Cutie and the Boxer

(2013) Cutie and the Boxer (In Japanese with English subtitles) DOCUMENTARY

Focuses on 2 Japanese artists living in NYC by the names of older married couple of Ushio Shinohara and Noriko Shinohara hence the title Cutie and the Boxer. "Cutie" is the nickname Ushio calls her while he sometimes box paints both live in a rent apartment in NYC while at the same time rents another studio to do their art. This is an examination of an eccentric examination, we find out how they both met in the most unusual of circumstances, and how each of them become the way they are. We also witness who buys their art and who visits them, and not just their son.

"Love is a roarrrr!!" This is the theme which echoes throughout Oscar nominee for best documentary "Cutie and the Boxer"; a movie that undoubtedly nobody has heard of.

More about Cutie than the Boxer: Starting off as an attempt to shine light on artist Ushio Shinorhara, best known for his avant-garde pieces and action paintings from the late 60's to today, where he physically uses everything from his fists to his forehead as a paintbrush, director Zachary Heinzerling lays out an introspective story of this somewhat eccentrically generic artist as he sets up a gallery exhibition. But in an odd twist of fate, Heinzerling inadvertently captures a far more interesting subplot surrounding Shinohara's much younger wife, Noriko, giving audiences a look at the portrait of a strained marriage, filled with alcoholism and regret, where Noriko (a very talented artist herself) lives in her husband's shadow, as she likens her marriage to "two flowers growing in the same pot." Opening with the striking image of an 80 year old Asian man putting on comically large boxing gloves, dipping them into black paint and proceeding to aggressively pummel a white canvas, which stands twice his size, it would be easy to say this is a doc which contains some imagery that commands attention. But more so, "Cutie and the Boxer" contains more intriguing nuances within its character analysis. Especially during the latter portions, where Heinzerling focuses more on Noriko and her hand drawn animations; animations which star a quite liberated female character, who goes by the name "Cutie". During this section of the film "Cutie and the Boxer" takes its purest and most developed form, as these character's true motivations become transparent.

Heinzerling uses the most creative means possible to bring different layers of this story to life and the cinematography is pretty great (the final shot was subtly the most artistic image in the entire film). But although the meat of this worked for me, I never felt as engaged with the subjects or subject matter as I believe Heinzerling would have liked me to.

Final Thought: "Cutie and the Boxer" is honestly a movie that, from the poster alone, I was dreading to have to sit down and watch. Now, was I blown away after I finished this? No. But if you are on Netflix and interested in watching a film regarding a case of female liberation masquerading as an art documentary, then "Cutie and the Boxer" is an interesting enough watch.

This is a stunning film for several reasons: Foremost, it is a convincingly honest portrayal of the life of two artists. I cannot recall a film that got the life of an artist right—without an agenda, without false sentiment, without noticeable dishonesty. As a writer I felt I fully understood what Heinzerling managed to convey about the Shinoharas' personal visions without his having to resort to the conventional format of most documentaries. Second, the film is a totally engrossing portrait of a complicated relationship. Unlike most films about famous people, there is no narration here telling us what to think of Ushio and Noriko. They speak for themselves. They reveal themselves, for better and occasionally for worse. I usually resist films that are charming but this one has charm that is utterly irresistible. Third, the film casts light on the kind of work these artists do and have done. Fourth, we get to see the artists when they are not creating; that is, we get to know a little more about their inner lives and their external activities. Fifth, the artists themselves are utterly compelling personalities.

My wife and I have sat through countless biopics about famous artists, and after virtually every one we have the same thought: the movie would have been so much more interesting if it had focused on the artist's life partner instead of the artist. Famous artists in general are a boring bunch -- what's interesting about them is the art they produce. But the people who have to make a life with an artist -- they're the ones whose heads I want to get a peek at.

"Cutie and the Boxer" is a documentary about well-known artist Ushio Shinohara and his wife, Noriko. He's 80, she's 60. They live hand-to-mouth in NYC, never sure how they're going to pay their rent from one month to the next. Noriko is incredibly supportive of the self-absorbed Ushio, to the detriment of her own career as an artist. The film is a day-in-the-life story about these two and the dynamic between them. It's a portrait of a marriage that has been wildly successful on the one hand (they're still together and seem to be very much in love) and full of regret on the other (disappointment in themselves for the mess of a son they raised). Noriko teases Ushio constantly about what a jerk he is and how she doesn't know why she puts up with him. Ushio laughs but looks uneasy -- we don't blame him, because Noriko's teasings always seem to built on a foundation of true resentment.

The lives of Ushio and Noriko are about as different from mine as possible, yet the thing that makes "Cutie and the Boxer" so good is its appeal is universal. Anyone who's made a true effort at building a life with a partner should find something to relate to in this film.

Grade: A

It was the perfect title name. Cutie (Noriko) is an illustrator and her husband Bullie (Ushio) is 20 years older than her who is a craft maker live in New York city. Usually documentaries about successful people would consider as inspiration. But this movie features two Japanese born couples who are masterful in art and crafts and their unsuccessful career. A good opportunity for us, a lesson to learn from their mistakes in life. Simultaneously, their relationship inspires about how to share happiness as well to face the worst situations.

This movie won't only tell about the art and crafts, but also the romantic life. Especially it clearly denotes the difference between east and west regarding relationships. Married life is full of ups and downs, taking part in all the situation together is a true commitment. In this movie, it explains very nicely those subplots alongside main theme. When Bullie was in a trouble Cutie gave a solid support, that is what every man asks for. They too had small-small fights sometime big. In the west, that is enough one to get divorced.

This story is set when Bullie celebrates his 80th birthday. It was amazing to know their 40 year relationship stood unbreakable. But what I bothered was their son Alex who was totally discarded in between these two's life's struggles. Too bad that he became alcoholic like his father that led him failure in life. This movie won't tell much about Alex, he appears only for a few minutes. At those times it is clearly understandable about failed parenting.

Success won't only come from the true dedication, sometimes it depends on others too. It requires identifying their talent and give an opportunity to work and right value for their products. This couple's talent was not recognized due to the people of society who are unfamiliar with this kinda art. I believe if they would have lived those 40 years in Japan it would have been different lifestyle they could experienced. Only the time and place they had was wrong.

8.5/10