The selections on side one are taken from the Graduale and
Antiphonary and, as Fr.
At Auckland, his small collection of liturgical manuscripts consisted of a few single representative exemplars: one missal, one breviary, and one book of hours, which were among the earliest purchases he made on his return to Auckland, and an
antiphonary, which he sent from London after 1894.
The most lavish examples of Medici-inspired art in the choirbooks of Santa Maria del Fiore are found in
antiphonary Cod.
Muir notes of this responsory that "the Liber [responsalis] has the verse 'Formavit igitur ut supra'; a similar verse is used for this responsory in Hartker's
Antiphonary, (a tenth-century text which, like the Liber, begins the Genesis readings on Sexagesima Sunday) but many medieval breviaries have the same verse as Hyde Abbey" (Liturgy and Drama, 7).
800, positing the existence of an authoritative
antiphonary, complete with musical notation, which he calls "Charlemagne's archetype." This "archetype" circulated throughout the Carolingian empire, until the increasingly obsolescent Gallican chant was suppressed.
The principal source of early 16th-century Scottish music (Edinburgh, National Library of Scotland, Advocates' MS.5.1.15), once called the `Scone
Antiphonary', now bears Carver's name.
Scrawled them within the
antiphonary's marge, Joined legs and arms to the long music-notes, Found eyes and nose and chin for A's and B's.
Following this is an informative survey by Barbara Drake Boehm, describing the contents of the liturgical manuscripts--the missal, gradual,
antiphonary, laudario, psalter and book of hours--and the manner of their usage.
Lapidge, |Columbanus and the
Antiphonary of Bangor', Peritia 4 (1985), 104-16.
The Cover of
Antiphonary (this page) from the sixteenth century, bound the hymns for responsive singing in Christian worship.
In some respects the book stands as
antiphonary to her earlier volumes.
Aquin continues his effort to turn the novel into an art form created by both author and reader in two other important novels: Trou de memoire (1960) and L'antiphonaire (1969; The
Antiphonary).
1430) painted by Fra Angelico in an
antiphonary at San Marco.
(32) The manuscripts are: Grey MS 4.c.7, a complete
antiphonary, containing all the chants for the offices of the liturgical year, a hymnary, a tonary, and a kyriale; Grey MS 6.b.3, a Carthusian evangeliary, the main musical interest of which are the accent neumes at the ends of the pericopes; and Grey MS 3.c.23, an
antiphonary for nuns, containing the chants for Lauds and Vespers
