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Showtime at the Ministry of Lost Causes
Showtime at the Ministry of Lost Causes
Showtime at the Ministry of Lost Causes
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Showtime at the Ministry of Lost Causes

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The poems in Showtime at the Ministry of Lost Causes are survival songs, the tunes you whistle while walking through the Valley of Shadows, to keep your fears at bay and your spirit awake. The shadows here are many—cancer, poverty, a lost love, famine, suicide, war, an ever-encroaching existential angst. But so are the saving graces—a drag queen waitress whose "painted-on eyebrows arched like a bridge / toward starlight," "strawberries / grown fat around dimpled gold seeds," Pink Floyd's "'On the Turning Away' sent through my car / radio like the ghost voice of a beloved long dead," black phoebes rattling "winter / thistles, swollen throats percussing: / this is this is this is . . . " Showtime at the Ministry of Lost Causes reminds us that where there is shadow there must, necessarily, also be light.
LanguageEnglish
Release dateNov 18, 2016
ISBN9780822982005
Showtime at the Ministry of Lost Causes
Author

Cheryl Dumesnil

Cheryl Dumesnil’s books include two collection of poems, Showtime at the Ministry of Lost Causes and In Praise of Falling (winner of the Agnes Lynch Starrett Prize and the Golden Crown Literary Society Prize for Poetry); a memoir, Love Song for Baby X: How I Stayed (Almost) Sane on the Rocky Road to Parenthood; and the anthology Dorothy Parker’s Elbow: Tattoos on Writers, Writers on Tattoos, coedited with Kim Addonizio. Her stint as a solo mom ended in 2017 when she married her soul mate, Sarah, a.k.a. the Best Stepparent in the World.

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Showtime at the Ministry of Lost Causes - Cheryl Dumesnil

PITT POETRY SERIES | Ed Ochester, Editor

SHOWTIME AT THE MINISTRY OF LOST CAUSES

Cheryl Dumesnil

UNIVERSITY OF PITTSBURGH PRESS

Published by the University of Pittsburgh Press, Pittsburgh, Pa., 15260

Copyright © 2016, Cheryl Dumesnil

All rights reserved

Manufactured in the United States of America

Printed on acid-free paper

10 9 8 7 6 5 4 3 2 1

ISBN 13: 978-0-8229-6431-5

ISBN 10: 0-8229-6431-7

Cover art and design by Joel W. Coggins

ISBN-13: 978-0-8229-8200-5 (electronic)

For Marilyn and Robert Dumesnil,

with relentless gratitude

Do you have the patience to wait

till your mud settles and the water is clear?

Lao-Tzu

All that noise coming in.

You have to make use of it somehow.

Grace Paley

CONTENTS

I. GOOD MORNING HEARTACHE

It’s not the Holy Spirit

The Flock

Revolution

The Red-Shouldered Hawk, the Raven

When there’s no money left—

Good Morning Heartache

Showtime at the Ministry of Lost Causes

Colossal Failure of Human Design, We Celebrate the 100th Anniversary of Your Death

Ode to October

II. AT THE REUNION OF LOST MEMORIES

Tampons: A Memoir

Conception Myth

On Air Guitar, Lip Gloss, and Flat Irons

At the Reunion of Lost Memories

When she finally lost the weight

Ode to Pink Floyd

Breaking the Broken Things

III. THE HEART HAS FOUR CHAMBERS

The Heart Has Four Chambers

A Thousand Words for Goodbye

Love Song for the Drag Queen at Little Orphan Andy’s

Fever Dream

Last Call

Coming Home

Prayer for Beginning

To the First Person Who Ate an Artichoke

The Gospel According to Sky

IV. THAT I COULD KEEP YOU LIKE THIS

Still Life, Ocean Beach

In the Ocean Some Survive by Drowning

The locked box insists

Some Days Are Skin as Tinfoil

What You Were Doing Up There

That I Could Keep You like This

A Million Silver Minnows

Halfway Up Devil Mountain

V. THE ACROBATS OF PITTSBURGH

The Acrobats of Pittsburgh

Notes to Myself on the Morning after His Birth

Diagnosis

Don’t

Vocabulary

Get Ready

The Problem Is

How to Swim Naked in a Night Lake

How to Slice Bananas

His Currency

Melodrama of the Suburban Kindergartener

Instinct

The Words Are

Lake Dharma

Notes

Acknowledgments

I. GOOD MORNING HEARTACHE

It’s not the Holy Spirit

letting up out of an oil-slicked puddle

between the tracks on 9th Ave,

that feathered blur flashing

toward the N-Judah’s windshield.

It’s only a rock dove, tail fan

splayed, pewter wings spread

wide, reversing direction mid-air.

But tell me, what better

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