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Pylon: The Corrected Text
Pylon: The Corrected Text
Pylon: The Corrected Text
Ebook304 pages

Pylon: The Corrected Text

Rating: 3.5 out of 5 stars

3.5/5

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One of the few of William Faulkner’s works to be set outside his fictional Yoknapatawpha County, Pylon, first published in 1935, takes place at an air show in a thinly disguised New Orleans named New Valois.  An unnamed reporter for a local newspaper tries to understand a very modern ménage a trois of flyers on the brainstorming circuit. These characters, Faulkner said, “were a fantastic and bizarre phenomenon on the face of the contemporary scene. . . . That is, there was really no place for them in the culture, in the economy, yet they were there, at that time, and everyone knew that they wouldn’t last very long, which they didn’t. . . . That they were outside the range of God, not only of respectability, of love, but of God too.” In Pylon Faulkner set out to test their rootless modernity to see if there is any place in it for the old values of the human heart that are the central concerns of his best fiction.

LanguageEnglish
Release dateMay 18, 2011
ISBN9780307791788
Pylon: The Corrected Text
Author

William Faulkner

William Faulkner (1897–1962) is a celebrated twentieth-century American author. Much of his work is set in the fictional county of Yoknapatawpha, based on Lafayette County, Mississippi, where he spent much of his life. In 1949, he won the Nobel Prize in Literature. He is best known for his novels The Sound and the Fury, As I Lay Dying, and Light in August.

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Rating: 3.373016079365079 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    group of barn stormers whose lives are thoroughly unconventional
  • Rating: 1 out of 5 stars
    1/5
    As much as I love Faulkner, I cannot summon any enthusiasm for this one. I don't think I've ever managed to read it all the way through before, and I did so this time just because I felt I ought to. It's a mess...the kind of thing people write when they're trying to mock Faulkner, full of rambling incoherent thoughtsentences and words like "thoughtsentences". The action takes place during "Moddy Graw" in a city that is obviously New Orleans, but which Faulkner inexplicably calls "New Valois". He even changes the name of the state to "Franciana". It just screams at the reader every time it's mentioned. Giving Oxford, Mississippi, a fictitious name and creating a county called Yoknapatawpha in his large body of work makes sense...Jefferson and its environs could be in any number of places in the deep south. There's only one New Orleans, and there is nothing else remotely like it in the country. The main character in [Pylon] is a man without a name, "the reporter", who becomes obsessed with a threesome of air show performers and their young child. (One woman, two men, nobody really knows which one is the child's father, although the woman is married to one of them. Speculation is that there was a coin toss involved.) Most of the men are drunk most of the time, and plain stupid the rest of it. The woman is flat, unaffected and a significant slug of ammunition in the war over whether Faulkner was a misogynist. Only the child has any redeeming qualities, and he is probably doomed, even after he's sent to live with his supposed paternal grandparents, one of whom has no more sense than to burn money in the kitchen stove because of where he thinks it came from. For a handful of authentically funny moments, I give this novel a reluctant single star. I cannot recommend it to anyone.

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Pylon - William Faulkner

Dedication of an Airport

For a full minute Jiggs stood before the window in a light spatter of last night’s confetti lying against the windowbase like spent dirty foam, lightpoised on the balls of his grease-stained tennis shoes, looking at the boots. Slantshimmered by the intervening plate they sat upon their wooden pedestal in unblemished and inviolate implication of horse and spur, of the posed countrylife photographs in the magazine advertisements, beside the easelwise cardboard placard with which the town had bloomed overnight as it had with the purple-and-gold tissue bunting and the trodden confetti and broken serpentine—the same lettering, the same photographs of the trim vicious fragile aeroplanes and the pilots leaning upon them in gargantuan irrelation as if the aeroplanes were a species of esoteric and fatal animals not trained or tamed but just for the instant inert, above the neat brief legend of name and accomplishment or perhaps just hope.

He entered the store, his rubber soles falling in quick hissing thuds on pavement and iron sill and then upon the tile floor of that museum of glass cases lighted suave and sourceless by an unearthly daycolored substance in which the hats and ties and shirts, the beltbuckles and cufflinks and handkerchiefs, the pipes shaped like golfclubs and the drinking tools shaped like boots and barnyard fowls and the minute impedimenta for wear on ties and vestchains shaped like bits and spurs, resembled biologic specimens put into the inviolate preservative before they had ever been breathed into. Boots? the clerk said. The pair in the window?

Yair, Jiggs said. How much? But the clerk did not even move. He leaned back on the counter, looking down at the hard tough shortchinned face, blueshaven, with a long threadlike and recently-stanched razorcut on it and in which the hot brown eyes seemed to snap and glare like a boy’s approaching for the first time the aerial wheels and stars and serpents of a nighttime carnival; at the filthy raked swaggering peaked cap, the short thick musclebound body like the photographs of the one who two years before was lightmiddle-weight champion of the army or Marine Corps or navy; the cheap breeches overcut to begin with and now skintight like both they and their wearer had been recently and hopelessly rained on and enclosing a pair of short stocky thick fast legs like a polo pony’s, which descended into the tops of a pair of boots footless now and secured by two rivetted straps beneath the insteps of the tennis shoes.

They are twenty-two and a half, the clerk said.

All right. I’ll take them. How late do you keep open at night?

Until six.

Hell. I’ll be out at the airport then. I wont get back to town until seven. How about getting them then? Another clerk came up: the manager, the floorwalker.

You mean you dont want them now? the first said.

No, Jiggs said. How about getting them at seven?

What is it? the second clerk said.

Says he wants a pair of boots. Says he cant get back from the airport before seven oclock.

The second looked at Jiggs. You a flyer?

Yair, Jiggs said. Listen. Leave a guy here. I’ll be back by seven. I’ll need them tonight.

The second also looked down at Jiggs’ feet. Why not take them now?

Jiggs didn’t answer at all. He just said, So I’ll have to wait until tomorrow.

Unless you can get back before six, the second said.

O.K., Jiggs said. All right, mister. How much do you want down? Now they both looked at him: at the face, the hot eyes: the appearance entire articulate and complete, badge regalia and passport, of an oblivious and incorrigible insolvency. To keep them for me. That pair in the window.

The second looked at the first. Do you know his size?

That’s all right about that, Jiggs said. How much?

The second looked at Jiggs. You pay ten dollars and we will hold them for you until tomorrow.

Ten dollars? Jesus, mister. You mean ten percent. I could pay ten percent. down and buy an airplane.

You want to pay ten percent. down?

Yair. Ten percent. Call for them this afternoon if I can get back from the airport in time.

That will be two and a quarter, the second said. When Jiggs put his hand into his pocket they could follow it, fingernail and knuckle, the entire length of the pocket like watching the ostrich in the movie cartoon swallow the alarm clock. It emerged a fist and opened upon a wadded dollar bill and coins of all sizes. He put the bill into the first clerk’s hand and began to count the coins onto the bill.

There’s fifty, he said. Seventy-five. And fifteen’s ninety, and twenty-five is.…… His voice stopped; he became motionless, with the twenty-five cent piece in his left hand and a half dollar and four nickels on his right palm. The clerks watched him put the quarter back into his right hand and take up the four nickels. Let’s see, he said. We had ninety, and twenty will be——

Two dollars and ten cents, the second said. Take back two nickels and give him the quarter.

Two and a dime, Jiggs said. How about taking that down?

You were the one who suggested ten percent.

I cant help that. How about two and a dime?

Take it, the second said. The first took the money and went away. Again the second watched Jiggs’ hand move downward along his leg, and then he could even see the two coins at the end of the pocket, through the soiled cloth.

Where do you get this bus to the airport? Jiggs said. The other told him. Now the first returned, with the cryptic scribbled duplicate of the sale; and now they both looked into the hot interrogation of the eyes.

They will be ready for you when you call, the second said.

Yair; sure, Jiggs said. But get them out of the window.

You want to examine them?

No. I just want to see them come out of that window. So again outside the window, his rubber soles resting upon that light confettispatter more forlorn than spattered paint since it had neither inherent weight nor cohesiveness to hold it anywhere, which even during the time that Jiggs was in the store had decreased, thinned, vanishing particle by particle into nothing like foam does, he stood until the hand came into the window and drew the boots out. Then he went on, walking fast with his short bouncing curiously stiffkneed gait. When he turned into Grandlieu Street he could see a clock, though he was already hurrying or rather walking at his fast stiff hard gait like a mechanical toy that has but one speed and though the clock’s face was still in the shadow of the opposite streetside and what sunlight there was was still high, diffused, suspended in soft refraction by the heavy damp bayou-and-swamp-suspired air. There was confetti here too, and broken serpentine, in neat narrow swept windrows against wallangles and lightly vulcanised along the gutter-rims by the flushing fireplugs of the past dawn, while, up-caught and pinned by the cryptic significant shields to doorfront and lamppost, the purple-and-gold bunting looped unbroken as a trolley wire above his head as he walked, turning at last at right angles to cross the street itself and meet that one on the opposite side making its angle too, to join over the center of the street as though to form an aerial and bottomless regalcolored cattlechute suspended at first floor level above the earth, and suspending beneath itself in turn, the outwardfacing cheeseclothlettered interdiction which Jiggs, passing, slowed looking back to read: Grandlieu Street CLOSED To Traffic 8:00 P.M.–Midnight

Now he could see the bus at the curb, where they had told him it would be, with its cloth banner fastened by the four corners across its broad stern to ripple and flap in motion, and the wooden sandwich board at the curb too: Bluehound to Feinman Airport. 75¢ The driver stood beside the open door; he too watched Jiggs’ knuckles travel the length of the pocket. Airport? Jiggs said.

Yes, the driver said. You got a ticket?

I got seventy-five cents. Wont that do?

A ticket into the airport. Or a workman’s pass. The passenger busses dont begin to run until noon. Jiggs looked at the driver with that hot pleasant interrogation, holding his breeches by one hand while he drew the other out of the pocket. Are you working out there? the driver said.

Oh, Jiggs said. Sure. I’m Roger Shumann’s mechanic. You want to see my license?

That’ll be all right, the driver said. Get aboard. In the driver’s seat there lay folded a paper: one of the colored ones, the pink or the green editions of the diurnal dogwatches, with a thick heavy typesplattered front page filled with ejaculations and pictures. Jiggs paused, stooped, turning.

Have a look at your paper, cap, he said. But the driver did not answer. Jiggs took up the paper and sat in the next seat and took from his shirt pocket a crumpled cigarette pack and upended and shook into his other palm from it two cigarette stubs and put the longer one back into the crumpled paper and into his shirt again and lit the shorter one, pursing it away from his face and slanting his head aside to keep the matchflame from his nose. Three more men entered the bus, two of them in overalls and the third in a kind of porter’s cap made of or covered by purple-and-gold cloth in alternate stripes, and then the driver came and sat sideways in his seat.

You got a ship in the race today, have you? he said.

Yair, Jiggs said. In the three-seventy-five cubic inch.

How does it look to you? Do you think you will have a chance?

We might if they would let us fly it in the two hundred cubic inch, Jiggs said. He took three quick draws from the cigarette stub like darting a stick at a snake and snapped it through the stillopen door as though it were the snake, or maybe a spider, and opened the paper. Ship’s obsolete. It was fast two years ago, but that’s two years ago. We’d be O.K. now if they had just quit building racers when they finished the one we got. There aint another pilot out there except Shumann that could have even qualified it.

Shumann’s good, is he?

They’re all good, Jiggs said, looking at the paper. It spread its pale green surface: heavy, blacksplotched, staccato: Airport Dedication Special; in the exact middle the photograph of a plump, bland, innocently sensual Levantine face beneath a raked fedora hat; the upper part of a thick body buttoned tight and soft into a peaked lightcolored double-breasted suit with a carnation in the lapel: the photograph inletted like a medallion into a drawing full of scrolled wings and propeller symbols which enclosed a shieldshaped pen-and-ink reproduction of something apparently cast in metal and obviously in existence somewhere and lettered in gothic relief:

FEINMAN AIRPORT

NEW VALOIS, FRANCIANA

DEDICATED TO

THE AVIATORS OF AMERICA

AND

COLONEL H. I. FEINMAN, CHAIRMAN,

SEWAGE BOARD

THROUGH WHOSE UNDEVIATING VISION AND

UNFLAGGING EFFORT THIS AIRPORT WAS RAISED UP

AND CREATED OUT OF THE WASTE LAND AT THE

BOTTOM OF LAKE RAMBAUD AT A COST OF

ONE MILLION DOLLARS

This Feinman, Jiggs said. He must be a big son of a bitch.

He’s a son of a bitch all right, the driver said. I guess you’d call him big too.

He gave you guys a nice airport, anyway, Jiggs said.

Yair, the driver said. Somebody did.

Yair, Jiggs said. It must have been him. I notice he’s got his name on it here and there.

Here and there; yair, the driver said. In electric lights on both hangars and on the floor and the ceiling of the lobby and four times on each lamppost and a guy told me the beacon spells it too but I dont know about that because I dont know the Morse code.

For Christ’s sake, Jiggs said. Now a fair crowd of men, in the overalls or the purple-and-gold caps, appeared suddenly and began to enter the bus, so that for the time the scene began to resemble that comic stage one where the entire army enters one taxicab and drives away. But there was room for all of them and then the door swung in and the bus moved away and Jiggs sat back, looking out; the bus swung immediately away from Grandlieu Street and Jiggs watched himself plunging between iron balconies, catching fleeting glimpses of dirty paved courts as the bus seemed to rush with tremendous clatter and speed through cobbled streets which did not look wide enough to admit it, between low brick walls which seemed to sweat a rich slow overfecund smell of fish and coffee and sugar, and another odor profound faint and distinctive as a musty priest’s robe: of some spartan effluvium of mediaeval convents.

Then the bus ran out of this and began to run, faster still, through a long avenue between palmbordered bearded liveoak groves and then suddenly Jiggs saw that the liveoaks stood not in earth but in water so motionless and thick as to make no reflection, as if it had been poured about the trunks and allowed to set; the bus ran suddenly past a row of flimsy cabins whose fronts rested upon the shell foundation of the road itself and whose rears rested upon stilts to which rowboats were tied and between which nets hung drying, and he saw that the roofs were thatched with the smokecolored growth which hung from the trees, before they flicked away and the bus ran again overarched by the oak boughs from which the moss hung straight and windless as the beards of old men sitting in the sun. Jesus, Jiggs said. If a man dont own a boat here he cant even go to the can, can he?

Your first visit down here? the driver said. Where you from?

Anywhere, Jiggs said. The place I’m staying away from right now is Kansas.

Family there, huh?

Yair. I got two kids there; I guess I still got the wife too.

So you pulled out.

Yair. Jesus, I couldn’t even keep back enough to have my shoes halfsoled. Everytime I did a job her or the sheriff would catch the guy and get the money before I could tell him I was through; I would make a parachute jump and one of them would have the jack and be on the way back to town before I even pulled the ripcord.

For Christ’s sake, the driver said.

Yair, Jiggs said, looking out at the backrushing trees. This guy Feinman could spend some more of the money giving these trees a haircut, couldn’t he? Now the bus, the road, ran out of the swamp though without mounting, with no hill to elevate it; it ran now upon a flat plain of sawgrass and of cypress and oak stumps—a pocked desolation of some terrific and apparently purposeless reclamation across which the shell road ran ribbonblanched toward something low and dead ahead of it—something low, unnatural: a chimaera quality which for the moment prevented one from comprehending that it had been built by man and for a purpose. The thick heavy air was full now of a smell thicker, heavier, though there was yet no water in sight: there was only the soft pale sharp chimaerashape above which pennons floated against a further drowsy immensity which the mind knew must be water, apparently separated from the flat earth by a mirageline so that, taking shape now as a doublewinged building, it seemed to float lightly like the apocryphal turreted and battlemented cities in the colored Sunday sections, where beneath sillless and floorless arches people with yellow and blue flesh pass and repass: myriad, purposeless, and free from gravity. Now the bus, swinging, presented in broadside the low broad main building with its two hangar-wings, modernistic, crenelated, with its façade faintly Moorish or Californian beneath the gold-and-purple pennons whipping in a breeze definitely from water and giving to it an air both aerial and aquatic like a mammoth terminal for some species of machine of a yet unvisioned tomorrow, to which air earth and water will be as one: and viewed from the bus across a plaza of beautiful and incredible grass labyrinthed by concrete driveways which Jiggs will not for two or three days yet recognise to be miniature replicas of the concrete runways on the field itself—a mathematic monogram of two capital Fs laid by compass to all the winds. The bus ran into one of these, slowing between the bloodless grapes of lampglobes on bronze poles; as Jiggs got out he stopped to look at the four Fs cast into the quadrants of the base before going on.

He went around the main building and followed a narrow alley like a gutter, ending in a blank and knobless door; he put his hand too among the handprints in oil or grease on the door and pushed through it and into a narrow alcove walled by neatly ranked and numbered tools from a sound, a faint and cavernous murmur. The alcove contained a lavatory, a row of hooks from which depended garments—civilian shirts and coats, one pair of trousers with dangling braces, the rest greasy dungarees, one of which Jiggs took down and stepped into and bounced them lightly up and around his shoulders all in one motion, already moving toward a second door built mostly of chickenwire and through which he could now see the hangar itself, the glass-and-steel cavern, the aeroplanes, the racers. Waspwaisted, wasplight, still, trim, vicious, small and immobile, they seemed to poise without weight, as though made of paper for the sole purpose of resting upon the shoulders of the dungareeclad men about them. With their soft bright paint tempered somewhat by the steelfiltered light of the hangar they rested for the most part complete and intact, with whatever it was that the mechanics were doing to them of such a subtle and technical nature as to be invisible to the lay eye, save for one. Unbonneted, its spare entrails revealed as serrated top-and-bottomlines of delicate rockerarms and rods inferential in their very myriad delicacy of a weightless and terrific speed any momentary faltering of which would be the irreparable difference between motion and mere matter, it appeared more profoundly derelict than the halfeaten carcass of a deer come suddenly upon in a forest. Jiggs paused, still fastening the coverall’s throat, and looked across the hangar at the three people busy about it—two of a size and one taller, all in dungarees although one of the two shorter ones was topped by a blob of savage mealcolored hair which even from here did not look like man’s hair. He did not approach at once; still fastening the coverall he looked on and saw, in another clump of dungarees beside another aeroplane, a small towheaded boy in khaki miniature of the men, even to the grease. Jesus Christ, Jiggs thought. He’s done smeared oil on them already. Laverne will give him hell. He approached on his short bouncing legs; already he could hear the boy talking in the loud assured carrying voice of a spoiled middlewestern child. He came up and put out his blunt hard greasegrained hand and scoured the boy’s head.

Look out, the boy said. Then he said, Where you been? Laverne and Roger—— Jiggs scoured the boy’s head again and then crouched, his fists up, his head drawn down into his shoulders in burlesque pantomime. But the boy just looked at him. Laverne and Roger—— he said again.

Who’s your old man today, kid? Jiggs said. Now the boy moved. With absolutely no change of expression he lowered his head and rushed at Jiggs, his fists flailing at the man. Jiggs ducked, taking the blows while the boy hammered at him with puny and deadly purpose; now the other men had all turned to watch, with wrenches and tools and engineparts in their suspended hands. Who’s your old man, huh? Jiggs said, holding the boy off and then lifting and holding him away while he still hammered at Jiggs’ head with that grim and puny purpose. All right! Jiggs cried. He set the boy down and held him off, still ducking and dodging and now blind since the peaked cap was jammed over his face and the boy’s hard light little fists hammering upon the cap. Oke! Oke! Jiggs cried. I quit! I take it back! He stood back and tugged the cap off his face and then he found why the boy had ceased: that he and the men too with their arrested tools and safety wire and engineparts were now looking at something which had apparently crept from a doctor’s cupboard and, in the snatched garments of an etherised patient in a charity ward, escaped into the living world. He saw a creature which, erect, would be better than six feet tall and which would weigh about ninetyfive pounds, in a suit of no age nor color, as though made of air and doped like an aeroplane wing with the incrusted excretion of all articulate life’s contact with the passing earth, which ballooned light and impedimentless about a skeleton frame as though suit and wearer both hung from a flapping clothesline;—a creature with the leashed, eager loosejointed air of a halfgrown highbred setter puppy, crouched facing the boy with its hands up too in more profound burlesque than Jiggs’ because it was obviously not intended to be burlesque.

Come on, Dempsey, the man said. How about taking me on for an icecream cone? Hey? The boy did not move. He was not more than six, yet he looked at the apparition before him with the amazed quiet immobility of the grown men. How about it, huh? the man said.

Still the boy did not move. Ask him who’s his old man, Jiggs said.

The man looked at Jiggs. So’s his old man?

No. Who’s his old man.

Now it was the apparition who looked at Jiggs in a kind of shocked immobility. Who’s his old man? he repeated. He was still looking at Jiggs when the boy rushed upon him with his fists flailing again and his small face grimly and soberly homicidal; the man was still stooping, looking at Jiggs; it seemed to Jiggs and the other men that the boy’s fists made a light woodensounding tattoo as though the man’s skin and the suit too hung on a chair while the man ducked and dodged too, trying to guard his face while still glaring at Jiggs with that skulllike amazement, repeating, "Who’s his old man? Who’s his old man?"

When Jiggs at last reached the unbonneted aeroplane the two men had the supercharger already off and dismantled. Been to your grandmother’s funeral or something? the taller one said.

I been over there playing with Jack, Jiggs said. You just never saw me because there aint any women around here to be looking at yet.

Yair? the other said.

Yair, Jiggs said. Where’s that crescent wrench we bought in Kansas City? The woman had it in her hand; she gave it to him and drew the back of her hand across her forehead, leaving a smudge of grease up and into the meal-colored, the strong pallid Iowacorncolored, hair. So he was busy then, though he looked back once and saw the apparition with the boy now riding on his shoulder, leaning into the heads and greasy backs busy again about the other aeroplane, and when he and Shumann lifted the supercharger back onto the engine he looked again and saw them, the boy still riding on the man’s shoulder, going out the hangar door and toward the apron. Then they put the cowling back on and Shumann set the propeller horizontal and Jiggs raised the aeroplane’s tail, easily, already swinging it to pass through the door, the woman stepping back to let the wing pass her, looking back herself into the hangar now.

Where did Jack go? she said.

Out toward the apron, Jiggs said. With that guy.

With what guy?

Tall guy. Says he is a reporter. That looks like they locked the graveyard up before he got in last night. The aeroplane passed her, swinging again into the thin sunshine, the tail high and apparently without weight on Jiggs’ shoulder, his thick legs beneath it moving with tense stout pistonlike thrusts, Shumann and the taller man pushing the wings.

Wait a minute, the woman said. But they did not pause and she overtook and passed the moving tailgroup and reached down past the uptilted cockpit hatch and stepped clear, holding a bundle wrapped tightly in a dark sweater. The aeroplane went on; already the guards in the purple-and-gold porter caps were lowering the barrier cable onto the apron; and now the band had begun to play, heard twice: once the faint light almost airy thump-thump-thump from where the sun glinted on the actual hornmouths on the platform facing the reserved section of the stands, and once where the disembodied noise blared brazen, metallic, and loud from the amplifyer which faced the barrier. She turned and reentered the hangar, stepping aside to let another aeroplane and its crew pass; she spoke to one of the men: Who was that Jack went out with, Art?

The skeleton? the man said. They went to get an icecream cone. He says he is a reporter. She went on, across the hangar and through the chickenwire door and into the toolroom with its row of hooks from which depended the coats and shirts and now one stiff linen collar and tie such as might be seen on a barbershop hook where a preacher was being shaved and which she recognised as belonging to the circuitriderlooking man in steel spectacles who won the Graves Trophy race at Miami two months ago. There was neither lock nor hook on this door, and the other, the one through which Jiggs had entered, hung perfectly blank too save for the greaseprints of hands; for less than a second she stood perfectly still, looking at the second door while her hand made a single quick stroking movement about the doorjamb where hook or lock would have been. It was less than a second, then she went on to the corner where the lavatory was—the greasestreaked

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