White Chrysanthemum
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About this ebook
Korea, 1943. Hana has lived her entire life under Japanese occupation. As a haenyeo, a female diver of the sea, she enjoys an independence that few other Koreans can still claim. Until the day Hana saves her younger sister from a Japanese soldier and is herself captured and transported to Manchuria. There she is forced to become a “comfort woman” in a Japanese military brothel. But haenyeo are women of power and strength. She will find her way home.
South Korea, 2011. Emi has spent more than sixty years trying to forget the sacrifice her sister made, but she must confront the past to discover peace. Seeing the healing of her children and her country, can Emi move beyond the legacy of war to find forgiveness?
Suspenseful, hopeful, and ultimately redemptive, White Chrysanthemum tells a story of two sisters whose love for each other is strong enough to triumph over the grim evils of war.
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Reviews for White Chrysanthemum
144 ratings20 reviews
- Rating: 5 out of 5 stars5/5
Dec 28, 2023
Accidentally inhaled this in one bedtime reading sitting. The title refers to the flowers of mourning in Korea, as this is a tale of tragedy, viewed through the past as it was happening to Hana, the older sister, and from a contemporary point of view as Emi, the younger sister, nears the end of her life but is determined to find out what happened to Hana.
It's upsetting that it wasn't until 1991 that survivors began to speak about their "comfort women" experiences, and that part of why this was largely buried from the public mind was 50 years of purity culture shame. A riveting story, and as the author notes at the end, a reminder that war atrocities on women still continue to this day. - Rating: 5 out of 5 stars5/5
Apr 19, 2024
In 1943, Korea is occupied by the Japanese and two sisters growing up within the Haenyeo community on Jeju Island are violently separated. Throughout the novel, we learn what happened to each of them and how they tried to survive with the hope of reuniting someday. A tremendous, harsh, and very current story. Women who suffer, abused women, damaged women, degraded women, women who survive in war. Highly recommended. ? (Translated from Spanish) - Rating: 5 out of 5 stars5/5
Jul 22, 2023
Hana and Emi are sisters separated by the former's act of courage and sacrifice. Hana thought she spared Emi from the ravages of being a comfort woman but Emi led a life of guilt and shame and could never fully focus on the present. Towards the end of her life, she found peace when she found her sister in the form of a commemorative statue. The author also revealed at the end of the book what happened to Hana. I am sure this is not the author's intention, but I can't help thinking that their story is an illustration that our best intentions may not end up being the best and may make things worst. How would Hana feel if she knew that her sacrifice had ended up making Emi guilty and unhappy for most of her life? - Rating: 4 out of 5 stars4/5
Jan 29, 2023
It is during WWII, and 16-year old Hana is a haenyeo with her mother in he water on Jeju Island in Korea when she is stolen from the beach in an effort to protect her younger sister from the soldier Hana spotted. She is taken with other young girls to a brothel in Manchuria to “service” the soldiers (these girls/women are later known as “comfort women”). In 2011, an older woman, Emi, is still haenyeo, but has two middle-aged children in Seoul. Emi has kept plenty of secrets from her children about her life when she was younger.
I was not prepared for the amount of violence and rape. I must have known that would be the case when I added it to my tbr, but often, between the time of adding a book to my tbr and actually reading it, I forget what the book is about. I only remembered it being about haenyeo (women divers in Korea). That being said, although I learned about haenyeo in Lisa See’s book, I didn’t know about “comfort women”; the two books have a different focus.
I often like one storyline more than the other in these dual timeline books, but although Hana’s story is the more jarring and powerful of the two (I often “like” those better), I think Emi’s story gave me a bit of a break from Hana’s abuse. Oddly, although I often don’t like unrealistic endings, this one didn’t bother me (and the author explains in her note why she ended it this way). Overall, I thought this was very good. - Rating: 4 out of 5 stars4/5
Sep 14, 2022
Korea is under Japanese Occupation and young women are in danger of capture. If captured they are transported to Manchuria and end up servicing the Japanese Army as 'Comfort' women.
From a young age, Hana's mother would state to her, " Look for your sister after each dive. Never forget, if you see her, you are safe."
The whole situation of Hana watching the soldier along the bank, from the water, was riveting. Hana distracts the soldier and saves her sister. But, she is transported to Manchuria and forced to be sex slave.
This harrowing story offers Hana's life beginning in WWII and Emi 2011.
This book was well written and yet horrific. I have many reservations about it. I seldom walk away from a read but I had to multiple times during this.
I do believe 'White Chrysanthemum' will be a topic of many book club discussions. - Rating: 5 out of 5 stars5/5
May 24, 2022
Brutal!!. First book by this South Korean author. With simple language that captivates you from the first page, it tells the story of two sisters separated since childhood, Hana and Emi. A hard narrative, inspired by real events, even though it is a work of fiction. "Haenyeo" women, masters in diving, tasked with maintaining their home, a tradition passed down from mothers to daughters generation after generation. And from there emerges this novel that I couldn't continue discussing without revealing something about the plot, and for that, there's already the synopsis. ? (Translated from Spanish) - Rating: 5 out of 5 stars5/5
Apr 23, 2022
It is a very powerful and heartbreaking story that talks about one of the thousands of women kidnapped to serve as prostitutes for the Japanese army. It speaks of the pain and anguish of a family. Highly recommended. (Translated from Spanish) - Rating: 5 out of 5 stars5/5
Jun 21, 2021
The story is told in two timelines (1943 and 2011) by two sisters who were separated. Hanna is kidnapped by a soldier while trying to protect her sister, and her fate is sexual exploitation. Emie will have to live with loss, guilt, shame, and a forced marriage.
A heartbreaking story that unfortunately many women have lived and continue to live. (Translated from Spanish) - Rating: 5 out of 5 stars5/5
Sep 12, 2020
A story that moves between Korea in 1943 and South Korea in 2011. It tells the tale of two sisters separated by the Japanese invasion of Korea and the subsequent war that divided the country in two. The brutalities of the Japanese during the period of occupation and war that they inflicted on women. Historians estimate that nearly 200,000 women were captured to be used as sex slaves for the soldiers and officers fighting on the front lines. Korean women today have not even received an official apology from the Japanese government. Very harsh, but very instructive. (Translated from Spanish) - Rating: 4 out of 5 stars4/5
Apr 2, 2020
Loved this book. I haven't read anything about Korea during the Japanese occupation. I had heard of comfort women but had not read anything in depth about them. This book was so sad; the World war and then the ensuing Korean war disrupted the lives of two young Korean sisters and their family. I must read more about this subject - Rating: 4 out of 5 stars4/5
Nov 1, 2019
A first novel by a writer with a good future. Deals with an awful topic - sexual slavery by the Japanese military in WW2, but manages to deliver a highly readable tale in spite of the content.
I knew much a the broad issue of the so-called "comfort women", but the book provided additional information - for example the 2015 agreement between Japan and South Korea includes a provision to never speak of the issue again. Amazing. Appalling. - Rating: 4 out of 5 stars4/5
Apr 16, 2018
*I received a copy of this book from the publisher.*
Like the best historical fiction, this book combines little-known aspects of history and culture with world-changing events. The novel tells the story of a young Korean haenyeo woman (she's from a tradition of women who dive in the sea for fish to make a living) who is captured by a Japanese soldier and becomes a "comfort woman" in Japanese-controlled Manchuria. I knew abstractly of the "comfort women" who served in a forced prostitution to the Japanese army during the WWII-era, but this book brought home the reality of what this actually meant. This book also grappled with the long-term consequences and what should be done to remember and make retribution for what happened to these women. - Rating: 5 out of 5 stars5/5
Mar 28, 2018
Hana, a Korean female diver, sacrifices everything to save her little sister from a Japanese soldier. Taking her place, Hana is captured and sent to a brothel to live as a comfort woman. 70 years later, Emi, Hana's little sister, takes part in a demonstration, demanding that the Japanese government acknowledge the atrocities that happened in Korea under Japanese occupation. When Emi see's a newly revealed statue of a comfort woman, she instantly knows that it is her sister.
This was a fascinating, and heartbreaking story. The writing style itself was beautifully written, conveying the devastation that both sisters felt. This is definitely one of the best books that I've read in 2017 and I look forward to reading more from this author. - Rating: 5 out of 5 stars5/5
Mar 12, 2018
4.5 Stars
Wow! This was definitely an eye opening read. Not only was it very interesting, poignant and moving, it was based on a real tragedy. I had absolutely no idea that "comfort women" had existed. Estimates of over 200,000 women were kidnapped from their homes & families and brought to brothels where they were brutalized, humiliated and made to service soldiers. Sometimes, 15 to 20 men a day. Estimates are many of these women were never seen again.
My heart ached for Hana and Emiko. The atrocities they suffered were severe and totally animal like.
The author did a great job in portraying these women. I enjoyed my time with them, meanwhile, my heart going out to them.
A beautifully written story about a horrible, horrible atrocity.
Thanks to Penguin Group Putnam and Net Galley for providing me with a free e-galley in exchange for an honest, unbiased review. - Rating: 5 out of 5 stars5/5
Mar 12, 2018
Dear Ms. Bracht, thank you for this story.
My heart is totally broken. This book covers a lesser-known piece of history that I never knew existed but that I am so glad I have been made aware of. The story of innocent girls who were stolen from their homes without warning to "service" Japanese soldiers during their country's occupation of Korea before/during/after World War II is so so so important.
You know exactly what I mean by "service." What you may not know is the brutality and utter inhumanity that came along with this servicing. Girls like Hana and Keiko and what may possibly be hundreds of thousands of other Korean (among other ethnic and regional groups) girls and women were treated as sub-humans. Their feelings and their wants, their mental, physical and emotional states all meant absolutely nothing to anyone once they were forcibly removed from their homes and their families. They were treated as less than nothing, all for the sake of Japanese soldiers who wanted one last "comfort" before going to the front lines to fight in the war.
You will get chills reading this and not the good kind. You will be horrified by the crimes committed by these monsters upon these young girls, some not even teenagers. I won't forget Hana or Emi any time soon. I won't forget their pain and their sacrifices, simply for being in the wrong place at the wrong time. Their spirits will stay with me and will remind me of their struggles. They will be recognized and remembered, even if the Japanese and Korean governments refuse to speak their names and their truths.
Thank you to the publishers for an opportunity to read this book in advance. Thank you Mary Lynn Bracht for writing this incredibly important book. - Rating: 5 out of 5 stars5/5
Feb 6, 2018
This is a harrowing story of two Korean sisters under the Japanese occupation. Hana is a haenyeo, one of the female divers like her mother on their beautiful island of Jeju. The divers enjoy an independence that other Koreans do not. They catch their own food and are allowed to sell the surplus in the market. Hana has a younger sister, Emi who waits on the shore keeping the birds from eating their catch. Their mother entrusts Hana with the safety of her little sister at all times. They live a happy and productive life in spite of the occupation until one day as Hana comes up from under the sea, she sees a Japanese soldier heading towards the beach where Emi sits. To save her little sister, Hana swims quickly ashore and attracts the attention of the soldier while telling her sister to stay quiet and hidden. Hana is captured and transported to Manchuria and forced to become a "comfort woman" to the Japanese soldiers...at age 16. As we read about this, we are also reading in the present time about Emi. She has spent more than sixty years living with the guilt over her sister's sacrifice. The lives of both sisters are both heroic, tragic and completely spellbinding. I read this book in one sitting last night. The author's notes are not to be missed. She explains the history behind the story telling us that between 50,000 and 200,000 of South Korean women were kidnapped and forced to become comfort women to the Japanese army. Most of the time their parents did not know what happened to them. The history of these "comfort women" was unknown until 1991 when one brave woman, Kim Hak-sun told her story and filed a lawsuit against the Japanese government. A book not to be missed. - Rating: 5 out of 5 stars5/5
Feb 6, 2018
I do not know where to start…this book is amazing!
Hana is a female diver of the sea. One day when she is coming up from a dive, she notices Japanese soldiers heading for her little sister who is on the beach. Hana does everything in her power to save her sister, Emi. And she does, but at the cost of her freedom. Hana is captured and forced to become a “comfort girl” for the Japanese army.
First off, let’s touch base with what is a “comfort girl”. As a blogger we are told not to quote a book unless we compare to the final copy. I have not compared this but I am quoting this anyway. This is a comfort girl “Ten hours a day, six days a week, she services soldiers. She is raped by 20 men a day”. Hana was only 16!
This is a tragic, heart wrenching story. It really takes you through an emotional roller coaster from the very first chapter. I was captivated all the way till the end. The novel is told by Hana during the occupation in the 1940s and also by Emi during present day. This is a tale of love and tragedy shared by two sisters. This is NOT TO BE MISSED! Read this TODAY!
I received this novel from Netgalley for a honest review. - Rating: 4 out of 5 stars4/5
Feb 2, 2018
This is a book with very hard to read subject matter. It is a beautiful book and an ugly book,and a book based on historical truisms. It is also about historical events of which I had no knowledge.
Hana comes from a long line of strong women who are called haenyo, they dive for a living, capturing the bottom feeders of sea creatures, which will be sold at the market. Emi, her younger sister, still not a strong enough swimmer, stays on shore to guard the catch. The Japanese are the occupiers of South Korea, and the women have been warned about these men, never to be found alone. When she sees her younger sister about to become a victim, Hana does the only thing possible, drawing their eyes from her sister and on to herself. A beautiful act of unselfish love.
Forced to endure sex as a comfort women, to the Japanese, though in her case it is a particular enemy, Morimoto, who will become her keeper and enslaver. The book alternates between the fate of Hana and other women, and Emi, now in her seventies. She still dives, freer in the water than on land with her aged body, and the life she now leads. A story that is both poignant and horrifying, but told very well.
The authors note explains the history behind the story. Between 50,000 and 200,000 of South Korean women were kidnapped and forced to become comfort women to the Japanese army. Most times their parents did not know what happened to them, their fate unknown. I loved both these women, Hana, her strength of character and Emi, who seeks closure. As I said some scenes are hard to read, they are graphic, but they happened. Are in fact still happening to women of many nations. Why is it that men wage war, and women left behind pay the price? What the men went through is acknowledged, we now understand PTSD and other effects of war, though I admit I find even their treatment subpar. What women have gone through is little talked about, if they are lucky enough to return home their family is often too embarrassed to talk and often hide what happened. A guilty shame. So books like this are important. They force us to see and feel for those lost in the shadows.
ARC from Edelweiss. - Rating: 4 out of 5 stars4/5
Jan 30, 2018
The author lets us get up close and personal with two sisters, Hana and Emi, and when the story begins they live a good life in South Korea. Their mother and Hana are female divers in the local sea, and earn a living capturing the fresh seafood.
All this ideal life comes to a tragic end when Hana is taken by the Japanese, and life as she knew it ceases to exist. The author then takes us into the realities of war and human sex slaves, the part of war that tends to be swept under rug.
We later learn how Emi has been affected her whole life from growing up from the innocent four-year-old, to an elderly woman. Through it all she continues to search for her missing sister.
We soon learn the meaning of the title of the book, and why they are
A story that needs to be told, and with the people we will remember, and dark time in history, and we hope not to be repeated.
I received this book through Net Galley and Penguin Group Putman Publishing, and was not required to give a positive review. - Rating: 5 out of 5 stars5/5
Oct 7, 2017
In 1943, sixteen year old Hana is happy with her life as a newly fledged haenyeo woman, free diving for abalone, urchins, oysters, and more in the waters of Jeju, a small island off by what is now South Korea. All her life, Korea has been under Japanese occupation. Her people are required to speak Japanese and obey the Japanese soldiers. It’s a hard life, but her family is happy.
Then one day as she is swimming in to the shore, she sees a Japanese soldier making his way down the beach, where her little sister sits, watching their catch, hidden by some large rocks. It’s only a matter of minutes before he discovers Emi, and young girls are frequently taken by the soldiers, taken to be ‘comfort women’ in military run brothels. Hana runs to the beach, allowing herself to be taken instead. Thus begins her life in hell; life as a sex slave, raped over and over again by Japanese soldiers in a tiny room from which she’s rarely allowed out of.
The story alternates point of views between Hana as she strives to find a way to escape, and Emi, in 2011, who has never forgotten her sister and has never stopped looking for her. Her life, too, has been miserable; Korea’s constant state of occupation and war has not made life easy for anyone. Now she comes to Seoul, to see her grown children and to attend a Wednesday Demonstration- the weekly protest aimed at getting justice from Japan for the sex slave business they were in. She comes, hoping against hope to see her sister. Her children have no idea that their aunt was a sex slave; it shocks them when Emi finally tells them.
The story is, frankly, horrific. But while this volume is fiction, these things really happened to the people of Korea- and the other countries that were under Japanese occupation during this period. The book is really hard to read, because of the subject matter and the verisimilitude of the scenes of sexual violence, but it’s so well written that I just couldn’t put it down. My heart ached for Hana, and for Emi, too. Excellent book, five stars, but could be very triggering for victims of sexual violence.
Book preview
White Chrysanthemum - Mary Lynn Bracht
G. P. PUTNAM’S SONS
Publishers Since 1838
An imprint of Penguin Random House LLC
375 Hudson Street
New York, New York 10014
Copyright © 2018 by Mary Lynn Ltd
Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.
Library of Congress Cataloging-in-Publication Data
Names: Bracht, Mary Lynn, author.
Title: White chrysanthemum / Mary Lynn Bracht.
Description: New York, N.Y. : G. P. Putnam’s Sons, 2017.
Identifiers: LCCN 2017004487 (print) | LCCN 2017021889 (ebook) | ISBN 9780735214453 (EBook) | ISBN 9780735214439 (hardcover)
Subjects: LCSH: Sisters—Fiction. | Comfort women—Korea—Fiction. | World War, 1939–1945—Women—Korea—Fiction. | Korea—History—Japanese occupation, 1910–1945—Fiction. | GSAFD: War stories.
Classification: LCC PR6102.R323 (ebook) | LCC PR6102.R323 W55 2017 (print) | DDC 813/.6—dc23
LC record available at https://lccn.loc.gov/2017004487
p. cm.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Version_1
For Nico
Contents
Title Page
Copyright
Dedication
Map
Hana
Emi
Hana
Emi
Hana
Emi
Hana
Emi
Hana
Emi
Hana
Emi
Hana
Emi
Hana
Emi
Hana
Emi
Hana
Emi
Hana
Emi
Hana
YoonHui
Hana
Author’s Note
Acknowledgments
Notable Dates
Further Reading
About the Author
ornamentIt is nearly dawn, and the semidarkness casts strange shadows along the footpath. Hana distracts her mind so that she doesn’t imagine creatures reaching for her ankles. She is following her mother down to the sea. Her nightdress streams behind her in the soft wind. Quiet footsteps pad behind them, and she knows without looking back that her father is following with her little sister still asleep in his arms. On the shore, a handful of women are already waiting for them. She recognizes their faces in the rising dawn light, but the shaman is a stranger. The holy woman wears a red and royal blue traditional hanbok dress, and as soon as they descend upon the sand, the shaman begins to dance.
The huddling figures step away from her twirling motions and form into a small group, mesmerized by the shaman’s grace. She chants a greeting to the Dragon Sea God, welcoming him to their island, beckoning him to travel through the bamboo gates toward Jeju’s tranquil shores. The sun sparkles on the horizon, a pinpoint of iridescent gold, and Hana blinks at the newness of the coming day. It is a forbidden ceremony, outlawed by the occupying Japanese government, but her mother is insistent upon holding a traditional gut ritual before her first dive as a fully fledged haenyeo. The shaman is asking for safety and a bountiful catch. As the shaman repeats the words over and over, Hana’s mother nudges her shoulder and together they bow, foreheads touching the wet sand, to honor the Dragon Sea God’s imminent arrival. As she stands, her sister’s sleepy voice whispers, I want to dive, too,
and the yearning in her voice tugs on Hana’s heart. You will be standing here one day soon, Little Sister, and I will be right beside you to welcome you,
she whispers back, confident of the future that lies ahead of them.
Salty seawater drips down her temple, and she wipes it away with the back of her hand. I am a haenyeo now, Hana thinks, watching the shaman twirl white ribbons in circles along the shore. She reaches for her sister’s small hand. Side by side they stand, listening to the waves tumbling onto the beach. The ocean is the only sound as the small group silently acknowledges her acceptance into their order. When the sun rises fully above the ocean waves, she will dive with the haenyeo in deeper waters and take her place among the women of the sea. But first they must return to their homes in secret, hidden from prying eyes.
ornamentHana, come home. Her sister’s voice is loud in her ears, jolting her back to the present, to the room and the soldier still asleep on the floor beside her. The ceremony fades into the darkness. Desperate not to let it go, Hana squeezes her eyes shut.
She has been held captive for nearly two months, but time moves painfully slowly in this place. She tries not to look back on what she has endured, what they force her to do, what they command her to be. At home, she was someone else, something else.
Ages seem to have passed since then, and Hana feels nearer to the grave than to memories of home. Her mother’s face swimming up to meet her in the waters. The salt water on her lips. Fragments of memories of a happier place.
The ceremony was one of power and strength, just like the women of the sea, just like Hana. The soldier lying next to her stirs. He will not defeat her, she promises herself. She lies awake all night imagining how she will escape.
Hana
ornamentJeju Island, Summer 1943
Hana is sixteen and knows nothing but a life lived under occupation. Japan annexed Korea in 1910, and Hana speaks fluent Japanese, is educated in Japanese history and culture, and is prohibited from speaking, reading, or writing in her native Korean. She is a second-class citizen with second-class rights in her own country, but that does not diminish her Korean pride. Hana and her mother are haenyeo, women of the sea, and they work for themselves. They live in a tiny village on Jeju Island’s southern coast and dive in a cove hidden from the main road that leads into town. Hana’s father is a fisherman. He navigates the South Sea with the other village men, evading imperial fishing boats that loot Korea’s coastal waters for produce to repatriate back to Japan. Hana and her mother only interact with Japanese soldiers when they go to market to sell their day’s catch. It creates a sense of freedom not many on the other side of the island, or even on mainland Korea, a hundred miles to the north, enjoy. The occupation is a taboo topic, especially at market; only the brave dare to broach it, and even then only in whispers and behind cupped hands. The villagers are tired of the heavy taxes, the forced donations to the war effort, and the taking of men to fight on the front lines and children to work in factories in Japan.
On Hana’s island, diving is women’s work. Their bodies suit the cold depths of the ocean better than men’s. They can hold their breath longer, swim deeper, and keep their body temperature warmer, so for centuries, Jeju women have enjoyed a rare independence. Hana followed her mother into the sea at an early age. Learning to swim began the moment she could lift her head on her own, though she was nearly eleven the first time her mother took her into the deeper waters and showed her how to cut an abalone from a rock on the seafloor. In her excitement, Hana lost her breath sooner than expected and had to race upward for air. Her lungs burned. When she finally broke the surface, she breathed in more water than oxygen. Sputtering with her chin barely above the waves, she was disoriented and began to panic. A sudden swell rolled over her, submerging her in an instant. She swallowed more water as her head dipped beneath the surface.
With one hand, her mother lifted Hana’s face above the water. Hana gulped in air between racking coughs. Her nose and throat burned. Her mother’s hand, secured at the nape of her neck, reassured her until she recovered.
Always look to the shore when you rise, or you can lose your way,
her mother said, and turned Hana to face the land. There on the sand, her younger sister sat protecting the buckets containing the day’s catch. Look for your sister after each dive. Never forget. If you see her, you are safe.
When Hana’s breaths had returned to normal, her mother released her and commenced diving with a slow forward somersault down into the ocean’s depths. Hana watched her sister a few moments longer, taking in the serene sight of her resting on the beach, waiting for her family to return from the sea. Fully recovered, Hana swam to the buoy and added her abalone to her mother’s catch, which was stowed safely in a net. Then she performed her own somersault, down into the ocean’s thrumming interior, in search of another sea creature to add to their harvest.
Her sister was too young to dive with them when they were that far from the shore. Sometimes, when Hana surfaced, she would look first to the shore to find her sister chasing after seagulls, waving sticks wildly in the air. She was like a butterfly dancing across Hana’s sightline.
Hana was already seven years old when her sister was finally born. She had worried she would be an only child her whole life. She had wished for a younger sibling for so long—all of her friends had two, three, or sometimes even four brothers and sisters to play with each day and to share the burden of household chores, while she had to suffer everything alone. But then her mother became pregnant, and Hana swelled with such hope that she beamed each time she caught a glimpse of her mother’s growing stomach.
You’re much fatter today, aren’t you, Mother?
she asked the morning of her sister’s birth.
Very, very fat and uncomfortable!
her mother replied, and tickled Hana’s taut stomach.
She tumbled onto her back and giggled with delight. Once she caught her breath, Hana sat beside her mother and placed a hand on the outermost curve of her bulging stomach.
My sister or brother must be nearly done, right, Mother?
Nearly done? You speak as though I’m boiling rice inside my belly, silly girl!
Not rice, my new sister . . . or brother,
Hana added quickly, and felt a timid kick against her hand. When will she, or he, come out?
Such an impatient daughter sits before me.
Her mother shook her head in resignation. Which would you prefer, a sister or a brother?
Hana knew the correct answer was a brother, so that her father would have a son to share his fishing knowledge with, but in her head she answered differently. I hope you have a daughter, so that one day, she can swim in the sea with me.
Her mother went into labor that evening, and when they showed Hana her baby sister, she couldn’t contain her happiness. She smiled the widest smile her face had ever known, yet tried with all her might to speak as though she was disappointed.
I’m sorry that she is not a son, Mother, truly sorry,
Hana said, shaking her head in mock sorrow.
Then Hana turned to her father and pulled his shirtsleeve. He leaned down, and she cupped her hands around his ear.
Father, I must confess something to you. I’m very sorry for you, that she is not a son to learn your fishing skills, but . . .
She took a deep breath before finishing. But I’m so happy I have a sister to swim with.
Is that so?
he asked.
Yes, but don’t tell Mother.
At seven years old, Hana was not skilled in the art of whispering, and gentle laughter rippled through the group of her parents’ closest friends. Hana grew quiet. Her ears burned. She hid behind her father and peeked at her mother from underneath his arm to see if she had also heard. Her mother gazed at her eldest daughter and then looked down at the hungry infant suckling her breast and whispered to her newest daughter, just loud enough for Hana to hear.
You are the most loved little sister in the whole of Jeju Island. Do you know that? No one will ever love you more than your big sister.
When she looked up at Hana, she motioned for her to come to her side. The adults in the room grew quiet as Hana knelt beside her mother.
You are her protector now, Hana,
her mother said in a serious tone.
Hana gazed at her tiny baby sister. She reached out to caress the black tuft of hair sprouting from her scalp.
She’s so soft,
Hana said with wonder.
Did you hear what I said? You are a big sister now, and with that comes responsibilities, and the first one is that of protector. I won’t always be around; diving in the sea and selling at the market keeps us fed, and it will be left up to you to watch over your little sister from now on when I can’t. Can I rely on you?
her mother asked, her voice stern.
Hana’s hand shot back to her side. She bowed her head and dutifully answered.
Yes, Mother, I will keep her safe. I promise.
A promise is forever, Hana. Never forget.
I will remember, Mother, always,
Hana said, her eyes glued onto her little sister’s peacefully dozing face. Milk dripped from the side of the baby’s open mouth, and her mother wiped it with a swipe of her thumb.
As the years passed, and Hana began to dive with her mother in the deeper waters, she grew accustomed to seeing her sister in the distance, the girl who shared her blankets at night and whispered silly stories into the darkness, until she finally succumbed to sleep. The girl who laughed at everything and anything, a sound that made everyone nearby join in. She became Hana’s anchor, to the shore and to life.
ornamentHana knows that protecting her sister means keeping her away from Japanese soldiers. Her mother has drilled the lesson into her: Never let them see you! And most of all, do not let yourself be caught alone with one! Her mother’s words of warning are filled with an ominous fear, and at sixteen Hana feels lucky this has never happened. But that changes on a hot summer day.
It is late in the afternoon, long after the other divers have gone to the market, when Hana first sees Corporal Morimoto. Her mother wanted to fill an extra net for a friend who was ill and couldn’t dive that day. Her mother is always the first to offer help. Hana comes up for air and looks to the shore. Her sister is squatting on the sand, shading her eyes to look out toward Hana and their mother. At nine years of age, her sister is now old enough to stay on the shore alone but still too young to swim in the deeper waters with Hana and her mother. She is small for her age and not yet a strong swimmer.
Hana has just found a large conch and is ready to shout at her sister to express her joy, when she notices a man heading toward the beach. Treading water so that she can lift herself higher to see him more clearly, Hana realizes the man is a Japanese soldier. Her stomach knots into a sudden cramp. Why is he here? They never come this far from the villages. She scans the beach within the cove to see if there are more, but he’s the only one. He is heading straight for her sister.
A ridge of rocks shields her sister from his view, but it won’t do so for long. If he stays on his current path, he will stumble upon her, and then he will take her away—ship her off to a factory in Japan like the other young girls who disappear from the villages. Her sister isn’t strong enough to survive factory work or the brutal conditions they are subjected to. She is too young, and too loved, to be taken away.
Searching the horizon for her mother, Hana realizes she is down below, oblivious to the Japanese soldier heading toward the water’s edge. She has no time to wait for her mother to resurface, and even if she did, her mother is too far away, hunting near the edge of the reef where it drops into a cavernous void with no seafloor in sight for miles. It is Hana’s job to protect her little sister. She made a promise to her mother, and she intends to keep it.
Hana dives beneath the waves, swimming at full speed toward the beach. She can only hope to reach her sister before the soldier does. If she can distract him long enough, perhaps her sister can slip away and hide in the nearby cove, and then Hana can escape back into the ocean. Surely he wouldn’t follow her into the water?
The current crushes against her as though desperate to push her back out to sea, toward safety. Panicking, she breaches the water’s surface and takes in a deep breath, catching a glimpse of the soldier’s progress. He is still headed for the rocky ledge.
She starts to swim above the waves, aware she is exposing herself but unable to bear staying too long beneath the water for fear of missing the soldier’s advance. Hana is halfway to her sister when she sees him stop. He digs in his pocket for something. Plunging her head back into the water, she swims even faster. In her next breath, she sees him light a cigarette. With every subsequent breath, he moves just a little more. He blows out a puff of smoke, takes a drag, breathes it out, again and again with each lift of her head, until the last breath, when he looks toward the ocean and notices Hana’s race toward him.
Only ten meters away from the shore, she hopes he can’t see her little sister from where he stands. She is still hidden by the rocks, but not for long. Her small hands are on the stony sand, and she is beginning to push herself up to standing. Hana can’t shout at her to stay down. She swims faster.
Hana pitches beneath the surface, pulling the water out of her way with each stroke, until her hands touch the sandy ground. Then she shoots to her feet and runs through the last few meters of shallow water. If he has called out to her as she runs toward the ledge, she can’t hear him. Her heart thunders in her ears, blocking out all sound. It feels like she has traveled across half the earth in that sprint to the shore, but she can’t stop yet. Her feet fly across the sand toward her sister, who is smiling at her in ignorance and preparing to greet Hana. Before her sister can speak, Hana lunges at her, seizing her shoulders and knocking her to the ground.
She covers her sister’s mouth with her hand to keep her from crying out. When she sees Hana’s face hovering above her, she knows better than to cry. Hana gives her a look only a little sister would understand. She pushes her sister into the sand, wishing she could bury her to hide her from the soldier’s sight, but she has no time.
Where did you go?
the soldier calls down to Hana. He is standing on a low rock ledge overlooking the beach. If he stands on the edge he could look down and see them both lying beneath him. Has the mermaid transformed into a girl?
His boots crunch on the stones above them. Her sister’s trembling body feels fragile in Hana’s hands. Her fear is contagious, and Hana, too, begins to tremble. She realizes there is nowhere for her sister to run. From his vantage point, he can see in every direction. They will both have to escape into the ocean, but her sister can’t swim for very long. Hana can remain in the deep water for hours, but her little sister will drown if the soldier decides to wait them out. She has no plan. No escape. The realization sits heavy in her gut.
Slowly, she releases her sister’s mouth and takes one last look into her frightened face before standing. His eyes are sharp, and she feels their piercing touch as they creep over her body.
Not a girl, but a grown woman,
he says, and lets out a low, grumbling laugh.
He is wearing a beige uniform and field boots, with a cap that shades his face. His eyes are black like the rocky ledge beneath his feet. Hana is still recovering from her swim to shore, and each time she gasps for breath, he glances at her chest. Her white cotton diving shirt is thin and she hurriedly covers her breasts with her hair. Her cotton shorts drip water down her shivering legs.
What are you hiding from me?
he asks, trying to peer over the ledge.
Nothing,
Hana quickly answers. She steps away from her sister, willing his gaze to follow her. It’s just . . . a special catch. I didn’t want you to think it was not claimed. It’s mine, you see.
She hauls one of the buckets onto the ledge, leading him farther away from where her sister lies.
His attention remains on Hana. After a pause, he glances out to sea and up and down the beach.
Why are you still here? All the other divers have gone off to the market.
My friend is ill, so I’m catching her share so she won’t go hungry.
It is a partial truth and comes easily.
He keeps looking around as though searching for witnesses. Hana looks out to her mother’s buoy, but she is not there. She still hasn’t seen the soldier or even noticed Hana’s absence. Hana begins to worry her mother is in trouble beneath the surface. Too many thoughts flood her mind. He starts to inspect the edge of the rock ledge once more, as though he senses her sister’s presence beneath him. Hana thinks quickly.
I can sell them to you, if you’re hungry. Perhaps you can take some back to your friends.
He doesn’t seem convinced, so she tries to push the bucket closer to him. Seawater spills over the rim, and he quickly sidesteps to avoid its drenching his boots.
I’m so sorry,
she says quickly, steadying the bucket.
Where is your family?
he suddenly asks.
His question catches Hana off guard. She looks over the water and sees her mother’s head duck beneath a wave. Her father’s boat is far out to sea. She and her sister are alone with this soldier. She turns back to him in time to see two more soldiers. They are heading toward her.
Her mother’s words echo in her mind: Most of all, do not let yourself be caught alone with one. Nothing Hana says will save her now. She has no power or autonomy against imperial soldiers. They may do with her as they wish, she knows this, but she is not the only one at risk. She tears her eyes away from the rolling waves that beckon her to dive back in, to escape.
They’re dead.
The words sound true even to her own ears. If she is an orphan, then there is no one to silence for her abduction. Her family will be safe.
A tragic mermaid,
he says, and smiles. "There are treasures to be found at sea."
What have you got there, Corporal Morimoto?
one of the approaching soldiers calls out.
Morimoto doesn’t look back at them, his eyes remaining on Hana. The two men flank her, one on either side. Morimoto nods at them, a curt tip of his head, before trudging back up the sand the way he came. The soldiers grab her arms and drag her behind him.
Hana doesn’t scream. If her sister tried to help, they would just take her, too. Hana will not break her promise to keep her sister safe. So she goes without saying a word, but her legs defend her in wordless opposition by refusing to work. They hang from her body like useless logs, weighing her down, but it doesn’t deter the soldiers. They grip her harder and raise her off the ground so that her toes drag thin trails in the sand.
Emi
ornamentJeju Island, December 2011
A thin orange line streaks across the horizon, illuminating the gray December sky above the dark waters of the South Sea. Emi’s knees protest in the cold predawn hours. Her left leg feels heavy. It drags slightly behind her as she shuffles down to the shore. The other women are already there, donning wetsuits and masks. Only a handful of the usual divers stand beside the water’s edge, shivering in various stages of undress. Emi blames the wintry morning for the scant attendance. In her younger days, she too would have thought twice about leaving her warm bed to dive beneath icy waters, but age has toughened her.
Halfway across the rocky beach, Emi can hear JinHee telling the women a story. It’s one of Emi’s favorites. She and JinHee grew up together. Their friendship has spanned nearly seven decades, surviving two wars. JinHee’s arms swing wildly like a broken windmill, and Emi listens for the dramatic pause that always comes before the laughter. A gust of wind lifts a blue tarp into the air, revealing an old fishing boat, its white paint peeled into curls. A cackle of laughter chases the wind, and the boat disappears beneath the blue plastic sheet. Her friends’ weather-roughened voices bring pleasure to her ears. JinHee sees Emi hobbling toward them at her turtle’s pace and raises her hand in her faithful hello salute. The other ladies turn and wave in welcome.
We’re waiting for you,
JinHee shouts. Late riser today?
Emi doesn’t waste her energy responding. She is carefully scanning the sharp stones on the beach to avoid slipping. Her knees have loosened up, making her limp less prominent. Her left leg nearly steps in time with her right. The other divers wait for her to reach them before they trail into the water. Emi is already wearing her wetsuit. Living in a house steps from the beach has its perks, even if it is only a tiny shack. Her children are both grown and living in Seoul, so all she needs is a place to sleep and cook her meals, and a shack is nothing more and nothing less than that. JinHee hands Emi a mask when she arrives.
What’s this?
Emi asks. I have my own.
She lifts her mask from her Styrofoam cooler and shows it to JinHee.
That old thing? It’s cracked and the strap has broken a hundred times.
JinHee spits onto the beach. This one’s new. My son brought me two from Taejon.
She taps the glass of an identical mask already strapped to her face.
Emi gives the new mask a good looking over. It’s bright red and has TEMPERED printed on the glass. It’s pretty, and she feels tired when she looks back at her old one. The rubber strap is tied in double knots in three places, and there’s a chip on the left side of the glass that obscures her view underwater. It hasn’t leaked yet, but it will one of these days.
Go ahead, put it on, you’ll see,
JinHee urges.
Emi hesitates. She fingers the shiny glass plate. In the sea, the other ladies have already released their buoys to mark their spots. Their heads bobble next to the floating orange buoys, and one after the other they dive beneath the gentle morning waves. Emi watches them for a moment before handing the mask back to JinHee.
I brought it for you,
JinHee says, and pushes it away. I don’t want it. I only need one new one.
JinHee mutters to herself as she waddles toward the water, her fins slapping the surface with each step. Emi knows she can say nothing to change JinHee’s mind. Her stubbornness is second to none. Looking down at the two masks, Emi holds them in front of her, side by side. Her black mask looks ancient next to the red one, but it would