The Flat Woman: A Novel
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Asks who gets the right to call themselves a good person in a morally bankrupt world
In The Flat Woman, women exclusively are blamed for the climate crisis. Seagulls drop dead from the sky, and the government, instead of taking responsibility, scapegoats a group of female ecoterrorists. When a girl’s mother is incarcerated for climate crimes, she is forced to raise herself alone. As a young woman, she begins a romance with an environmental activist whose passion makes her question her own role in the world. By turns hilarious, deadly serious, and completely absurd, The Flat Woman asks who gets the right to call themselves a good person in a world ripe with disaster.
Driven by complex academic and moral questions, The Flat Woman is certain to appeal to fans of feminist and experimental literature, as well as fans of Margaret Atwood, Renee Gladman, Bhanu Kapil, Maggie Nelson, Kelly Link, and Anne Carson.
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The Flat Woman - Vanessa Saunders
THE FLAT WOMAN
THE FLAT WOMAN
A NOVEL BY
VANESSA SAUNDERS
TUSCALOOSA
Copyright © 2025 by Vanessa Saunders
The University of Alabama Press
Tuscaloosa, Alabama 35487-0380
All rights reserved
FC2 is an imprint of the University of Alabama Press
Inquiries about reproducing material from this work should be addressed to the University of Alabama Press
Book Design: Publications Unit, Department of English, Illinois State University; Director: Steve Halle, Production Intern: Georgeanne Drajin
Cover image: squintpictures/stock.adobe.com
Cover design: Matthew Revert
Typeface: Baskerville URW
Thank you to the following journals for publishing excerpts of this book: Seneca Review, Los Angeles Review, Western Humanities Review, Nat. Brut, Entropy, Passages North, A Velvet Giant, Poor Claudia, The Stockholm Review of Literature, Cleaver, and Requited Journal.
Library of Congress Cataloging-in-Publication Data is available from the Library of Congress.
ISBN: 978-1-57366-208-6
E-ISBN: 978-1-57366-911-5
For my husband
To be innocent is to be full of contradictions.
—Kim Yideum, Cheer Up Femme Fatale, translated by Ji Yoon Lee, Don Mee Choi, and Johannes Göransson
On the morning of her ninth birthday, the girl woke up with a rash of bird feathers.
A plate of gray-and-white seagull feathers, thick as a coat of armor, covered her back, from her neck to the base of her spine. It was painful to sit up, painful to lie down, painful to stand on her legs, the feather shafts poking out of her skin.
I’m sorry, Momma said as she left for work, your aunt will be here soon to watch you. By ten a.m., the girl developed a fever so high sweat soaked through her downy coat. Dripping, she tried to walk to the bathroom and saw floating green crescent moons rise from the hallway floor.
Her aunt found her in bed, wet and hot and feathered. Come on, her aunt said, you’ll feel better if we go to the zoo.
Feathers mashed in a ball under her sweater, the girl walked with her aunt, hand in hand, staring at the gulls circling the air. Her aunt bought her a hot dog with relish, then they stared at some sea lions lying on a rock. From their glass cage, the sea lions barked and wagged their tails. The girl tried to eat, but her warm tongue just pushed the food around her mouth, unhungry.
Suddenly a flock of gulls descended on them, a blaze of white feathers, dark claws, and throaty squawks. When the gulls tore the hot dog from the girl’s hand, her aunt let go of the girl, shrieked. Falling to the ground, her aunt pushed the girl out in front of her. The girl tripped on her shoelace and fell face-first.
The sound of the gulls’ wings flapping filled her ears as they followed her down, cutting her knuckle flesh, drawing blood. The girl believed she was going to die, based on the red liquid seeping into the pavement, her aunt’s screaming, and the talons scraping the back of her neck. Eventually the sound stopped.
They raised their heads, tentatively. A clear sky.
Her aunt slowly stood up, bleeding from her hands. Her aunt tried to wipe a blood trickle off her arm, but only smeared the rust-colored fluid down her bangled wrist. She gathered her purse. They were trying to get their revenge, she said, for what we’ve allowed to happen.
They both ran to the car, not wishing to see any more creatures.
PART I
THE GIRL AND HER MOMMA SIT IN FRONT OF THE TELEVISION, WHICH PLAYS THE MORNING NEWS.
Are you sure you don’t want to try it? Momma asks.
I don’t.
Even movie stars need it you know, her momma says, twisting a strand of hair behind the girl’s head, yanking the girl’s neck just a little.
The bad guys or the good guys?
Both.
If I had a dad, I wouldn’t need it.
Momma doesn’t say anything.
If I had a dad, I could sit on his lap and spill out all my feelings. Then I would cry like a baby. If I had a dad, I wouldn’t have any issues.
Stop moving, Momma says, I’m almost done. The elastic snaps against the girl’s hair as Momma secures the hair tie around one braid.
Therapy would toughen your boundaries, Momma says quietly.
The girl doesn’t reply. Her attention is already out the window, watching the sea slip in a blue line. The seagulls shrieking in the air above their neighbor’s duplex don’t seem bothered.
She watches the sun careen across their white feathers. Remembering the scrape of their beaks at the zoo, she curls her fingers into her palms. She looks down at her small, white hands, but nothing changes.
Can I have some hot chocolate?
Turning, Momma steps out of the living room. In the kitchen, the girl hears the fridge creak, milk hitting the saucepan, the click of the stove. After a few minutes, Momma returns to the couch with a mug of steaming hot chocolate, the whipped cream spritzed into a twirl. Voila, Momma says and hands the girl the mug. The girl grabs the cup, not moving her eyes from the morning news.
A terrorist attack occurred this morning in the city of Pinecoast . . .
Onstage, the politician delivers a speech. Behind a podium, in a navy suit, he waves his hands in the air. A large crowd surrounds the stage, silent. As he fumbles his words, he dabs the perspiration from his protruding forehead with a handkerchief. The politician crumples the handkerchief and shoves it into his pocket.
Then a falling white streak drops into view. A seagull descending from the sky. The crowd gasps as the bird drops onto the politician’s head. In a flash of charcoal-and-white feathers, the gull bounces off his forehead and rolls down his shoulder. The bird spills down his right arm, leaving a trail of cream feathers on the politician’s blue suit, before landing on the stage.
The politician stops talking and dusts the bird feathers from his lapel. On the stage, the seagull lies at his feet. Wings splayed, its neck contorted. The camera zooms closer on the gull’s eyes, glassy and black. The bird doesn’t beat its wings.
Frowning, the politician looks at the bird at his feet, one pink claw suspended upward. When he looks up, he leans closer to the microphone:
We won’t let the terrorists get away with this.
The politician smiles and thrusts his fist into the air. The crowd roars as the politician punts the dead bird into the audience. Someone catches the bird with one hand and the surrounding crowd ripples. Smiling, the politician straightens his tie as the crowd erupts.
The girl exclaims, Ow. You’re pulling too tight.
Momma drops the girl’s braids and turns off the TV. Sorry. You’re done. Go grab your book bag.
Momma is rinsing her face in the bathroom. Momma is gathering her purse on her strong shoulders that are pretty like angel wings. Both of their breaths generate white puffs in the morning air as Momma walks the girl to the bus stop: Don’t forget what I taught you. If you start to feel anxious, inhale through your nose and count to four. Close your eyes if you need to.
The girl nods.
Momma waits until the bus creates a sighing noise, the creaking of its halted wheels. Riding the bus to the school of water-stained walls and a library that smells of must. The girl enters her classroom, where the boys and girls rustle with papers on their desks, scuffing their plastic sneakers against the floor, clearing their sniffling throats as