Una marioneta cobra vida y, con un grillo como conciencia, debe demostrar que merece ser un niño de verdad.Una marioneta cobra vida y, con un grillo como conciencia, debe demostrar que merece ser un niño de verdad.Una marioneta cobra vida y, con un grillo como conciencia, debe demostrar que merece ser un niño de verdad.
- Ganó 2 premios Óscar
- 7 premios en total
Dickie Jones
- Pinocchio
- (voz)
- (sin acreditar)
- …
Christian Rub
- Geppetto
- (voz)
- (sin acreditar)
Mel Blanc
- Gideon (hiccoughs)
- (voz)
- (sin acreditar)
Don Brodie
- Carnival Barker
- (voz)
- (sin acreditar)
Stuart Buchanan
- Carnival Barker
- (voz)
- (sin acreditar)
Walter Catlett
- J. Worthington Foulfellow
- (voz)
- (sin acreditar)
Marion Darlington
- Birds
- (voz)
- (sin acreditar)
Frankie Darro
- Lampwick
- (voz)
- (sin acreditar)
Virginia Davis
- Children
- (voz)
- (sin acreditar)
Cliff Edwards
- Jiminy Cricket
- (voz)
- (sin acreditar)
Charles Judels
- Stromboli
- (voz)
- (sin acreditar)
- …
George Magrill
- Donkeys
- (sin acreditar)
Dal McKennon
- Donkeys
- (sin acreditar)
John McLeish
- Carnival Barker
- (voz)
- (sin acreditar)
Clarence Nash
- Figaro
- (voz)
- (sin acreditar)
- …
Patricia Page
- Marionettes
- (voz)
- (sin acreditar)
Purv Pullen
- Whistling Saw
- (sin acreditar)
Evelyn Venable
- The Blue Fairy
- (voz)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesFigaro was Walt Disney's favorite character in "Pinocchio" from 1940. Disney pushed for the kitten to appear in the film as much as possible. After the film, Disney swapped Minnie Mouse's pekingese Fifi with Figaro, starting with the cartoon "Pluto: Primeros auxilios (1944)." Figaro also got his own series of "Figaro" cartoons beginning with "Figaro y Cleo (1943)." He would have four cartoons of his own, two appearances in the "Pluto" cartoon series, and also appear in the promotional animated wartime short "All Together (1942)," for a total of seven cartoon appearances. This, plus the one feature film "Pinocchio," makes eight appearances of Figaro overall.
- PifiasWhen Pinocchio plays with the candle he burns his left hand, but Geppetto puts Pinocchio's right hand into the water.
- Citas
The Blue Fairy: A lie keeps growing and growing until it's as plain as the nose on your face.
- Créditos adicionalesNone of the actors in this film are credited.
- Versiones alternativasThe 1954 re-release marked the last time the film was distributed by RKO. After that, it was replaced by the logo for Buena Vista Distribution Co. (Disney's in-house distribution arm). The original 1985/1986 home video release hides the original RKO logo. The 1993 VHS release and 1999 DVD features the Buena Vista logo. Its original RKO logo's fanfare was restored in the 1993/1999/2000 home video releases. However, the 2003 UK DVD release, the 2009 Platinum Edition and current releases restored the original RKO logo, but they include reissue credits, as reference to Technicolor should have read "in Technicolor" but not just "Technicolor", and the current 2006 Walt Disney Pictures logo only appears at the end of the film.
- ConexionesEdited into Bambi (1942)
- Banda sonoraWhen You Wish Upon A Star
(1939) (uncredited)
Music by Leigh Harline
Lyrics by Ned Washington
Performed by Cliff Edwards and Chorus during the opening and end credits
Reseña destacada
Darker in tone than most Disney animated features (except for 'Hunchback of Notre Dame'), 'Pinocchio' came shortly after 'Snow White' and showed marked improvement in the art of animation technology to produce startling special effects.
The first twenty-five minutes alone raise the film to the level of true animation art. Gepetto's inventive clocks come to life as realistically as any real-life photography could do. The warmth and cosiness of his dwelling and the charming shenanigans of Figaro the kitten and Cleo the goldfish, are all perfectly realized. The imaginative use of music and animation art is never finer than in these opening scenes.
Afterwards, as the plot thickens, the special effects are just as impressive. The scene of Gepetto searching for Pinocchio with a lantern on a rainy night after he has been captured by Stromboli is unforgettable imagery. The wagon lurching along roads with Pinocchio in a cage is a frightening thing. Even darker are the adventures that await Pinocchio when he reaches Pleasure Island. The scene of the boys turning into donkeys is probably one of the most awesome and frightening moments in the film.
Altogether charming are the underwater sequences before the meeting of Monstro the Whale. The climactic chase after the escape from the belly of the whale is handled brilliantly. The music perfectly accents the dramatic chase for this sequence and the songs throughout are in keeping with the mood and characters of the story. It is the sharp contrast between the lighter moments and the darker ones that gives the film a correct blend of fantasy and horror.
Parents should be cautioned that very young children may be frightened. Has to be considered one of the most beautifully animated Disney features of all time. A treasure to see again and again.
The first twenty-five minutes alone raise the film to the level of true animation art. Gepetto's inventive clocks come to life as realistically as any real-life photography could do. The warmth and cosiness of his dwelling and the charming shenanigans of Figaro the kitten and Cleo the goldfish, are all perfectly realized. The imaginative use of music and animation art is never finer than in these opening scenes.
Afterwards, as the plot thickens, the special effects are just as impressive. The scene of Gepetto searching for Pinocchio with a lantern on a rainy night after he has been captured by Stromboli is unforgettable imagery. The wagon lurching along roads with Pinocchio in a cage is a frightening thing. Even darker are the adventures that await Pinocchio when he reaches Pleasure Island. The scene of the boys turning into donkeys is probably one of the most awesome and frightening moments in the film.
Altogether charming are the underwater sequences before the meeting of Monstro the Whale. The climactic chase after the escape from the belly of the whale is handled brilliantly. The music perfectly accents the dramatic chase for this sequence and the songs throughout are in keeping with the mood and characters of the story. It is the sharp contrast between the lighter moments and the darker ones that gives the film a correct blend of fantasy and horror.
Parents should be cautioned that very young children may be frightened. Has to be considered one of the most beautifully animated Disney features of all time. A treasure to see again and again.
- Doylenf
- 13 jul 2001
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Pinocchio
- Localizaciones del rodaje
- Walt Disney Feature Animation - 500 S. Buena Vista Street, Burbank, California, Estados Unidos(Walt Disney Productions)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.600.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 84.254.167 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.769.251 US$
- 25 dic 1984
- Recaudación en todo el mundo
- 121.892.045 US$
- Duración1 hora 28 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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