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Ridgeline: A Novel
Ridgeline: A Novel
Ridgeline: A Novel
Ebook483 pages9 hours

Ridgeline: A Novel

Rating: 4.5 out of 5 stars

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  • Frontier Life

  • Survival

  • Adventure

  • Native American Culture

  • Betrayal

  • Noble Savage

  • Fish Out of Water

  • Cavalry

  • Wild West

  • Frontier Justice

  • Frontier

  • Mentor

  • Clash of Cultures

  • Reluctant Warrior

  • Great Outdoors

  • Leadership

  • Conflict With Native Americans

  • Friendship

  • Native American Tribes

  • Native American History

About this ebook

The thrilling, long-awaited return of the #1 New York Times bestselling author of The Revenant

Winner of the 2022 Spur Award for Best Western Historical Novel
Winner of the 2021 David. J. Langum, Sr. Prize in American Historical Fiction
2021 Montana Book Award Honoree

In 1866, with the country barely recovered from the Civil War, new war breaks out on the western frontier—a clash of cultures between the Native tribes who have lived on the land for centuries and a young, ambitious nation. Colonel Henry Carrington arrives in Wyoming’s Powder River Valley to lead the US Army in defending the opening of a new road for gold miners and settlers. Carrington intends to build a fort in the middle of critical hunting grounds, the home of the Lakota. Red Cloud, one of the Lakota’s most respected chiefs, and Crazy Horse, a young but visionary warrior, understand full well the implications of this invasion. For the Lakota, the stakes are their home, their culture, their lives.

As fall bleeds into winter, Crazy Horse leads a small war party that confronts Colonel Carrington’s soldiers with near constant attacks. Red Cloud, meanwhile, wants to build the tribal alliances that he knows will be necessary to defeat the soldiers. Colonel Carrington seeks to hold together a US Army beset with internal discord. Carrington’s officers are skeptical of their commander’s strategy, none more so than Lieutenant George Washington Grummond, who longs to fight a foe he dismisses as inferior in all ways. The rank-and-file soldiers, meanwhile, are still divided by the residue of civil war, and tempted to desertion by the nearby goldfields.

Throughout this taut saga—based on real people and events—Michael Punke brings the same immersive, vivid storytelling and historical insight that made his breakthrough debut so memorable. As Ridgeline builds to its epic conclusion, it grapples with essential questions of conquest and justice that still echo today.

LanguageEnglish
Release dateJun 1, 2021
ISBN9781250310477
Author

Michael Punke

Michael Punke is the author of The Revenant which was made into an Oscar winning movie directed by Alejandro Gonzalez starring Leonardo DiCaprio. He lives with his family in Montana. Punke is the history correspondent for Montana Quarterly magazine. Punke is also the author of a work of nonfiction, Fire and Brimstone: The North Butte Mining Disaster of 1917, a finalist for the Mountains and Plains Booksellers Award.

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Reviews for Ridgeline

Rating: 4.372093023255814 out of 5 stars
4.5/5

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  • Rating: 4 out of 5 stars
    4/5
    I got this book free as an ARC through librarything.com in return for a review.Great historical fiction. I was captivated from the very beginning and found it hard to put down.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoy well-written non-fiction and historical fiction about the American West, and in Ridgeline, Michael Punke has created a tale based on real people and events that held me in its grasp from beginning to end. Any well-told tale has to have a first-rate cast of characters, and there certainly is one here. The arrogant ignorance of so many in Carrington's band of soldiers makes you shake your head. Carrington himself had no battle experience, and as they journey to their destination in the Powder River Valley, he is reminded of the African safaris undertaken by British nobles. After all, officers' wives and other women are traveling with them as well as the band he insisted upon so they could have music in the evenings around the campfires. Oh, how very civilized.Others also make contributions to Ridgeline. Frances Grummond, the wife of the most arrogantly ignorant of Carrington's officers, writes of her experiences in two different journals: one for public consumption and one private, for-her-eyes-only. Jim Bridger, hired as a scout, helps show just how ignorant the soldiers are, and I loved his reply to one of the officers in one of their many meetings: "Don't ask me if you don't wanna know." How many times have so-called intelligent people refused to listen to the experts they hired?But it was watching Red Cloud and Crazy Horse that kept me focused the most. Watching them work with other Lakota and then other tribes, convincing warriors that they needed a new way to fight the soldiers in order to win, forming their strategy that was so brilliant that it would ultimately be taught in military academies around the world. Watching events unfold knowing it was ultimately for nothing. Although I knew how Ridgeline was going to end, I still got caught up in Punke's story. I still got caught up with the characters. That's some powerful storytelling, and I look forward to his next book.
  • Rating: 4 out of 5 stars
    4/5
    The story is riveting and highly enjoyable. This is less gritty than The Revenant, but the characters come across as slightly cartoonish.
  • Rating: 5 out of 5 stars
    5/5
    Ridgeline is an incredible story of a young warrior, Crazy Horse, an ill-equipped army charged with building a fort in the middle of Lakota land, and the reunification of tribes to face a foe in a battle for their very existence. Knowing very little about Crazy Horse, particularly his early days, I was most struck to learn of his relationship with his father, the transferral of the name from father to son, and a legacy of humility. The strategy leading up to the battle and the battle itself was incredibly intense reading and the final meeting between Crazy Horse and Moon was a fitting end to the book, prophetic, and of course, because of this, sad. I was grateful for and enjoyed the Historical Notes at the conclusion. Ridgeline is a perfect blend of fact and fiction and I think it’s an excellent book.
  • Rating: 4 out of 5 stars
    4/5
    *I received a copy of this book through LibraryThing Early Reviewers.*I approached this book with a certain degree of trepidation, as I'm not typically fond of books focused around battles and military history. But this novel, centered on the Fetterman Fight in 1866, really captivated me early on. The author clearly did his research and brings together a fascinating array of historical figures, giving them motives and offering plausible insights into their characters. And, of course, I'm also intrigued by the history this novel drew from and I really appreciated the extensive historical note at the conclusion of this book. I would encourage historical fiction fans to give this book a change, even if it's not your typical cup of tea.
  • Rating: 5 out of 5 stars
    5/5
    Although a bit slow going in places, I enjoyed this book. The research was well done. We can't actually know what dialog these people actually had but the dialog was believable to me as people do not change much over the course of history. This was a time in history that I knew little about so it was an opportunity to broaden my knowledge of the west,
  • Rating: 3 out of 5 stars
    3/5
    I have seen the Revenant script written by Michael Punke the author of Ridgeline and I would recommend that people watch because it is a really good movie. As for Punke’s Ridgeline I appreciate the history which brought to light an event that I wasn’t aware of but IMO it would have worked better as a historical book than as a work of fiction. I think part of my issue is that this is a real event and different from a composite event in which other contemporary works of western fiction such as Philipp Meyer’s The Son or Cormac McCarthy’s Blood Meridian can live and breathe. The dialogue between both groups of Native Americans and soldiers comes across to me as contrived and stilted. Still the story is intriguing and worthwhile just for the historical value.
  • Rating: 5 out of 5 stars
    5/5
    The Indian Wars after the Civil War is one of my favorite parts of American history all the stories on both sides of courage, heroism and heartache teaches you about the determination of Americans of all races and cultures. Horrible things and incredible things where done by men and women to in their opinion advance their cause.Michael Punke has done a fantastic job of telling the story equally from both sides and involving many of the people who were actually there. He effectively places you on each side as they learn and prepare and face each other day by day building the tension until the battle is over. Read this book if the stories of the spillers, civilians and Native Americans captures your heart the move on to Terry C. Johnston’s Plainsman Series and the many books of Dee Brown. Michael Punke has added his name to the list of storytellers that bring the time period to life.
  • Rating: 5 out of 5 stars
    5/5
    I requested this book from the Early Reviewers program because it was described as historical fiction, but I wasn't sure how I was going to like it, being that the subject was the war between the Army and the Native Americans in the American West. I found this book to be fascinating and engaging, and hard to put down. Michael Punke, who spent three summers as a teen working at the Fort Laramie National Historic Site as a living history interpreter (something I used to do in college at a nearby Texas state historic site), told the story of the Fetterman Fight (aka Fetterman Massacre aka the Battle of the Hundred-in-the-Hands) from multiple viewpoints. Those include the Oglala Lakota Sioux chief and warrior Red Cloud and Crazy Horse respectively; Colonel Henry Carrington, commander and builder of Fort Phil Kearny in Wyoming; other soldiers under his command involved in the massacre (or the events leading up to or following it); the wife of one of those men; and famous scout Jim Bridger. I knew nothing about the Fetterman Fight before reading this book, and I appreciated the different insights. In an author's note at the end of the book, Punke identifies what is fact and what is fiction, and makes suggestions for further reading. One book definitely on my list now is Punke's The Revenant. I'm passing Ridgeline on to my adult son, a military history buff who I know will enjoy it.
  • Rating: 4 out of 5 stars
    4/5
    I hate this book. But that's just because I've been getting sleep too late for way too long and I would finish a chapter and then tell myself "just ONE more chapter," for three or four chapters. Punke offers a great read. Yes, it's historical fiction so liberties were taken (as he readily admits in the notes at the back) but he still did his research and while we'll never know exactly what was said or motivations of many of the real people he writes about, it all certainly seems plausible. Punke keeps the interest throughout - from the drama, action and suspense, he juggles them all and keeps them all in the air throughout to leave the reader entranced. I think Punke made the decision to keep the language of all the characters straight forward. Neither the soldiers or the natives had speech patterns that differ much from today and that's alright. In fact, it's probably better than alright because it can across clunky and insulting very easily. I enjoyed this book, I haven't seen the Revenant yet, but I may have to pick up the book instead.
  • Rating: 5 out of 5 stars
    5/5
    An incredible fictional account detailing the events leading up to the Fetterman Fight (aka The Battle of the Hundred in the Hands), spanning the years 1866-1867. Both sides of the conflict are depicted, and together with Michael Punke's compelling, direct writing, "Ridgeline" made for a super immersive read."They fight only for the purpose of killing. If we fight them the way we've always fought, they'll destroy us." **I loved "The Revenant" and it feels so good that Punke's second fictional work lived up to my expectations. I'm so lucky to have won an ARC! I don't read much historical nonfiction but I'm really tempted to give the rest of his books a go. **quote from ARC, will check with finished copy when it's out.
  • Rating: 5 out of 5 stars
    5/5
    Three summers ago, a friend with longtime family ties to Wyoming suggested that we visit Fort Phil Kearney while I was wandering around that part of the country. About the only thing that sounded remotely familiar to me at the time was the name of the Civil War general for whom the fort was named. I knew nothing about the history of the fort itself or what had happened there. Fort Phil Kearney is in such a remote location even today that it is easy to envision how scary it must have been there when the fort was constructed by military personnel in 1866, but it was only after hearing the fort’s history from an excellent Wyoming State Parks ranger that I wondered why it was still such a well-kept secret. Why were there no movies or novels about Fort Phil Kearney and the “Fetterman Fight” that happened there on December 21, 1866? After all, the Fetterman Fight, right up until the massacre of troops at the Battle of the Little Bighorn almost ten years later, was the worst defeat the US army ever suffered in battle against united tribes of American Indians. Well, finally, someone has written a novel about Fort Phil Kearney, and as it turns out, it was well worth the wait because Michael Punke’s Ridgeline brings it all to life for today’s readers. Punke is, of course, best known for his novel The Revenant and the successful film version that followed some years later, and this seems like a natural for the Wyoming native who as a teenager was himself a National Park Service employee at the state’s Fort Laramie National Historic Site. No one can know exactly what happened on that bloody day — or why it happened the way that it did — but Punke’s combination of historical fact and logical speculation is certainly plausible. The basic facts are these:Several Indian tribes, some of them longtime enemies, worked together to bring approximately 2,000 warriors to the battlefield.Tribal chiefs, with the help of a young warrior called Crazy Horse, concocted a precisely coordinated plan to lure soldiers from the fort into an ambush from which they could not possibly escape.Despite being directly ordered not to cross the ridge that placed them out of sight from fort observers, a combination of 81 calvary and infantry soldiers did exactly that. Within an hour (some say thirty minutes) of having crossed that point, all 81 soldiers were dead.The Indians knew they were fighting for their very survival as a people. A lesser threat would not have allowed longtime mortal enemies, as some of the tribes were, to put aside their differences even long enough to defeat a common foe. The soldiers were there because of the country’s inevitable western expansion and its hunger for gold. The troops were a mixture of Confederate and Union veterans, and not all of them were even soldiers by choice. The story Punke tells, because he tells it in alternating sections from the points of view of both sides, has a little of the feel of watching two runaway trains approach an unavoidable head-on collision. It has a tragic feel about it, especially because all of the key characters in Ridgeline are based upon historical figures and what historians know about them. Among the Indians, there are: Crazy Horse, his friend Lone Bear, his brother Little Hawk, and chiefs Red Cloud and High Backbone. Soldiers include: the fort’s commander Colonel Henry Carrington, Captains William Fetterman and Tenador Ten Eyck, and Lieutenant George Washington Grummond (the wild card in this story). In addition to the troops, a few families, including children, were also inside Fort Phil Kearney, and Punke uses two of the wives, Frances Grummond and Margaret Carrington, to illustrate some of the personality conflicts and jealousies that existed in the officer ranks. Scouts Jim Bridger (who played a key role in Punke’s The Revenant) and James Beckwourth also add to the mix. Bottom Line: Ridgeline is the kind of historical fiction that reminds readers that those who came before us were not all that different from the people we are today. Punke does not take sides. Instead, he gives the reader a sense of how — and why — something as tragic as what ultimately happened to this country’s native peoples happened. This is a memorable account of one little known fight between two very different cultures that had a much greater impact on American history than anyone could have realized at the time. (Review Copy provided by Publisher)

Book preview

Ridgeline - Michael Punke

Part One

JULY 12, 1866

Crazy Horse and the two other young Oglala covered the last few yards to the ridgeline on their bellies, horses hobbled for the moment below them on the hillside. They propelled themselves forward with knees and elbows, bows across their forearms, peering through the few clumps of sage and shortgrass that could grow on the dry hilltop. Crazy Horse could smell the dryness and feel the heat rising up from the earth as it breathed beneath him.

As the valley below revealed itself, his heart soared, and he forced himself to pause, scanning vigilantly from horizon to horizon, making certain he overlooked no danger. He glanced briefly to his left, at Lone Bear, and his friend smiled. Crazy Horse looked to his right at Little Hawk, his brother, still a boy of thirteen, beaming in excitement and anticipation.

Little Hawk spoke in a whisper. "Hexaka nais tatanke?" The elk or the buffalo?

It was good to have such a choice. Crazy Horse studied the scene and considered their options.

The Shining Mountains formed the far western horizon, their pine-covered flanks a rich green against the bleached, late summer grasses of the valley. Water, pure as the heart of the earth, bubbled up from alpine fonts and spilled off the mountains, so much that this valley, the valley of the Twin Creeks, held two streams, each cutting a serpentine path through the low ground before eventually flowing together. Thick willow stands spread outward from the water’s edge. Moose often fed in such willowy valleys, and as Crazy Horse watched, a big bull lifted his head from the water at a bend in the nearer of the two creeks. Crazy Horse took it as a good sign. He remembered seeing a bull moose on the day, twelve years ago, when High Backbone, his uncle, first brought him to this valley.

They had come to hunt then, too—and for High Backbone to teach Crazy Horse how to select the best willows for making arrows. They had crawled up to this very ridge, and the scene before them on that day was as it had been on a dozen hunts since, and as it was today. There was a reason their fathers and their grandfathers had fought the Shoshone and the Crow to hunt these lands.

Crazy Horse counted the elk, stopping at fifty, the animals strung along the creek. He watched the slight, bobbing bend of the grass and felt the whisper of a breeze in his face. The nearest elk were only a couple hundred yards down the hillside, including a fat calf that was perfect for their needs. The calf, though, was three times the distance a man could shoot an arrow, and there was little cover between them. If they attempted to creep forward, it was almost certain that one of the elk would spot them and set the herd in flight.

He turned his attention to the buffalo. The small herd of twenty or so animals was more distant—a half mile to their right. The buffalo still wore their summer hides, hair mangy and mottled except where it thickened at the foreleg and shoulder. As snows approached, the hides would grow dense, the rich and heavy robes that kept lodges warm in the coldest nights of winter.

They were not hunting for robes today, nor the supply of meat that would sustain the tribe through the long months of winter. The Oglala village was two days away on the Tongue River, too far to carry meat in any quantity. Big hunting parties would return to this valley and others like it in the Moon of the Rutting Deer. Crazy Horse, of course, was gathering knowledge that would help him to guide the others when that time arrived. These buffalo, he knew, were a small part of a far greater herd. They had seen the massive swathe cut by thousands of animals moving northward, hewing to the grassy foothills and many creeks that tumbled off the eastern side of the Shining Mountains.

Crazy Horse always had found his moments of greatest peace in places such as this. Since the time he was barely older than Little Hawk, Crazy Horse had ridden away from the village, gone alone for weeks or even months at a time. His parents had worried at first, as parents always worry, but they came to understand that to be apart from the tribe was a part of their son’s spirit. High Backbone advised Crazy Horse’s father that such a spirit was a sign of strength. It was obvious that Crazy Horse was different, his skin and hair lighter than the others’ in his tribe, but such differences should be seen as marks of distinction. When Crazy Horse rode away from the village, explained High Backbone, he was not rejecting his place within the tribe but, rather, seeking answers to questions that most people didn’t know to pose.

When Crazy Horse chose not to be alone, Lone Bear was the person most likely to join him. Of Lone Bear’s many attributes, the one Crazy Horse appreciated the most was his quiet steadiness. They could go for hours without talking, both perfectly comfortable, a testament to their bond. When Lone Bear did speak, he had given careful thought to his words, and Crazy Horse knew to listen.

Will we take the elk? Little Hawk whispered the question, staring expectantly at his brother.

Crazy Horse started to upbraid him. Unlike Lone Bear, Little Hawk spoke a lot, even accounting for his youthful enthusiasm and curiosity. His younger brother did not yet appreciate that the best way to learn was to watch, to observe patiently. Then Crazy Horse thought of High Backbone, how the old warrior answered most questions with a question of his own. What will happen if we try?

Crazy Horse watched Little Hawk wrestle with the question. It pleased him that his brother paused before answering, and he could see him walk through the hunt in his head.

Probably one of the old cows will see us … or catch our scent before we get close.

Crazy Horse nodded, but otherwise let Little Hawk continue to think it through.

Little Hawk studied the distant buffalo. Most of the small herd grazed down in the taller grass near the creek, but two calves stood farther up the hillside, close to their mother as she wallowed in a deep bowl just below the ridge. Dust rose from the wallow as she coated herself with the dry earth, smothering the fleas that vexed her in the summer heat.

With the buffalo, we could creep behind the ridgeline until we are close, then ride over, almost on top of them. The younger brother watched for approval in his older brother’s reaction, but Crazy Horse remained impassive.

Little Hawk took a bit of dust in his fingers and threw it up in the air in front of his face. It drifted back toward him. The wind favors us.

After staring at the buffalo for a few more moments, Crazy Horse nodded again and gave his brother a small smile of encouragement. Then, still on his belly, Crazy Horse pivoted and began to work his way back down the hillside toward the horses.

A few moments later, the three Oglala huddled, holding on horseback a short distance below the ridge, out of sight from the three buffalo near the wallow on the opposite side.

When we go, we go fast, Crazy Horse said to his brother. Pick the closest calf and stay on it. Wait to shoot until you’re close … then drive the arrow deep.

Little Hawk hesitated. How close when you loose the arrow?

Crazy Horse studied his brother, knowing he knew well the answer. Little Hawk had never killed a buffalo, but in the days since leaving the village, the boy had asked every question imaginable about the hunt, including this one. For an instant, Crazy Horse started to show his frustration, but he paused instead and found himself thinking again about High Backbone, appreciating more and more that, among the many other things he admired about his teacher, the old warrior was patient.

Crazy Horse swung his leg over his horse’s neck and dropped lightly to the ground. He called the mustang North Star for the shape of the patch that covered one eye and a part of her forehead. Crazy Horse had stolen the mare from the Shoshone three summers ago, and while there were other mounts calmer in battle, he had never ridden a horse with more skill at running buffalo. He stepped toward Little Hawk and handed North Star’s braided reins to his brother.

You ride North Star today … She’ll show you what to do.

Crazy Horse watched the surprise and confidence that came over Little Hawk’s face, as if he had been suddenly bestowed a magical power. Every boy in the village coveted the horse, and Little Hawk barely paused before jumping eagerly to the ground, grabbing North Star’s mane, and scrambling up onto the animal’s back.

Hold tight with your knees and let her run, said Crazy Horse. Set loose your arrow when she tells you the moment has arrived.

Crazy Horse mounted Little Hawk’s horse. He pulled an arrow from his quiver, quickly checking the fletching before notching it to his bowstring. Little Hawk mimicked his moves, and Lone Bear already was prepared. Without a word, Crazy Horse dug hard at his horse’s flanks, and the animal charged over the ridgeline, Little Hawk and Lone Bear on either side.

Between the cover of the ridge and the favorable wind, the cow and her calves had barely an instant to react to the charging hunters. The cow, despite her size, was surprisingly agile and fleet. In a heartbeat, she took flight, the two calves on her tail. They broke to the right, giving Crazy Horse and Little Hawk the clearest line. As they clamored across the wallow, the musky scent of the cow filled Crazy Horse’s nose, and he could taste the dust from the great cloud kicked up as she pounded out her retreat.

They came quickly upon a rocky outcropping, and the cow and the larger calf broke even harder to the right to avoid it. Crazy Horse watched in satisfaction as North Star, slightly ahead of him, barreled after the two animals, closing the distance but still out of range. The smaller calf stumbled at the outcropping, only slightly, but enough that a gap emerged between it and the other two. In confusion, the second calf veered away from the cow and toward the creek, where the main herd had also retreated.

Crazy Horse’s pony barreled after the second calf. He could tell from the horse’s sure movements that it was well trained, and he knew to trust its instincts, dropping the reins, needing both hands for the bow, relying completely on the pony to pick the path.

With dust now obscuring more of his vision, Crazy Horse focused on the sound of the pounding hooves. For short bursts, both the calf and the horse would find momentary rhythms—bu-darump … bu-darump—but then the uneven terrain would upset the flow, so that the pounding became irregular, more urgent somehow, building toward the moment of consummation.

The horse closed now on the second calf, and as Crazy Horse pressed his knees to hold the animal tight, he could feel its straining muscularity. Though lacking some of the skill of North Star, the horse was fleet, and Crazy Horse admired the animal’s ability to place him alongside the calf. The horse devoured the gap between them and the calf, until Crazy Horse found himself beside the animal, almost close enough to touch it.

Launching an arrow from a bow was an act that Crazy Horse had repeated tens of thousands of times in his life, beginning with the tiny weapons made for small boys. He drew his breath as he pulled back on the bowstring, and as the resistance from the stout bow grew, he added strength from different parts of his body—arms then shoulders, upper chest then stomach, upper legs and then, Crazy Horse had always believed, he drew a final measure of strength from his charging horse. By the time the bow came to full draw, holding tight for a moment to aim, Crazy Horse and his horse had come together in a mass of taut muscle, poised for the arrow’s launch.

The fluidity with which Crazy Horse shot a bow made the act seem wholly instinctive, yet every step had been taught, and he never aimed down the shaft of an arrow without hearing the voice of High Backbone telling him to make his target small. Don’t aim at the buffalo, he would say. Aim at a piece of hair.

The calf’s coat still carried the reddish hue of its youth, and Crazy Horse focused his gaze. The pony and the calf careened, a few feet apart, across uneven terrain at full gallop. Crazy Horse ignored everything but a tiny patch of bare hide below the buffalo’s front shoulder blade. Bury the arrow in that spot, Crazy Horse knew, and it would pierce the heart.

For an instant, the whole earth became an infinitesimal target in this one time and place, poised at the tip of his arrow. It all aligned … perfect.

Suddenly, from his right, Crazy Horse heard a whoop and caught an auburn flash. Little Hawk had brought down his calf.

Crazy Horse sat upright and released the tension in the bow without loosing the arrow. They had no need for two calves. The horse’s blood was up, though, and Crazy Horse needed a hand on the rein to pull the animal away from the buffalo. Finally, the horse turned, and Crazy Horse watched the small calf clamber free, down the hillside, bawling as it joined the retreating herd by the creek.

Breathing heavily from the exhilaration, Crazy Horse turned to look at Little Hawk, several hundred yards away on the hillside, sitting atop North Star next to the heap of the big calf dead on the floor of the prairie. My brother’s first buffalo!

The feast Crazy Horse shared later that afternoon with Little Hawk and Lone Bear should have seen his unbridled joy continue. They completed together the ceremony of dressing the animal, taking the hide and the meat before ending by facing the head to the east so that the buffalo’s spirit would always be warmed by the rising sun.

They let Little Hawk eat most of the liver in honor of his kill, but there was plenty for all of them to gorge on the sweet, tender meat. With buffalo chips, they built a small fire in the soft grass near the creek, sitting for hours, roasting meat on shaved willow sticks, enjoying the contentment of a full belly and listening to Little Hawk describe the details of a moment that he would recount for all his life. Lone Bear and Crazy Horse told the stories of their own first kills, and other stories, too, stories of hunting and war, stories of their people. They were serious at moments that demanded it, but more often, that day, they laughed together. When they were fully sated, they used the hide and fashioned a crude parfleche to carry the meat that remained, enough to feed them for days if need be.

Crazy Horse was careful to do nothing that might detract from his brother’s moment, but several times he looked up to meet Lone Bear’s inquisitive eyes. His friend knew him well, a fact Crazy Horse appreciated above almost all things. Crazy Horse struggled hard to keep the two rivers of his thoughts inside their own banks, to focus as he did when he aimed at the kill spot on a running buffalo. Yet, try as he might, he could not keep the streams from coming into confluence.

Yes, his purpose in this sacred valley was to hunt, to teach his little brother the ways of the tribe, to wander the land, and to harvest, as needed, its bounty. But there was another purpose … one that made his heart heavy with questions and fear. How could he revel fully in this day when all that it represented was at risk?

SAME DAY

Jim Bridger squinted a bit as he looked up toward the ridgeline, close now, the crest backlit by setting sun. His old mare paused a moment, tired after the long climb up the low foothill. Bridger hated to stop so close to the top, but the mare had earned a brief respite. He stroked her neck and patted her. Good girl … You catch your breath.

Just ahead of Bridger was the big pine he’d been using to orient. The valley of the Powder River was still dry this far south, so trees stood out, especially one so tall. Trees like this even earned names sometimes, Lone Pine or Bent Pine or Twin Pine. This tree didn’t have a name, at least not one he’d given it. But he’d seen it from a distance before and was curious now to see it up close.

He reckoned it was a hundred feet tall and probably a dozen feet around its base. Its deeply textured bark was copper brown, like the summer coat on a whitetail. The base was blackened by a long-ago prairie fire, but Bridger knew the outer skin was a full five inches thick, and a grass fire would hardly stunt it. He studied the pine’s other scars, massive branches torn away by relentless winds, holes bored by beetles and birds. Bridger admired the sap that the big tree spit out to heal itself, scabbing over its wounds from within.

As Bridger craned his neck to see the top of the pine, it occurred to him that the tree was not yet tall enough to see beyond the ridge. He wondered if it would grow to crest the butte before it died, and he hoped it would. How long had the old tree been alive? he wondered. Hundreds of years, he guessed. A long time to strive for a glimpse into the next valley and whatever lay beyond.

Jim Bridger was sixty-two years old that year, at least according to the ciphering by one of Carrington’s young soldiers. That seemed about right, though Bridger had never kept close track of such things. The Shoshone he had lived with for the better part of a decade kept only loose count of years, and they seemed to get along just fine without a precise tabulation. Besides, it sounded old when somebody said his age out loud. There were plenty of days when he felt it. Certainly there were enough other measurements to remind him of the passage of time. He missed the sharpness of his younger eyes, felt the cold sink deeper into his bones, wished he could still mount his horse without the pain that shot outward from his knees and shoulders and neck.

But the ledger had two sides. It was a relief not to worry any longer about puffing up his chest for the benefit of others. He found himself treasuring small glimpses of life that as a younger man he might have galloped right past. And there were still plenty of ridgelines to keep him wondering.

He pressed his heels gently against the mare’s flanks and felt the same stir of excitement he always did as he approached the top of a butte. In Bridger’s time on the frontier, he had crested ridgelines to discover danger—looming storms, grizzly bears, whole villages of hostile Indians spread out in the valley below. Sometimes the far side of the ridge held disappointment—fearsome mountains blocking the path ahead, a swollen river with no sign of a ford, painful emptiness at moments he’d been hopeful of eyeing the warm fire of a friend. In the grandest milestones of his life, Bridger had crested ridgelines to find pure wonder—his first glimpse of the Rockies after a boyhood knowing only plains, herds of buffalo so large that the whole earth seemed to breathe with their movements, a shimmering lake without horizon, so vast that Bridger had believed it to be the ocean. Some things he had seen before any white man in all of time.

Bridger halted the mare and dismounted just before the top, thankful for the gentle headwind that kept his scent from announcing his arrival. He moved forward slowly, keeping his profile low until he knew what lay beyond. The mare flared her nostrils, testing the breeze, and Bridger studied her reaction. She stared back at him, unperturbed, and her big eyes made him smile.

He crested the ridge, and what he saw still took his breath away. The whites called them the Big Horns, but Bridger liked the Sioux name better: the Shining Mountains. With the setting sun now behind their peaks, they glowed amid a crazy wash of colors that had always struck Bridger as regal, or even divine—purples and pinks and blues spilling one into another, all cut through with streaking golden light, radiating outward from the sun as if it were resisting the attempt to drag it below the horizon.

As a young man, Bridger remembered gazing up at the Big Horns with an intoxicating mix of anticipation and terror. He couldn’t wait to clamber across the peaks, barely looking as he went along, so excited to see what came next.

He still felt some of that excitement, though today he knew the Big Horns as intimately as he had once known the twenty acres of his father’s small Missouri farm. He knew the Absorkees, too, and the Wind River Range, and the Tetons. He knew the mountains of the Three Forks—the Gallatins and the Madison Range and the Tobacco Roots. He knew the mountains in Utah, and the mountains in California. Amazingly, to Bridger, there were mountains now named for him. Bridger couldn’t read, but an officer at Fort Laramie had shown him a map, printed in an actual book, showing mountains in Montana with his name written in letters across the whole range. It made him proud but also uncomfortable, and he hoped no one would ever think he was one of those people who went around scratching his own name on things.

Indeed, if there was one emotion that the mountains evoked as he grew older, it was humility. Looming peaks would always provide a welcome dash of the unknown, but more and more the mountains comforted Bridger for their timeless constancy, their steady presence, an anchor against the decades. They made him feel small, reminded him he was small, reminded some others who needed the reminding. He liked the idea that the mountains would carry on, long after the petty snarling of the day to day.

The mare snorted, and Bridger lowered his eyes from the lofty heights of the Big Horns. Three mounted Indians emerged suddenly from a coulee and rode directly toward him at a distance that Bridger guessed was no more than four hundred yards. He cursed himself for letting his guard down, philosophizing.

For an instant he considered flight, but they were too close, and the cover in this country too poor. So instead, Bridger put on the best show of confidence he could muster. He stood staring at the riders, letting them close another hundred yards, relieved that they appeared to be carrying only bows and no rifles. He made a show of pulling his Hawken from its sheath, checking instinctively to make sure the priming cap was firmly fixed. It was an old muzzle-loader, but Bridger knew how to use it and could still kill comfortably at a hundred yards.

Hawken in hand, he mounted, letting the mare walk slowly toward the approaching riders, now clearly identifiable as Sioux.

Bridger closed to a distance of thirty yards, close enough to sign, and then reined to a halt. He made sure they could see the pistol at his belt, a six-shot army Colt. They knew, of course, that they could kill him, but they would also know he’d kill one or two of them. He doubted that any of them wanted to die ingloriously at the hand of a grizzled old man, so at least he had that in his favor.

He studied the three Sioux. One was barely more than a boy, but the other two were young warriors, and unafraid in a way that suggested to Bridger that they probably had reason to be confident. Being married to a Shoshone woman, he knew the Sioux as the enemy, though he respected them for their skill as hunters and warriors. Besides, this was the heart of their land. He wondered if they recognized him, and it wasn’t out of arrogance. Though the frontier was vast, the number of its inhabitants was still small. After decades out West, he was known. During the recent peace talks at Fort Laramie, he had met most of the chiefs and even translated for the Shoshone. Thick Neck, the Indians called him, for the orange-sized goiter at his collar, another of those badges of growing old.

The Sioux talked to one another in low voices, seeming to defer to the man in the middle. Bridger didn’t recognize any of them from Fort Laramie, and none were old enough to be chiefs. The one in the middle stood out, lighter-skinned than the others, and with wavy hair more brown than black. There was something about him that gave Bridger particular pause—a quiet authority, a pensiveness that projected careful thought. Bridger decided not to give him too much time to form a negative impression. He reached into his saddlebag and pulled out a rope of tobacco, holding it out and nudging the mare forward. He rode directly to the light-skinned Sioux and reached out with the tobacco. The young warrior studied Bridger intently, his eyes penetrating. For a ponderous moment, Bridger wondered if one of them might move to kill him. But then the light-skinned Sioux accepted the tobacco and said something to the others. One of them dug out a buffalo tongue from a parfleche tied to the back of his pony and extended it toward Bridger. Bridger nodded and accepted it.

Bridger signed, pointing at the men and then motioning with his hand in a broad circle. Where are you going?

The light-skinned Sioux signed back. Hunting.

Bridger considered this response for a moment. It was possible, of course. Young Indian men were pretty much always hunting. More likely, though, was that these three were scouting for Red Cloud. The movement of Carrington’s column was no mystery, so the Sioux would be here to learn the details. How many soldiers? How many horses and cattle? Did Carrington bring cannon?

The light-skinned Sioux signed again, pointing first to Bridger, and then making the sign for soldier. Are you with them?

Bridger nodded. No sense lying. As a scout, he wore no uniform, but they knew he was with the army. To say otherwise would only hurt his credibility. In Bridger’s experience, people respected you more if you told them the truth, even if they didn’t like what you said.

The light-skinned Sioux emphatically pointed to the ground, then pointed to himself and the other warriors, then made the sign for Sioux. The meaning seemed pretty clear.

Bridger just nodded in reply. He didn’t have the words to debate it, even if he had wanted to do so. It wasn’t about debate anymore, in any event, but he didn’t know how to sign that either.

The light-skinned Sioux signed again. He pointed over the horizon, where Bridger knew Carrington’s column was inching its way up the valley of the Powder. The Sioux again made the sign for soldier, then crossed his arms at his wrists. Then he pointed to the distant east. Signing was never precise, but Bridger took the meaning. Tell them to go back.

Bridger stared at the Sioux, declining to react.

The Sioux leader said something to his comrades, quietly but with authority. They nudged their ponies, pivoted to the south, and rode away.

Bridger watched them for a while. They stayed below the ridgeline, keeping the foothills between them and the valley. After a few minutes, Bridger rode back up to the top of the hill, peering southward down the Powder.

In the distance he saw a rising plume of dust from Carrington’s column. He calculated that the soldiers were five miles behind him, two hours or more if he waited for them to catch up, plodding along with infantry and wagons. It would be dark by then, and Bridger knew they needed an hour to pitch their tents, tend to stock, and set pickets. He decided to ride back and meet them. They were close to good water at a little spring creek he knew. Besides, they needed extra time today to talk.

In the three weeks since leaving Fort Laramie they had seen nothing more dangerous than a pack of wolves. Bridger had warned Carrington and the other officers about the rising risks as they ascended the Powder, even scolded a group of officers in front of their wives when he found them picnicking in a small canyon away from the main column, shooting off pistols for the sole purpose of hearing the canyon’s echo. He knew they resented him, but he didn’t care. Better to ruffle a few feathers than wait until it was too late.

SAME DAY

Colonel Henry Carrington, commander of the Second Battalion, Eighteenth US Infantry, heard the high pitch of a buffalo gnat near his ear and swatted at it. The gnat escaped and then, undeterred, resumed its attack.

Colonel Carrington sat atop a tall gray horse at the crest of a ridge in the broad valley of the Powder River, flanked on either side by a captain, also mounted. Like all his junior officers, the man to his left, Captain Tenador Ten Eyck, had a distinguished record as a fighter in the Civil War. But it was Ten Eyck’s civilian career that Colonel Carrington valued most. Before the war, Ten Eyck had been both a sawyer and a surveyor, jobs that made him good with machines and gave him a keen eye for maneuvering through a landscape where obstacles seemed to pop up like prairie dogs.

Captain Ten Eyck removed his kepi and used a soiled handkerchief to wipe at the sweat that poured through the thin strands of hair pasted against his skull. Do you think, Colonel, that the officers might take off their coats?

The officer on the other side of Carrington, Captain William Fetterman, looked on hopefully, happy that Ten Eyck had voiced the very question he had been thinking. Fetterman, in his early thirties, was younger than Ten Eyck. Fetterman’s dark sideburns dipped southward a good distance down his cheeks and then connected east and west via a thick mustache. Carrington’s wife told him that the women in their party considered Fetterman attractive, and speculated that it would not be long before he married one of the ten laundresses who accompanied the Second

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