Während Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widers... Alles lesenWährend Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widerspiegelt.Während Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widerspiegelt.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Batman
- (Synchronisation)
- The Joker
- (Synchronisation)
- Barbara Gordon
- (Synchronisation)
- …
- Commissioner Gordon
- (Synchronisation)
- Francesco
- (Synchronisation)
- Detective Bullock
- (Synchronisation)
- Alfred
- (Synchronisation)
- Reese
- (Synchronisation)
- Murray
- (Synchronisation)
- Mitch
- (Synchronisation)
- Paris
- (Synchronisation)
- Carny Owner
- (Synchronisation)
- Patrolman
- (Synchronisation)
- Jeannie
- (Synchronisation)
- Call Girl
- (Synchronisation)
- Maroni
- (Synchronisation)
- (as Rick Wasserman)
Empfohlene Bewertungen
I really wanted The Killing Joke to be DC Animation's return to greatness.
The parts that are actually The Killing Joke are great, but I just can't ignore the first 30 minutes. It felt like a random episode of a completely unrelated Batman TV show. I get that they wanted to make Batgirl more sympathetic and an actual character in the movie, rather than just a plot point, but honestly, who cares? Who gives a crap about Batgirl? She doesn't matter, she's irrelevant to the story. The Killing Joke is supposed to be about Batman's relationship with The Joker. Instead, it felt almost as If Barbara Gordon was the main character. If they didn't want to just do a direct adaptation of the novel because it'd be too short, I get it, but find another way to expand it.
But still, like I said, as soon as the actual movie starts, it's great. Hamill and Conroy were obviously great. They stole the show, specially Hamill. I didn't like Commissioner Gordon's voice though, it sounded weird.
Overall, good movie, but it should have been great.
But it's that first half-hour that doesn't work. It's tacked-on and certainly doesn't do Batgirl or Batman any favors (the latter of whom just seems a tad creepy). This is (for better or worse) the Joker's origin story, incendiary though it is, and I can understand why they'd want to flesh out Barbara's character; but it still doesn't work because Batman doesn't recall her horrific fate later on in the movie. She's no longer relevant beyond the shock value. The intentions were there, but it could've been done better.
Within this running time, there are 45 minutes of good movie. Skip the first 30 and you don't miss a thing.
6/10
There is a real lack of grit and atmosphere in the delivery. For all the time spent with Batgirl, the film could have fleshed out dialogue, horrors, and conflict between the characters. Instead this felt truncated and lacking roots. For all the potential in the led two, there was little delivered but yet just enough to indicate what it could have been. It felt rushed, which may have been true because the film as a whole has a cheap feeling. The animation has little character or depth, and looked basic in both detail but also in movement. Searching online as to why, it seems that the animation was every 4 frames, which contributes to a choppy feel despite reducing cost. The voice work is good throughout, just a shame not to have a better product to deliver.
The Killing Joke had a lot of hype, most of which I ignored. Even with no preconceptions and reasonable expectations though, the film didn't deliver, and feels cheap, rushed, and poorly filled out.
The first thirty minutes of the film is a kind of prelude involving, mostly, Batgirl. It talks about how she came to quit being said superhero and draws a thread between her and Batman. Now, this story is controversial for a reason. Not only does it explore tough themes but it shows the details of these horrible things. The story in the graphic novel is brutal, uncompromising, and pretty tough to get through.
However the film is just the opposite. It tries hard to retell the story seen in the novel, yet any emotional drama is all but lost. This mainly has to do with the length of the film itself. Being only 80 minutes, it's rather short. As I said, the first thirty minutes revolves around Batgirl. And this segment of time is absolutely the worst to sit through. It's tedious, overly long, and so cliché and predictable that there's nothing remotely enjoyable.
While, this part of the film is undoubtedly the worst from a storytelling standpoint, there are a number of things that remained consistently bad throughout. Most notably was the animation. From a studio like Warner Bros you'd expect some decent art work, but not here. The back drops nor art design is well put together. It's clunky, with no style to be found.
It looks like they took the animation from a rough draft of the animated series and colored it in. This issue becomes even more clear whenever it attempts 3D animation. The other blaring issue that continues through the film is the music. Which is completely contrived and formulated to the point of it being so cliché that is, in fact not cliché.
As the film ended, a crowd that once cheered for the lights dimming, was left in stunned silence. Not a good stunned silence like you get after watching 'Gone Girl', this type of silence is the kind where people don't know what they just saw. For me, this had to do with the complete lack of any emotional resonance. When it attempts to recreate the power of the novel it fails.
It doesn't commit enough to the drama of the story. Even with its R rating it doesn't draw the same toughness the novel does. It lacks the rawness that the novel has to make it's audience queasy. It's not graphic enough to be disturbing and it's not lighthearted enough to be fun. It just bounces from scene to scene with little connecting one to another. The best way to describe it is that it goes from this scene to that scene and than it ends. That's about it. This is one film that should have been great. All the pieces are there. It has a great studio behind it, an excellent voice team, and a brilliant story. But it lacks the emotional power that the novel has. Even though it has its R rating it doesn't fully commit to it, or anything for that matter. Without coherent direction and the overall first draft vibe of the film it's hardly the experience we've been lead to believe it is.
Wusstest du schon
- WissenswertesAfter the release of Batman: Arkham Knight (2015), Mark Hamill stated that due to the strain it put on his vocal cords, he would never voice the Joker again unless "Batman: The Killing Joke" was adapted into a film.
- Zitate
The Joker: You know, it's funny. This reminds me of a joke. See, there were two guys locked in a lunatic asylum and one night... one night, they decided they didn't like that anymore. They decided to escape. So, they made it up to the roof and there, just across this narrow gap, they see rooftops, stretching across town, stretching to freedom. Now, the first guy, he jumps right across, no problem. But his friend, oh, no way, he's afraid of falling. So, the first guy has an idea. He says, "Hey, I got this flashlight with me. I'll shine it across the gap between the buildings and you can walk across the beam and join me." But the second guy says, "What do you think I am, crazy? You'll just turn it off when I'm halfway across!"
- Crazy CreditsIn a mid-credits scene, Barbara is in her wheelchair entering a secret room in her apartment. As she turns on her computers, Oracle's logo appears on the screen. She says "back to work."
- VerbindungenFeatured in Madness Set to Music (2016)
- SoundtracksI Go Looney
Composed by Michael McCuistion, Kristopher Carter and Lolita Ritmanis, Performed by Mark Hamill
Top-Auswahl
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Details
Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.775.000 $
- Weltweiter Bruttoertrag
- 4.462.034 $
- Laufzeit
- 1 Std. 16 Min.(76 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1(original aspect ratio)