Grain & Noise – Artists in Synthetic Biology Labs: Constructive Disturbances of Art in Science
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About this ebook
The collaboration between scientists and artists in the form of Artist-in-Lab residencies may not only cause a productive disturbance for a day's work in the laboratory, but also reveal new ways of understanding. Research and science communication company Biofaction has brought together artists and synthetic biologists throughout Europe in a residence program that spans four truly cross-disciplinary collaborations. The contributors to this volume share their reflections of the dynamic frictions that occurred when their artistic and scientific worlds met.
These stories, where chemistry labs, tobacco plants, genetically edited bacteria, and new-to-nature enzymes collide with music, photography, film, and visual arts, infuse the ongoing dialogue between art and sciences with grain, noise, and synergies.
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Titles in the series (100)
Nadelstiche: Sticken in der Kunst der Gegenwart Rating: 0 out of 5 stars0 ratingsDie Überwindung des Ikonischen: Kulturwissenschaftliche Perspektiven der Bildwissenschaft Rating: 0 out of 5 stars0 ratingsDie Mobilisierung der Dinge: Ortsspezifik und Kulturtransfer in den Installationen von Georges Adéagbo Rating: 0 out of 5 stars0 ratingsKunst baut Stadt: Künstler und ihre Metropolenbilder in Berlin und New York Rating: 0 out of 5 stars0 ratingsA New Thoughtfulness in Contemporary China: Critical Voices in Art and Aesthetics Rating: 0 out of 5 stars0 ratingsModerne Kunst in Mexiko: Raum, Material und nationale Identität Rating: 0 out of 5 stars0 ratingsNeue Orte der Utopie: Zur Produktion von Möglichkeitsräumen bei zeitgenössischen Künstlergruppen Rating: 0 out of 5 stars0 ratingsBildprojektionen: Filmisch-fotografische Dispositive in Kunst und Architektur Rating: 0 out of 5 stars0 ratingsFuturisten auf Europa-Tournee: Zur Vorgeschichte, Konzeption und Rezeption der Ausstellungen futuristischer Malerei (1911-1913) Rating: 0 out of 5 stars0 ratingsImages of Illegalized Immigration: Towards a Critical Iconology of Politics Rating: 0 out of 5 stars0 ratingsDie Konstitution der Dinge: Phänomene der Abstraktion bei Andreas Gursky Rating: 0 out of 5 stars0 ratingsDas Bild zwischen Kognition und Kreativität: Interdisziplinäre Zugänge zum bildhaften Denken Rating: 0 out of 5 stars0 ratingsDie verborgene Präsenz des Künstlers: Inszenierungen der Abwesenheit bei Salvador Dalí, Joseph Beuys, Robert Morris und Vito Acconci Rating: 0 out of 5 stars0 ratingsDie Kunst der Grenzüberschreitung: Postkoloniale Kritik im Spannungsfeld von Ästhetik und Politik Rating: 0 out of 5 stars0 ratingsUndisziplinierte Bilder: Fotografie als dialogische Struktur Rating: 0 out of 5 stars0 ratingsDie fotografische Wirklichkeit: Inszenierung – Fiktion – Narration Rating: 0 out of 5 stars0 ratingsDas Zusammenspiel der Materialien in den Künsten: Theorien – Praktiken – Perspektiven Rating: 0 out of 5 stars0 ratingsRäume in der Kunst: Künstlerische, kunst- und medienwissenschaftliche Entwürfe Rating: 0 out of 5 stars0 ratingsKunst fördert Wirtschaft: Zur Innovationskraft des künstlerischen Denkens Rating: 0 out of 5 stars0 ratingsÖkonomische Ästhetik und Markenkult: Reflexionen über das Phänomen Marke in der Gegenwartskunst Rating: 0 out of 5 stars0 ratingsVom Publicum: Das Öffentliche in der Kunst Rating: 0 out of 5 stars0 ratingsDie »Night Sky«-Gemälde von Vija Celmins: Malerei zwischen Repräsentationskritik und Sichtbarkeitsereignis Rating: 0 out of 5 stars0 ratingsInterpiktorialität: Theorie und Geschichte der Bild-Bild-Bezüge Rating: 0 out of 5 stars0 ratingsDie Verwandlung der Dinge: Zur Ästhetik der Aneignung in der New Yorker Kunstszene Mitte des 20. Jahrhunderts Rating: 0 out of 5 stars0 ratingsBilder der Liebe: Liebe, Begehren und Geschlechterverhältnisse in der Kunst der Frühen Neuzeit Rating: 0 out of 5 stars0 ratingsVisuelle Gewalt: Menschenbilder aus der Psychiatrie des 20. Jahrhunderts Rating: 0 out of 5 stars0 ratingsImage Politics of Climate Change: Visualizations, Imaginations, Documentations Rating: 0 out of 5 stars0 ratingsBilder des Privaten: Das fotografische Interieur in der Gegenwartskunst Rating: 0 out of 5 stars0 ratings
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