If you went down to the woods in July 1999, you were in for a big surprise. The Blair Witch Project – our movie this week, one of the most notorious horror films in modern movie history – was a phenomenon that no one saw coming. Its reverberations are still being felt today, not just in horror but in movie-making at large. Is tale of a group of indie filmmakers out in the wilderness, making a documentary about a mythical witch, is credited with birthing the found footage genre – a huge staple of blockbuster filmmaking for decades to come. But maybe more importantly, the film announced to emerging storytellers that, in a new era of digital video and the internet, anyone could be a filmmaker, able to make and market a film to audiences. All you needed was imagination. The Blair Witch Project was written and directed by Daniel Myrick and our guest today, Eduardo Sánchez – two friends fresh out of film school. In the conversation you’re about to hear, celebrating the 25th anniversary of the movie, Ed looks back at the film’s conception. We get into what psychological tricks found footage as a format plays on the audience’s brain to heighten their sense of terror. And you’ll discover how deep mythology of the Blair Witch goes – a mythology that, as you’ll hear towards the end of our chat, isn’t finished scaring audiences yet.Script Apart is hosted by Al Horner and produced by Kamil Dymek.  Follow us on Twitter and Instagram, or email us on [email protected] for this episode comes from ScreenCraft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show