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Tambourines to Glory: A Novel
Tambourines to Glory: A Novel
Tambourines to Glory: A Novel
Ebook157 pages

Tambourines to Glory: A Novel

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Finally available in trade paperback, Langston Hughes’s breezy parable of good and evil, friendship and betrayal, is an unforgettable portrait of 1950s Harlem and two women called to the pulpit for very different reasons.

For every bustling jazz joint that opened in Korean War–era Harlem, a new church seemed to spring up. Tambourines to Glory introduces you to an unlikely team behind a church whose rock was the curb at 126th and Lenox.

Essie Belle Johnson and Laura Reed live in adjoining tenement flats, adrift on public relief. Essie wants to somehow earn enough money to reunite with her daughter and provide her with a nice home; Laura loves young men, mink coats, and fine Scotch. On a day of inspiration, the friends decide to use a thrift-store tambourine and a layaway Bible to start a church.

Their sidewalk services are a hit: Laura’s a natural street performer who loves the limelight, while Essie is a charismatic singer with a quiet spirituality. Before long they move to a thousand-seat theatre called the Tambourine Temple. The two women are joined in their ministering by Birdie Lee, the little-old-lady trap drummer who can work the congregation to a feverish pitch, and Deacon Crow-For-Day, an impassioned confessor.

But then Laura falls for Buddy, a scam artist who suggests selling to the faithful lucky numbers from Scripture and bottles of tap water as “Holy Water from the Jordan.” Even with a Cadillac and piles of money from Laura, Buddy won’t stay faithful, igniting a crime of passion and betrayal.

Harlem Moon Classics is proud to reintroduce readers of all generations to this sparkling gem from the canon of Langston Hughes.
LanguageEnglish
PublisherCrown
Release dateMar 3, 2010
ISBN9780307498212
Tambourines to Glory: A Novel
Author

Langston Hughes

Best known for his vivid and astute portrayals of Black life across the written page, Langston Hughes—born James Mercer Langston Hughes—(1901—1967) was a poet, playwright, writer and key figure of the Harlem Renaissance who founded jazz poetry. Raised mostly by his grandmother, Hughes was instilled with a lasting sense of racial pride and a love of books from a young age and though not supported by his father in his pursuit of writing, Hughes would attend Columbia with his father’s aid in 1921, before leaving the very next year due to racial prejudice and a desire to focus on his poetry. Hughes first introduced his voice to the world in a 1921 issue of The Crisis where he published, “The Negro Speaks of Rivers.” The poem would come to be known as his signature piece and five years later was included in his debut poetry collection, The Weary Blues. Establishing himself as a key player of the Harlem Renaissance, Hughes would be one of a small group of Black intellectuals and artists of the movement who called themselves the Niggerati. Going on to write their manifesto, “The Negro Artist and the Racial Mountain,” Hughes’ use of the literary medium differed heavily from the artistic aspirations of the Black middle class in that he desired to focus on highlighting the lives of working-class Black people and addressing divisions and prejudices that existed within the Black community itself. In a career spanning over four decades, Hughes would publish an award-winning novel (Not Without Laughter), multiple plays—some in collaboration with Zora Neale Hurston—(Mule Bone and Black Nativity), children’s literature (Popo and Fifina) and even an autobiography (The Big Sea); among others in a large volume of work. In his personal life, Hughes maintained lifetime friendships with members of the movement and also is believed to have had private romantic and sexual relationships with men. While Hughes’ emphasis on racial pride had begun to fall out of favor with new and coming movements of the younger generation, his contributions to the African-American literary canon and American literature at all could not be denied and as such at the time of his death was—and continues to be—one of the most talented and respected voices of a generation.

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  • Rating: 3 out of 5 stars
    3/5
    The author was part of the Harlem Renassiance. A poet and playwright, but wrote some novels and short stories.

    This one was published in 1958, is about two friends, Essie Belle Johnston and Laura Reed who, after reflecting on their poverty, decide to set up a church on the street corner, 126th and Lenox to be exact, to raise people up from the gutter but also to make some money in the process. Essie is a good singer, Laura is a good hustler. And they find that passing the tambourine is a good source of money. They become the Reed Sisters.

    They first invest in a Bible, then a rented space, then a bigger rented space and finally take over an old theatre that becomes the Tambourine Temple. Laura enjoys the wealth, buying fur coats, cars. Essie continues to look down on this but still enjoys the comforts, finally having a home where she can bring her daughter to. She doesn't quite "turn a blind eye" to Laura's avarice but she tolerates it.

    In the end it is a morality tale but I wondered about the characters that Hughes create. None are truly sympathetic but Essie does redeem herself in the end.

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Tambourines to Glory - Langston Hughes

1

PALM SUNDAY

It was a chilly Palm Sunday and Essie Belle Johnson did not have a palm. Several of the other kitchenette dwellers in her lodgings had been to church that day and returned with leaves, sheaves and even large sprays of palm straw to stick up in their mirrors or in one corner of the frame of Mama’s picture.

I used to always go to church on Palm Sunday when I were a child, Essie said, as well as Easter, too.

I seldom went, said Laura, and never regular. My mother was too beat out from Saturday night to get me up in time to go to church. My step-pa sold whiskey—you know, I growed up in bootleg days. My schooling came from bathtub likker, with some small change left over sometimes to go to movies, buy Eskimo pies.

My mama always woke me up on the Sabbath before she went to work, mused Essie. Her white folks only gave her one Sunday off a month. She’d give me a nickel to put in Sunday school and a dime for church, then leave something in the pot for me to eat when I got back home. In the evening, Mama would go to services by herself and turn out the light and leave me in bed until I got teen-age. Then I went to church at night, too. I loved those songs, ‘Precious Lord, Take My Hand.’ Oh, but that’s pretty! Let’s go to church Easter, Laura.

Which one, Sanctified or Baptist?

Where the singing is best, said Essie.

Sanctified, said Laura. But you know I ain’t got nothing to wear to church. On Easter Sunday I should decorate my headlights proper. Man told me last week, said, ‘Woman, you got bubbies like the headlights on a Packard car sticking out like two forty-fours. Stop shooting me in the eyes that way with what you carries in front of you.’ Laura drew herself up proudly.

An out-of-shape woman can get by with some poor rags. But you got a good figure, Laura. If you didn’t put so much money into the bottle, you could get yourself some clothes.

Girl, hush! Chilly as it is tonight, I had to get a little wine. Being Sunday, I had to pay more for it bootleg. There ought to be some heat in this old rat-hole.

You could have got yourself a hat with what you paid for that wine.

"An Easter bonnet with a blue ribbon on it, sang Laura. Pshaw, child, by this time next Sunday I might have a new hat. Who knows? Maybe my new man will buy me one."

If he does, it will be mighty near the first time. You one of these women always buying men something, instead of letting them do for you. You sure are crazy about men, Laura.

One nice thing about being on relief is, it leaves you plenty time to be sweet to your daddy, have him something ready to eat when he comes from work, have your own head combed. I don’t see much sense in a woman working, long as the Home Relief mails out checks. Of course, sometimes I has more energy being idle than I know what to do with. Essie, if I could just set on my haunches and be content like you! You don’t even want a drink—just set and get fat, and you’re happy.

I ain’t all that happy, Laura. I want my daughter with me. I get lonesome. If it wasn’t for you dropping in all the time, I’d be more lonesome. Sure glad you’re my neighbor, Laura, even if I can’t keep you company with no bottle.

A few swallows of this and you’d forget about being lonesome. You ought to learn to drink a little, Essie.

I hate that old raw wine, Laura. It makes me sick at the stomach.

Your life is empty and your belly, too. You ought to do something. At least, get yourself a man, girl, somebody, anybody.

A man? cried Essie. No! Not to beat me all over the head. I’m cranky. I’m getting set in my ways. And I been long disgusted with men, low-down, no-good as they are.

Well, smoke a reefer then. Try a little goopher dust. Dope, nope? Live out your life, instead of just setting here gathering pounds. Excite yourself, get high and fly.

Somehow I kinder like to keep my head clear. Even if I am beat, I like to know it.

Woman, you sound right simple, declared Laura.

Anyhow, where would I get the money for them bad habits you’re talking about, even if I wanted them?

The Lord helps them that helps themselves, declared Laura, shaking the last drop of sherry out of her pint bottle and laying it flat on the porcelain table. Essie, don’t you want no kind of pleasure out of living? You ain’t that old. You still got breasts, legs, and what God give you. No fun, you might as well die.

Sometimes I think so, rooming all by myself like this and living off the Welfare. About all I can do nowadays is ask the Lord to take my hand.

Well, why don’t you do that then? Get holy, sanctify yourself. The Lord is no respecter of persons if He takes a pimp’s hand and makes a bishop out of him, like he did with Bishop Longjohn over there on Lenox Avenue. That saint had three whores on the block ten years ago. He’s got a better racket now, the Gospel! And a rock and roll band out of this world in front of the pulpit with a piano player that beats Teddy Wilson. That bishop’s found himself a great shill.

Shill?

Racket, girl, racket.

Religion don’t just have to be a racket, Laura, do it? Maybe he’s converted.

Converted about as much as an atom bomb is converted to peace.

Longjohn might be converted, Laura.

All the money he takes in every Sunday would convert me, declared Laura. Money! I sure wish I had some. Say, Essie, why don’t you and me start a church like Mother Bradley’s? We ain’t doing nothing else useful, and it would beat Home Relief. You sing good. I’ll preach. We’ll both take up collection and split it.

What denomination we gonna be? asked Essie, amused at the idea.

Start our own denomination, then we won’t be beholding to nobody else, said Laura.

Where we gonna start it? asked Essie.

Summer’s coming, ain’t it? We’ll start it on the street where the bishop started his, right outdoors this summer, rent free, on the corner.

Essie grinned. You mean, in the gutter where we are.

On the curb above the gutter, girl. We’ll save them lower down than us.

Now, who could they be?

The ones who can do what you can’t do, drink without getting sick, stay high on Sneaky Pete wine. Gamble away their rent. Play up their relief check on the numbers. Lay with each other without getting disgusted, no matter how many unwanted kids they produce. Use the needle, support the dope trade. Them’s the ones we’ll set out to convert.

With what?

With Jesus. He comes free, cried Laura. "Girl, you know I think I hit upon an idea. Just ask Jesus to take your hand, in public, Essie. Then, next thing you know, somebody will think He’s got your hand, and will put some cash in yours to see if they can make the same contact. Folks is simple. Money they’re going to throw away anyhow, so they might as well throw some our way. Just walk with God, and tell the rest of them to follow you, and pay as they go. Dig?"

Taking it like an impossible game, Essie murmured, Um-hum! But Laura already saw herself as a lady preacher. Besides, the wine was gone. In her new role, she felt like singing, and she did.

"Precious Lord, take my hand,

Lead me on, let me stand.

I am weak, I am tired, I am worn."

She had a strange voice, deep, strong, wine-rusty, and wild.

"Through the storms of the night

Lead me on to the light.

Take my hand, precious Lord, lead me on."

Essie was moved. I knowed you could sing blues, Laura, but I never knowed you knew them kind of songs before.

Pick it up with me, said Laura. Pick it up, girl.

Cooler, higher and sweeter than Laura’s, Essie’s voice picked up the song, and the drab cold kitchenette room filled with melody was no longer cold, no longer drab. Even the light seemed brighter.

"When my way grows drear,

Precious Lord, linger near.

When the day is almost gone,

Hear my cry, hear my call,

Guide my feet lest I fall.

Take my hand, precious Lord, lead me on."

Essie, if I could sing like you, I’d be Mahalia Jackson, cried Laura. You’re a songster!

Mahalia is a good woman. I ain’t, said Essie.

To make her money, records and all, I’d be willing to be good myself, said Laura.

It ain’t easy to get hold of money. I’ve tried, Lord knows I’ve tried to get ahead. Ever since I come up North I been scuffling to get enough money to send for my daughter and get a little two-, three-room apartment for her and me to stay in.

Pshaw! For love nor money can’t nobody get no apartment in Harlem, unless you got enough money to pay under the table.

Marietta’s sixteen and ain’t been with me, her mama, not two years hand-running since she were born. I always wanted that child with me. Never had her. Laura, I was borned to bad luck.

Essie, it’s because you don’t use your talents, that’s why, said Laura, looking at her portly friend with a critical eye. "All you use, like most women, is the what-you-may-call-it that you sets on, your assets instead of your head. Now, me, I got a brain, but I pay it no mind. I hope you will, though, and listen to my advice. Girl, with your voice, raise your fat disgusted self up out of that relief chair and let’s we go make our fortune saving souls.

"Remember Elder Becton? Remember that white woman back in depression days, Aimee Semple McPherson, what put herself on some wings and opened up a temple and made a million dollars? Girl, we’ll call ourselves sisters, use my name, the Reed Sisters. Even if we ain’t no relation, we’re sisters in God. You sing, I’ll preach.

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