Buck Rogers

Buck Rogers, accidentally frozen and revived in the 25th century, was the first space opera comic strip hero, adapted from Philip Francis Nowlan's book "Armageddon 2419 A. D." (and changed quite radically in the process). His most successful imitation was Flash Gordon, who saves contemporary Earth from being destroyed by a bizarre alien attack.

As the hero of a Saturday morning cliffhanger movie serial, however, things are reversed and Buck Rogers (1939) is an inferior imitation of Flash Gordon (1936, 1938, 1940). This serial has the same main actor (Buster Crabbe) as the Flash Gordon serials, but that does not completely rescue it from a repetitive plot and mostly unenergetic acting. It seems possible that the problem was caused in part by the attempt to target a younger audience. It is no wonder that no sequel was ever produced.

Buck Rogers fights on the side of American freedom fighters. In the original book they were fighting against Chinese occupations, but for the comic and the serial this was changed to a home-grown corrupt regime. Great care is taken to present the situation as the fight of the (underground) legitimate government against a criminal usurper rather than the fight of revolutionaries against an unpopular government. For modern tastes this semantic trickery is perhaps a bit too obvious, but something else has aged even worse: the Zuggs, a naive and easily manipulable race naturally subordinate to the human master race of Saturn. Which itself appears quite unable to get anything done without help from humans from Earth.

Compared to all other serials of this nature, this one is about average. It is only in comparison to the Flash Gordon serials, which are simply more fun, that it is really weak. My rating of 6 is a compromise between an intrinsic rating of 5 or 6 ('meh' or 'not bad') and a rating of 7 ('good') for the serial's historic significance.

I found the 1979 film, which again reworked the story completely, far more enjoyable.

This one could have been better. Still interesting and good to look at. The re-recorded music is somewhat diluted because the orchestra was smaller than the one used in the original recordings. Warde is only fair as Killer Kane but Crabbe does a good job as Buck. Worth a look but it is no "Flash Gordon".

Foreward...In a film made decades ago a fearless fighter and his young protégé are out fighting evil in 1939 when their zeppelin lands and freezes in snow-covered mountains. There the two bodies rest in a state of suspended life due to a newly invented gas thus preserving life for centuries. in the 25th century these two bodies are found, life is restored, and Buck Rogers and his faithful sidekick Buddy wade join forces of the Hidden City as it fights for its life again the cruel killer wade and his evil forces of reckless racketeers. That is in a nutshell the premise behind this serial and its not entirely a bad one. The story definitely has some strong aspects to it and we get to see some inventive science fiction as well, but Buck Rogers is NOT Flash Gordon nor is it ever really close to that. First of all let's see what we do have in common: a basic story that pits the few good against the evil majority, a fearless, indestructible hero both played by Larry Buster Crabbe, an evil villain bent on world and extra-world domination, and cheesy special effects. The major differences are not so much in the story but in its execution. Flash Gordon was a big budget affair compared to this. Here the sets look so much cheaper and the effects so much, well...cheaper. The acting too is excruciatingly bad as Crabbe is one of the best actors in the film, and that isn't saying too much as he says lines looking like a silent screen actor arching eyebrows, etc... Jackie Moran is the most fun as his sidekick Buddy, but everyone else ranges from acceptable(C. Montague Shaw as Professor Huer to terrible Anthony Warde as Killer Kane to one of the worst acting performances seen in a long time - Philson Ahn as Prince Tallen - boy he could use some presence. I wanted to pinch him to see if was really alive. The direction is crisp and their is only minimal use of flashback sequences, but the musical soundtrack really bothered me as Franz Waxman's score from The Bride of Frankenstein was repeatedly used throughout and used to ill-effect very often. Don't get me wrong - Buck Rogers is a fun serial. It has some cool action scenes, an inviting story, and cheesy effects like the spaceships sputtering about like a listless firecracker, but it is in no way close to Crabbe's previous serial Flash Gordon - perhaps the greatest serial ever made. One other note: Constance Moore playing Wilma Deering has virtually no personality and, as far as I recollect, is the only female in the entire production. Interesting.

It strikes me that "Buck Rogers" is almost like a male fantasy come to life. Think about it: Buck gets to take a nice, long five-hundred-year nap! I'm ecstatic if I can get a fifteen-minute nap on a weekend! When he wakes up, Buck is the smartest, most dynamic guy around. Never mind that in real life you would treat someone five centuries behind the times like something that escaped from the zoo. Everyone needs Buck to go on exciting missions, fight the bad guys, test exotic equipment and fly rocketships (and crash them -- I think out of five or six flights Buck makes in the serial, he only lands successfully once).

Now that that's out of the way...

"Buck Rogers," the serial, is merely average: better than some serials, not as good as others. It's inevitable to compare it to the "Flash Gordon" serials, and in that contest, "Buck Rogers" comes in second. Buster Crabbe essentially plays the same character as Buck and Flash, but he had more style and dash (okay, more "flash") in "Flash Gordon." Constance Moore's Wilma tries to be a more proactive character than Jean Rogers' Dale, but Rogers just seems to inhabit her character more (and those belly-baring costumes from the first "Flash" serial weren't hard on the eyes, either). You can't even begin to compare Anthony Warde's Killer Kane to Charles Middleton's Ming: Warde could have been any gangster from any generic crime movie, but Ming was an archetype of evil right up there with Fu Manchu.

"Buck Rogers" does provide the requisite thrills and generates its share of excitement, although the rocketship crashes get repetitive after a while (as I said before, almost every time Buck goes near a rocket, he crashes it). It's a decent enough story on its own merits, I suppose, but it does pale in comparison to the "Flash Gordon" trilogy.

I can't help comparing this 1939 serial to "Flash Gordon" (1936) and "Flash Gordon Conquers the Universe" (1940). Although some of the special effects (the ray guns and fleets of spaceships) are superior, "Buck Rogers" is less fun. It's not the fault of Buster Crabbe, who invests Rogers with the same heroic energy he gave to Gordon. And Jackie Moran shines as sidekick Buddy Wade (in the newspaper strip he was Buddy Deering, Wilma's younger brother). But the other actors fall short. So does the story and pacing.

Anthony Wade's Killer Kane is a colorless villain, lacking the panache of Charles Middleton's gleefully evil Ming the Merciless. He badly needs a slinky, sinister Ardala Valmar to spice things up. Constance Moore is a competent Wilma Deering but there's no chemistry between her and Crabbe. Moore lacks the passion Jean Rogers exhibited as Dale Arden in the "Flash" series or the breezy camaraderie Erin Gray displayed as Wilma Deering in the 1980s "Buck Rogers" television show. C. Montague Shaw is OK as Doctor Huer but doesn't have nearly as much to do as Frank Shannon's Doctor Zarkov (again, from the "Flash" serials).

After an exciting start, the serial falls down in the latter six episodes. It is typical of the genre to have a late episode replay scenes from earlier in the series to pad things out. But "Buck Rogers" does this twice. Serial plots also tend to have a lot of captures, escapes, and re-captures. "Flash Gordon" broke the monotony by having these occur in a variety of ways in a variety of locations. "Buck Rogers" has only two destinations: Earth and Saturn. Both planets apparently share the same rocky desert terrain. Doctor Huer has only one technological gimmick to help Buck. The heroes get stranded by crashed spaceships seemingly every other episode. And Kane's goons never tumble to the fact that it's Rogers driving that rocket cruiser reported missing from their hangar.

Given it's charismatic hero and quality special effects, "Buck Rogers" could have equaled or surpassed "Flash Gordon" if it had had stronger writing or more energetic secondary characters. Unfortunately, it has neither.