Captivity
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Captivity - Toi Derricotte
CAPTIVITY
TOI DERRICOTTE
University of Pittsburgh Press
Published by the University of Pittsburgh Press, Pittsburgh, Pa. 15261
Copyright © 1989, Toi Derricotte
All rights reserved
Manufactured in the United States of America
Printed on acid-free paper
10 9 8 7 6 5
Library of Congress Cataloging-in-Publication Data
Derricotte, Toi, 1941–
Captivity / Toi Derricotte.
p. cm—(Pitt poetry series)
ISBN 0-8229-3628-3.—ISBN 0-8229-5422-2 (pbk.)
I. Title II. Series.
PS3554.E73C37 1989
811'.54—dc20
89-31840
CIP
The author and publisher wish to express their grateful acknowledgment to the following publications in which some of these poems first appeared: American Poetry Review (Touching/Not Touching: My Mother
); The Beloit Poetry Journal (Tiedown
); The Black Scholar (The Furious Boy
); Callaloo (Fears of the Eighth Grade,
Hamtramck: The Polish Women,
Letter to Miss Glazer,
and A Note on My Son's Face
); The Caribbean Writer (The Choice
and Plaid Pants
); Footwork Magazine (Stuck
); Ironwood (The Friendship
); The Massachusetts Review (Blackbottom
and The Struggle
); Michigan Quarterly Review (Aerial Photographs Before the Atomic Bomb
); New England Review and Bread Loaf Quarterly (Christmas Eve: My Mother Dressing
); New Letters (Books
); Open Places (Poem for My Father
); Painted Bride Quarterly (Squeaky Bed
); Pequod (The Promise
and Saturday Night
); Poetry East (Before Making Love,
My Father Still Sleeping After Surgery,
and The Polishers of Brass
); U.S. 1 Worksheets (Allen Ginsberg
); and Woman Poet: The East (The Testimony of Sister Maureen
).
The Good Old Dog
and On Stopping Late in the Afternoon for Steamed Dumplings
first appeared in An Introduction to Poetry, 3rd ed., ed. Louis Simpson (St. Martin's Press, 1986).
The writing of these poems was aided by a fellowship from The National Endowment for the Arts and a grant from the Maryland State Arts Council.
ISBN-13: 978-0-8229-7851-0 (electronic)
The publication of this book is supported by grants from the National Endowment for the Arts in Washington, D.C., a Federal agency, and the Pennsylvania Council on the Arts.
For my family
"[According to] the legend of the Lamed Vav Zaddikin…there are people in the world who absorb the suffering and the evil. They don't even know that this is what they are doing but because of their existence, the world continues. The problem with this role is that, almost invariably, they are consumed by it."
—Jerome Groopman, M.D., The Washington Post
"But even when I am at a loss to define
the essence of freedom
I know full well the meaning
of captivity."
—Adam Zagajewski
Translated by Antony Graham
Contents
I. Blackbottom
The Minks
Blackbottom
Poem for