before. I especially liked Keith David as Otis but they all delivered solid performances.
I don't want to give too much of the plot away, but suffice it to say that there is a lot of double-crossing going on. Although the viewer may be wondering what the hell is going on in the middle, everything becomes clear by the final act.
Thomas Haden Church stars as the soft-spoken and slow-moving (but not necessarily slow-witted) titular character in this surprisingly entertaining black comedy.
Why do I say surprising? Oh, because it faded quickly into oblivion and has such a low score here at IMDb. And I admit that I at first had trouble getting into the film's weird (and I don't think always intentionally so) rhythm. Like a lot of black comedies, it takes time to establish its tone and cue you in on what you should and shouldn't be finding funny. Unfortunately, Church isn't up to the task of being our confident guide. His attempts to play Don McKay, a janitor who's summoned back to his hometown by a dying ex-girlfriend, as a shuffling and seemingly dim bulb come across instead as stiff and baffled. But the film is saved by playful performances by Elisabeth Shue, as this sordid crime film's femme fatale, and especially Melissa Leo, as a suspicious nurse who channels Judith Anderson from Alfred Hitchcock's "Rebecca." It's up to these two, who are clearly having a ball with their roles, to get the film and us firmly into the black comedy spirit, and once they do so, the film plays as a quirky and entertaining bit of fun.
Grade: B
Why do I say surprising? Oh, because it faded quickly into oblivion and has such a low score here at IMDb. And I admit that I at first had trouble getting into the film's weird (and I don't think always intentionally so) rhythm. Like a lot of black comedies, it takes time to establish its tone and cue you in on what you should and shouldn't be finding funny. Unfortunately, Church isn't up to the task of being our confident guide. His attempts to play Don McKay, a janitor who's summoned back to his hometown by a dying ex-girlfriend, as a shuffling and seemingly dim bulb come across instead as stiff and baffled. But the film is saved by playful performances by Elisabeth Shue, as this sordid crime film's femme fatale, and especially Melissa Leo, as a suspicious nurse who channels Judith Anderson from Alfred Hitchcock's "Rebecca." It's up to these two, who are clearly having a ball with their roles, to get the film and us firmly into the black comedy spirit, and once they do so, the film plays as a quirky and entertaining bit of fun.
Grade: B
This movie had some wonderful comedy scenes. A dark comedy. I really had a great laugh.
The story line was okay and the acting of the main lead was just well controlled and done. The main hero is a great actor. His controlled dialogue delivery with a straight face was extraordinary and the situational comedy.
I would recommend people to watch it.
I loved the movie for sheer laughs.
I give it a 7.
Go and watch it.
The story line was okay and the acting of the main lead was just well controlled and done. The main hero is a great actor. His controlled dialogue delivery with a straight face was extraordinary and the situational comedy.
I would recommend people to watch it.
I loved the movie for sheer laughs.
I give it a 7.
Go and watch it.
Le saviez-vous
- AnecdotesDirector Jake Goldberger mentions in the DVD commentary that he had an extensive conversation with Sissy Spacek about her playing the role of Marie.
- GaffesWhen the taxi comes to pick Don up at Sonny's house the last time, it's obviously a different (younger) driver behind the wheel. When it cuts to the interior of the cab in the next scene, it's old Samuel driving the cab.
- ConnexionsFeatured in The Rotten Tomatoes Show: Cop Out/The Crazies/A Prophet (2010)
- Bandes originalesIf Love Comes Knockin'
Written by Ronald McCoy and Vaughn Curtis
Performed by The Topics
Courtesy of Carnival Records
By Arrangement with Westwood Music Group
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Détails
Box-office
- Brut – États-Unis et Canada
- 13 722 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 919 $ US
- 4 avr. 2010
- Brut – à l'échelle mondiale
- 13 722 $ US
- Durée
- 1h 27m(87 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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