Nachdem er den legendären Stanley Kubrick nicht gefunden hat, muss sich ein instabiler CIA-Agent stattdessen mit einem schäbigen Rockband-Manager zusammenschließen, um den größten Betrug all... Alles lesenNachdem er den legendären Stanley Kubrick nicht gefunden hat, muss sich ein instabiler CIA-Agent stattdessen mit einem schäbigen Rockband-Manager zusammenschließen, um den größten Betrug aller Zeiten bei der Mondlandung zu entwickeln.Nachdem er den legendären Stanley Kubrick nicht gefunden hat, muss sich ein instabiler CIA-Agent stattdessen mit einem schäbigen Rockband-Manager zusammenschließen, um den größten Betrug aller Zeiten bei der Mondlandung zu entwickeln.
- Regie
- Drehbuch
- Hauptbesetzung
- Mike
- (as Nathaniel Martello White)
- Derek Kaye's Office Employee
- (Nicht genannt)
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I expected a more realistic approach on tackling one of the greatest conspiracy theories of our time, the one that is about the moonlanding in 1969 being staged (in order to beat the Russians to the task so they would still be seen as the most powerful country in the world).
A theory that I actually believe could be a true one but I won't dig too deep into that because if that actually did happen how it happen would most likely differ substantially from the plot of this movie as this one is solely about the comedy... and the action, which there was plentyful of, to the point that it might get too bloody for some sensitive viewers.
A lot of sex, drugs and rock n roll as well.
The acting is fine, Rupert Grint does really well in comedies as he's proved before with the slightly better 'WILD TARGET (2010)' which also got him entangled with gangsters.
Robert Sheehan I didn't even recognize as the bearded hippie-friend of Grint, despite 'THE ROAD WITHIN' with Sheehan being one of my favorite movies of 2015, so yeah he was good too.
Ron Pearlman does his thing as always.
Gets a little too druggy at times perhaps and the pre-credit montage was a little too much but overall yeah solid enough entertainment for sure.
Also the movie clocks in at 97 minutes not 107 minutes like IMDb lists it at.
I herd for years about the rumor that the government got Stanley Kubrick to film the moon landing of Apollo 11, but the movie flushes out the conspiracy and it goes right in the toilet for our own amusement.
Ron Perlman plays a stressed out G man who is assigned to go to London and get Kubrick to agree to film the fake space landing (just in case Apollo 11 does not make it), only to get conned by a rock band manager played by Rupert Grint to believe one of his stoned out clients is the guy whose directing Space Odyssey, and when the agent finds out, there lives depend on getting that footage made.
Ron Perlman and Rupert Grint where very good in this movie. It was an interesting contrast as I found humor in Perlman's quietness, as a man who just came back from a mission in Vietnam and is in real need of a break going out on another mission. Meanwhile Grint's life was more outrageous and screw ball that made for some violent outburst in comedy.
I thought it had some good gags and great jokes, which, along with the story content, made it pleasant to watch.
This only proves how a good script, good shots and good direction together with good actors that are not necessarily celebrities - can end up with a great result that does not fall short of the big pictures. Food for thought for big studios IMHO and Perlman here shows sides which I've never before seen him do.
Definitely worth watching. Amusing, not hilarious but fun to watch.
Set in the Psychedelic Sixties it spares Nothing and No One with its Ultra-Violence and Over the Top Characterizations. It's a Colorful, Mad-Cap, Action-Comedy that Hits the mark most of the time and is an Entertaining Effort with an Abundance of Artistic Flare.
Ron Pelleman is Superb as a CIA Agent that is in the Center of this Whirlpool of Government Conspiracies and Gangland Comeuppance. Violent and Sleazy, it contains Nudity and Gore but the Impressive Production Design alone is Worth the Price of Admission.
Rupert Grint (of Harry Potter fame) is also quite Good as the "Loser" Rock Band Manager who Stumbles and Bumbles but Charms His way through Outlandish Situations. There's one Acid-Dropping Scene with Pelleman that is a Standout.
Overall, Worth a Watch for "Artsy" Types and Anyone who Enjoys Off-Kilter Cinema with a Good Cast, a Quirky Story, and the Talent to Deliver such a Maniacal Movie and make it all work.
The plot is totally silly and at no time is this film in danger of being used as proof for conspiracy nutters that think we never went to the Moon, but the script is well done. I mean, all stories start with a crazy "what if" seed and then there is the actual writing. The writing was good. The seed in this case was that the Americans would hire Stanley Kubrick to make a secret film of a fake Moon landing in case the real one failed, all in 10 days. Yeah, right.
Bottom line: this movie teaches us that while the Americans were sending their kids to die in Vietnam, Brits were really cool and fun. The rest is history.
Wusstest du schon
- WissenswertesThe coffee table in Derek Kaye's office is reminiscent of the tables in the Korova milk bar in "A Clockwork Orange."
- PatzerHanging on the wall in Jonny's flat is a Who/Steve Gibbons tour poster from 1976 - seven years after the film takes place.
- Zitate
Kidman: It sounds like a rather large operation. How are we going to keep this secret?
Colonel Dickford: We'll do what the Egyptians did.Bury the architects inside the pyramid.
- Crazy Credits"The authors have tried to contact all copyright holders and persons appearing on footage archives, unfortunately they cannot always be found. If you can recognize yourself please contact the production for further information."
- Alternative VersionenAvailable in two different versions, one with a runtime of "1h 36m (96 min)" (United States theatrical cut) and "1h 34m (94 min) (Japan)".
- VerbindungenReferenced in Flat Earth Conspiracy: This Week in Flat Earth: Episode 6 (2015)
- SoundtracksRock'n Roll Station
Written by Ariel Rechtshaid, Joshua E. Kessler, Justin Raisen, Marc Ferrari
(P) & (C) Red Engine Music
Courtesy of Universal Publishing Production Music France
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Details
Box Office
- Weltweiter Bruttoertrag
- 92.365 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1