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Dark Age Ahead
Dark Age Ahead
Dark Age Ahead
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Dark Age Ahead

Rating: 3.5 out of 5 stars

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In this indispensable book, urban visionary Jane Jacobs argues that as agrarianism gives way to a technology-based future, we’re at risk of cultural collapse. Jacobs—renowned author of The Death and Life of Great American Cities and The Economy of Cities—pinpoints five pillars of our culture that are in serious decay: community and family; higher education; the effective practice of science; taxation, and government; and the self-regulation of the learned professions. The corrosion of these pillars, Jacobs argues, is linked to societal ills such as environmental crisis, racism, and the growing gulf between rich and poor.

But this is a hopeful book as well as a warning. Drawing on a vast frame of reference—from fifteenth-century Chinese shipbuilding to Ireland’s cultural rebirth—Jacobs suggests how the cycles of decay can be arrested and our way of life renewed. Invigorating and accessible, Dark Age Ahead is not only the crowning achievement of Jane Jacobs’ career, but one of the most important works of our time.

LanguageEnglish
Release dateDec 18, 2007
ISBN9780307425454
Dark Age Ahead
Author

Jane Jacobs

Jane Jacobs (1916-2006) was an urban activist and writer. A Canadian citizen from 1974, she was named an officer of the Order of Canada in 1996.

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Rating: 3.3991227789473686 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    The book suggests 5 ways in which our (North American) culture is failing, hurling us toward a Dark Age. It was written 15 years ago and it's clear that these parameters have gotten significantly worse rather than better in that time. None of her suggestions as to how the downward spiral could be arrested have been adopted. As such it's a rather depressing book.
  • Rating: 3 out of 5 stars
    3/5
    Jacobs is an interesting writer, and clearly very well-read. Also a fascinating person. This book contains some interesting ideas. She leans heavily on Guns, Germs, and Steel, by Jared Diamond. Dark Age Ahead, however, is not a very "focused" book. Kind of rambling. Well written rambling.
  • Rating: 5 out of 5 stars
    5/5
    This is the last book Jane Jacobs wrote. It was written in 2003 and she was born in 1916 so she was 87 at the time. How wonderful to have the mental acuity and wide-ranging curiosity at that age to bring together such divergent fields as city planning, economics, history, politics and education.
    Jacobs takes us through a discussion of various Dark Ages and how they resulted in a cultural amnesia into a dissection of five pillars that show signs of a coming Dark Age and finally into a prescription for forestalling this. The five pillars are:
    1. Community and family
    2. Higher education
    3. Science and technology
    4. Governmental representation
    5. Self-governing professions
    Although I can’t speak authoritatively about any of these pillars I do know a little bit more about science and technology than the others. Jacobs describes the way the scientific process works better than anyone else I have ever read. At page 69 she says “In sum, the scientific state of mind works along two slightly different avenues, one abstract, the other feeling its way more concretely and pragmatically. Both approaches demand integrity, awareness of evidence and respect for it, and attention to new questions that arise as immediate practical problems to be grappled with, or else as more abstract and postponable. Both avenues are valid and effective. They work together so well that they frequently shift back and forth in the course of an investigation or they overlap.” She then goes on to say “If a body of enquiry becomes disconnected from the scientific state of mind, that unfortunate segment of knowledge is no longer scientific.” She cites three examples of supposed scientific thinking that became disconnected from the scientific state of mind. The fact that she saw this as an issue in 2003, long before the Harper Government started to wage its war on science strikes me as remarkably prescient. The federal government has muzzled its own scientists and attacked non-governmental science groups with everything from audits to lies.
    If Jacobs was as correct about her other arguments as she was about science and technology then we are probably further down the road to a Dark Age than we were a decade ago. Let us hope we are not too late to unwind the vicious spiral (the title of Chapter Seven).
  • Rating: 3 out of 5 stars
    3/5
    I did not find this book very closely reasoned, she seems to lack a clear vision for the future of the American City, and its inhabitants. But parts are in sync with my vision, so it got the half star.
  • Rating: 3 out of 5 stars
    3/5
    The beauty of Jane Jacob's writing is her ability to take large ideas and make them practical, manageable, and understandable. If you've ever wondered how our world got the way it is, or why some cities, areas, or societies do better than others, Jane is your go to girl. This book, her last, offers cautionary observations about what we've ignored at our peril, and some thoughts on fixing it up. It's not a big book, but it's important if you want to understand the concept of community and how it shapes society.
  • Rating: 2 out of 5 stars
    2/5
    Dark Age Ahead is not an impressive performance. Alice Sparbert Alexiou noted that Jacobs's last two books "received mixed reviews" and "do not in any way measure up to her great urban trilogy" (Jane Jacobs: Urban Visionary [Rutgers UP, 2006], 198). Dark Age Ahead is little more than a jeremiad filtering her longtime preoccupations through a sort of world history lite. The author, 87 at the time of publication, relied on popular works, articles from the press, observations, experiences, memories, and her own imagination—but not research. Her insights are shallow ("Life is full of surprises" [25]; "survivors [of a heat wave] differed [from those who died] in having successfully kept cool" [82]; "The enemy of truth is untruth" [70]). Chapters are rambling. The text reads like table talk. The author oversimplifies. Her terms of analysis do not bear close inspection. She calls a community "a complex organism" (34), but this is a logical fallacy known as organicism. She personifies societies ("a society must be self-aware" [176]), and implies that a culture's progress can be rated or measured ("culture's trajectory pivoted upward" [102]). Jacobs is eager to pronounce cultures "winners" or "losers," as though history is some kind of Olympics. She overgeneralizes (the "purpose of life" [55-58]; the "scientific state of mind" [66-68]). She insists on representing abstractions spatially ("Interlocked problems, intractably spiraling downward and joining with other problems into amalgamated declines" [139]; "watch the vicious spirals go into action!" [160]). This book is a sad end to a distinguished oeuvre.
  • Rating: 3 out of 5 stars
    3/5
    I have only two things to add to the other reviews, in which most of what is written I agree with.

    First, is that this work seemed horribly out of focus. Some of the anecdotes were quite good, but the failure to create any sort of coherent theme to the work rendered the entire book a sloppy mish-mash. As in, her discussion of the history of traffic engineering was quite interesting, yet she fails to tie what amounts to the actions of a priesthood into her larger thesis.

    Second, she seems unwilling or unable to come to terms with the fact that the USA and Canada, as democracies, mean that the government at some level or other is going to reflect majority opinion. The chapter on taxes being one in particular where she goes through the oddest contortions to avoid discussing this. Not sure what that is all about.
  • Rating: 4 out of 5 stars
    4/5
    The great Jane Jacobs' last book, Dark Age Ahead, will be familiar territory to her many devoted fans. Jacobs ruminates on the potential for it all winding down and falling apart in the West . This downer of a thesis may seem like an inevitable topic for someone in her late 80s, when Jacobs wrote this -- but her pessimism is not without merit and foundation. She identifies a series of structural problems in western societies that are eroding the foundations of our culture: pressure on families/communities; credentialism overwhelming higher education; the slackening pursuit of real science; the unwise levying and use of taxation; and the lack of policing in the professions.

    Jacobs' thoughts often wander back to her familiar passions -- at times it seems as if proper levels of urban density and some nice clean electric streetcars would solve just about any crisis -- but there's plenty here that's cogent and provocative as well.

    The weakness of the book is her reliance on trendy but not very trustworthy popular 'scholars' such as Jared Diamond and Karen Armstrong for much of her background on what makes societies come apart. I'd rather have heard more of Jacobs' own ideas.

    These quibbles aside, Dark Age Ahead is not a bad place to start if you want to get into Jacobs' work. Her blunt, inimitable style is on display; her maddeningly unplaceable political stance is maintained; and at under 200 pages (if you skip the discursive endnotes, which you most certainly can) it's a brief and accessible work, much more so than her bombshell signature book, The Death and Life of American Cities.
  • Rating: 2 out of 5 stars
    2/5
    Does Jane Jacobs really think that we are facing a breakdown in society like unto that described in her first chapter? People starving on the highways, a breakdown in social cohesion, dogs and cats living together, mass hysteria? It is hard to tell from the rest of her book. Ultimately, it seems the coming "dark age" described by Jacobs is in reality more of a "period of rolling blackouts."

    She identifies five "pillars of society" that she sees as showing signs of cultural decay, but fails to adequately explain why the failure of those five pillars leads to the Dark Ages, or define those five clearly, or present more than anecdotal support for her views of their decay. If she truly sees a breakdown in society profound enough to be called a "Dark Age," she fails to explain the nature of the threat with any clarity (unless poor traffic management is the hitherto unknown Fifth Horseman of the Apocalypse). Jacobs further fails, except in very limited fashion, to even address contrary views of society's progression.

    Ultimately, this is a longish essay masquerading as a profound book, a tract instead of a treatise. It is sloppily organized, poorly expounded, and the supporting notes are underwhelming. Yet I would not have picked up this book if I were not concerned that there is a chance we are on the brink of a collapse, or at least a great change in Western Civilization. If my own fears are any indicator, there is a serious study to be made of the decay of our society, and the potential dangers we face. If this book was supposed to be taken as a serious review of this possibility, it should have been better devised and its arguments better supported. As it is, I am oddly comforted by this book's failure to convince me.
  • Rating: 3 out of 5 stars
    3/5
    I love Jane Jacobs' work, but someone who understood that cities grow organically and that human life is resilient should have had more interesting things to say about the future than this relatively off-the-shelf warmed-over Neil Postman doomsaying.

Book preview

Dark Age Ahead - Jane Jacobs

CHAPTER ONE

The Hazard

This is both a gloomy and a hopeful book.

The subject itself is gloomy. A Dark Age is a culture’s dead end. We in North America and Western Europe, enjoying the many benefits of the culture conventionally known as the West, customarily think of a Dark Age as happening once, long ago, following the collapse of the Western Roman Empire. But in North America we live in a graveyard of lost aboriginal cultures, many of which were decisively finished off by mass amnesia in which even the memory of what was lost was also lost. Throughout the world Dark Ages have scrawled finis to successions of cultures receding far into the past. Whatever happened to the culture whose people produced the splendid Lascaux cave paintings some seventeen thousand years ago, in what is now southwestern France? Or the culture of the builders of ambitious stone and wood henges in Western Europe before the Celts arrived with their Iron Age technology and intricately knotted art?

Mass amnesia, striking as it is and seemingly weird, is the least mysterious of Dark Age phenomena. We all understand the harsh principle Use it or lose it. A failing or conquered culture can spiral down into a long decline, as has happened in most empires after their relatively short heydays of astonishing success. But in extreme cases, failing or conquered cultures can be genuinely lost, never to emerge again as living ways of being. The salient mystery of Dark Ages sets the stage for mass amnesia. People living in vigorous cultures typically treasure those cultures and resist any threat to them. How and why can a people so totally discard a formerly vital culture that it becomes literally lost?

This is a question that has practical importance for us here in North America, and possibly in Western Europe as well. Dark Ages are instructive, precisely because they are extreme examples of cultural collapse and thus more clear-cut and vivid than gradual decay. The purpose of this book is to help our culture avoid sliding into a dead end, by understanding how such a tragedy comes about, and thereby what can be done to ward it off and thus retain and further develop our living, functioning culture, which contains so much of value, so hard won by our forebears. We need this awareness because, as I plan to explain, we show signs of rushing headlong into a Dark Age.

Surely, the threat of losing all we have achieved, everything that makes us the vigorous society we are, cannot apply to us! How could it possibly happen to us? We have books, magnificent storehouses of knowledge about our culture; we have pictures, both still and moving, and oceans of other cultural information that every day wash through the Internet, the daily press, scholarly journals, the careful catalogs of museum exhibitions, the reports compiled by government bureaucracies on every subject from judicial decisions to regulations for earthquake-resistant buildings, and, of course, time capsules.

Dark Ages, surely, are pre-printing and pre–World Wide Web phenomena. Even the Roman classical world was skimpily documented in comparison with our times. With all our information, how could our culture be lost? Or even almost lost? Don’t we have it as well preserved as last season’s peach crop, ready to nourish our descendants if need be?

Writing, printing, and the Internet give a false sense of security about the permanence of culture. Most of the million details of a complex, living culture are transmitted neither in writing nor pictorially. Instead, cultures live through word of mouth and example. That is why we have cooking classes and cooking demonstrations, as well as cookbooks. That is why we have apprenticeships, internships, student tours, and on-the-job training as well as manuals and textbooks. Every culture takes pains to educate its young so that they, in their turn, can practice and transmit it completely. Educators and mentors, whether they are parents, elders, or schoolmasters, use books and videos if they have them, but they also speak, and when they are most effective, as teachers, parents, or mentors, they also serve as examples.

As recipients of culture, as well as its producers, people attend to countless nuances that are assimilated only through experience. Men, women, and children in Holland conduct themselves differently from men, women, and children in England, even though both share the culture of the West, and very differently from their counterparts in Turkey, Saudi Arabia, or Singapore. Travel writers, novelists, visual artists, and photographers draw attention to subtle, everyday differences in conduct rooted in experience, including the experience of differing cultural histories, but their glosses are unavoidably sketchy, compared with the experience of living a culture, soaking it up by example and word of mouth.

Another thing: a living culture is forever changing, without losing itself as a framework and context of change. The reconstruction of a culture is not the same as its restoration. In the fifteenth century, scholars and antiquarians set about reconstructing the lost classical culture of Greece and Rome from that culture’s writing and artifacts. Their work was useful and remains so to this day; Western Europeans relearned their cultural derivations from it. But Europeans also plunged, beginning in the fifteenth century, into the post-Renaissance crises of the Enlightenment. Profoundly disturbing new knowledge entered a fundamentalist and feudal framework so unprepared to receive it that some scientists were excommunicated and their findings rejected by an establishment that had managed to accept reconstructed classicism—and used it to refute newer knowledge. Copernicus’s stunning proofs forced educated people to realize that the earth is not the center of the universe, as reconstructed classical culture would have it. This and other discoveries, especially in the basic sciences of chemistry and physics, pitted the creative culture of the Enlightenment against the reconstructed culture of the Renaissance, which soon stood, ironically, as a barrier to cultural development of the West—a barrier formed by canned and preserved knowledge of kinds which we erroneously may imagine can save us from future decline or forgetfulness.

Dark Ages are horrible ordeals, incomparably worse than the temporary amnesia sometimes experienced by stunned survivors of earthquakes, battles, or bombing firestorms who abandon customary routines while they search for other survivors, grieve, and grapple with their own urgent needs, and who may forget the horrors they have witnessed, or try to. But later on, life for survivors continues for the most part as before, after having been suspended for the emergency.

During a Dark Age, the mass amnesia of survivors becomes permanent and profound. The previous way of life slides into an abyss of forgetfulness, almost as decisively as if it had not existed. Henri Pirenne, a great twentieth-century Belgian economic and social historian, says that the famous Dark Age which followed the collapse of the Western Roman Empire reached its nadir some six centuries later, about 1000 C.E. Here, sketched by two French historians, is the predicament of French peasantry in that year:

The peasants . . . are half starved. The effects of chronic malnourishment are conspicuous in the skeletons exhumed. . . . The chafing of the teeth . . . indicates a grass-eating people, rickets, and an overwhelming preponderance of people who died young. . . . Even for the minority that survived infancy, the average life span did not exceed the age of forty. . . . Periodically the lack of food grows worse. For a year or two there will be a great famine; the chroniclers described the graphic and horrible episodes of this catastrophe, complacently and rather excessively conjuring up people who eat dirt and sell human skin. . . . There is little or no metal; iron is reserved for weapons.

So much had been forgotten in the forgetful centuries: the Romans’ use of legumes in crop rotation to restore the soil; how to mine and smelt iron and make and transport picks for miners, and hammers and anvils for smiths; how to harvest honey from hollow-tile hives doubling as garden fences. In districts where even slaves had been well clothed, most people wore filthy rags.

Some three centuries after the Roman collapse, bubonic plague, hitherto unknown in Europe, crept in from North Africa, where it was endemic, and exploded into the first of many European bubonic plague epidemics. The Four Horsemen of the Apocalypse, conventionally depicted as Famine, War, Pestilence, and Death, had already been joined by a fifth demonic horseman, Forgetfulness.

A Dark Age is not merely a collection of subtractions. It is not a blank; much is added to fill the vacuum. But the additions break from the past and themselves reinforce a loss of the past. In Europe, languages that derived from formerly widely understood Latin diverged and became mutually incomprehensible. Everyday customs, rituals, and decorations diverged as old ones were lost; ethnic awarenesses came to the fore, often antagonistically; the embryos of nation-states were forming.

Citizenship gave way to serfdom; old Roman cities and towns were largely deserted and their underpopulated remnants sank into poverty and squalor; their former amenities, such as public baths and theatrical performances, became not even a memory. Gladiatorial battles and hungry wild animals unleashed upon prisoners were forgotten, too, but here and there, in backwaters, the memory of combat between a man on foot and a bull was retained because it was practiced. Diets changed, with gruel displacing bread, and salt fish and wild fowl almost displacing domesticated meat. Rules of inheritance and property holding changed. The composition of households changed drastically with conversion of Rome’s traditional family-sized farms to feudal estates. Methods of warfare and ostensible reasons for warfare changed as the state and its laws gave way to exactions and oppressions by warlords.

Writers disappeared, along with readers and literacy, as schooling became rare. Religion changed as Christianity, formerly an obscure cult among hundreds of obscure cults, won enough adherents to become dominant and to be accepted as the state religion by Constantine, emperor of the still intact Eastern Roman Empire, and then, also as the state religion, in territorial remnants of the vanished Western Empire. The very definitions of virtue and the meaning of life changed. In Western Christendom, sexuality became highly suspect.

In sum, during the time of mass amnesia, not only was most classical culture forgotten, and what remained coarsened; but also, Western Europe underwent the most radical and thoroughgoing revolution in its recorded history—a political, economic, social, and ideological revolution that was unexamined and even largely unnoticed, as such, while it was under way. In the last desperate years before Western Rome’s collapse, local governments had been expunged by imperial decree and were replaced by a centralized military despotism, not a workable organ for governmental judgments and reflections.

Similar phenomena are to be found in the obscure Dark Ages that bring defeated aboriginal cultures to a close. Many subtractions combine to erase a previous way of life, and everything changes as a richer past converts to a meager present and an alien future. During the conquest of North America by Europeans, an estimated twenty million aboriginals succumbed to imported diseases, warfare, and displacement from lands on which they and their hundreds of different cultures depended.

Their first response to the jolts of European invasion was to try to adapt familiar ways of life to the strange new circumstances. Some groups that had been accustomed to trading with one another, for example, forged seemingly workable trade links with the invaders. But after more conquerors crowded in, remnants of aboriginal survivors were herded into isolated reservations. Adaptations of the old cultures became impossible and thus no longer relevant; so, piece by piece, the old cultures were shed. Some pieces were relinquished voluntarily in emulation of the conquerors, or surrendered for the sake of the invaders’ alcohol, guns, and flour; most slipped away from disuse and forgetfulness.

As in Europe after Rome’s collapse, everything changed for aboriginal survivors during the forgetful years: education of children; religions and rituals; the composition of households and societies; food; clothing; habitations; recreations; laws and recognized systems of ownership and land use; concepts of justice, dignity, shame, esteem. Languages changed, with many becoming extinct; crafts, skills—everything was gone. In sum, the lives of aboriginals had been revolutionized, mostly by outside forces but also, to a very minor extent, from within.

In the late twentieth century, as some survivors gradually became conscious of how much had been lost, they began behaving much like the scholarly pioneers of the fifteenthcentury Italian Renaissance who searched for relics of classical Greek and Roman culture. Cree and Cherokee, Navajo and Haida groped for fragments of lost information by searching out old records and artifacts dispersed in their conquerors’ museums and private collections. Jeered at by an uncomprehending white public of cultural winners, they began impolitely demanding the return of ancestral articles of clothing and decoration, of musical instruments, of masks, even of the bones of their dead, in attempts to retrieve what their peoples and cultures had been like before their lives were transformed by mass amnesia and unsought revolution.

When the abyss of lost memory by a people becomes too deep and too old, attempts to plumb it are futile. The Ainu, Caucasian aborigines of Japan, have a known modern history similar in some ways to that of North American aboriginals. Centuries before the European invasion of North America, the Ainu lost their foraging territories to invading ancestors of the modern Japanese. Surviving remnants of Ainu were settled in isolated reservations, most on Hokkaido, Japan’s northernmost island, where they still live. The Ainu remain a mysterious people, to themselves as well as to others. Physical characteristics proclaim their European ancestry; they may be related to Norse peoples. But where in Europe they came from can only be conjectured. They retain no information about their locations or cultures there, nor by what route they reached Japan, nor why they traveled there. (See note, p. 179.)

Cultures that triumphed in unequal contests between conquering invaders and their victims have been meticulously analyzed by a brilliant twenty-first-century historian and scientist, Jared Diamond, who has explained his analyses in a splendidly accessible book, Guns, Germs, and Steel. He writes that he began his exploration with a question put to him by a youth in New Guinea, asking why Europeans and Americans were successful and rich. The advantages that Diamond explored and the patterns he traces illuminate all instances of cultural wipeout.

Diamond argues persuasively that the difference between conquering and victim cultures is not owing to genetic discrepancies in intelligence or other inborn personal abilities among peoples, as racists persist in believing. He holds that, apart from variations in resistance to various diseases, the fates of cultures are not genetically influenced, let alone determined. But, he writes, successful invaders and conquerors have historically possessed certain crucial advantages conferred on them long ago by the luck of what he calls biogeography. The cultural ancestors of winners, he says, got head starts as outstandingly productive farmers and herders, producing ample and varied foods that could support large and dense populations.

Large and dense populations—in a word, cities—were able to support individuals and institutions engaged in activities other than direct food production. For example, such societies could support specialists in tool manufacturing, pottery making, boatbuilding, and barter, could organize and enforce legal codes, and could create priesthoods for celebrating and spreading religions, specialists for keeping accounts, and armed forces for defense and aggression.

Diamond’s identifications of basic causes of discrepancies in power among cultures boil down to good or bad geographical luck. His resulting causes boil down to size and density of populations and consequent differences in technological and organizational specialization. All these factors can be quantified.

This analysis worked so well for explaining the historical outcomes of conflicts that ranged over all the continents, and also on islands extending from the Arctic to the South Pacific, that Diamond hoped he had created the foundation for a genuine science of human history—a true, hard science, based on facts as solid and measurable as those underlying physics or chemistry, and as reliable for predicting future outcomes of conflict. It seemed to him that only a couple of loose ends needed tying.

One such was how cultures lost their memories. This was not hard for Diamond to explain as a consequence of Use it or lose it. He took as a vivid example the Tasmanians, who were nearly exterminated by invading Europeans in the nineteenth century. They were the most technologically primitive people to be recorded in modern history. They had no way of making fire, no boomerangs or spear throwers, no specialized stone tools, no canoes, no sewing needles, no ways of catching fish. Yet their parent culture, on the Australian mainland, had all these technologies. Presumably the Tasmanians did too, some ten thousand years previously, when they populated their island by traveling from the mainland over a prehistoric land bridge. Diamond remarks that a culture can lose a given technology for many reasons. Perhaps a certain raw material is in short supply; perhaps all the skilled artisans in a generation meet with tragedy. Whenever the Tasmanians lost an element of their culture, the loss would have been temporary had they still been in communication with the mainland, but because they were not, each loss became permanent.

The second loose end, however, threatened to unravel Diamond’s whole fabric, as he recognized. According to his analyses, China and Mesopotamia, both of which had early and long leads over European cultures, should have securely maintained those leads, but did not. While neither experienced the extreme of a Dark Age, both succumbed to long declines, insidiously growing poverty, and backwardness relative to Europe. They inform us, as do the unedifying terminations of all great empires in the past, that strong and successful cultures can fail. The difference between these failures and those of conquered aboriginal cultures is that the death or the stagnated moribundity of formerly unassailable and vigorous cultures is caused not by assault from outside but by assault from within, that is, by internal rot in the form

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