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Dreaming and Drowning (NHB Modern Plays)
Dreaming and Drowning (NHB Modern Plays)
Dreaming and Drowning (NHB Modern Plays)
Ebook84 pages36 minutes

Dreaming and Drowning (NHB Modern Plays)

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Malachi's been looking forward to a fresh start at uni for months. He's settling in, he's got a stack of books to read and he's met someone new – Kojo, a musician with a megawatt smile, who's basically perfect.
But something doesn't feel right. He keeps having the same nightmare – sinking, crushed by the weight of the ocean – and it's getting worse… A beast grows in the water, hungry, relentless, hunting him but always just out of sight. As the boundaries between nightmare and reality fracture, Malachi must fight harder than ever to stay afloat.
Kwame Owusu's play Dreaming and Drowning is an intimate and visceral deep-dive into the boundless mind of a young Black queer man wrestling with anxiety.
It won the Mustapha Matura Award, was shortlisted for the Alfred Fagon Award, and was one of the winning plays in the RSC's 37 Plays competition. It was first performed at the Bush Theatre, London, in November 2023, directed by the playwright, performed by Tienne Simon, and produced by WoLab.
'A visceral but lyrical look at anxiety and acceptance' - Guardian

'A joyful play that will leave you hopeful… funny, well-paced, and engaging' - LondonTheatre1
'Pithy, poetic, and viscerally evocative' - Reviews Hub
'Wonderfully life-enhancing… punchy and richly imaginative… delivers a double hit of theatrical dopamine… witty, contemporary and at times compellingly poetic… a fleet, gripping piece of storytelling… a little gem… a must-see for anybody interested in fine new writing' - WhatsOnStage
LanguageEnglish
Release dateDec 7, 2023
ISBN9781788507547
Dreaming and Drowning (NHB Modern Plays)
Author

Kwame Owusu

Kwame Owusu is a playwright and theatre director based in London. He is the author of plays including Dreaming and Drowning (Bush Theatre, London, 2023; Winner of the Mustapha Matura Award 2022) and Horizon (Bush Young Company at the Bush Theatre, 2022).

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    Book preview

    Dreaming and Drowning (NHB Modern Plays) - Kwame Owusu

    Kwame Owusu

    DREAMING AND

    DROWNING

    NICK HERN BOOKS

    London

    www.nickhernbooks.co.uk

    Contents

    Original Production Details

    Dedication

    Epigraph

    Character

    Note to Creatives and Actors

    Dreaming and Drowning

    About the Author

    Copyright and Performing Rights Information

    Dreaming and Drowning was first performed at the Bush Theatre, London, on 28 November 2023, produced by WoLab. The cast was as follows:

    To my mother, Naluwembe Binaisa.

    Thank you for your infinite inspiration, courage,

    imagination, and love.

    ‘The sea had jeeringly kept his finite body up, but drowned the infinite of his soul.’

    Herman Melville, Moby-Dick or The Whale

    ‘Who’s there?’

    William Shakespeare, Hamlet

    ‘Something’s in the water. I think there’s something in the water.’

    Kojey Radical & Mahalia, ‘Water’

    ‘I’ll tell you what freedom is to me. No fear.’

    Nina Simone

    Character

    MALACHI, nineteen. Black. MLE accent.

    Note to Creatives and Actors

    There are two worlds in this play: ‘Nightmare’ and ‘Reality’. ‘Nightmare’ takes the form of Malachi’s bedroom stranded at the bottom of the ocean. ‘Reality’ takes the form of Malachi’s day-to-day existence. During the play, his anxiety worsens and a beast grows in the ocean – trying to break down the walls between ‘Nightmare’ and ‘Reality’, and consume Malachi. Over the course of the play, the water begins to bleed through these beast-induced cracks in the walls. Threatening to drown Malachi permanently, and make him prey for the beast.

    This play is written for one actor. All additional characters should be fully and vividly embodied. Use everything at your disposal – different accents, voices, physicality – to make the characters as distinct as possible.

    Embrace the strangeness of this world. Embrace the surreal, the joy, and the anxiety.

    Be sonically and visually bold.

    A dash ( – ) is used to mark an interruption – either by another character or Malachi interrupting himself.

    Three asterisks (***) are used to make a scene transition (i.e. a change of time and/or location).

    This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.

    MALACHI is trapped in his bedroom at the bottom of the ocean.

    He is underscored by a soundscape deep from the ocean.

    He begins, urgent and anxious.

    I’m drownin.

    Drownin under seas like heavy lava on my skin

    Meltin my insides inside out inside

    I’m fallin fadin down into the damp

    From open air to liquid blue, cold hue, where my lungs are heavy, thick, I’m drownin

    Drownin, sinkin, four walls surroundin

    Under under, I’m drownin

    Drownin under blue and clutchin my throat fillin up upside down

    I’m turnin, blood rushin to my head

    Legs like lead sinkin, thrashin gaspin

    Lungs contractin, cracked

    I’m drownin

    Drownin

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