Rose Quartz: Poems
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About this ebook
“Draw me encircled / in something / other than gasoline.” The poems of Rose Quartz hum with the naked energy of one who has found her way home after a journey rife with difficulty and who has the scars to show for it. In them, Sasha taqwš?blu LaPointe moves from intimate scenes of peril—a car accident, an unwelcome advance at a party, a miscarriage—to the salvific, exhilarating punk scene of the Pacific Northwest and the centering shores of her Coast Salish ancestors. Along the way, she peers into the darker corners of her own search for belonging, and finds there glittering stones dense with meaning and the power to move forward.
As game to follow a beckoning Laura Palmer into the burning woods as she is to step into the shoes of Little Red Riding Hood as she lays waste to her wolf, LaPointe explores the sublime space between beauty and danger through lush, almost baroque, use of folktale and color. Red, white, blue, and an amalgam that is none of the above—rose—vie for the speaker’s embrace as a mixed-race woman. Here, poems become offerings, rituals, incantations conjured in the name of healing and power.
Like the stones and cards laid on an altar, Rose Quartz offers a reading at the intersection of identity and myth, trauma and truth, telling the story of past, present, and future.
“LaPointe conveys with dazzling intensity that while our healing is in our own hands, we need not be alone.” —Minneapolis Star Tribune
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Book preview
Rose Quartz - Sasha taqwšeblu LaPointe
Red Paint
all it ever was
a blanket
sagging off my shoulders
in the smoke
thick night
her hands
as they scooped it up
against the pounding
of drums
how they thundered
my limbs in storm-song
the four stars
I counted outside
the only window
like ghosts
the smoke as it escaped
leaving behind
its orange glow
and the dancers
cedar woven
my eyes falling heavy
past three in the morning
and this is when she tells me
the red paint
is for healing
Teach Me to Say I Love You
in your language
I have forgotten how to speak
something caught in my throat
a fish bone splintering me
into something quiet
muted and starlike
lost in a sky
the word for sky
wasšəqulgʷədxʷ
teach me to say
just staystay putstay here
because I have forgotten
to be inside my own body
whatever my body has become
beneath your tongue
conquered and ugly
malformed and mispronounced
teach me a word
better than survivor
something more
like watching my grandmother
pour black coffee in the kitchen
and the stacks of legal pads
filled up with her words
I tried to hear
the word for language
was gʷədgʷadad
teach me to say I love you
because every time I walk
into a restaurant to meet a date
I hesitate I remember
the trees along Portland Avenue
in their red bows
like gifts
on Christmas morning
this is to honor
assault survivors
how my mother tied each one
hugging their bark
in ribbon
and I think of this
as he pulls the chair out
takes my jacket
pours the wine red
into the glass
and asks
if I am hungry
red is what I remember
when I realize he will try
to take me home and have to learn
how to unwrap me
teach me to say I love you
because what good is a ribbon
if it cannot hold us together
where we have been broken
teach me to speak
in a language older than words
not of white men
whose tongues touch everything
quiet yourself and listen
ʔuʔušəbicid čəd
Ohh-ohh-sha-beet-see chud
like a sigh I would make
as a child comfortable and safe
then the thud of my heart
as it beats in my chest
its thrum as it drums
inside my rib cage
The Canoe My Grandmother Gave Me
When my grandmother hit the record button on the cassette recorder, it startled my great-aunt. What is it? What does it do? It’s going to capture the language, my grandmother said, to keep it. My great-aunt thought about this a long while. As a child, she traveled by river, by inland waters to relatives, to bring them fish, to carry the news. She looked down at the cassette recorder and nodded. Ah, she said. This is just a different kind of