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    Dion: The Wanderer Talks Truth (Stories, Humor & Music)
    Dion: The Wanderer Talks Truth (Stories, Humor & Music)
    Dion: The Wanderer Talks Truth (Stories, Humor & Music)
    Ebook144 pages2 hours

    Dion: The Wanderer Talks Truth (Stories, Humor & Music)

    By Dion DiMucci and Mike Aquilina

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    About this ebook

    Dion came up out of the Bronx in the 50s and tore through the music charts in a ferocious display of talent. He continued to make great music while slowly returning to his Catholic roots. His hard-won wisdom filters through his stories whether he's recalling how he went shopping with John Lennon and ended up on the cover of Sgt. Pepper's Lonely Hearts Club Band or what it was like to travel in the Jim Crow South with Sam Cooke.
    LanguageEnglish
    PublisherBookBaby
    Release dateJan 5, 2023
    ISBN9781635823271
    Dion: The Wanderer Talks Truth (Stories, Humor & Music)

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      Book preview

      Dion - Dion DiMucci

      INTRODUCTION

      WELL, I’VE NEVER BEEN DIAGNOSED, so I don’t know if I have it. And it’s been good to me anyway, so I can’t really call it a disorder. But there’s a certain kind of attention deficit that goes with the business of rock and roll. From the record-company moguls to the producers to the deejays, everybody wants you to keep your song down to three minutes and five seconds. They used to tell us it was the ideal timing for radio play.

      So for most of my long life, I’ve been making myself tell a story as quickly as possible—in the time it takes to sing three verses with a chorus and maybe let the sax player have a few bars to show off. Brainy Russians like Tolstoy and Dostoyevsky can write fat novels so you’ll get to know their favorite characters. A rock and roll singer from the Bronx has no such luxury. If I get through my allotted minutes and you don’t feel like you know Donna the Prima Donna, Runaround Sue, or that guy I used to call The Wanderer, then I’m out of luck.

      I produced this book pretty much the same way I recorded my hit songs. The chapters reflect my rock and roll attention deficit. They’re short and to the point. I figure I have a few minutes, at most, to sketch a character or tell a tale. I’d better make it good, or you’re going to do the print-media equivalent of turning the radio dial. And since this is a book and not a record, I can’t even hope for the sax player to bail me out.

      The chapters are about a lot of things. They’re about being a singer, songwriter, and performer. They’re about growing up a sports fan in New York City in a certain time. They’re about being a husband, a dad, and a grandfather. They’re about being Italian-American and loving my heritage. They’re about having addictions and dealing with them. They’re about having very few virtues and a lot of attitude––and not dealing so well with the latter!

      They’re about a lot of things, but they’re really about one thing. They’re about Jesus Christ. In this respect at least, I’m like St. Paul: For to me to live is Christ (Philippians 1:21), so Jesus kind of figures in everything, from the music to the Yankees to the pasta.

      I didn’t always see life that way. I was a millionaire before I was twenty years old, self-made, up from poverty, and I was pretty impressed with myself. Millions of people were buying my records and listening to me on the radio. I was drinking the expensive stuff. I was dating movie starlets. I thought I had taken on the world and beaten it. I was so bright, I could live by my own light.

      It’s a typical rock-star attitude. The truth, however, is that I was living in darkness, falling deeper into the black pit of myself and my hungers. By my own light I couldn’t see anything. I couldn’t see clearly into the eyes of the people I loved, even when they were standing less than a foot away from me. I expected them to treat me the way my fans did, and I was furious when they didn’t.

      I’m one of the lucky rockers who lived long enough to learn that I was wrong, and that’s a grace in itself. If you don’t believe me, just listen to the song Rock and Roll Heaven by the Righteous Brothers. They sang it in 1974 as a tribute to the rockers they’d known who had died very young: Janis Joplin, Jimi Hendrix, Jim Morrison, Otis Redding, Jim Croce, and Bobby Darin.… That was almost forty years ago, and the casualty count was already pretty high. It’s gone a lot higher since then, with lots of kids dying because they believed what the record company’s PR department had said about them.

      I could very easily have become just another line in that Righteous Brothers song––dead from an overdose or down in a plane crash or under a car turned upside down. I gave myself enough opportunities. If I’m alive today, and if I’m writing a book about my life, its lessons and relationships, it’s because I had a brush with rock mortality early on, and it made my heart, my mind, and my gut burn with a need to understand why I had survived.

      So this book is a record of survival, and it’s a thanksgiving for the gift. In Israel, in the days when the temple was standing, the people were supposed to go to Jerusalem whenever something good happened to them—whenever God gave them an extraordinary blessing or rescued them from dire peril. At the temple they would make a thank-offering. They would eat a meal of bread and wine with their friends, and they would sing a new song to the Lord.

      The Church got the bread and wine thing down for me. This book is my new song. You’re my friends.

      Back in 1988 I wrote a memoir with Davin Seay. It’s titled The Wanderer: Dion’s Story. The book’s out there. It’s on the record. So I don’t intend to rehash all the details of all my professional struggles or my migrations from one record company to another. I don’t need to go over every inch of the same ground I covered in that memoir. At this point in life, I’d rather be more like the cat that covers his old business than the dog that rolls in his.

      I hope this book will offer a mature and considered reflection on some of the important events and people in my life. I’ve had some years to think about them and maybe learn a little, and I should have something to show for it. I’ll also cover, for the first time, my love for the Catholic Church and my return to communion with her.

      One of my great heroes is St. Augustine. He was a rock star in his own youth, back in the fourth century––a celebrity poet, very bright, who loved the ladies. He managed to get his life turned around, and he wrote about that turnaround in his great autobiography, The Confessions. I know I’m no Augustine, and I have no literary pretensions, but I do want The Wanderer Talks Truth to be my spiritual testament, my Confessions.

      My music is all over this book. It is, after all, an important part of who I was––and who I am––as a man and as a Christian. So throughout these pages you’ll hear familiar songs, and you’ll find the familiar faces and voices of my friends and colleagues: Bob Dylan, John Lennon, Lou Reed, Bruce Springsteen, Paul Simon, Dick Clark, Sam Cooke, Bobby Darin, Buddy Holly, Ritchie Valens, the Big Bopper, Waylon Jennings, Van Morrison, Bonnie Raitt, and so many others.

      We’re all wanderers––they are, and you are, just as I am––and we all want to go home, even when we don’t know there’s a home waiting for us.

      1 BRONX SOUL

      IF YOU WANT TO GET to know me––if I want to get to know me––we’ve got to go back to the Bronx.

      I’m not talking about the Bronx we can visit today, by taking the expressway or the subway. I’m talking about the Bronx of my childhood, a place of giants and monuments: Yankee Stadium, with its centerfield owned by Joe DiMaggio, and the Bronx Zoo, with its prowling lions.

      But let’s turn the lens to a tighter focus. I’m not just talking about the Bronx of my childhood. I’m talking about the Belmont neighborhood, Bronx’s Little Italy. Today it shows up on the short lists of tourist attractions in Manhattan. It’s famous for its Italian restaurants. When I was a kid, the eateries were there, and their menus were substantially the same, but it wasn’t cuisine; it was just normal good food.

      We had our own grocer too, with fresh stock of mozzarella floating in big bowls, bushels of basil, bushels of tomatoes, calamari in trays of ice, barrels overflowing with olives––brown, black, red, and every possible shade of green—and salamis and dry cheeses hanging by twine from the rafters. The ceiling fans turned slow and mixed all those aromas together. Whether you were talking about the business or its owner, it made no difference; they were equivalent terms: Joe the Grocer.

      We had our funeral parlor that respected our mix of customs from the Old World and the New. We had our candy shop––Moe’s, on the corner of 183rd Street and Beaumont. A little storefront, it was stuffed with goodies––Mary Janes and Beeman’s and Black Jack Gum, Reed’s Hard Candy and Baby Ruth bars. From the day I was old enough to toddle from the front stoop of our apartment building with a nickel in my hand, Moe’s was my second home.

      We had our record store, and you can bet that Hit Parade’s Top Ten were in the front window. Sinatra owned the airwaves the way DiMaggio owned centerfield, and these were points of pride for us in Belmont. We Italian Americans weren’t the stereotypical gangsters Hollywood made us out to be. We had arrived. We were just as American as anybody else. What’s more, we were shaping America’s new attitudes and styles. Now every teenager with a radio was singing like Sinatra. And every kid on every sandlot was rounding third with those long, loping strides like the Yankee Clipper.

      The neighborhood grew out of the immigrant waves that washed over Ellis Island from the 1880s through the 1920s. My people arrived sometime in the middle of that. Italian Americans made their own culture. It was transitional. They were eager, but not quite able, to leave behind their old ways. They were anxious to look like Americans but a little resentful of the mainstream American prejudice against Italian immigrants, played out in gangster movies and newsreel and print coverage of Al Capone.

      You could see all this at play on the faces of the young (and not-so-young) men who held up the lampposts on our street corners. They wore bluster like a costume covering their frustrations and insecurities. Dangling cigarettes, wearing expensive hats and suit jackets in the oppressive heat of a New York July, they were mafioso wannabes.

      Those were just some of the faces in the crowd––and it was a crowd—on the sidewalks of Belmont, overflowing onto the stoops and steps, where the older folks gossiped and complained and the younger guys taunted other

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