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Black Girl

  • 1972
  • PG
  • 1h 37m
ÉVALUATION IMDb
6,8/10
669
MA NOTE
Black Girl (1972)
An aspiring dancer and her wicked sisters resent their mother's love for a foster daughter.
Liretrailer2:00
1 vidéo
23 photos
Drame

Ajouter une intrigue dans votre langueAn aspiring dancer and her wicked sisters resent their mother's love for a foster daughter.An aspiring dancer and her wicked sisters resent their mother's love for a foster daughter.An aspiring dancer and her wicked sisters resent their mother's love for a foster daughter.

  • Director
    • Ossie Davis
  • Writer
    • J.E. Franklin
  • Stars
    • Brock Peters
    • Claudia McNeil
    • Leslie Uggams
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    669
    MA NOTE
    • Director
      • Ossie Davis
    • Writer
      • J.E. Franklin
    • Stars
      • Brock Peters
      • Claudia McNeil
      • Leslie Uggams
    • 16Commentaires d'utilisateurs
    • 10Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:00
    Trailer

    Photos23

    Voir l’affiche
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    Rôles principaux30

    Modifier
    Brock Peters
    Brock Peters
    • Earl
    Claudia McNeil
    Claudia McNeil
    • Mu' Dear
    Leslie Uggams
    Leslie Uggams
    • Netta
    Louise Stubbs
    • Mama Rose
    Peggy Pettit
    • Billie Jean
    Gloria Edwards
    • Norma
    Rhetta Greene
    • Ruth Ann
    • (as Loretta Greene)
    Ruby Dee
    Ruby Dee
    • Netta's Mother
    Kent Martin
    • Herbert
    Gertrude Jeannette
    • Sister Jenkins
    Carl Byrd
    Damu King
    Erik Kilpatrick
    Erik Kilpatrick
    Morris Buchanan
    Morris Buchanan
    Bob Harris
    • Ernie
    Brunetta Barnett
    • Supporting Players
    Gina Beharry
    • Supporting Players
    Cason Cunningham
    • Supporting Players
    • Director
      • Ossie Davis
    • Writer
      • J.E. Franklin
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs16

    6,8669
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    Avis en vedette

    6unicornsxing

    kind of a twisted Cinderella story about a foster girl and her wicked step-sisters that are jealous of her achievements and their 'mammy's' love for her.

    i caught this movie on showcase awhile ago and absolutely loved it! i thought the relationship between the siblings was fairly realistic, especially considering their situation, and it really showed how jealousy brings the worst out of people no matter how good a person the victim may be. it also gives you a pretty good feel of what it was like to be a black girl living in the slums of America back in the 70's. anyway, it wasn't amazing, but it appealed to me mainly because i enjoyed that time period and i loved the way they spoke, the slang and the language sounded really cool. and billy jean is a really good dancer. there is a fight scene as well that was really intense. "girl you better turn her loose!" is this ten lines yet?
    prose20770

    Awesome

    This was the first time I realized Ossie Davis had directed movies!! This is one of the best, angst-filled, coming of age stories I have ever seen. It should rank right up there with "A Member of the Wedding" and "To Kill A Mockingbird" as far as young girls seeking answers to life and trying to find their way. I miss Ossie Davis. He was an amazing talent to have been able to coalesce the right mood and tone for this movie from the perspective of a young girl. The cast was one of the most perfect I've seen since "A Raisin in the Sun" (Sidney Poitier version) and definitely, each actor seemed to squeeze the blood out of their respective roles. What perfection!
    6Uriah43

    When Misery Loves Company

    This film essentially revolves around a woman by the name of "Mama Rose" (Louise Stubbs) who has three teenage daughters named "Norma" (Gloria Edwards), "Ruth Ann" (Rhetta Greene), "Billie Jean" (Peggy Pettit). The first two were fathered by a man named "Earl" (Brock Peters) who Mama Rose kicked out of the house because he cheated on her. Billie Jean, on the other hand, had a different father who apparently ran off when she was younger and as a result Mama Rose has had to raise all of her children with her own mother who everyone calls "Mu' Dear" (Claudia McNeil). Also living in this small house is Mu' Dear's elderly male companion by the name of "Herbert" (Kent Martin) who pays half the rent. It should also be noted that Mama Rose also has a foster daughter named "Netta" (Leslie Uggams) who she took in when she was quite young and who is currently in college trying to become a teacher. In that regard, both Norma and Ruth Ann have acquired a great dislike for her because she is trying to make something of herself. Likewise, neither of these two young women like their half-sister Billie Jean either because she is trying to pursue her own dream of becoming a dancer--while they feel destined for a life of poverty and hopelessness. As a result, both Norma and Ruth Ann do everything they can to make life miserable for Billie Jean and diminish Mama Rose's love for Netta. Now, rather than reveal any more, I will just say that this turned out to be a deep and interesting film which sheds a glimmer of light upon the struggles of ordinary people within the black community trying to make it in urban America in the early 70's. Admittedly, there were some scenes which seemed a bit too gloomy at times and the film is rather dated as well. Even so, I thought it was worth the time spent and I have rated it accordingly. Slightly above average.
    8soap_luvr-1

    I Loved This Movie

    I have seen Black Girl about 4 or 5 times, and I enjoy it each time I see it. TV One runs it quite a bit. I'm a product of the 70's and I just love the 70's. I love all the old movies from the 70's. The part of Netta was played by Leslie Uggams (did you notice how knock-kneed she is? LOL) I was surprised to learn that the father in the movie was a pimp. I didn't even realize that, but he did have a Caddy and was throwing money around like it was just plain old paper. A few of the cast members are deceased: Gloria Edwards, Claudia McNeill, the lady who played the mother. Did anyone know that Gloria Edwards was married to the actor Dick Anthony Williams?
    8mojo2004

    This film should be remade

    This is a very interesting movie to me.I don't remember seeing it back when it came out and I would have.Claudia McNeil(Mu'Dear) is a favorite of mine ever since I saw her in the movie version of "A Raisin in the Sun."With all the shouting and bickering through this film it was nice to have her calm everything down at the end.I couldn't figure out where al the anger came from in the household.It seemed like the movie started in the middle of the story being told.The youngest daughter has quit school and is dancing in a bar,the mother(Mama Rose) is working as a maid to support the household yet everybody is grown.The two oldest daughters don't live at home,the grandmother has a man living with her and btw that seemed very out of character like something the mother would be doing instead.Also for all the preaching Mama Rose did when the father(a pimp?) of the two oldest comes back for a visit he makes a vulgar comment about the youngest(Billie Jean)saying he'd take her to Detroit and turn her out. She isn't his child and everybody except the boarder thinks it's funny.Billie Jean wants to study dance and buy her mother a house while the two oldest are the meanest and most hateful characters and both got on my nerves throughout the whole film.Neither were doing anything but having children and talking about their husbands yet both were very jealous of Billie Jean and Netta(college student) who their mother had taken in.They seem to exist to spew poison about both girls and use Netta to drag Billie Jean down to their hateful level which happens.A basic cable channel that features African-Americans shows this movie regularly and I'm sad to find out after he passed this week that Ossie Davis directed it.His wife Ruby Dee plays Netta disturbed mother that couldn't care for her.Netta comes into the movie so late you almost forget she's involved.The plot is Mama Rose can only talk about how proud she is of her daughter Netta and with mother's day coming up she's looking forward to her coming home.Her three daughters are sick of their mother praising a stranger while having nothing good to say about her blood children.All three hide Netta's letters to Mama Rose and she has no idea about it.Norma and Ruth Ann tell Billie Jean their mother is giving Netta her room and that she'll probably have to move out.Turns out Billie Jean had already been hiding Netta's letters to her mother and all three hide the last one annoucing Netta's homecoming.From then on it's a lot of bickering between them all and Earl(father) when he gets there that really about how all of them did nothing with their lives like Netta did.Earl throws money around and even asks Rose to take him back but she's too proud and he leaves.Netta comes home and finds out she needs her real mother after all and helps Billie Jean find get on the path to an education and dance career.The movie showed mainly what was the normal acting style in the 70's for blacks.Eyes popping,pronoucing every syllable,shouting and glaring at the other actor.This movie should be viewed by students that want to be actors to see how far we've come.Or have we? I said it was interesting because in the 70's every black movie was a drug/prostitute/pimp/police/detective plot movie. mojo2004

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This is Leslie Uggams's first feature film.
    • Gaffes
      When Mama Rose takes her "change" from the collection plate, she drops bills on the floor. Even though her daughter, possibly just by human instinct, points to them, she does not pick them up.
    • Citations

      Mama Rose: [Billie Jean is sulking in her bedroom. There is a knock at the door] Open this door, girl!

      [Billie Jean opens the door to see Mama Rose carrying groceries across the room to the kitchen]

      Mama Rose: Billie Jean, ain't I tell you to keep this door open? Now open that other door!

      Billie Jean: [opening Kitchen door to let Mama Rose through to set bags on the counter] Oh Mama, sometimes I be in here undressin' and Mr. Herbert just walk in here without even knockin'.

      Mama Rose: [putting groceries away throughout] You don't be undressin' all the time. You keep these doors locked, Billie Jean. And who you think you're talkin' to? Besides, Mr. Herbert done seen plenty kinds of whatever you tryin' to hide.

      Billie Jean: If Mr. Herbert was married to Mu' Dear, that would be different, Mama. But he ain't no kin to nobody in this house.

      Mama Rose: Now that ain't none of your business, Billie Jean. As far as you concerned, Mr. Herbert pay half the rent on this house and he's a roomer here.

      Billie Jean: If he a roomer, how come he ain't got no room to hisself?

      Mama Rose: Now that ain't none of your business, Billie Jean, who my mama has in her room. Now, you keep your trap shut about it, or get out and get a place of your own.

      Billie Jean: You're mighty funny when Netta's momma went crazy and she ain't have no place to stay, you opened your big heart and welcomed her in this house. How come I got to get out...

      Mama Rose: [Facing her] *Because* Netta's got sense enough to stay in school! And get somethin' in her head instead of her tail!

      Billie Jean: [At this, Billie Jean walks back into her room where she sees two kids at the door sticking their tongues at her] You ugly bastards!

      [She chases them out and slams the door]

      Mama Rose: [Running in the room and grabbing Billie Jean] Girl! Do you want me to get a stick and beat all the black off of you? Now you must have forgotten what a good beatin' feel like. Now you better *snap* out of whatever it is that's on your mind. You hear me?

      [Billie looks away for a second, then Mama Rose drags her to the bed and sits her down]

      Mama Rose: Don't you roll your eyes at me. Now, this ain't Mu' Dear you playin' with. You understand me?

      Billie Jean: Yes ma'am Momma, I wasn't rollin' my eyes at you.

      Mama Rose: And Mu' Dear better not come to me no more and tell me you sassed her or Herbert or it's gonna be woe be onto you.

      Ruth Ann: [coming in mad] Billie Jean, what did you call my baby?

      Billie Jean: He was stickin' his tongue out at me.

      Ruth Ann: Well, that don't give you no right to call him no bastard! A bastard is a child that ain't got no Daddy and my child got a Daddy!

      [she walks away]

      Mama Rose: She's just smellin' her piss, that's all. Now you're gettin' your tail out of here tomorrow and findin' yourself a job.

      [Rose starts to go back to the kitchen]

      Norma: [Standing at the door] She already got a job, Mama.

      Mama Rose: Already got one? Where?

      Norma: At the Groovy Bar and Grill down on Second and Ward.

      Mama Rose: At the Groovy Bar and Grill? Doin' what?

      Norma: Doin' that ballet dancin'.

      Billie Jean: It ain't no ballet dancin'.

      Norma: P-A-L-L-E-T is pallet, ain't it? Well, B-A-L-L-E-T gots to be ballet.

      Billie Jean: It ain't even that kind of dancin'.

    • Connexions
      Featured in Afro Promo (1997)
    • Bandes originales
      Black Girl
      Sung by Betty Everett

      Performed by Sonny Stitt (uncredited)

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    FAQ16

    • How long is Black Girl?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 novembre 1972 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Негритянка
    • Lieux de tournage
      • San Juan Ave, Venice, Los Angeles, Californie, États-Unis(Neighborhood scenes, specifically between between 6th Ave and 7th Ave.)
    • société de production
      • Marconlee
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Brut – États-Unis et Canada
      • 414 862 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 37m(97 min)
    • Couleur
      • Color
    • Mixage
      • Mono

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