PUNTUACIÓN EN IMDb
5,3/10
687
TU PUNTUACIÓN
El hijo de Simbad está preso y condenado a muerte por sus incursiones en el harén del Califa de Bagdad. Para salvar su trono de la amenaza que le supone el Gran Mongol, el Califa pone en lib... Leer todoEl hijo de Simbad está preso y condenado a muerte por sus incursiones en el harén del Califa de Bagdad. Para salvar su trono de la amenaza que le supone el Gran Mongol, el Califa pone en libertad a Simbad y le encarga combatir al enemigo.El hijo de Simbad está preso y condenado a muerte por sus incursiones en el harén del Califa de Bagdad. Para salvar su trono de la amenaza que le supone el Gran Mongol, el Califa pone en libertad a Simbad y le encarga combatir al enemigo.
Fred Aldrich
- Torturer
- (sin acreditar)
Suzanne Alexander
- Harem Girl
- (sin acreditar)
Audrey Allen
- Raider
- (sin acreditar)
Randa Allen
- Wench
- (sin acreditar)
Charlotte Alpert
- Harem Girl
- (sin acreditar)
Suzanne Ames
- Harem Girl
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe film was shot in 3D. By the time it was finally released in 1955, wide screen had superseded 3D as the most popular presentation advancement. It was converted to SuperScope by cropping the top and bottom off the original standard ratio images. Prints shown on TCM bear an RKO Radio SuperScope logo, but they're in the original uncropped 4:3 ratio.
- PifiasSinbad is supposed to be a sailor, not the leader of the 40 thieves.
- ConexionesFeatured in Hollywood the Golden Years: The RKO Story: Howard's Way (1987)
Reseña destacada
Fans of Howard Hughes will appreciate this colorful little gem -- but even if you haven't got the slightest interest in the famous capitalist, there's a lot in this lost classic to grin at. Allow me to adjust your expectations. . .
Imagine how many lovely starlets must have said to the amorous billionaire, `Gee, Howard, I'd do just ANYTHING to get into motion pictures!'
Well . . . they DID it -- and Howard made this one to satisfy all those promises he made to seventy or eighty gorgeous, desperate young ladies who wanted to break into the movies. Okay, sure, the plot is weak, but it moves along moderately well, and the true stars of this Arabian Nights tale (Howard's harem of young starlets) are given plenty of chances to strut their stuff.
For example: the first ten minutes of the film are dedicated to a slinky belly dancer who wiggles and jiggles for costar Vincent Price. Price plays poet Omar Khayyam, the loyal comic side-kick of Sinbad, played wonderfully tongue-in-cheek by Dale Robertson. Price contributes a wealth of humorous moments, doing dead-pan double takes at Robertson's single-minded pursuit of amorous conquests.
Think of this as Howard Hughes' personal fantasy, with Robertson portraying the Arabian alter-ego of America's most notorious girl-chasing billionaire.
Sexy Sally Forrest is captivating as the girl who steals Sinbad's heart. The provocative dance she does for Robertson near the end of the film is extremely daring for 1955. Lovely Mari Blanchard (star of `She Devil' and `Abbott and Costello Go to Mars') sweetens the scenery with her attractive presence. Lilli St. Cyr is positively slinky as the Arabian ruler's main squeeze who has a yen for Sinbad.
The production has other strong points besides the girls. The rousing music is by veteran composer Victor Young. Famous 1950s voice-man Paul Frees has a brief but funny role in the opening scenes as a fortune teller. In fact, the cast is loaded with notable character actors who make this low budget (but slick-looking) production a joy to watch. Don't blink or you'll miss Woody Strode in a very brief role as a harem guard!
But there's no denying the fact this is a girl-watcher's movie. Anyone who makes an honest effort to count the number of gorgeous girls in the cast will agree that there has never been a film packed with more pretty faces ( -- etc.). If you doubt this claim, go to IMDBs' `full cast and crew' and count the number of young ladies listed as `raiders' in the cast. These are the daughters of the `Forty Thieves' of Arabian legend -- and there's almost fifty of them in the cast, alone! Add to this a herd of harem girls and other lovlies, and the result is a girl-watcher's extravaganza, unequaled in Hollywood!
You might not be thrilled by the plot, but if wall-to-wall babes can hold your interest, this one won't bore you.
P.S. If you're hankerin' for a suitable second feature to match this unique film, try `Princess of the Nile', starring a young and breath-taking Debra Pageant. Trust me, you won't be disappointed.
Imagine how many lovely starlets must have said to the amorous billionaire, `Gee, Howard, I'd do just ANYTHING to get into motion pictures!'
Well . . . they DID it -- and Howard made this one to satisfy all those promises he made to seventy or eighty gorgeous, desperate young ladies who wanted to break into the movies. Okay, sure, the plot is weak, but it moves along moderately well, and the true stars of this Arabian Nights tale (Howard's harem of young starlets) are given plenty of chances to strut their stuff.
For example: the first ten minutes of the film are dedicated to a slinky belly dancer who wiggles and jiggles for costar Vincent Price. Price plays poet Omar Khayyam, the loyal comic side-kick of Sinbad, played wonderfully tongue-in-cheek by Dale Robertson. Price contributes a wealth of humorous moments, doing dead-pan double takes at Robertson's single-minded pursuit of amorous conquests.
Think of this as Howard Hughes' personal fantasy, with Robertson portraying the Arabian alter-ego of America's most notorious girl-chasing billionaire.
Sexy Sally Forrest is captivating as the girl who steals Sinbad's heart. The provocative dance she does for Robertson near the end of the film is extremely daring for 1955. Lovely Mari Blanchard (star of `She Devil' and `Abbott and Costello Go to Mars') sweetens the scenery with her attractive presence. Lilli St. Cyr is positively slinky as the Arabian ruler's main squeeze who has a yen for Sinbad.
The production has other strong points besides the girls. The rousing music is by veteran composer Victor Young. Famous 1950s voice-man Paul Frees has a brief but funny role in the opening scenes as a fortune teller. In fact, the cast is loaded with notable character actors who make this low budget (but slick-looking) production a joy to watch. Don't blink or you'll miss Woody Strode in a very brief role as a harem guard!
But there's no denying the fact this is a girl-watcher's movie. Anyone who makes an honest effort to count the number of gorgeous girls in the cast will agree that there has never been a film packed with more pretty faces ( -- etc.). If you doubt this claim, go to IMDBs' `full cast and crew' and count the number of young ladies listed as `raiders' in the cast. These are the daughters of the `Forty Thieves' of Arabian legend -- and there's almost fifty of them in the cast, alone! Add to this a herd of harem girls and other lovlies, and the result is a girl-watcher's extravaganza, unequaled in Hollywood!
You might not be thrilled by the plot, but if wall-to-wall babes can hold your interest, this one won't bore you.
P.S. If you're hankerin' for a suitable second feature to match this unique film, try `Princess of the Nile', starring a young and breath-taking Debra Pageant. Trust me, you won't be disappointed.
- Bruce_Cook
- 8 abr 2002
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Son of Sinbad?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 1.125.000 US$ (estimación)
- Duración1 hora 31 minutos
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was El hijo de Simbad (1955) officially released in India in English?
Responde