About this ebook
Set on the desert planet Arrakis, Dune is the story of Paul Atreides—who would become known as Muad'Dib—and of a great family's ambition to bring to fruition mankind's most ancient and unattainable dream.
A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction.
Frank Herbert
Frank Herbert (1920-1986) created the most beloved novel in the annals of science fiction, Dune. He was a man of many facets, of countless passageways that ran through an intricate mind. His magnum opus is a reflection of this, a classic work that stands as one of the most complex, multi-layered novels ever written in any genre. Today the novel is more popular than ever, with new readers continually discovering it and telling their friends to pick up a copy. It has been translated into dozens of languages and has sold almost 20 million copies. As a child growing up in Washington State, Frank Herbert was curious about everything. He carried around a Boy Scout pack with books in it, and he was always reading. He loved Rover Boys adventures, as well as the stories of H.G. Wells, Jules Verne, and the science fiction of Edgar Rice Burroughs. On his eighth birthday, Frank stood on top of the breakfast table at his family home and announced, "I wanna be a author." His maternal grandfather, John McCarthy, said of the boy, "It's frightening. A kid that small shouldn't be so smart." Young Frank was not unlike Alia in Dune, a person having adult comprehension in a child's body. In grade school he was the acknowledged authority on everything. If his classmates wanted to know the answer to something, such as about sexual functions or how to make a carbide cannon, they would invariably say, "Let's ask Herbert. He'll know." His curiosity and independent spirit got him into trouble more than once when he was growing up, and caused him difficulties as an adult as well. He did not graduate from college because he refused to take the required courses for a major; he only wanted to study what interested him. For years he had a hard time making a living, bouncing from job to job and from town to town. He was so independent that he refused to write for a particular market; he wrote what he felt like writing. It took him six years of research and writing to complete Dune, and after all that struggle and sacrifice, 23 publishers rejected it in book form before it was finally accepted. He received an advance of only $7,500. His loving wife of 37 years, Beverly, was the breadwinner much of the time, as an underpaid advertising writer for department stores. Having been divorced from his first wife, Flora Parkinson, Frank Herbert met Beverly Stuart at a University of Washington creative writing class in 1946. At the time, they were the only students in the class who had sold their work for publication. Frank had sold two pulp adventure stories to magazines, one to Esquire and the other to Doc Savage. Beverly had sold a story to Modern Romance magazine. These genres reflected the interests of the two young lovers; he the adventurer, the strong, machismo man, and she the romantic, exceedingly feminine and soft-spoken. Their marriage would produce two sons, Brian, born in 1947, and Bruce, born in 1951. Frank also had a daughter, Penny, born in 1942 from his first marriage. For more than two decades Frank and Beverly would struggle to make ends meet, and there were many hard times. In order to pay the bills and to allow her husband the freedom he needed in order to create, Beverly gave up her own creative writing career in order to support his. They were in fact a writing team, as he discussed every aspect of his stories with her, and she edited his work. Theirs was a remarkable, though tragic, love story-which Brian would poignantly describe one day in Dreamer of Dune (Tor Books; April 2003). After Beverly passed away, Frank married Theresa Shackelford. In all, Frank Herbert wrote nearly 30 popular books and collections of short stories, including six novels set in the Dune universe: Dune, Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune, and Chapterhouse: Dune. All were international bestsellers, as were a number of his other science fiction novels, which include The White Plague and The Dosadi Experiment. His major novels included The Dragon in the Sea, Soul Catcher (his only non-science fiction novel), Destination: Void, The Santaroga Barrier, The Green Brain, Hellstorm's Hive, Whipping Star, The Eyes of Heisenberg, The Godmakers, Direct Descent, and The Heaven Makers. He also collaborated with Bill Ransom to write The Jesus Incident, The Lazarus Effect, and The Ascension Factor. Frank Herbert's last published novel, Man of Two Worlds, was a collaboration with his son, Brian.
Other titles in Dune Series (7)
Dune Rating: 4 out of 5 stars4/5Dune Messiah Rating: 4 out of 5 stars4/5Heretics of Dune Rating: 4 out of 5 stars4/5Children of Dune Rating: 4 out of 5 stars4/5God Emperor of Dune Rating: 4 out of 5 stars4/5Chapterhouse: Dune Rating: 0 out of 5 stars0 ratingsFrank Herbert's Dune Saga Collection: Books 1-3 Rating: 5 out of 5 stars5/5
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Destination: Void Rating: 3 out of 5 stars3/5The Godmakers Rating: 3 out of 5 stars3/5High-Opp Rating: 3 out of 5 stars3/5Man of Two Worlds: 30th Anniversary Edition Rating: 3 out of 5 stars3/5The Jesus Incident Rating: 1 out of 5 stars1/5The Pandora Sequence Rating: 4 out of 5 stars4/5Soul Catcher Rating: 3 out of 5 stars3/5The Heaven Makers Rating: 0 out of 5 stars0 ratingsThe Lazarus Effect Rating: 0 out of 5 stars0 ratingsFour Unpublished Novels: High-Opp, Angel's Fall, A Game of Authors, A Thorn in the Bush Rating: 4 out of 5 stars4/5Direct Descent Rating: 3 out of 5 stars3/5Frank Herbert: Unpublished Stories Rating: 2 out of 5 stars2/5Five Fantastic Stories Rating: 4 out of 5 stars4/5A Thorn in the Bush Rating: 4 out of 5 stars4/5A Game of Authors Rating: 3 out of 5 stars3/5The Science Fiction Collection Rating: 0 out of 5 stars0 ratingsThe Ascension Factor Rating: 0 out of 5 stars0 ratingsThe Science Fiction Omnibus #2 (Serapis Classics) Rating: 0 out of 5 stars0 ratingsBlack Cat Weekly #142 Rating: 0 out of 5 stars0 ratings
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Titles in the series (7)
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Reviews for Dune
13,460 ratings431 reviews
- Rating: 5 out of 5 stars5/5
Jan 3, 2025
I’ve been meaning to read this book for over a decade, and I finally made it a priority a few weeks ago (mainly cause of the new movie). I found it to be every bit as epic, engrossing, compelling, and confusing as I expected.
As with any good sci-fi epic, there are many layers to this story. But the world building that author Frank Herbert has done is some of the most complex I’ve come across in awhile (a lot of it thanks to the numerous philosophical/sociological musings, ideologies, and histories). This was a SLOW read for me as there was a lot to process and mule over.
That being said, I LOVED it! All of it. Even when it started to wane some around the middle I couldn’t stop reading. Other than the multiple storylines and characters, I really enjoyed the writing. Herbert does a fantastic job of putting you in the mind of various characters, and the way characters would have whole conversations just through facial expressions and body language was very interesting. And of course I enjoyed the spice planet, giant sand worms, mind powers, brutal villains, and all the sci-fi paraphernalia.
After reading DUNE I can see why it would be exceptionally challenging to translate well on the silver screen. I haven’t seen the David Lynch version, but I did go see the recent Denis Villeneuve release. I was a big fan (I’m a fan of all his movies) and I especially loved the sound and cinematography. But I can also see why my wife, who hasn’t read the book, was confused for a lot of the film. It asks the viewer to do a lot of heavy lifting. - Rating: 4 out of 5 stars4/5
Apr 9, 2025
Dune, another classic from my early youth--this time I finished it. Herbert creates a violent, complex world with a very reluctant hero -- or is he? It's not clear if he IS a hero, though he is headed towards messiah-hood. The most interesting part of the book is the Bene Gesseret--their training, abilities, ultimate goals. - Rating: 4 out of 5 stars4/5
Dec 25, 2024
3.5
Epic space drama with a lot of political melodrama and long winded writing.
Space royalty take over a drought-stricken planet and get brutally wrecked. The son survives and becomes the chosen one.
Like Star Wars and game of thrones.
An important keystone scifi book with extensive world building and themes of power, religion and human beings relationship to the environment but it was too dense and long for me, I felt weighed down by it. - Rating: 5 out of 5 stars5/5
Apr 17, 2025
Quite simply a once-in-a-generation masterpiece. This book is so jam-packed with layers upon layers of detail, worldbuilding, and themes, that I've read it start to finish four times and each time found something new that hadn't jumped out at me quite as much before. There is a meticulous and well-detailed future government and explanation of how it works, future society, future religion, future language, a large focus on the environment and ecology and how that environment is relevant to the people and societies living in it, a tense political thriller, (occasional, not frequent) action, just the whole package. Very few books of this length really feel like they deserve or have earned the pagecount, to me, the way Dune does.
For anybody who still isn't sure, by the way: yeah, Paul Atreides is a horrific monster, not a hero, and Paul himself knows it. - Rating: 5 out of 5 stars5/5
Jan 8, 2025
My first reading of Dune was before college, and I've long considered it a "favourite" even as, typical of me, I recalled only broad aspects of character and plot. Re-reading decades later, I was reminded of that first reading's faint surprise at some timeskips and major developments pushed offstage -- anticipating, for example, that the Fremen revolt would have been covered in detail only to find it covered in a few pages, glancingly, and then done. (Wait, wasn't the Sardaukar-Fremen war what the entire book was leading up to?!)
For this reading, my intent was to inhabit the world more than travel alongside the characters. I wanted to better appreciate Herbert's universe and sociopolitical setting, confident the plot would be entertaining enough. I began with the Appendices to better grasp the universe as I read through: not merely Arrakis, which I generally recall Herbert handling well in the course of the novel, but for his spacefaring civilization and the political machinations within it. I also looked into various secondary sources, from interviews to commentary. *
Dune always had the conceit of being written as by an historian: most obviously, chapter epigraphs from fictional books summarizing encounters at a remove and in the past-tense. This framing provided the space opera equivalent of an epic, and remained just as effective this reading. What I missed the first time, though, was how this careful storytelling calls attention to Herbert's thematic arc, less overt than the narrative arc but equally important to his story, and how his worldbuilding is in service of his themes as much as of his plot. Perhaps the most obvious instance is Herbert's use of a desert prophet (notably common to three religions of our own civilization, he observed) as a plot point around which to structure his themes.
No more terrible disaster could befall your people than for them to fall into the hands of a Hero. [276]
Herbert brings together (at least) two broad themes in Dune.
That heroes are painful for a society and that superheroes are a catastrophe.
Herbert is on record as assuming mortals are fallible by definition, and that several factors compound this foundational problem: leaders reinforce their shortcomings by assuming a myth of infallibility and deflecting criticism as a means of maintaining their roles; power structures coalesce around leaders and are co-opted by corrupt actors; noble intent never is sufficient to avoid these problems, and may in fact merely direct social pain toward the least deserving; and, followers are as culpable as leaders.
Systems take over and grind on and on.
Human-made systems amplify the mistakes of human individuals. Human projects with the largest scale psycho-socially are religious: "messianic convulsions." Ecological projects have potential for taking politico-economic projects to a global scale, and the largest of these would be terraforming a planet.
Paul Atreides / Muad'Dib is a different character viewed from this lens, a well-intended and perhaps ideal candidate for community-minded leader, and yet by the end of this volume, seemingly on a different path than he planned. And, an unexpected result of following the thematic rather than plot developments was insight into those puzzling offstage events: they would have been interesting novelistically, no doubt, but would merely delay the thematic developments Herbert was keen to address. That the novel holds up under both readings is a testament to Herbert's avoidance of mere proselytising. "(Otherwise, who will read your pot of message?)"
As I hoped, this approach made for a very different reading experience, but happily one no less enjoyable. I see there is ample enough material remaining for a third reading, but first I will continue through Herbert's original trilogy: though he wrote six Dune books, he conceived originally of "a long novel, the whole trilogy as one book." I want to see where his thematic arc leads.
* Dune initially was serialized in Analog, and comparisons with the revised novel revealed interesting omissions. Herbert also discussed his preoccupations leading to the story in interviews ("Dune Genesis", OMNI 1980 is of special interest) and in liner notes and "connective text" to recorded readings ("Sandworms of Dune", which Herbert recorded for Caedmon 1978). - Rating: 5 out of 5 stars5/5
Jun 26, 2024
Great book! - Rating: 5 out of 5 stars5/5
Aug 5, 2024
A classic, without doubt. - Rating: 1 out of 5 stars1/5
Jan 23, 2025
Boring, didn’t finish. - Rating: 2 out of 5 stars2/5
Apr 25, 2024
The thing is, I’d really like to like this book, particularly because it’s developed the legend of being a sci-fi classic. I found it in places very hard work. I also think that it is much more a product of its time than one would think. This isn’t a timeless classic like the Lord of the rings or for that matter, William Gibson Neuromancer or something similar. It does have that feeling of creation in the 1960s. I found the plot at times meandering and certainly the world building whilst impressive was difficult to access and so there or made reading it at times a little bit more of a chore than one would like. I understand that this is the start of a series by Frank Herbert , I’m not convinced I’ll be following up anymore. - Rating: 5 out of 5 stars5/5
Oct 11, 2024
This was the second time through for me. My son gave me a "reading package" for Christmas: warm socks, chocolate, coffee mug, wine gums, candle and the 40th anniversary edition of Dune. Although I have never forgotten the Litany against Fear, I had never been tempted to reread it but I am quite happy that I did. I am sure it is only my ignorance speaking but I don't know of another novel that approaches LOTR for attention given to world building. The vast scope of history and language and cultures. I was struck this time around by how relevant and timely the environmental issue and religious issue resonate today. It is not a perfect book but it gets five stars for being a book that I cannot imagine not having under my belt. - Rating: 4 out of 5 stars4/5
Mar 4, 2024
“Without change, something sleeps inside us and seldom awakens. The sleeper must awaken.”
― Frank Herbert, Dune
I cannot think of any other novel that shaped me as a reader from my early teen years onwards as much as Dune. It was a lens through which I judged every other novel I read after. It is the reason I disliked much of the other sci-fi that did not incorporate the same level of philosophical thought and just amazing world-building that set the bar really high.
That being said, the novel as such has its flaws. The plot is often predictable and weak in contrast with the massive and complex universe. There are some serious plot armours here. The other books in the series vary in quality. But, what lifts Dune above the average is the strength of its vision and its inter and metatextuality. This is not simply a white saviour story and such reading is incredibly superficial for a novel of this depth. It is a story of the creation of a myth, ecology, power of belief... Herbert weaves the story of Dune taking into account syncretic religious influences and deconstructing classical dichotomies that are sometimes more and sometimes less palpable in the text. For a novel written in 1965, it still feels very relevant.
It saddens me to see how misunderstood it often is, taken out of context. The story is universal if you let it breathe and not confine it into the boundaries of the current political trends. This is not just my nostalgia speaking, but I hope the popularity of the movie opens the universe to some new fans without taking away its original strength.1 person found this helpful
- Rating: 5 out of 5 stars5/5
Apr 16, 2024
A magnificent piece of literature. Astonishing.
My own take though? As good as it is, I think the climaxes of the two film versions are improvements on the last twenty pages or so of the book. - Rating: 5 out of 5 stars5/5
Feb 9, 2024
Re-reading this in anticipation of the new movie, I was struck by how much time it covers and the sort of birds-eye narrative level to the whole book. Rather than following Paul as our singular protagonist, the book clips between all of it's characters, and generally provides the emotional tenor of the scene but doesn't sit with one point of view very much.
This makes the characters somewhat more remote but that's sort of fitting for the pseudo-history of the book, reading quotes from other histories that apply to this setting.
That's probably the thing that creates comparisons between this book and Lord of the Rings... both books suggest that they are actually uncovered texts exploring this other world, and that there is more 'world' right around the corner for the audience to imagine.
It can feel dry to start off with, because that birds-eye level does create a certain amount of distance. But if you sit with that that, and consider it a feature of the narrative, it becomes very evocative.
A lot of thinking has already taken place around the issue of it being a white saviour narrative, and Herbert's own desire for this work to critique the idea of the Hero or Super Hero to come in and solve all of our problems. I can't add much other than this re-read I gave special attention to this theme and I don't think the book pays it off enough. Paul is both aware of his power and trying to thread the best path through the situation but not much of the narrative makes space for that struggle; it's more of an emotional tone around the more direct strategizing and action the characters are taking. So the idea of this being a critique doesn't feel fully realized as we're never exploring that tension very far. - Rating: 5 out of 5 stars5/5
Jan 10, 2024
Everything that needs to be said about this novel has absolutely been said, and by people far smarter than me.
So, I'll just add that this is—if I've counted correctly—the sixth time I've read this novel since 1976, when Children of Dune came out and I decided to take on the trilogy. I've loved it every single time, like no other Herbert book and this time was no exception. It's a novel that just keeps giving and giving, and offering up new realizations with every read.
I'm excited to get to the next two books. At this stage of the game, I don't bother with anything past the third novel, and I sure as hell won't go near the travesties that Brian Herbert and that hack Anderson crapped out on the world.
But this novel? This one deserves every single accolade sent its way. There's a reason it's stood the test of time for almost sixty years.1 person found this helpful
- Rating: 5 out of 5 stars5/5
Jan 23, 2024
Dune is truly a magnificent book for several reasons. First thing is that story just flows. Author does not take time to describe technological aspects of the world, we are given as-you-see-it description of frigates, gigantic Space Guild transporters and ubiquitous ornithopters, people , their actions and motives. Even descriptions of warriors on all sides are left to readers imagination - martial figures wielding swords, knives and projectile weapons while advancing towards enemy lines glimmering in shield deflecting incoming ordnance.
Just look at the depiction of the Harkonnen attack - while some authors would go into minutiae of the conflict where Atreides' army is decimated, Frank Herbert shows everything through the eyes of the persons of interest - Duke Leto, Lady Jessica, Paul, Dr. Yueh, Duke Harkonnen and Duncan Idaho. Through each scene we are given parts of the puzzle - presence of Sardaukar's and their role in conflict, great treason and finally fate of the loyal warriors of Atreides.
Then we have demonstration of the Fremen warrior skills - attack on the Harkonnen/Sardaukar patrol while helping Tufir's forces after the fall of Arrakeen, amazement of Atreides' forces when Fremen talk about Sardaukar in terms of "yeah, they are tough, but we are tougher". Or storming of the smugglers outpost (missiles? They are using missiles!). Or showdown between Fremen and Sardaukar infiltrators where we learn (again only through talk between the characters) why Sardaukars are considered elite.
Or discussion between Jessica and Tufir - such a subtle war of words and testing of loyalties that resolution cannot be guessed until the very end.
All of these scenes are so beautifully written, lean and with no unnecessary fat on the pages. And this is case with entire book - every time I pick it up I end up reading it in couple of days, story just flows and if it weren't for the everyday choirs book would be read in couple of hours.
Second part is setting. We are given world of feudal space lords. Emperor and his Sardaukars on one side and Landsraad, commonwealth of noble Houses on the other side. In the middle CHOAM company that controls the monopoly on the spice melange, held in majority by Emperor but with Ladnsraad percentage growing every day. This is time of humans that are faster in both mind and body, there is constant war between the Houses through codified War of Assassins, vast military fleets and fanatical warriors serving not only feudal lords but also other agencies - like CHOAM, Space Guild and Bene Gesserit.
Threatened by the old House of Landsraad, Atreides, Emperor decides to destroy them by helping their archenemies, the Harkonnen. Aware they are walking into the trap Atreides are willing to give their best and defeat the enemy (they are aware they are being placed on Arrakis so they can be picked out and destroyed). This stoicism and willingness to achieve victory in what is for all means and purposes a no-win situation is where true strength of Atreides is. Every house in this space feudal society (where Landsraad and Emperor are waging their internal silent war) thinks in the long term. There is no quick solution here, there is plan within the plan everywhere and heirs are looked at as true futures, they are trained and safeguarded for the roles and action that await them years ahead. While externally everything seems to be in peace, internally War of Assassins is waged all the time - even Atreides manage to execute a crucial strike against Giedi Prime using their commandos during the first third of the book.
This constant dynamic between various factions is very interesting and shows complexity of the world. There is no black and white here, todays enemies can become friends and vice versa. Only thing that matters is the House and its survival, and for Bene Gesserit stakes are even higher - future of humanity. Although nobody is completely altruistic, everyone seeks better position to achieve their goals.
Story culminates with two events - first Paul manages to gain control of the Fremen and uses them as a mighty military force to achieve control over Arrakis. Fremen, indoctrinated by Misionaria Protectiva of the Bene Gesserit are true devouts and fanatics, with approach to life and war (especially when Paul joins them in their war against the Harkonnen) not unlike that of Ismaili's and their Assassins.
Second event is decision of Emperor to finally defeat and destroy Fremen population after he becomes aware of interesting parallels between Fremen and his own Sardaukars that go way back in the past (Sardaukars getting raised and trained on Salus Secundus, planet that differs from Arrakis only in that it has no spice melange and thus is only used as a breeding ground for the hardest warriors in the known universe, fanatical forces loyal to Emperor and following code very much like that of Fremen). After this untamed (and soon to be confirmed numerous) force starts turning against the CHOAM company interests (indirectly meaning against the Emperor) they become an element that needs to be removed from the board. To achieve this emperor mobilizes all of the Sardaukar's forces and lands on Arrakis.
And in between we are shown how dangerous eugenics are, how dangerous is indoctrination of people and forcing of beliefs that will ultimately be used by some future force to achieve their goals (loyalty bought by initial cruelty and then by privileges for which soldiers from all armies are willing to give their lives for). We can see how difficult times do breed hard people but this is something that must not be idolized because when people get fully indoctrinated and harsh in their ways (for Fremen and Sardaukar's culture is nothing but culture of murder and death, Keys attempts aiming to bring better conditions for living to Fremen succeeding only to a degree because Fremen way of life is so deep rooted that it remained even in years following the great war - very much like bedouin revolt against any modernisation that causes a lots of strife in the North Africa today) then terrible things get unleashed, it is just not possible to control them.
Paul at the end becomes aware that no matter what he does Fremen will be unleashed onto the galaxy and they will use him as a religious icon (dead or alive) while bringing the known world to the sword. Paul's only hope is to try to manage the collateral damage. Entire book is like a huge warning sign for people to be wary of charismatic leaders and doomsday ideology - because here lies the danger of total destruction.
Excellent book, I cannot recommend it enough. And after you read it do yourself a service and watch the latest Dune movie adaptation (2021 movie), it is incredible how they managed to stay true to the source materiel. - Rating: 5 out of 5 stars5/5
Jul 7, 2024
What can I say that hasn’t already been said about this magnificent work written by Frank Herbert? Just like Tolkien's world with The Lord of the Rings, the world Herbert has created is immense and beautiful; it is an extremely surprising work. Political intrigues, Noble Houses, Emperors, the struggle for power and control of Arrakis, all set in the year 10,000, is something I did not expect to read and that was at least pleasant, but it was a very pleasant surprise. The character development, as in the case of Paul, is too good, and the passage of time in the characters, along with the continuity of lineages, leaves you with the feeling of wanting more. All the characters are good to me; all the descriptions and situations do not feel like filler but simply how it has to be, and it leaves you wanting more. I must not deny that the influence to read it came from the movies, which, not to underestimate Denis Villeneuve's work, I feel do not do justice to the book... (Translated from Spanish) - Rating: 5 out of 5 stars5/5
Dec 6, 2023
What a ride. Frank Herbert deftly crafts worlds within worlds. It has been likened to the Lord of the Rings series in its world building, and I could not agree more. Every word in this book is well thought out and intentional. There are a couple of places in the book that lagged for me, but they were few and far between.
Excellent reading if you want to dive into the world of Arrakis, the planet that seems so desolate on the surface, yet brimming with life beneath its spiced sands. Paul Atreides finds himself both the victim of circumstance and the victim of intentional plotting thousands of years in the making. He must take up the mantle of his father and become the leader the universe needs.
I'm definitely looking forward to reading the next book in the series. - Rating: 2 out of 5 stars2/5
Sep 25, 2023
I wish half stars were available so I could give this a 2.5. I remember my mom being absorbed by this at some point in the 70s and so was always curious about it, though it took me quite awhile to finally read it. The plot certainly draws you in, and Herbert definitely "creates a world," but it also is essentially a novel about palace intrigue with familiar stock characters and roles. I was disappointed at how little description there was of the planet Arrakis, the world of the worms, other life forms, etc. I'm glad I dipped it, but one (long) volume is enough for me. - Rating: 4 out of 5 stars4/5
Apr 14, 2024
If I had to rate this book from 1 to 10, I would choose 8.5 or maybe a little more. Why not ten? That's an excellent question.
Dune is a fundamental science fiction novel, one that has evidently influenced the genre for decades: the story takes place in a distant future where humanity has mastered space travel, the galaxy is ruled by an emperor who conspires from the shadows, there is a desert planet, the protagonist is a young man with paranormal powers who must avenge his father... Sound familiar? Star Wars is a simplified and watered-down version of Dune, which explains why it was so successful with mainstream audiences. I almost wonder how George Lucas didn't receive a plagiarism lawsuit.
Dune can be considered the alternative - or the answer - to the current of science fiction embodied by Isaac Asimov. While Asimov envisioned a rationalist future populated by robots, in the universe of Dune there are no robots (they were destroyed after a galactic crusade that banned their production) and religion and mysticism occupy a central place in the novel. But it’s not just that: there are also power struggles, an obvious reference to the "oil curse" - Arrakis, the planet where the action takes place, is the only exporter of a very expensive and highly coveted spice, but the population lives impoverished and without access to something as basic as drinking water. The similarity to real-life petro-monarchies is quite clear - ecology, combat, and a strong inspiration from Islamic culture that is not often seen, even today, in science fiction. The protagonist, Paul, even has similarities with the prophet Muhammad.
Herbert's work has been called "the greatest science fiction novel of all time" and I almost feel guilty for not giving it a perfect score. A part of me said: "It must be me, I must not understand or appreciate the work as it deserves."
What I consider the main criticism of Dune is that it throws the reader headfirst into a very complex universe without giving almost any clues for orientation. The book is full of references to institutions, places, religions, weapons, foods, customs, without any assistance. For that reason, the reading can become slow and even dense. In my case, I ended up reading 300 or 400 pages and then needed a break to refresh myself, turn to other readings, and then finish the book.
Moreover, the mysticism that surrounds the story makes it difficult to understand in certain parts. Paul, the protagonist, is at the same time Muad'Dib, the Lisan al Gaib, the Kwizat Haderach, Usul, etc. And all of these are terms applied to a single character.
Is Dune a monumental work (and I don’t say this just because of the length of the book)? Yes. Is it an extremely original, imaginative, and complex story? Yes. Does it have action, intrigue, ecological and geopolitical themes? Yes. Is it for all readers? No.
I believe that Dune is one of those books that are enjoyed more on a reread than the first time one picks it up. I understand that there are five sequels, but for now, I have no intention of reading them (besides, I heard that the plot becomes crazier with each sequel). (Translated from Spanish) - Rating: 3 out of 5 stars3/5
Aug 12, 2023
This book turns out to be the first installment of (what I assume is, am told is) a grand epic. I might read the next book, which apparently takes on topics like the corrupting influence of power, messianic belief, etc. We'll see.
"Dune" itself was... a mixed bag for me. It paints a sort of futuristic, high-tech, feudal society where the tech has been largely backgrounded (in a scientifically stagnant society, it seems like.) Power and politics are and all about zero-sum, shifting shares of land (planets) and their products. Religion, pseudo-religion, mysticism, and mystery are everywhere.
I think in part I did not like this book because of this. It is a sci-fi commentary on power, maybe gender, personal discipline, maybe environmental values, etc. but it's those things through a whole stack of 70's-feeling, sci-fi, feudal and religious filters.
AKA, hella ambitious, hella grand. But...
That said, this is also one of those books where you read 100 pages and it goes by with complete ease, almost without you noticing. As someone with a developing interest in writing, this is something I need to come back to and spend more time looking at. Herbert clearly was at the top of his game when he wrote this. - Rating: 5 out of 5 stars5/5
Mar 26, 2024
Good book. A very interesting story. It gives the idea of how the myths and stories of civilizations are built. The way it presents clairvoyance is intriguing. The deaths of certain characters happening in the first person are very intense and well-written. You can really tell the thought put into constructing a plausible plot in many details. (Translated from Spanish) - Rating: 5 out of 5 stars5/5
Mar 13, 2024
"Sometimes superstitions have strange origins and unusual ramifications."
Politics, religion, and ecology are the pillars that support this enormous novel. Arrakis, a desert planet where water is so scarce that even crying is something few can afford, is also the only source of melange: an addictive spice that prolongs life and, in certain individuals, generates prescient abilities. This makes it a fundamental tool for finding safe routes in intergalactic travel.
The harsh environmental conditions of Arrakis, coupled with the oppression of its previous rulers, fostered the emergence of strong tribes capable of taking advantage of all the benefits of the desert, but also a mentality prone to the mystical, waiting for the arrival of a messiah who will turn the planet into a green paradise.
Dune is the story of that supposed messiah: Paul Atreides, the young son of a duke, who survives an attack from his enemies and ventures into the desert, where the Fremen accept him among their own. From his arrival, they begin to see in Paul the signs that he is the Lisan al-Gaib, that long-awaited savior. Thanks to this faith, along with Paul's combat and prescient abilities, he quickly becomes their leader and the hope of Arrakis for achieving liberation.
But Paul is a complex figure: both a political leader and a prophet, he knows that everything he does will become legend, which isolates him from others. "I have seen a friend become a worshipper," he tells himself, aware of the loneliness his position entails. Because as he gains power, his decisions become increasingly risky, and their consequences hold the potential for a holy war. In this sense, besides being a masterful epic, Dune also questions the fragility and ambivalence of the concept of hero. (Translated from Spanish) - Rating: 3 out of 5 stars3/5
Jul 25, 2023
So I get that this book is supposed to be an awesome work of Science Fiction. While I liked the story for the most part, there were so many words. (I like words usually) What it comes down to is everything was explained and explained and then mansplained over and over again. If we could've cut out that I think I may have liked the book more. - Rating: 3 out of 5 stars3/5
Jun 27, 2023
3.5* for this audiobook edition
2020 reread:
The multiple narrators of this audiobook were excellent (especially whoever it was who did the voice of the Baron). This book is a sweeping epic but, for some reason, I never really connected to Paul. I wanted to reread it to see if my reaction to it was different now. I had forgotten a lot of the details & as a more experienced reader now, I can admire Herbert's world building, but this will never be a favorite book for me. - Rating: 3 out of 5 stars3/5
Jun 14, 2023
So this is the second time I have read this book. I do not recall when I read it the first time. I know it was a long time ago. Anyway, when I first entered into goodreads I gave it 3 stars. Upon this second reading I am going to keep it at 3 stars. It is not a bad book, it is well written and fairly interesting. The setting and the plot for some reason just does not resonate with me which is why I am leaving it at 3 stars. I intend on seeing the movie when it comes out which is what motivated me to give it another reading. I suspect I may like the movie more than the book simply because the visuals will enhance the story I suspect. - Rating: 5 out of 5 stars5/5
Jan 25, 2024
A great book, a great journey through the desert with the complexity of aristocratic politics, religion, and economy that can be seen up to contemporary times. (Translated from Spanish) - Rating: 5 out of 5 stars5/5
May 4, 2023
Not only impressive as a novel, but also in terms of the world and vocabulary that Herbert has invented. - Rating: 3 out of 5 stars3/5
Nov 19, 2023
The book is divided into three parts plus appendices, Dune, Muab'Dib, and the book of the Prophet.
Honestly, I couldn't stand Paul Atreides in the first book; he seemed like a too perfect character, which I couldn't relate to, as he came that way from the factory without any development since he was raised that way.
But I must admit that in the second and third books, I empathized a bit more, and Muab'Dib feels a little more human. (Translated from Spanish) - Rating: 3 out of 5 stars3/5
Feb 2, 2023
Sort of an old-style Star Wars-like novel. - Rating: 3 out of 5 stars3/5
Jan 25, 2023
Honestly, I'm seriously underwhelmed by this book. I don't know what I expected, but it wasn't this. Most of the time I was either lost by the convoluted writing or frustrated at constantly having to check the glossary for all the terms. Some unnecessary things were described at length while other, more important things that would have actually added to the story were ignored almost completely.
As a fantasy (and this is a fantasy set in space, not science fiction) it is very much flawed, but I do get why some people love it.
Book preview
Dune - Frank Herbert
A beginning is the time for taking the most delicate care that the balances are correct. This every sister of the Bene Gesserit knows. To begin your study of the life of Muad’Dib, then, take care that you first place him in his time: born in the 57th year of the Padishah Emperor, Shaddam IV. And take the most special care that you locate Muad’Dib in his place: the planet Arrakis. Do not be deceived by the fact that he was born on Caladan and lived his first fifteen years there. Arrakis, the planet known as Dune, is forever his place.
—FROM MANUAL OF MUAD’DIB
BY THE PRINCESS IRULAN
In the week before their departure to Arrakis, when all the final scurrying about had reached a nearly unbearable frenzy, an old crone came to visit the mother of the boy, Paul.
It was a warm night at Castle Caladan, and the ancient pile of stone that had served the Atreides family as home for twenty-six generations bore that cooled-sweat feeling it acquired before a change in the weather.
The old woman was let in by the side door down the vaulted passage by Paul’s room and she was allowed a moment to peer in at him where he lay in his bed.
By the half-light of a suspensor lamp, dimmed and hanging near the floor, the awakened boy could see a bulky female shape at his door, standing one step ahead of his mother. The old woman was a witch shadow—hair like matted spiderwebs, hooded ’round darkness of features, eyes like glittering jewels.
Is he not small for his age, Jessica?
the old woman asked. Her voice wheezed and twanged like an untuned baliset.
Paul’s mother answered in her soft contralto: The Atreides are known to start late getting their growth, Your Reverence.
So I’ve heard, so I’ve heard,
wheezed the old woman. Yet he’s already fifteen.
Yes, Your Reverence.
He’s awake and listening to us,
said the old woman. Sly little rascal.
She chuckled. But royalty has need of slyness. And if he’s really the Kwisatz Haderach…well….
Within the shadows of his bed, Paul held his eyes open to mere slits. Two bird-bright ovals—the eyes of the old woman—seemed to expand and glow as they stared into his.
Sleep well, you sly little rascal,
said the old woman. Tomorrow you’ll need all your faculties to meet my gom jabbar.
And she was gone, pushing his mother out, closing the door with a solid thump.
Paul lay awake wondering: What’s a gom jabbar?
In all the upset during this time of change, the old woman was the strangest thing he had seen.
Your Reverence.
And the way she called his mother Jessica like a common serving wench instead of what she was—a Bene Gesserit Lady, a duke’s concubine and mother of the ducal heir.
Is a gom jabbar something of Arrakis I must know before we go there? he wondered.
He mouthed her strange words: Gom jabbar…Kwisatz Haderach.
There had been so many things to learn. Arrakis would be a place so different from Caladan that Paul’s mind whirled with the new knowledge. Arrakis—Dune—Desert Planet.
Thufir Hawat, his father’s Master of Assassins, had explained it: their mortal enemies, the Harkonnens, had been on Arrakis eighty years, holding the planet in quasi-fief under a CHOAM Company contract to mine the geriatric spice, melange. Now the Harkonnens were leaving to be replaced by the House of Atreides in fief-complete—an apparent victory for the Duke Leto. Yet, Hawat had said, this appearance contained the deadliest peril, for the Duke Leto was popular among the Great Houses of the Landsraad.
A popular man arouses the jealousy of the powerful,
Hawat had said.
Arrakis—Dune—Desert Planet.
Paul fell asleep to dream of an Arrakeen cavern, silent people all around him moving in the dim light of glowglobes. It was solemn there and like a cathedral as he listened to a faint sound—the drip-drip-drip of water. Even while he remained in the dream, Paul knew he would remember it upon awakening. He always remembered the dreams that were predictions.
The dream faded.
Paul awoke to feel himself in the warmth of his bed—thinking…thinking. This world of Castle Caladan, without play or companions his own age, perhaps did not deserve sadness in farewell. Dr. Yueh, his teacher, had hinted that the faufreluches class system was not rigidly guarded on Arrakis. The planet sheltered people who lived at the desert edge without caid or bashar to command them: will-o’-the-sand people called Fremen, marked down on no census of the Imperial Regate.
Arrakis—Dune—Desert Planet.
Paul sensed his own tensions, decided to practice one of the mind-body lessons his mother had taught him. Three quick breaths triggered the responses: he fell into the floating awareness…focusing the consciousness…aortal dilation…avoiding the unfocused mechanism of consciousness…to be conscious by choice…blood enriched and swift-flooding the overload regions…one does not obtain food-safety-freedom by instinct alone…animal consciousness does not extend beyond the given moment nor into the idea that its victims may become extinct…the animal destroys and does not produce…animal pleasures remain close to sensation levels and avoid the perceptual…the human requires a background grid through which to see his universe…focused consciousness by choice, this forms your grid…bodily integrity follows nerve-blood flow according to the deepest awareness of cell needs…all things/cells/beings are impermanent…strive for flow-permanence within….
Over and over and over within Paul’s floating awareness the lesson rolled.
When dawn touched Paul’s window sill with yellow light, he sensed it through closed eyelids, opened them, hearing then the renewed bustle and hurry in the castle, seeing the familiar patterned beams of his bedroom ceiling.
The hall door opened and his mother peered in, hair like shaded bronze held with black ribbon at the crown, her oval face emotionless and green eyes staring solemnly.
You’re awake,
she said. Did you sleep well?
Yes.
He studied the tallness of her, saw the hint of tension in her shoulders as she chose clothing for him from the closet racks. Another might have missed the tension, but she had trained him in the Bene Gesserit Way—in the minutiae of observation. She turned, holding a semiformal jacket for him. It carried the red Atreides hawk crest above the breast pocket.
Hurry and dress,
she said. Reverend Mother is waiting.
I dreamed of her once,
Paul said. Who is she?
She was my teacher at the Bene Gesserit school. Now, she’s the Emperor’s Truthsayer. And Paul….
She hesitated. You must tell her about your dreams.
I will. Is she the reason we got Arrakis?
"We did not get Arrakis. Jessica flicked dust from a pair of trousers, hung them with the jacket on the dressing stand beside his bed.
Don’t keep Reverend Mother waiting."
Paul sat up, hugged his knees. What’s a gom jabbar?
Again, the training she had given him exposed her almost invisible hesitation, a nervous betrayal he felt as fear.
Jessica crossed to the window, flung wide the draperies, stared across the river orchards toward Mount Syubi. You’ll learn about…the gom jabbar soon enough,
she said.
He heard the fear in her voice and wondered at it.
Jessica spoke without turning. Reverend Mother is waiting in my morning room. Please hurry.
* * *
The Reverend Mother Gaius Helen Mohiam sat in a tapestried chair watching mother and son approach. Windows on each side of her overlooked the curving southern bend of the river and the green farmlands of the Atreides family holding, but the Reverend Mother ignored the view. She was feeling her age this morning, more than a little petulant. She blamed it on space travel and association with that abominable Spacing Guild and its secretive ways. But here was a mission that required personal attention from a Bene Gesserit-with-the-Sight. Even the Padishah Emperor’s Truthsayer couldn’t evade that responsibility when the duty call came.
Damn that Jessica! the Reverend Mother thought. If only she’d borne us a girl as she was ordered to do!
Jessica stopped three paces from the chair, dropped a small curtsy, a gentle flick of left hand along the line of her skirt. Paul gave the short bow his dancing master had taught—the one used when in doubt of another’s station.
The nuances of Paul’s greeting were not lost on the Reverend Mother. She said: He’s a cautious one, Jessica.
Jessica’s hand went to Paul’s shoulder, tightened there. For a heartbeat, fear pulsed through her palm. Then she had herself under control. Thus he has been taught, Your Reverence.
What does she fear? Paul wondered.
The old woman studied Paul in one gestalten flicker: face oval like Jessica’s, but strong bones…hair: the Duke’s black-black but with browline of the maternal grandfather who cannot be named, and that thin, disdainful nose; shape of directly staring green eyes: like the old Duke, the paternal grandfather who is dead.
Now, there was a man who appreciated the power of bravura—even in death, the Reverend Mother thought.
Teaching is one thing,
she said, the basic ingredient is another. We shall see.
The old eyes darted a hard glance at Jessica. Leave us. I enjoin you to practice the meditation of peace.
Jessica took her hand from Paul’s shoulder. Your Reverence, I—
Jessica, you know it must be done.
Paul looked up at his mother, puzzled.
Jessica straightened. Yes…of course.
Paul looked back at the Reverend Mother. Politeness and his mother’s obvious awe of this old woman argued caution. Yet he felt an angry apprehension at the fear he sensed radiating from his mother.
Paul….
Jessica took a deep breath. …this test you’re about to receive…it’s important to me.
Test?
He looked up at her.
Remember that you’re a duke’s son,
Jessica said. She whirled and strode from the room in a dry swishing of skirt. The door closed solidly behind her.
Paul faced the old woman, holding anger in check. Does one dismiss the Lady Jessica as though she were a serving wench?
A smile flicked the corners of the wrinkled old mouth. "The Lady Jessica was my serving wench, lad, for fourteen years at school. She nodded.
And a good one, too. Now, you come here!"
The command whipped out at him. Paul found himself obeying before he could think about it. Using the Voice on me, he thought. He stopped at her gesture, standing beside her knees.
See this?
she asked. From the folds of her gown, she lifted a green metal cube about fifteen centimeters on a side. She turned it and Paul saw that one side was open—black and oddly frightening. No light penetrated that open blackness.
Put your right hand in the box,
she said.
Fear shot through Paul. He started to back away, but the old woman said: Is this how you obey your mother?
He looked up into bird-bright eyes.
Slowly, feeling the compulsions and unable to inhibit them, Paul put his hand into the box. He felt first a sense of cold as the blackness closed around his hand, then slick metal against his fingers and a prickling as though his hand were asleep.
A predatory look filled the old woman’s features. She lifted her right hand away from the box and poised the hand close to the side of Paul’s neck. He saw a glint of metal there and started to turn toward it.
Stop!
she snapped.
Using the Voice again! He swung his attention back to her face.
I hold at your neck the gom jabbar,
she said. The gom jabbar, the high-handed enemy. It’s a needle with a drop of poison on its tip. Ah-ah! Don’t pull away or you’ll feel that poison.
Paul tried to swallow in a dry throat. He could not take his attention from the seamed old face, the glistening eyes, the pale gums around silvery metal teeth that flashed as she spoke.
"A duke’s son must know about poisons, she said.
It’s the way of our times, eh? Musky, to be poisoned in your drink. Aumas, to be poisoned in your food. The quick ones and the slow ones and the ones in between. Here’s a new one for you: the gom jabbar. It kills only animals."
Pride overcame Paul’s fear. You dare suggest a duke’s son is an animal?
he demanded.
Let us say I suggest you may be human,
she said. Steady! I warn you not to try jerking away. I am old, but my hand can drive this needle into your neck before you escape me.
Who are you?
he whispered. How did you trick my mother into leaving me alone with you? Are you from the Harkonnens?
The Harkonnens? Bless us, no! Now, be silent.
A dry finger touched his neck and he stilled the involuntary urge to leap away.
Good,
she said. You pass the first test. Now, here’s the way of the rest of it: If you withdraw your hand from the box you die. This is the only rule. Keep your hand in the box and live. Withdraw it and die.
Paul took a deep breath to still his trembling. "If I call out there’ll be servants on you in seconds and you’ll die."
Servants will not pass your mother who stands guard outside that door. Depend on it. Your mother survived this test. Now it’s your turn. Be honored. We seldom administer this to men-children.
Curiosity reduced Paul’s fear to a manageable level. He heard truth in the old woman’s voice, no denying it. If his mother stood guard out there…if this were truly a test…. And whatever it was, he knew himself caught in it, trapped by that hand at his neck: the gom jabbar. He recalled the response from the Litany Against Fear as his mother had taught him out of the Bene Gesserit rite.
I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.
He felt calmness return, said: Get on with it, old woman.
Old woman!
she snapped. You’ve courage, and that can’t be denied. Well, we shall see, sirra.
She bent close, lowered her voice almost to a whisper. You will feel pain in this hand within the box. Pain. But! Withdraw the hand and I’ll touch your neck with my gom jabbar—the death so swift it’s like the fall of the headsman’s axe. Withdraw your hand and the gom jabbar takes you. Understand?
What’s in the box?
Pain.
He felt increased tingling in his hand, pressed his lips tightly together. How could this be a test? he wondered. The tingling became an itch.
The old woman said: You’ve heard of animals chewing off a leg to escape a trap? There’s an animal kind of trick. A human would remain in the trap, endure the pain, feigning death that he might kill the trapper and remove a threat to his kind.
The itch became the faintest burning. Why are you doing this?
he demanded.
To determine if you’re human. Be silent.
Paul clenched his left hand into a fist as the burning sensation increased in the other hand. It mounted slowly: heat upon heat upon heat…upon heat. He felt the fingernails of his free hand biting the palm. He tried to flex the fingers of the burning hand, but couldn’t move them.
It burns,
he whispered.
Silence!
Pain throbbed up his arm. Sweat stood out on his forehead. Every fiber cried out to withdraw the hand from that burning pit…but…the gom jabbar. Without turning his head, he tried to move his eyes to see that terrible needle poised beside his neck. He sensed that he was breathing in gasps, tried to slow his breaths and couldn’t.
Pain!
His world emptied of everything except that hand immersed in agony, the ancient face inches away staring at him.
His lips were so dry he had difficulty separating them.
The burning! The burning!
He thought he could feel skin curling black on that agonized hand, the flesh crisping and dropping away until only charred bones remained.
It stopped!
As though a switch had been turned off, the pain stopped.
Paul felt his right arm trembling, felt sweat bathing his body.
Enough,
the old woman muttered. Kull wahad! No woman-child ever withstood that much. I must’ve wanted you to fail.
She leaned back, withdrawing the gom jabbar from the side of his neck. Take your hand from the box, young human, and look at it.
He fought down an aching shiver, stared at the lightless void where his hand seemed to remain of its own volition. Memory of pain inhibited every movement. Reason told him he would withdraw a blackened stump from that box.
Do it!
she snapped.
He jerked his hand from the box, stared at it astonished. Not a mark. No sign of agony on the flesh. He held up the hand, turned it, flexed the fingers.
Pain by nerve induction,
she said. Can’t go around maiming potential humans. There’re those who’d give a pretty for the secret of this box, though.
She slipped it into the folds of her gown.
But the pain—
he said.
Pain,
she sniffed. A human can override any nerve in the body.
Paul felt his left hand aching, uncurled the clenched fingers, looked at four bloody marks where fingernails had bitten his palm. He dropped the hand to his side, looked at the old woman. You did that to my mother once?
Ever sift sand through a screen?
she asked.
The tangential slash of her question shocked his mind into a higher awareness: Sand through a screen. He nodded.
We Bene Gesserit sift people to find the humans.
He lifted his right hand, willing the memory of the pain. And that’s all there is to it—pain?
I observed you in pain, lad. Pain’s merely the axis of the test. Your mother’s told you about our ways of observing. I see the signs of her teaching in you. Our test is crisis and observation.
He heard the confirmation in her voice, said: It’s truth!
She stared at him. He senses truth! Could he be the one? Could he truly be the one? She extinguished the excitement, reminding herself: Hope clouds observation.
You know when people believe what they say,
she said.
I know it.
The harmonics of ability confirmed by repeated test were in his voice. She heard them, said: Perhaps you are the Kwisatz Haderach. Sit down, little brother, here at my feet.
I prefer to stand.
Your mother sat at my feet once.
I’m not my mother.
You hate us a little, eh?
She looked toward the door, called out: Jessica!
The door flew open and Jessica stood there staring hard-eyed into the room. Hardness melted from her as she saw Paul. She managed a faint smile.
Jessica, have you ever stopped hating me?
the old woman asked.
I both love and hate you,
Jessica said. The hate—that’s from pains I must never forget. The love—that’s….
Just the basic fact,
the old woman said, but her voice was gentle. You may come in now, but remain silent. Close that door and mind it that no one interrupts us.
Jessica stepped into the room, closed the door and stood with her back to it. My son lives, she thought. My son lives and is…human. I knew he was…but…he lives. Now, I can go on living. The door felt hard and real against her back. Everything in the room was immediate and pressing against her senses.
My son lives.
Paul looked at his mother. She told the truth. He wanted to get away alone and think this experience through, but knew he could not leave until he was dismissed. The old woman had gained a power over him. They spoke truth. His mother had undergone this test. There must be terrible purpose in it…the pain and fear had been terrible. He understood terrible purposes. They drove against all odds. They were their own necessity. Paul felt that he had been infected with terrible purpose. He did not know yet what the terrible purpose was.
Someday, lad,
the old woman said, you, too, may have to stand outside a door like that. It takes a measure of doing.
Paul looked down at the hand that had known pain, then up to the Reverend Mother. The sound of her voice had contained a difference then from any other voice in his experience. The words were outlined in brilliance. There was an edge to them. He felt that any question he might ask her would bring an answer that could lift him out of his flesh-world into something greater.
Why do you test for humans?
he asked.
To set you free.
Free?
Once, men turned their thinking over to machines in the hope that this would set them free. But that only permitted other men with machines to enslave them.
‘Thou shalt not make a machine in the likeness of a man’s mind,’
Paul quoted.
Right out of the Butlerian Jihad and the Orange Catholic Bible,
she said. "But what the O.C. Bible should’ve said is: ‘Thou shalt not make a machine to counterfeit a human mind.’ Have you studied the Mentat in your service?"
"I’ve studied with Thufir Hawat."
The Great Revolt took away a crutch,
she said. "It forced human minds to develop. Schools were started to train human talents."
Bene Gesserit schools?
She nodded. We have two chief survivors of those ancient schools: the Bene Gesserit and the Spacing Guild. The Guild, so we think, emphasizes almost pure mathematics. Bene Gesserit performs another function.
Politics,
he said.
Kull wahad!
the old woman said. She sent a hard glance at Jessica.
I’ve not told him, Your Reverence,
Jessica said.
The Reverend Mother returned her attention to Paul. You did that on remarkably few clues,
she said. Politics indeed. The original Bene Gesserit school was directed by those who saw the need of a thread of continuity in human affairs. They saw there could be no such continuity without separating human stock from animal stock—for breeding purposes.
The old woman’s words abruptly lost their special sharpness for Paul. He felt an offense against what his mother called his instinct for rightness. It wasn’t that Reverend Mother lied to him. She obviously believed what she said. It was something deeper, something tied to his terrible purpose.
He said: But my mother tells me many Bene Gesserit of the schools don’t know their ancestry.
The genetic lines are always in our records,
she said. Your mother knows that either she’s of Bene Gesserit descent or her stock was acceptable in itself.
Then why couldn’t she know who her parents are?
Some do…. Many don’t. We might, for example, have wanted to breed her to a close relative to set up a dominant in some genetic trait. We have many reasons.
Again, Paul felt the offense against rightness. He said: You take a lot on yourselves.
The Reverend Mother stared at him, wondering: Did I hear criticism in his voice? We carry a heavy burden,
she said.
Paul felt himself coming more and more out of the shock of the test. He leveled a measuring stare at her, said: You say maybe I’m the…Kwisatz Haderach. What’s that, a human gom jabbar?
Paul,
Jessica said. You mustn’t take that tone with—
I’ll handle this, Jessica,
the old woman said. Now, lad, do you know about the Truthsayer drug?
You take it to improve your ability to detect falsehood,
he said. My mother’s told me.
Have you ever seen truthtrance?
He shook his head. No.
The drug’s dangerous,
she said, but it gives insight. When a Truthsayer’s gifted by the drug, she can look many places in her memory—in her body’s memory. We look down so many avenues of the past…but only feminine avenues.
Her voice took on a note of sadness. Yet, there’s a place where no Truthsayer can see. We are repelled by it, terrorized. It is said a man will come one day and find in the gift of the drug his inward eye. He will look where we cannot—into both feminine and masculine pasts.
Your Kwisatz Haderach?
Yes, the one who can be many places at once: the Kwisatz Haderach. Many men have tried the drug…so many, but none has succeeded.
They tried and failed, all of them?
Oh, no.
She shook her head. They tried and died.
To attempt an understanding of Muad’Dib without understanding his mortal enemies, the Harkonnens, is to attempt seeing Truth without knowing Falsehood. It is the attempt to see the Light without knowing Darkness. It cannot be.
—FROM MANUAL OF MUAD’DIB
BY THE PRINCESS IRULAN
It was a relief globe of a world, partly in shadows, spinning under the impetus of a fat hand that glittered with rings. The globe sat on a freeform stand at one wall of a windowless room whose other walls presented a patchwork of multicolored scrolls, filmbooks, tapes and reels. Light glowed in the room from golden balls hanging in mobile suspensor fields.
An ellipsoid desk with a top of jade-pink petrified elacca wood stood at the center of the room. Veriform suspensor chairs ringed it, two of them occupied. In one sat a dark-haired youth of about sixteen years, round of face and with sullen eyes. The other held a slender, short man with effeminate face.
Both youth and man stared at the globe and the man half-hidden in shadows spinning it.
A chuckle sounded beside the globe. A basso voice rumbled out of the chuckle: There it is, Piter—the biggest mantrap in all history. And the Duke’s headed into its jaws. Is it not a magnificent thing that I, the Baron Vladimir Harkonnen, do?
Assuredly, Baron,
said the man. His voice came out tenor with a sweet, musical quality.
The fat hand descended onto the globe, stopped the spinning. Now, all eyes in the room could focus on the motionless surface and see that it was the kind of globe made for wealthy collectors or planetary governors of the Empire. It had the stamp of Imperial handicraft about it. Latitude and longitude lines were laid in with hair-fine platinum wire. The polar caps were insets of finest cloudmilk diamonds.
The fat hand moved, tracing details on the surface. I invite you to observe,
the basso voice rumbled. Observe closely, Piter, and you, too, Feyd-Rautha, my darling: from sixty degrees north to seventy degrees south—these exquisite ripples. Their coloring: does it not remind you of sweet caramels? And nowhere do you see blue of lakes or rivers or seas. And these lovely polar caps—so small. Could anyone mistake this place? Arrakis! Truly unique. A superb setting for a unique victory.
A smile touched Piter’s lips. And to think, Baron: the Padishah Emperor believes he’s given the Duke your spice planet. How poignant.
That’s a nonsensical statement,
the Baron rumbled. You say this to confuse young Feyd-Rautha, but it is not necessary to confuse my nephew.
The sullen-faced youth stirred in his chair, smoothed a wrinkle in the black leotards he wore. He sat upright as a discreet tapping sounded at the door in the wall behind him.
Piter unfolded from his chair, crossed to the door, cracked it wide enough to accept a message cylinder. He closed the door, unrolled the cylinder and scanned it. A chuckle sounded from him. Another.
Well?
the Baron demanded.
The fool answered us, Baron!
Whenever did an Atreides refuse the opportunity for a gesture?
the Baron asked. Well, what does he say?
He’s most uncouth, Baron. Addresses you as ‘Harkonnen’—no ‘Sire et Cher Cousin,’ no title, nothing.
It’s a good name,
the Baron growled, and his voice betrayed his impatience. What does dear Leto say?
He says: ‘Your offer of a meeting is refused. I have ofttimes met your treachery and this all men know.’
And?
the Baron asked.
He says: ‘The art of kanly still has admirers in the Empire.’ He signs it: ‘Duke Leto of Arrakis.’
Piter began to laugh. Of Arrakis! Oh, my! This is almost too rich!
Be silent, Piter,
the Baron said, and the laughter stopped as though shut off with a switch. Kanly, is it?
the Baron asked. Vendetta, heh? And he uses the nice old word so rich in tradition to be sure I know he means it.
You made the peace gesture,
Piter said. The forms have been obeyed.
For a Mentat, you talk too much, Piter,
the Baron said. And he thought: I must do away with that one soon. He has almost outlived his usefulness. The Baron stared across the room at his Mentat assassin, seeing the feature about him that most people noticed first: the eyes, the shaded slits of blue within blue, the eyes without any white in them at all.
A grin flashed across Piter’s face. It was like a mask grimace beneath those eyes like holes. "But, Baron! Never has revenge been more beautiful. It is to see a plan of the most exquisite treachery: to make Leto exchange Caladan for Dune—and without alternative because the Emperor orders it. How waggish of you!"
In a cold voice, the Baron said: You have a flux of the mouth, Piter.
But I am happy, my Baron. Whereas you…you are touched by jealousy.
Piter!
Ah-ah, Baron! Is it not regrettable you were unable to devise this delicious scheme by yourself?
Someday I will have you strangled, Piter.
Of a certainty, Baron. Enfin! But a kind act is never lost, eh?
Have you been chewing verite or semuta, Piter?
Truth without fear surprises the Baron,
Piter said. His face drew down into a caricature of a frowning mask. Ah, hah! But you see, Baron, I know as a Mentat when you will send the executioner. You will hold back just so long as I am useful. To move sooner would be wasteful and I’m yet of much use. I know what it is you learned from that lovely Dune planet—waste not. True, Baron?
The Baron continued to stare at Piter.
Feyd-Rautha squirmed in his chair. These wrangling fools! he thought. My uncle cannot talk to his Mentat without arguing. Do they think I’ve nothing to do except listen to their arguments?
Feyd,
the Baron said. I told you to listen and learn when I invited you in here. Are you learning?
Yes, Uncle.
The voice was carefully subservient.
Sometimes I wonder about Piter,
the Baron said. I cause pain out of necessity, but he…I swear he takes a positive delight in it. For myself, I can feel pity toward the poor Duke Leto. Dr. Yueh will move against him soon, and that’ll be the end of all the Atreides. But surely Leto will know whose hand directed the pliant doctor…and knowing that will be a terrible thing.
Then why haven’t you directed the doctor to slip a kindjal between his ribs quietly and efficiently?
Piter asked. You talk of pity, but—
"The Duke must know when I encompass his doom, the Baron said.
And the other Great Houses must learn of it. The knowledge will give them pause. I’ll gain a bit more room to maneuver. The necessity is obvious, but I don’t have to like it."
Room to maneuver,
Piter sneered. Already you have the Emperor’s eyes on you, Baron. You move too boldly. One day the Emperor will send a legion or two of his Sardaukar down here onto Giedi Prime and that’ll be an end to the Baron Vladimir Harkonnen.
You’d like to see that, wouldn’t you, Piter?
the Baron asked. You’d enjoy seeing the Corps of Sardaukar pillage through my cities and sack this castle. You’d truly enjoy that.
Does the Baron need to ask?
Piter whispered.
You should’ve been a Bashar of the Corps,
the Baron said. You’re too interested in blood and pain. Perhaps I was too quick with my promise of the spoils of Arrakis.
Piter took five curiously mincing steps into the room, stopped directly behind Feyd-Rautha. There was a tight air of tension in the room, and the youth looked up at Piter with a worried frown.
Do not toy with Piter, Baron,
Piter said. You promised me the Lady Jessica. You promised her to me.
For what, Piter?
the Baron asked. For pain?
Piter stared at him, dragging out the silence.
Feyd-Rautha moved his suspensor chair to one side, said: Uncle, do I have to stay? You said you’d—
My darling Feyd-Rautha grows impatient,
the Baron said. He moved within the shadows beside the globe. Patience, Feyd.
And he turned his attention back to the Mentat. What of the Dukeling, the child Paul, my dear Piter?
The trap will bring him to you, Baron,
Piter muttered.
That’s not my question,
the Baron said. You’ll recall that you predicted the Bene Gesserit witch would bear a daughter to the Duke. You were wrong, eh, Mentat?
I’m not often wrong, Baron,
Piter said, and for the first time there was fear in his voice. Give me that: I’m not often wrong. And you know yourself these Bene Gesserit bear mostly daughters. Even the Emperor’s consort had produced only females.
Uncle,
said Feyd-Rautha, you said there’d be something important here for me to—
Listen to my nephew,
the Baron said. He aspires to rule my Barony, yet he cannot rule himself.
The Baron stirred beside the globe, a shadow among shadows. Well then, Feyd-Rautha Harkonnen, I summoned you here hoping to teach you a bit of wisdom. Have you observed our good Mentat? You should’ve learned something from this exchange.
But, Uncle—
A most efficient Mentat, Piter, wouldn’t you say, Feyd?
Yes, but—
"Ah! Indeed but! But he consumes too much spice, eats it like candy. Look at his eyes! He might’ve come directly from the Arrakeen labor pool. Efficient, Piter, but he’s still emotional and prone to passionate outbursts. Efficient, Piter, but he still can err."
Piter spoke in a low, sullen tone: Did you call me in here to impair my efficiency with criticism, Baron?
Impair your efficiency? You know me better, Piter. I wish only for my nephew to understand the limitations of a Mentat.
Are you already training my replacement?
Piter demanded.
"Replace you? Why, Piter, where could I find another Mentat with your cunning and venom?"
The same place you found me, Baron.
Perhaps I should at that,
the Baron mused. You do seem a bit unstable lately. And the spice you eat!
Are my pleasures too expensive, Baron? Do you object to them?
My dear Piter, your pleasures are what tie you to me. How could I object to that? I merely wish my nephew to observe this about you.
Then I’m on display,
Piter said. Shall I dance? Shall I perform my various functions for the eminent Feyd-Rau—
Precisely,
the Baron said. You are on display. Now, be silent.
He glanced at Feyd-Rautha, noting his nephew’s lips, the full and pouting look of them, the Harkonnen genetic marker, now twisted slightly in amusement. This is a Mentat, Feyd. It has been trained and conditioned to perform certain duties. The fact that it’s encased in a human body, however, must not be overlooked. A serious drawback, that. I sometimes think the ancients with their thinking machines had the right idea.
They were toys compared to me,
Piter snarled. "You yourself, Baron, could outperform those machines."
Perhaps,
the Baron said. Ah, well….
He took a deep breath, belched. Now, Piter, outline for my nephew the salient features of our campaign against the House of Atreides. Function as a Mentat for us, if you please.
Baron, I’ve warned you not to trust one so young with this information. My observations of—
I’ll be the judge of this,
the Baron said. I give you an order, Mentat. Perform one of your various functions.
So be it,
Piter said. He straightened, assuming an odd attitude of dignity—as though it were another mask, but this time clothing his entire body. In a few days Standard, the entire household of the Duke Leto will embark on a Spacing Guild liner for Arrakis. The Guild will deposit them at the city of Arrakeen rather than at our city of Carthag. The Duke’s Mentat, Thufir Hawat, will have concluded rightly that Arrakeen is easier to defend.
Listen carefully, Feyd,
the Baron said. Observe the plans within plans within plans.
Feyd-Rautha nodded, thinking: This is more like it. The old monster is letting me in on secret things at last. He must really mean for me to be his heir.
There are several tangential possibilities,
Piter said. I indicate that House Atreides will go to Arrakis. We must not, however, ignore the possibility the Duke has contracted with the Guild to remove him to a place of safety outside the System. Others in like circumstances have become renegade Houses, taking family atomics and shields and fleeing beyond the Imperium.
The Duke’s too proud a man for that,
the Baron said.
It is a possibility,
Piter said. The ultimate effect for us would be the same, however.
No, it would not!
the Baron growled. I must have him dead and his line ended.
That’s the high probability,
Piter said. There are certain preparations that indicate when a House is going renegade. The Duke appears to be doing none of these things.
So,
the Baron sighed. Get on with it, Piter.
At Arrakeen,
Piter said, the Duke and his family will occupy the Residency, lately the home of Count and Lady Fenring.
The Ambassador to the Smugglers,
the Baron chuckled.
Ambassador to what?
Feyd-Rautha asked.
Your uncle makes a joke,
Piter said. He calls Count Fenring Ambassador to the Smugglers, indicating the Emperor’s interest in smuggling operations on Arrakis.
Feyd-Rautha turned a puzzled stare on his uncle. Why?
Don’t be dense, Feyd,
the Baron snapped. As long as the Guild remains effectively outside Imperial control, how could it be otherwise? How else could spies and assassins move about?
Feyd-Rautha’s mouth made a soundless Oh-h-h-h.
We’ve arranged diversions at the Residency,
Piter said. There’ll be an attempt on the life of the Atreides heir—an attempt which could succeed.
Piter,
the Baron rumbled, you indicated—
I indicated accidents can happen,
Piter said. And the attempt must appear valid.
Ah, but the lad has such a sweet young body,
the Baron said. Of course, he’s potentially more dangerous than the father…with that witch mother training him. Accursed woman! Ah, well, please continue, Piter.
Hawat will have divined that we have an agent planted on him,
Piter said. The obvious suspect is Dr. Yueh, who is indeed our agent. But Hawat has investigated and found that our doctor is a Suk School graduate with Imperial Conditioning—supposedly safe enough to minister even to the Emperor. Great store is set on Imperial Conditioning. It’s assumed that ultimate conditioning cannot be removed without killing the subject. However, as someone once observed, given the right lever you can move a planet. We found the lever that moved the doctor.
How?
Feyd-Rautha asked. He found this a fascinating subject. Everyone knew you couldn’t subvert Imperial Conditioning!
Another time,
the Baron said. Continue, Piter.
In place of Yueh,
Piter said, we’ll drag a most interesting suspect across Hawat’s path. The very audacity of this suspect will recommend her to Hawat’s attention.
Her?
Feyd-Rautha asked.
The Lady Jessica herself,
the Baron said.
Is it not sublime?
Piter asked. Hawat’s mind will be so filled with this prospect it’ll impair his function as a Mentat. He may even try to kill her.
Piter frowned, then: But I don’t think he’ll be able to carry it off.
You don’t want him to, eh?
the Baron asked.
Don’t distract me,
Piter said. While Hawat’s occupied with the Lady Jessica, we’ll divert him further with uprisings in a few garrison towns and the like. These will be put down. The Duke must believe he’s gaining a measure of security. Then, when the moment is ripe, we’ll signal Yueh and move in with our major force…ah….
Go ahead, tell him all of it,
the Baron said.
We’ll move in strengthened by two legions of Sardaukar disguised in Harkonnen livery.
Sardaukar!
Feyd-Rautha breathed. His mind focused on the dread Imperial troops, the killers without mercy, the soldier-fanatics of the Padishah Emperor.
You see how I trust you, Feyd,
the Baron said. No hint of this must ever reach another Great House, else the Landsraad might unite against the Imperial House and there’d be chaos.
The main point,
Piter said, is this: since House Harkonnen is being used to do the Imperial dirty work, we’ve gained a true advantage. It’s a dangerous advantage, to be sure, but if used cautiously, will bring House Harkonnen greater wealth than that of any other House in the Imperium.
You have no idea how much wealth is involved, Feyd,
the Baron said. Not in your wildest imaginings. To begin, we’ll have an irrevocable directorship in the CHOAM Company.
Feyd-Rautha nodded. Wealth was the thing. CHOAM was the key to wealth, each noble House dipping from the company’s coffers whatever it could under the power of the directorships. Those CHOAM directorships—they were the real evidence of political power in the Imperium, passing with the shifts of voting strength within the Landsraad as it balanced itself against the Emperor and his supporters.
The Duke Leto,
Piter said, may attempt to flee to the new Fremen scum along the desert’s edge. Or he may try to send his family into that imagined security. But that path is blocked by one of His Majesty’s agents—the planetary ecologist. You may remember him—Kynes.
Feyd remembers him,
the Baron said. Get on with it.
You do not drool very prettily, Baron,
Piter said.
Get on with it, I command you!
the Baron roared.
Piter shrugged. If matters go as planned,
he said, "House Harkonnen will have a subfief on Arrakis within a Standard year. Your uncle will have dispensation of that fief. His own personal agent will rule on Arrakis."
More profits,
Feyd-Rautha said.
Indeed,
the Baron said. And he thought: It’s only just. We’re the ones who tamed Arrakis…except for the few mongrel Fremen hiding in the skirts of the desert…and some tame smugglers bound to the planet almost as tightly as the native labor pool.
And the Great Houses will know that the Baron has destroyed the Atreides,
Piter said. They will know.
They will know,
the Baron breathed.
Loveliest of all,
Piter said, is that the Duke will know, too. He knows now. He can already feel the trap.
It’s true the Duke knows,
the Baron said, and his voice held a note of sadness. He could not help but know…more’s the pity.
The Baron moved out and away from the globe of Arrakis. As he emerged from the shadows, his figure took on dimension—grossly and immensely fat. And with subtle bulges beneath folds of his dark robes to reveal that all this fat was sustained partly by portable suspensors harnessed to his flesh. He might weigh two hundred Standard kilos in actuality, but his feet would carry no more than fifty of them.
I am hungry,
the Baron rumbled, and he rubbed his protruding lips with a beringed hand, stared down at Feyd-Rautha through fat-enfolded eyes. Send for food, my darling. We will eat before we retire.
Thus spoke St. Alia-of-the-Knife: "The Reverend Mother must combine the seductive wiles of a courtesan with the untouchable majesty of a virgin goddess, holding these attributes in tension so long as the powers of her youth endure. For when youth and beauty have gone, she will find that the place-between, once occupied by tension, has become a wellspring of cunning and resourcefulness."
—FROM MUAD’DIB, FAMILY COMMENTARIES
BY THE PRINCESS IRULAN
Well, Jessica, what have you to say for yourself?
asked the Reverend Mother.
It was near sunset at Castle Caladan on the day of Paul’s ordeal. The two women were alone in Jessica’s morning room while Paul waited in the adjoining soundproofed Meditation Chamber.
Jessica stood facing the south windows. She saw and yet did not see the evening’s banked colors across meadow and river. She heard and yet did not hear the Reverend Mother’s question.
There had been another ordeal once—so many years ago. A skinny girl with hair the color of bronze, her body tortured by the winds of puberty, had entered the study of the Reverend Mother Gaius Helen Mohiam, Proctor Superior of the Bene Gesserit school on Wallach IX. Jessica looked down at her right hand, flexed the fingers, remembering the pain, the terror, the anger.
Poor Paul,
she whispered.
I asked you a question, Jessica!
The old woman’s voice was snappish, demanding.
What? Oh….
Jessica tore her attention away from the past, faced the Reverend Mother, who sat with back to the stone wall between the two west windows. What do you want me to say?
What do I want you to say? What do I want you to say?
The old voice carried a tone of cruel mimicry.
So I had a son!
Jessica flared. And she knew she was being goaded into this anger deliberately.
You were told to bear only daughters to the Atreides.
It meant so much to him,
Jessica pleaded.
And you in your pride thought you could produce the Kwisatz Haderach!
Jessica lifted her chin. I sensed the possibility.
You thought only of your Duke’s desire for a son,
the old woman snapped. And his desires don’t figure in this. An Atreides daughter could’ve been wed to a Harkonnen heir and sealed the breach. You’ve hopelessly complicated matters. We may lose both bloodlines now.
You’re not infallible,
Jessica said. She braved the steady stare from the old eyes.
Presently, the old woman muttered: What’s done is done.
I vowed never to regret my decision,
Jessica said.
How noble,
the Reverend Mother sneered. No regrets. We shall see when you’re a fugitive with a price on your head and every man’s hand turned against you to seek your life and the life of your son.
Jessica paled. Is there no alternative?
Alternative? A Bene Gesserit should ask that?
I ask only what you see in the future with your superior abilities.
I see in the future what I’ve seen in the past. You well know the pattern of our affairs, Jessica. The race knows its own mortality and fears stagnation of its heredity. It’s in the bloodstream—the urge to mingle genetic strains without plan. The Imperium, the CHOAM Company, all the Great Houses, they are but bits of flotsam in the path of the flood.
CHOAM,
Jessica muttered. I suppose it’s already decided how they’ll redivide the spoils of Arrakis.
What is CHOAM but the weather vane of our times,
the old woman said. The Emperor and his friends now command fifty-nine point six-five per cent of the CHOAM directorship’s votes. Certainly they smell profits, and likely as others smell those same profits his voting strength will increase. This is the pattern of history, girl.
That’s certainly what I need right now,
Jessica said. A review of history.
Don’t be facetious, girl! You know as well as I do what forces surround us. We’ve a three-point civilization: the Imperial Household balanced against the Federated Great Houses of the Landsraad, and between them, the Guild with its damnable monopoly on interstellar transport. In politics, the tripod is the most unstable of all structures. It’d be bad enough without the complication of a feudal trade culture which turns its back on most science.
Jessica spoke bitterly: Chips in the path of the flood—and this chip here, this is the Duke Leto, and this one’s his son, and this one’s—
Oh, shut up, girl. You entered this with full knowledge of the delicate edge you walked.
‘I am Bene Gesserit: I exist only to serve,’
Jessica quoted.
Truth,
the old woman said. And all we can hope for now is to prevent this from erupting into general conflagration, to salvage what we can of the key bloodlines.
Jessica closed her eyes, feeling tears press out beneath the lids. She fought down the inner trembling, the outer trembling, the uneven breathing, the ragged pulse, the sweating of the palms. Presently, she said, I’ll pay for my own mistake.
And your son will pay with you.
I’ll shield him as well as I’m able.
Shield!
the old woman snapped. "You well know the weakness there! Shield your son too much, Jessica, and he’ll not grow strong enough to fulfill any destiny."
Jessica turned away, looked out the window at the gathering darkness. Is it really that terrible, this planet of Arrakis?
Bad enough, but not all bad. The Missionaria Protectiva has been in there and softened it up somewhat.
The Reverend Mother heaved herself to her feet, straightened a fold in her gown. Call the boy in here. I must be leaving soon.
Must you?
The old woman’s voice softened. Jessica, girl, I wish I could stand in your place and take your sufferings. But each of us must make her own path.
I know.
You’re as dear to me as any of my own daughters, but I cannot let that interfere with duty.
I understand…the necessity.
What you did, Jessica, and why you did it—we both know. But kindness forces me to tell you there’s little chance your lad will be the Bene Gesserit Totality. You mustn’t let yourself hope too much.
Jessica shook tears from the corners of her eyes. It was an angry gesture. You make me feel like a little girl again—reciting my first lesson.
She forced the words out: ‘Humans must never submit to animals.’
A dry sob shook her. In a low voice, she said: I’ve been so lonely.
It should be one of the tests,
the old woman said. Humans are almost always lonely. Now summon the boy. He’s had a long, frightening day. But he’s had time to think and remember, and I must ask the other questions about these dreams of his.
Jessica nodded, went to the door of the Meditation Chamber, opened it. Paul, come in now, please.
Paul emerged with a stubborn slowness. He stared at his mother as though she were a stranger. Wariness veiled his eyes when he glanced at the Reverend Mother, but this time he nodded to her, the nod one gives an equal. He heard his mother close the door behind him.
Young man,
the old woman said, let’s return to this dream business.
What do you want?
Do you dream every night?
Not dreams worth remembering. I can remember every dream, but some are worth remembering and some aren’t.
How do you know the difference?
I just know it.
The old woman glanced at Jessica, back to Paul. What did you dream last night? Was it worth remembering?
Yes.
Paul closed his eyes. I dreamed a cavern…and water…and a girl there—very skinny with big eyes. Her eyes are all blue, no whites in them. I talk to her and tell her about you, about seeing the Reverend Mother on Caladan.
Paul opened his eyes.
And the thing you tell this strange girl about seeing me, did it happen today?
Paul thought about this, then: Yes. I tell the girl you came and put a stamp of strangeness on me.
Stamp of strangeness,
the old woman breathed, and again she shot a glance at Jessica, returned her attention to Paul. Tell me truly now, Paul, do you often have dreams of things that happen afterward exactly as you dreamed them?
Yes. And I’ve dreamed about that girl before.
Oh? You know her?
I will know her.
Tell me about her.
Again, Paul closed his eyes. We’re in a little place in some rocks where it’s sheltered. It’s almost night, but it’s hot and I can see patches of sand out of an opening in the rocks. We’re…waiting for something…for me to go meet some people. And she’s frightened but trying to hide it from me, and I’m excited. And she says: ‘Tell me about the waters of your homeworld, Usul.’
Paul opened his eyes. Isn’t that strange? My homeworld’s Caladan. I’ve never even heard of a planet called Usul.
Is there more to this dream?
Jessica prompted.
"Yes. But maybe she was calling me Usul, Paul said.
I just thought of that. Again, he closed his eyes.
She asks me to tell her about the waters. And I take her hand. And I say I’ll tell her a poem. And I tell her the poem, but I have to explain some of the words—like beach and surf and seaweed and seagulls."
What poem?
the Reverend Mother asked.
Paul opened his eyes. It’s just one of Gurney Halleck’s tone poems for sad times.
Behind Paul, Jessica began to recite:
"I remember salt smoke from a beach fire
And shadows under the pines—
Solid, clean…fixed—
Seagulls perched at the tip of land,
White upon green…
And a wind comes through the pines
To sway the shadows;
The seagulls spread their wings,
Lift
And fill the sky with screeches.
And I hear the wind
Blowing across our beach,
And the surf,
And I see that our fire
Has scorched the seaweed."
That’s the one,
Paul said.
The old woman stared at Paul, then: Young man, as a Proctor of the Bene Gesserit, I seek the Kwisatz Haderach, the male who truly can become one of us. Your mother sees this possibility in you, but she sees with the eyes of a mother. Possibility I see, too, but no more.
She fell silent and Paul saw that she wanted him to speak. He waited her out.
Presently, she said: As you will, then. You’ve depths in you; that I’ll grant.
May I go now?
he asked.
Don’t you want to hear what the Reverend Mother can tell you about the Kwisatz Haderach?
Jessica asked.
She said those who tried for it died.
But I can help you with a few hints at why they failed,
the Reverend Mother said.
She talks of hints, Paul thought. She doesn’t really know anything. And he said: Hint then.
And be damned to me?
She smiled wryly, a crisscross of wrinkles in the old face. Very well: ‘That which submits rules.’
He felt astonishment: she was talking about such elementary things as tension within meaning. Did she think his mother had taught him nothing at all?
That’s a hint?
he asked.
We’re not here to bandy words or quibble over their meaning,
the old woman said. The willow submits to the wind and prospers until one day it is many willows—a wall against the wind. This is the willow’s purpose.
Paul stared at her. She said purpose and he felt the word buffet him, reinfecting him with terrible purpose. He experienced a sudden anger at her: fatuous old witch with her mouth full of platitudes.
You think I could be this Kwisatz Haderach,
he said. You talk about me, but you haven’t said one thing about what we can do to help my father. I’ve heard you talking to my mother. You talk as though my father were dead. Well, he isn’t!
If there were a thing to be done for him, we’d have done it,
the old woman growled. "We may be able to salvage you. Doubtful, but possible. But for your father, nothing. When you’ve learned to accept that as a fact, you’ve learned a real Bene Gesserit lesson."
Paul saw how the words shook his mother. He glared at the old woman. How could she say such a thing about his father? What made her so sure? His mind seethed with resentment.
The Reverend Mother looked at Jessica. You’ve been training him in the Way—I’ve seen the signs of it. I’d have done the same in your shoes and devil take the Rules.
Jessica nodded.
Now, I caution you,
said the old woman, to ignore the regular order of training. His own safety requires the Voice. He already has a good start in it, but we both know how much more he needs…and that desperately.
She stepped close to Paul, stared down at him. Goodbye, young human. I hope you make it. But if you don’t—well, we shall yet succeed.
Once more she looked at Jessica. A flicker sign of understanding passed between them. Then the old woman swept from the room, her robes hissing, with not another backward glance. The room and its occupants already were shut from her thoughts.
But Jessica had caught one glimpse of the Reverend Mother’s face as she turned away. There had been tears on the seamed cheeks. The tears were more unnerving than any other word or sign that had passed between them this day.
You have read that Muad’Dib had no playmates his own age on Caladan. The dangers were too great. But Muad’Dib did have wonderful companion-teachers. There was Gurney Halleck, the troubadour-warrior. You will sing some of Gurney’s songs as you read along in this book. There was Thufir Hawat, the old Mentat Master of Assassins, who struck fear even into the heart of the Padishah Emperor. There were Duncan Idaho, the Swordmaster of the Ginaz; Dr. Wellington Yueh, a name black in treachery but bright in knowledge; the Lady Jessica, who guided her son in the Bene Gesserit Way, and—of course—the Duke Leto, whose qualities as a father have long been overlooked.
—FROM A CHILD’S HISTORY OF MUAD’DIB
BY THE PRINCESS IRULAN
Thufir Hawat slipped into the training room of Castle Caladan, closed the door softly. He stood there a moment, feeling old and tired and storm-leathered. His left leg ached where it had been slashed once in the service of the Old Duke.
Three generations of them now, he thought.
He stared across the big room bright with the light of noon pouring through the skylights, saw the boy seated with back to the door, intent on papers and charts spread across an ell table.
How many times must I tell that lad never to settle himself with his back to a door? Hawat cleared his throat.
Paul remained bent over his studies.
A cloud shadow passed over the skylights. Again, Hawat cleared his throat.
Paul straightened, spoke without turning: I know. I’m sitting with my back to a door.
Hawat suppressed a smile, strode across the room.
Paul looked up at the grizzled old man who stopped at a corner of the table. Hawat’s eyes were two pools of alertness in a dark and deeply seamed face.
I heard you coming down the hall,
Paul said. And I heard you open the door.
The sounds I make could be imitated.
I’d know the difference.
He might at that, Hawat thought. That witch mother of his is giving him the deep training, certainly. I wonder what her precious school thinks of that? Maybe that’s why they sent the old Proctor here—to whip our dear Lady Jessica into line.
Hawat pulled up a chair across from Paul, sat down facing the door. He did it pointedly, leaned back and studied the room. It struck him as an odd place suddenly, a stranger-place with most of its hardware already gone off to Arrakis. A training table remained, and a fencing mirror with its crystal prisms quiescent, the target dummy beside it patched and padded, looking like an ancient foot soldier maimed and battered in the wars.
There stand I, Hawat thought.
Thufir, what’re you thinking?
Paul asked.
Hawat looked at the boy. I was thinking we’ll all be out of here soon and likely never see the place again.
Does that make you sad?
Sad? Nonsense! Parting with friends is a sadness. A place is only a place.
He glanced at the charts on the table. And Arrakis is just another place.