CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
La esposa de un juez británico vive una historia de amor autodestructiva con un piloto de la Royal Air Force.La esposa de un juez británico vive una historia de amor autodestructiva con un piloto de la Royal Air Force.La esposa de un juez británico vive una historia de amor autodestructiva con un piloto de la Royal Air Force.
- Premios
- 5 premios ganados y 13 nominaciones en total
Jorge Ojeda-Dávila
- Man in Bunker Bed
- (sin créditos)
Owen Thomas
- Caretaker
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaTerence Davies wanted Rachel Weisz for the part of Hester Collyer after he noticed her "incredible talent" in Traído por el mar (1997), even though he hadn't heard of her before seeing that film. He called his agent and asked, "Have you ever heard of this girl Rachel Weisz?" His agent laughed and said, "She's an Oscar winner!" Weisz was amused by this and said, "I don't think Terence [Davies] knows very well anyone who's not in a black and white film."
- Citas
Freddie Page: Let me give you a case: Jack loves Jill, Jill loves Jack. But Jack doesn't love Jill in the same way. Jack never asked to be loved.
Hester Collyer: And what about Jill?
Freddie Page: That's Jill's hard luck! I can't be bloody Romeo all the time!
- ConexionesFeatured in Maltin on Movies: The Watch (2012)
- Bandas sonorasConcerto for Violin and Ochestra, Op. 14
Composed by Samuel Barber
Published by G. Schirmer, Inc (ASCAP)
Performed by Hilary Hahn & The Saint Paul Chamber Orchestra
Conducted by Hugh Wolff
Licensed courtesy of Sony Music Entertainment Inc.
Opinión destacada
"Love, that's all." (Hester responds to her husband when he asks her what happened.)
No film in recent memory is as depressing as The Deep Blue Sea, Terence Davies' adaptation of Terence Rattigan's play. In either venue, the story of Lady Hester Collyer (Rachel Weisz) and her infidelity will sear your brain in recognition of the perfect storm of love and lust sung to the tune of 1950's conservatism, which largely meant staying with a spouse regardless if it's a loveless marriage.
Freddie (Tom Hiddleston), a WWII Brit flyboy, hasn't graduated yet from the romance of that war to the responsibilities of true love in civilian life. Hester unfortunately is ripe for romance with him as her older husband, a high court judge and a peer, is caring but far too reserved to provide a tender woman with the love she needs.
This is a simple film of measured speech in the tradition of West End thespian greatness. Unlike the orderly upper class, love is not simple but rather messy. In the claustrophobia of her apartments, either beautifully appointed with Sir William Collyer (Simon Russell Beale) or bare with Freddie, Hester is always waiting, either for her husband to love her or her lover to stay with her. Ironically Sir William is waiting, too, with love taking its measure of despair from those who love. As for charming Freddie, he is exuberant, careless, and destructfully self-centered.
Davies and Rattigan intercut between times to make The Deep Blue Sea seem just that: fragmented and deeply melancholic. Yet despite the incoherence, you'll not see a better acting trio this year. Where the play lacks vibrancy or heart, the actors give it their best.
When Freddie consoles Hester upon leaving her with this cliché, "Never too late to start again, isn't that what they say?" he is also hitting the center of her tragedy—she is so passive that this may be the first and last adventure she will ever have.
All that's left is the estranging deep blue sea:
Who ordered that their longing's fire Should be as soon as kindled, cooled?
Who renders vain their deep desire?
A God, a God their severance ruled!
And bade betwixt their shores to be The unplumbed salt, estranging sea.
Matthew Arnold, "To Marguerite—Continued"
No film in recent memory is as depressing as The Deep Blue Sea, Terence Davies' adaptation of Terence Rattigan's play. In either venue, the story of Lady Hester Collyer (Rachel Weisz) and her infidelity will sear your brain in recognition of the perfect storm of love and lust sung to the tune of 1950's conservatism, which largely meant staying with a spouse regardless if it's a loveless marriage.
Freddie (Tom Hiddleston), a WWII Brit flyboy, hasn't graduated yet from the romance of that war to the responsibilities of true love in civilian life. Hester unfortunately is ripe for romance with him as her older husband, a high court judge and a peer, is caring but far too reserved to provide a tender woman with the love she needs.
This is a simple film of measured speech in the tradition of West End thespian greatness. Unlike the orderly upper class, love is not simple but rather messy. In the claustrophobia of her apartments, either beautifully appointed with Sir William Collyer (Simon Russell Beale) or bare with Freddie, Hester is always waiting, either for her husband to love her or her lover to stay with her. Ironically Sir William is waiting, too, with love taking its measure of despair from those who love. As for charming Freddie, he is exuberant, careless, and destructfully self-centered.
Davies and Rattigan intercut between times to make The Deep Blue Sea seem just that: fragmented and deeply melancholic. Yet despite the incoherence, you'll not see a better acting trio this year. Where the play lacks vibrancy or heart, the actors give it their best.
When Freddie consoles Hester upon leaving her with this cliché, "Never too late to start again, isn't that what they say?" he is also hitting the center of her tragedy—she is so passive that this may be the first and last adventure she will ever have.
All that's left is the estranging deep blue sea:
Who ordered that their longing's fire Should be as soon as kindled, cooled?
Who renders vain their deep desire?
A God, a God their severance ruled!
And bade betwixt their shores to be The unplumbed salt, estranging sea.
Matthew Arnold, "To Marguerite—Continued"
- JohnDeSando
- 28 jul 2012
- Enlace permanente
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- How long is The Deep Blue Sea?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Dục Vọng Đàn Bà
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,126,525
- Fin de semana de estreno en EE. UU. y Canadá
- USD 123,841
- 25 mar 2012
- Total a nivel mundial
- USD 3,143,514
- Tiempo de ejecución1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
What was the official certification given to The Deep Blue Sea (2011) in Spain?
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