043: The Tragically Hip - Fully Completely (1992) | Discord and Rhyme: An Album Podcast Podcast

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153: Pixies - Doolittle (1989): Well, sit right down, my wicked son, and let us tell you a story, about the subject of this year’s Discord & Rhyme holiday episode: the Pixies! (Or technically, just Pixies.) Hailing from Boston, the alternative rock quartet dealt with mounting intra-band tension with little to nothing to show for it financially, leading bandleader Charles Thompson (alias Black Francis) to break up the band via fax in 1991. But the band’s critical stature gradually grew to gigantic proportions in the ‘90s, as their albums influenced bands like Pavement, PJ Harvey, Radiohead, Weezer, and especially Nirvana, who built an entire movement out of the classic Pixies “quiet-loud” formula. When they reunited for a reunion tour in 2004, they found, much to their shock and awe, that their songs had grown into anthems. Their 1989 album Doolittle is arguably the peak of their original run, featuring songs that could plausibly fill an arena without sacrificing their scrappy indie ene by Discord and Rhyme: An Album Podcast

141 min listen

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152: Caravan - In the Land of Grey and Pink (1971): Discord & Rhyme are taking a trip to Canterbury, England - UNESCO World Heritage Site, home of the Canterbury Cathedral, and birthplace of prog-rock legends Caravan. Springing forth from the rich Canterbury scene, Caravan created a style of progressive rock that managed to be complex while retaining a real sense of warmth. The group is not particularly well known outside of progressive rock circles, but Phil has loved them for a long time, and he’s excited to talk about the group’s most famous album, In The Land Of Grey And Pink. by Discord and Rhyme: An Album Podcast

113 min listen

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Bonus: Thank You for the Music: We're departing from our usual format for this episode. Everybody needed a pick-me-up, so instead of discussing an album, we're talking about songs: specifically, the songs that make us love music. Some of these are the songs we loved as little kids that built our musical foundations, and some of them are illustrations of specific things we adore. We went all over the map for this one and had a great time, so please enjoy the episode and tell us the songs that make you love music. by Discord and Rhyme: An Album Podcast

116 min listen

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151: John Carpenter - Anthology: Movie Themes 1974-1998 (2017): Discord & Rhyme goes to the movies! This Halloween we're ringing in spooky season by exploring the work of filmmaker and musician John Carpenter. Best known for introducing the world to Michael Myers with the horror classic Halloween, Carpenter has built a solid filmography as a director while also providing his own distinctive musical vision with his scores. The 2017 career-spanning collection Anthology: Movie Themes 1974-1998 features fresh recordings of some of his most recognizable and beloved soundtrack work. Join Dan, Mike, and Rich as they slightly drift from the usual Discord & Rhyme format to indulge their movie nerd obsessions. by Discord and Rhyme: An Album Podcast

147 min listen

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150: Metallica - Ride the Lightning (1984) & Master of Puppets (1986): Mike’s ongoing quest to make Discord & Rhyme more metal inevitably meant we would have to tackle the band so synonymous with metal they put it in their name, and Metallica’s incredible mid-80s prime inevitably meant we would need to tackle two of their albums in the same episode. Ride the Lightning of 1984 and Master of Puppets of 1986 are largely the same album in terms of overall flow, but the differences are every bit as important as the similarities, and the best material from these albums ranks among the best rock music (not just metal) ever created. Join with Mike, Phil, and John as they make the case for why Metallica, despite a career with its fair share of ups and downs (and baffling documentaries), should be remembered as one of the greatest bands of its time. by Discord and Rhyme: An Album Podcast

220 min listen

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149: A Tribe Called Quest - The Low End Theory (1991): Here we go, yo! It's been a while since this podcast has covered either a hip-hop album or a jazz album — so this week, we're doing both at once! A Tribe Called Quest formed in the late ‘80s in the New York City neighborhood of St. Albans, Queens, which was home to some of the giants of jazz, blues, and funk, and was a hotbed of musical activity in the years when hip-hop was simmering into existence. On Tribe’s 1991 album The Low End Theory, members Q-Tip, Phife Dawg, and Ali Shaheed Muhammed pay tribute to this rich musical legacy with an album that charted a new path for hip-hop by exploring its roots in bebop, hard bop, post-bop, all the other bops, and more. This album isn’t just a classic – it’s one of the sacred texts of the hip-hop genre, and it helped Rich get into jazz after years of failed attempts. So if you’re a jazz aficionado who’s on the fence about hip-hop, or vice versa, we invite you to crank up the bass and check by Discord and Rhyme: An Album Podcast

159 min listen

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148: Jeff Beck - Truth (1968): Jeff Beck had shown off his guitar genius with several fiery mid-1960s hit singles by the Yardbirds; he’d even scored some UK top-30 hits as an unlikely singing star. But all that was prologue to Truth, his 1968 solo debut album. Joined by future Rolling Stone Ron Wood and a then-unknown Rod Stewart, Beck laid down a standout batch of electric blues songs - plus a showtune and an olde English folk song to show off his versatility. Truth has always been one of Ben’s favorite albums, and he joins Rich and Dan to talk about it. by Discord and Rhyme: An Album Podcast

113 min listen

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146: The Mamas and the Papas - If You Can Believe Your Eyes and Ears (1966): Before they were flattened into part of the public’s collective generic memory of the 1960s, and before an astonishing level of in-fighting and tragedy turned the group’s story into one of the best VH1: Behind the Music episodes, The Mamas and the Papas released one of the best debut albums of the 1960s. It produced three massive hits you’ve heard hundreds of times apiece if you listen to oldies radio, but it also produced a handful of worthwhile deeper cuts, with interesting songwriting (most of the time) and top-notch singing throughout. John leads a discussion with Amanda, Phil, and Ben about the collection of musicians who created one of his favorite 1960s albums and one of the most jaw-dropping soap-operas of the decade. by Discord and Rhyme: An Album Podcast

138 min listen

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146: Spinal Tap - This Is Spinal Tap (1984): Hello, Cleveland! This week, Producer Mike continues his quest to make Discord & Rhyme more metal by turning it up to 11 with an episode on England’s loudest band, Spinal Tap. The fictional Spinal Tap consists of guitarists David St. Hubbins and Nigel Tufnel, bassist Derek Smalls, and a series of cursed drummers, whose misadventures are chronicled in the 1984 mockumentary This Is Spinal Tap. The real Spinal Tap consists of Michael McKean, Christopher Guest, and Harry Shearer, three exceptionally gifted comedians who know what makes metal tick and are very smart at playing dumb. And that extends to the movie’s soundtrack, whose songs walk the line between sophisticated songwriting and sounding like they could conceivably have been written by three boneheads. Because why waste good music on a brain? by Discord and Rhyme: An Album Podcast

107 min listen

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145: George Harrison - All Things Must Pass (1970): George Harrison was reaching his creative peak in the late 1960s, but famously had a difficult time getting the other Beatles interested in recording his songs. So when they broke up in 1970, George got a massive group of musicians together and recorded his entire backlog to release all at once. All Things Must Pass was the first ever triple album by a single artist, and (apart from Apple Jam) is a tightly focused, intense, cathartic listening experience unmatched in popular music. In this episode, Amanda, Ben, and Mike do their best to dissect this extremely dense album and prove that George Harrison was a brilliant musician and deserves the highest respect. by Discord and Rhyme: An Album Podcast

194 min listen

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144: Green Day - Dookie (1994): In 1994, Green Day introduced a whole new generation to punk rock with their major label debut, Dookie. There has been a lot of discourse over the years about whether or not Green Day are “real” punk rock, but Dookie has endured as a classic of ‘90s rock, containing numerous standards that have long-since been memorized by anyone reasonably fluent in the rock of the era. Phil discovered Green Day when he was 12 years old - the ideal age for absorbing their combination of crude-but-relatable lyrics and hyper-catchy music, and he still loves them to this day, so he’s absolutely thrilled to get a chance to talk to Dan and Rich about how much he loves Dookie. by Discord and Rhyme: An Album Podcast

117 min listen

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Bonus: Won-Hit Oneders: In which Amanda, Mike, and Rich discuss our favorite one-hit wonders, as defined in our own heads. by Discord and Rhyme: An Album Podcast

91 min listen

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143: The Modern Lovers - The Modern Lovers (1976): In the early 1970s, Jonathan Richman assembled a band that recorded a groundbreaking set of songs fusing garage-rock sensibilities with his own entirely unique worldview. Unfortunately, before The Modern Lovers managed to complete a proper album, Richman’s musical interests drifted into an entirely different direction, ultimately leading to the dissolution of this version of the band. The collection of recordings that finally saw release as 1976’s The Modern Lovers stands as a snapshot of a band at a specific moment in time and has served as an endless source of inspiration for punk and indie artists ever since. Take a spin past the Stop and Shop and join us with the radio on for a chat about this groundbreaking classic. by Discord and Rhyme: An Album Podcast

97 min listen

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142: The Moody Blues - Days of Future Passed (1967): For our annual Moody Blues episode, we’re traveling back to the beginning (sort of) and finally discussing Days of Future Passed. Although the band themselves dismissed this idea, this album is clearly one of the starting points of progressive rock, and it’s certainly one of the earliest concept albums. It’s unique not just in the Moody Blues’ discography but in all of popular music, and we had a fantastic time discussing all the reasons why it’s still so beautiful, moving, effective, and entertaining 57 years after it was first released. by Discord and Rhyme: An Album Podcast

157 min listen

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141: The Band - Music from Big Pink (1968): Get ready for some classic Americana, brought to you by four Canadians (and one American), discussed by four Americans (including one living in Canada). Because Neil Young and Joni Mitchell weren't enough, Ben goes back to the frozen north for the Band's 1968 debut album, Music From Big Pink. Ben discusses why he loves the Band and Music From Big Pink, joined by Amanda, Dan, and Mike. by Discord and Rhyme: An Album Podcast

138 min listen

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140: R.E.M. - Automatic for the People (1992): R.E.M. spent the decade after Murmur growing steadily more successful, their popularity cresting with the 1991 #1 album Out of Time and its inescapable hit single “Losing My Religion.” But instead of going on an exhausting world tour like most bands would, R.E.M. went right back into the studio and recorded Automatic for the People, an album that defies rock star excess at nearly every turn. You probably know “Everybody Hurts” and “Man on the Moon,” which are still radio standards to this day, and with good reason. But even those songs were much more downcast and introspective than one would expect from a band at the height of their popularity. Automatic for the People is the sound of R.E.M. entering their thirties and taking stock of their place in both music and the world, and though it may take some time to sink in, John, Phil, Rich, and special guest Jeff Blehar all consider it one of their best albums. So join us for part 2 of a band by Discord and Rhyme: An Album Podcast

146 min listen

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139: R.E.M. - Murmur (1983): We’ve held off on R.E.M. for a while, because the Athens, Ga., quartet is just such a heavyweight in the rock canon. They’re so huge, in fact, that they merit two episodes: one for the mumbly, Byrdsy alt-rock troubadours of the ‘80s, and one for the slightly less mumbly arena rock titans of the ‘90s and onward. We’re starting off with their 1983 debut Murmur, which fueled the rise of college radio with songs that were strangely out of time (so to speak) with the trends of the ‘80s. The compositions on Murmur are so hazy and oblique that they almost resist analysis, and that’s before you even consider Michael Stipe’s lyrics. But John, Mike, Phil, and Ben are willing to give it their best shot, so join them as they embark on a long-delayed pilgrimage west of the fields to discuss one of this podcast’s favorite bands. by Discord and Rhyme: An Album Podcast

130 min listen

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Six Thousand Million Questions (Listener Q&A #6): Rich, Mike, and Amanda answer a bonanza of questions from listeners. Topics include retro prog, great live albums and not-so-great live shows, fantasy supergroups, synesthesia, our favorite recent releases, and no fewer than three questions about the Moody Blues. Listen through to the end for a special request to listeners! by Discord and Rhyme: An Album Podcast

93 min listen

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138: Peter Gabriel - Peter Gabriel (III) (1980): Peter Gabriel is a favorite artist of many of us here at Discord & Rhyme, but we’ve saved him for our own 138th Episode Spectacular. Peter Gabriel III (aka Melt, so called because half of Gabriel’s face on the album cover looks like a melting candle) isn’t just John’s favorite Peter Gabriel album; it’s an album that made him reconsider (in a favorable light) the entirety of popular music in the 1980s and the concept of using the production studio to create entirely new sounds, and John leads a very enthusiastic discussion on an album that we love very much. Join John, Amanda, Rich, and Mike as we gush over an album that transformed solo Peter Gabriel into something greater than “the guy who used to sing for Genesis”; a dark noisy hellscape frontier of an album full of burglars, assassins, and not one cymbal anywhere. by Discord and Rhyme: An Album Podcast

158 min listen

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137: Iron Maiden - Powerslave (1984): Hear that? There goes the siren that warns of the air raid – or maybe that’s just Bruce Dickinson’s voice. This week, Mike continues his quest to make Discord & Rhyme more metal with the album Powerslave by Iron Maiden. In the popular consciousness, Maiden are known for their goofy album covers and hits like “Bring Your Daughter … to the Slaughter.” But if you dig just a little deeper, they were vanguards of the new wave of British heavy metal, with a seven-album run in the ‘80s that ranks among the greatest winning streaks of the album era, metal or otherwise. Powerslave is arguably their peak, boasting some of their greatest compositions and brainiest lyrics, with subjects running the gamut from The Prisoner to the military-industrial complex to the dawn of British Romanticism. But most importantly, it rocks, and Mike has invited Phil, John, and Rich to discuss eight amazing songs that will put you at a losfer words. by Discord and Rhyme: An Album Podcast

127 min listen

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136: Kylie Minogue - X (2007): Kylie Minogue had a big comeback last year with the Grammy-winning TikTok hit “Padam Padam,” so Rich decided that it was finally time to give the Discord & Rhyme treatment to one of his favorite divas. Kylie’s 2007 album X wasn’t just an artistic comeback, but a physical and emotional one, recorded in the wake of her grueling but successful treatment for breast cancer. At the time, there was a groundswell of anticipation for her next big move, and X was the first album Kylie conceived as a singular project, rather than the latest entry in a production line of releases. Accordingly, there’s a certain vivaciousness and a willingness to try anything on this album that makes it unlike anything in her catalog, with songs that evoke Timbaland, Serge Gainsbourg and ‘90s R&B sitting alongside Kylie’s trademark Eurodisco. Some of the experiments work better than others, but the album as a whole is a fascinating portrait of a moment in time, both for mid-2000s pop by Discord and Rhyme: An Album Podcast

133 min listen

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135: The Dillards - Live!!!! Almost!!! (1964): Amanda has been threatening to talk about bluegrass on the podcast for years, and we finally settled on the perfect album to start with: Live!!!! Almost!!! by the Dillards. Half a comedy album and half a virtuoso performance by expert musicians, it’s a fantastic introduction to the genre. It was recorded in front of an audience completely unfamiliar with bluegrass music, so the band chose songs that were catchy and accessible, then made it even more engaging by adding Smothers Brothers-style jokey commentary in between. The result is an interesting and very entertaining live album that stands a good chance of winning over any bluegrass skeptics, and even if it doesn’t, it gives us a chance to explain why we like it. by Discord and Rhyme: An Album Podcast

109 min listen

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134: Uriah Heep - Demons and Wizards (1972): Uriah Heep were never critical darlings, but for a brief period in the early seventies, they were making some absolutely killer fantasy-tinged rock. Phil has always had a soft spot for 1972’s Demons And Wizards, which is probably the best example of what could happen when this band was truly firing on all cylinders. He, along with Dan and Mike, makes the case for why this album should be a staple of any respectable early seventies hard rock collection. by Discord and Rhyme: An Album Podcast

84 min listen

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133: Rodgers and Hammerstein - Oklahoma! (1964): Rodgers and Hammerstein’s musical Oklahoma! was a massive hit on Broadway in 1943. It changed musical theater forever and inspired a well-remembered 1955 film. Ben hasn't seen the musical or the film, and he doesn't know the plot or the names of the characters. But he loves the music. He and Rich and John dive into a 1964 studio recording of the Oklahoma! soundtrack and make a case for why the show’s musical numbers endure. by Discord and Rhyme: An Album Podcast

128 min listen

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132: Simon and Garfunkel - Bridge Over Troubled Water (1970): Paul Simon and Art Garfunkel were gifted musicians with a deep and complicated personal relationship, which makes them perfect subjects for a Discord & Rhyme holiday episode. Their magnum opus, Bridge Over Troubled Water, was a huge hit in 1970 and is still as beautiful, innovative, and occasionally silly as it ever was. Ben, Amanda, Rich, and John love this album dearly, and discussing all its strengths and arguing over its few flaws was the perfect way to wind up Discord & Rhyme’s sixth calendar year. Happy holidays, everyone, and may all your relationships be less acrimonious than Simon and Garfunkel’s. by Discord and Rhyme: An Album Podcast

140 min listen

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131: Wire - Pink Flag (1977): 1 2 X U! As punk was just beginning to take off in the UK, Wire was already looking ahead, itching to push the genre toward artsier, more abstract frontiers. Their 1977 LP Pink Flag planted the seeds for post-punk and hardcore before most kids had even had a chance to spike their first mohawk. Boasting a dizzying 21 tracks at an economical 35 minutes, Wire packed more into one album than some of their peers managed in a career. Join Dan, Phil, Mike, and Rich as they discuss how it holds up as one of the boldest debuts of the punk era. by Discord and Rhyme: An Album Podcast

116 min listen

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130: The Dukes of Stratosphear - Chips From the Chocolate Fireball (1987): It’s time for a psychedelic podcast extravaganza, five years and two recordings in the making! The album Chips from the Chocolate Fireball by XTC’s alter-egos the Dukes of Stratosphear was supposed to be our fifth episode, but technical difficulties turned the episode into a splendid cream bun. But Rich, Ben, and Mike are finally back for a second round discussing a collection that perhaps isn’t XTC’s definitive artistic achievement, but it’s possibly the most pure fun you can have in their discography. Artistically adrift in the mid-’80s, the band adopted goofy pseudonyms and recorded a loving tribute to the ’60s music of their youth, produced by psychedelic engineering wizard John Leckie. If you enjoy Pink Floyd, the Byrds, the Small Faces, the Kinks, the Yardbirds, and especially the Beatles – which you most likely do, because you’re listening to this podcast – you owe it to yourself to take a bike ride to th by Discord and Rhyme: An Album Podcast

138 min listen

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129: Gentle Giant - Octopus (1972): Gentle Giant comes up so often on Discord & Rhyme, especially considering how obscure they are outside the world of hardcore prog rock fandom, that it’s amazing we haven’t covered them yet. Many 1970s prog rock bands aspired to combine rock with classical (and jazz among other things), but unlike most of their contemporaries, Gentle Giant actually knew enough about classical music to make the combination something more than rock crossed with a touch of 19th century Romanticism. John’s pick for their best album is Octopus of 1972, an album that fires ideas at the listener so rapidly that the various songs (and these are all songs, in the 3-6 minute range) become extremely memorable, even as they’re sometimes among the most complex and bewildering music to come out of the 1970s. Come listen to John, Mike, and Phil tell you why they’ve fallen in love with this band and with this album. by Discord and Rhyme: An Album Podcast

106 min listen

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128: Nick Cave and the Bad Seeds - Kicking Against the Pricks (1986): For this year’s Halloween episode, we wanted to go with an artist who scares the living daylights out of us, and what better choice than Nick Cave? After all, this is a man who once recorded an entire album of murder ballads, and whose legendary single “The Mercy Seat” charts a killer’s stream of consciousness as he is led to the electric chair. We could have picked almost any of Cave’s albums with the Bad Seeds, but Mike threw a curveball and chose the covers album Kicking Against the Pricks, because sometimes the best way to get to the essence of an artist’s work is examining the way they interpret and curate the work of other artists. The album boasts a truly eclectic set of songs, with pitch-dark Delta blues sharing a tracklist with light pop by Tom Jones, Gene Pitney, and the Seekers, all cloaked in the one-of-a-kind, macabre atmosphere that Cave’s fans have come to know, love, and fear. Yet by the time this car by Discord and Rhyme: An Album Podcast

143 min listen

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043: The Tragically Hip - Fully Completely (1992)

043: The Tragically Hip - Fully Completely (1992)

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