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Mozart's The Magic Flute: A Short Guide to a Great Opera
Mozart's The Magic Flute: A Short Guide to a Great Opera
Mozart's The Magic Flute: A Short Guide to a Great Opera
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Mozart's The Magic Flute: A Short Guide to a Great Opera

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Even Salieri, the notorious villain of Peter Shaffer's drama Amadeus, admired Mozart's comic opera Die Zauberflöte (The Magic Flute), which was premièred in Vienna a few weeks before Mozart's death in December 1791. Though sometimes enjoyed as a children's opera, this is not a pantomime: rooted in Freemasonry, the Enlightenment and the Age of Reason, it promotes the ideals of progress, virtue, self-betterment, truth and justice. Tamino, an Egyptian Prince, has a magic flute to take him and his beloved Pamina through trials of constancy and endurance, before they can attain ultimate bliss.

Critics have long been confounded as to how Mozart could present such a light-hearted yet deep masterpiece, with such wonderful music, while being in deep financial trouble.

There is great stylistic diversity. The sensationally difficult part of the Queen of the Night comes from the Italian opera tradition, while the comical bird catcher Papageno (originally performed by the librettist Schikaneder) sings in the popular style of the Viennese suburbs. Such is the beauty of the music that Bernard Shaw thought that the O Isis and Osiris, of Sarastro, the High Priest, was fit to emerge from the mouth of a god.

Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

Other 'Short Guides to Great Operas' that you may enjoy include Don Giovanni, The Marriage of Figaro and Così fan tutte.
LanguageEnglish
PublisherIcon Books
Release dateFeb 20, 2013
ISBN9781848315426
Mozart's The Magic Flute: A Short Guide to a Great Opera

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    Book preview

    Mozart's The Magic Flute - Michael Steen

    Front coverTitle page

    Published in the UK in 2013 by Icon Books Ltd,

    Omnibus Business Centre, 29–41 North Road, London N7 9DP

    email: [email protected]

    www.iconbooks.net

    ISBN: 978-1-84831-542-6 (ePub format)

    ISBN: 978-1-84831-544-0 (Adobe ebook format)

    Content previously published in Great Operas, published in the UK in 2012 by Icon Books Ltd

    Text copyright © 2012, 2013 Michael Steen

    The author has asserted his moral rights.

    No part of this book may be reproduced in any form, or by any means, without prior permission in writing from the publisher.

    Typesetting by Marie Doherty

    CONTENTS

    Title page

    Copyright

    PREFACE

    USING THIS EBOOK

    ABOUT THE AUTHOR

    MOZART’S THE MAGIC FLUTE

    THE OPERA AND ITS COMPOSER

    WHO’S WHO AND WHAT’S WHAT

    THE INTERVAL – TALKING POINTS

    The exceptional quality of the music

    Political correctness

    Sources of the opera

    Freemasonry in the plot

    Freemasonry in the music

    Comedy or farce?

    ACT BY ACT

    Act 1

    Act 2

    ACKNOWLEDGEMENTS

    Sources of quotes

    Other sources

    NOTES

    Short Guides to Great Operas

    PREFACE

    This guide is aimed at the ordinary opera-goer and opera-lover, usually a busy person who wants to know the essentials of the opera but has little time to grasp them.

    It provides key background information to The Magic Flute, told engagingly by someone who knows the opera intimately.

    It is light, easy to read, and entertaining. Relevant information has been carefully selected to enhance your appreciation of Mozart’s work.

    It is authoritative, but not dense or academic. It is unburdened with the clutter that can easily be obtained elsewhere. It concentrates on information that it will help you to know in advance.

    Read quickly before going to the opera or listening to it at home, you will get the very best out of the performance and have a truly enjoyable experience.

    Opera can be a great social occasion. Being knowledgeable and well-informed, you’ll appreciate this magical art-form much more if you read this first.

    I hope you enjoy the opera!

    Michael Steen

    USING THIS EBOOK

    A very quick grasp of the opera can be gained by reading the opening section on ‘The opera and its composer’ and the ensuing ‘Who’s who and what’s what’. Further elaboration may be found in the sections entitled ‘The interval: talking points’ and ‘Act by act’.

    The footnotes and boxes are an integral part of the information. The reader is encouraged to go to these by

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