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Grimm's Fairy Tales
Grimm's Fairy Tales
Grimm's Fairy Tales
Ebook368 pages4 hours

Grimm's Fairy Tales

Rating: 4 out of 5 stars

4/5

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  • Magic

  • Deception

  • Family

  • Adventure

  • Friendship

  • Rags to Riches

  • Talking Animals

  • True Love's Kiss

  • Fairy Godmother

  • Forbidden Love

  • Hero's Journey

  • Love at First Sight

  • Quest

  • Damsel in Distress

  • Love Conquers All

  • Love

  • Fairy Tales

  • Survival

  • Transformation

  • Loyalty

About this ebook

Based on the brothers’ first volume of folk tales, Children’s and Household Tales, this collection features many of the Grimms’ most popular retellings, as well as some lesser-known ones. The tales include “The Frog Prince,” “Rumpelstiltskin,” “Rapunzel,” “The Fisherman and his Wife,” “Tom Thumb,” and many others.  
LanguageEnglish
Release dateOct 29, 2009
ISBN9781402776335

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Reviews for Grimm's Fairy Tales

Rating: 4.181683830502216 out of 5 stars
4/5

1,354 ratings45 reviews

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  • Rating: 5 out of 5 stars
    5/5
    Grimm fairy tales read by some of my favorite audio readers? Yes, please!

    This collection is a joy. It features the voice talents of many of my favorite readers, including Jim Dale, Simon Vance, and Jayne Entwistle. (Flavia de Luce reads a fairy tale? How amazing is that?!?) This particular edition is all about the performance, and each reader tackles a different story and breathes new life into it.

    As for the stories themselves, I just love them. I admire Jacob’s work with linguistics, and of course, I am impressed by both brothers’ efforts to preserve folklore. I don’t know from which edition these tales were taken, but I think it must have been from one of the later ones. The stories have been edited to make them more appropriate for children: the sex has disappeared from the stories, and the tales carry the reassurance that the evildoers won’t get away with their crimes. As a result, these are, in many respects, the same fairy tales that many of us knew as children. Childlike delight nostalgia = story magic!

    If I could make one criticism of this collection, it would be that it’s too short. It only contains a selection of stories. I suppose a complete Grimm audio would be too much to ask for, and I’m still quite impressed with the level of quality here. Moreover, they did a fantastic job of making their selections. This audio performance includes many of my favorites, including “Snow White and Rose Red,” “The Goose Girl,” “The Six Swans,” and “Hansel and Gretel.” Pure delight.
  • Rating: 2 out of 5 stars
    2/5
    Although this was one part of a two book set, there was a great contrast to Andersen’s Fairy Tales. At times it seemed as if this were the Cliff Notes of fairy tales, rather than what I would have expected from the Ugly Duckling, Sleeping Beauty, Cinderella, Snow White, Hansel and Gretel and others. I suppose that over time the details of these stories have been embellished by others all the way up to Walt Disney. The lesser known tales have the usual heads chopped off, people transformed into animals, parents abandoning their children, wicked stepmothers, and so on. A surprising number of these tales repeat themselves. For example, several evil characters are cut open and filled with stones, then sown up again. Quite disappointing. You should read the revised versions.
  • Rating: 5 out of 5 stars
    5/5
    With love from Mummy and Daddy Xmas 1959, I was three and the words and pictures have never left me. A rock on which the rest of my life was built. The book records a moment in time and place, defined by stories, marked on every page by the history of the world, cousin to other stories in other places all over the world and full of the expectancy of the ever changing future.
  • Rating: 4 out of 5 stars
    4/5
    So many stories in this version! Quite a few I'd read before, but most were new to me. Read the ebook version, seemed to never end.
  • Rating: 5 out of 5 stars
    5/5
    The original versions not Disneyfied. Lots of deaths. Tricksters. Fools. Kindness rewarded. Cleverness rewarded. Some have morals. Some are just for fun to laugh at the foolishness.
  • Rating: 4 out of 5 stars
    4/5
    I loved these tales (in German) when I was a child. Now I'm reading this book to our almost 5-year-old and he loves the stories also. I'm realizing how odd some of them seem in translation, and there sure are a great deal of religious references. But the main stories (Ashputtle, The Bremen Musicians, etc. ) are still classics!
  • Rating: 1 out of 5 stars
    1/5
    Absolutely horrible. I would have been more entertained reading a dictionary. I found myself yelling at this book in my head asking why in the world anyone considers these stories good. I am convinced that all the high ratings people are giving this book are based on the Disney stories that were loosely based on the pure garbage contained within this book.

    I don't care if it's "good for its time" or "loses something in translation". Unless it was translated by house cat with slightly below average intelligence or written at a time when people considered gouging their own eyes out a leisure activity there is no reason for it to be this bad.

    Do not read this crap to your children, they will become entitled racists who play the lottery.
  • Rating: 5 out of 5 stars
    5/5
    The Complete Grimm's Fairy Tales by the Brothers Grimm with illustrations from Arthur Rackham is indeed, as the Rock Point series says, a timeless classic.

    This is specifically a review of the Rock Point edition in their Timeless Classics series. It uses the 1897 Margaret Hunt translation as its source and the Rackham illustrations from a 1909 edition. Reviewing the tales themselves doesn't make a lot of sense here, we have all read at least some of them, whether in this form of one of the many variations. The introduction in this volume does a nice job of introducing the tales and gives a very brief overview of what exactly these stories represent both culturally and historically. If you want to learn about all of the questions and issues around them you will not want a collection of the tales for that, you will want a book devoted to the topic, though a collection like this one will be necessary to fully understand those issues.

    This edition is packaged wonderfully and will serve as both a nice addition to a library as well as a book you can read from, ideally to your children, then pass down to them when the time comes. The addition of the illustrations in beautiful plates adds to both the pleasure of reading and the pride of ownership.

    There are some writers that deserve a "complete works of" volume in most libraries and the Brothers Grimm are among those writers. This particular edition will serve that function very well.

    Reviewed from a copy made available by the publisher via NetGalley.
  • Rating: 4 out of 5 stars
    4/5
    These were hit and miss tales. Yet, there was so much to gain from reading some of the better ones that it augmented the rating significantly. These are classics, through and throughout, and they touch on the simpler, more moralistic sense of storytelling and manage to convey so much with so little. Overall, it was well worth reading and I feel I am all the better for it.

    4 stars!
  • Rating: 5 out of 5 stars
    5/5
    (Original Review, 2005-11-16)


    In Genesis there is suddenly this sentence/observation about giants walking the Earth in them days... I always see those elderly male Jews in Babylon, staring glumly at some campfire, thinking about the good old days and thinking up revengeful plans to smite the enemy. They tell the stories of their tribes but there is that one quite senile idiot always going on about 'them giants' - so in the end they say, "Okay, we WILL put them in. Now shut up already!" I can see myself being the Giant Guy (if more all over the place) and I'm not sure the good campfire folks here need the distraction... I don't know if it is only about 'folk tales' per se, but I am with most people on the campfire and howling wolves. For me the atmospherics are very, very important. Our culture no longer has much in the way of campfires and wolves so our writers have had to incorporate them, figuratively, into the fictions themselves. The rest is literary history.

    I don't see fairytales simply as children's stories; that's a relatively recent- and, of late, receding- viewpoint. There is a vast quantity of material around beyond Grimm and Andersen and little of it aimed at children. Perrault or Marie Catherine d'Aulnoy were writing for the amusement of adults, and the Arabian Nights were not exactly suitable bedtime reading for under-5's, while Karen Blixen/Isak Dinesen achieved almost occult-like effects in her wondrous tales, which float somewhere between Baghdad and Copenhagen.

    Fairytales are most powerful when they access the taboo, the suppressed, or the deepest fears and desires within us. And they do so often. Your "children's rituals" and "simple messages" are really only the tip of the iceberg. For that matter, “The talented Mr. Ripley” (LINK) fulfills a similar role - a very wicked and challenging little tale full of deliciously gratuitous moments, the enjoyment of which made me at least think long and hard about my own morality.

    I was raised on the standard stuff: Grimm and Andersen mostly. There is obviously darkness there - and taboos, yes. (It's interesting that in the stories where children are imperiled the original versions had 'mother' and the later versions 'stepmothers'.) The ones I and probably most children end(ed) up with are the simpler, safer ones though, don't you think? I love Angela Carter's “Bloody Chamber” but most kids will be more likely to see Disney as the centre of the fairytale universe - which truly is a disservice to fairytales, of course.

    I am no longer that interested in stories where the characters are merely there to move things alone. Like standard puppets that can be used and reused for all kinds of similar types of stories. As I mentioned elsewhere, that goes for all kinds of stories, including movies. What I find fascinating about the early stories passed along (mutating on the way) is more that they give us some kinds of fleeting glimpse of the origin story of stories. Because most of the early part of that origins stories is/was in an oral form we can never really know how stories began and evolved. There are no helpful fossils - or not enough to have more than (slightly) informed theories.

    Did stories start as parts of religious/ceremonial chants? Were they like cave paintings: meant to magically influence the outcome of the hunt? Where did fiction start to make an entrance, if the earliest stories were mostly a sort of remembering (the deeds and wisdom of) dead tribe members? All endlessly fascinating to me - and no more than useless musings in the end.

    Back to fairytales for a moment. They may no longer really work for me as entertainment but the reason they don't is in a way part of their strength. That they are predictable is partly why they work so well as stories. They warn us about the evils of the world but they are also almost like a church service: a repeated ritual to explain the world. They bring order to what basically is a chaotic system. Which is of course also why they are so enduringly popular with children, who like rituals and the idea of safety-through-repetition. I like my stories, like “Grimms Märchen,” more complex but it is easy to see how stories that carve simple messages out of the complex narrative of the world will be as enduring as the world. In that way they are exactly like religion (for me at least). The Grimms, despite their initial attempt to be "invisible" curators of folklore, began increasingly to modify and colour the tales they transcribed. Italo Calvino discusses this phenomenon at length in the introduction to Italian Fables, his own attempt to replicate the Grimms' work in Italy.
  • Rating: 4 out of 5 stars
    4/5
    This collection is a load of interesting little stories. These originals are way more twisted than fairytales of my childhood. In these versions, the repercussions are more bloody and less forgiving.
  • Rating: 5 out of 5 stars
    5/5
    Diese und weitere Rezensionen findet ihr auf meinem Blog Anima Libri - Buchseele

    Märchen, Märchen, Märchen… Ich sollte dringend mal die Kategorie/Genre-Darstellung auf dem Blog reparieren und passend einrichten, sodass man einen besseren Überblick über all die wunderschönen Märchenbücher bekommt, die ich in letzter Zeit so rezensiert habe…

    Da wären „Grimms Märchen“ von Phillip Pullman, „Die Märchen der Brüder Grimm“ und „Die Märchen von Hans Christian Andersen“ aus dem Taschen Verlag, „Grimms Märchen ohne Worte“ von Frank Flöthmann und „1001 Nacht – Tausendundeine Nacht“ oder auch Hörbücher wie „Es war einmal und wenn sie nicht“ oder „Es war einmal: Autoren auf Grimms Spuren“.

    Zugegebenermaßen, meine Märchensammlung ist derzeit auffällig Grimm-lastig und mit diesem Buch kommt noch eine weitere Ausgabe der Grimmschen Märchen hinzu: Die „Kinder- und Hausmärchen“ der Brüder Grimm aus der Reclam Bibliothek sieht nicht nur wirklich gut aus, sie ist auch tatsächlich einmal eine vollständige Ausgabe aller dieser Märchen.

    Ja, ich besitze bereits eine vollständige Ausgabe der Grimmschen Märchen, eine wunderschöne dreibändige Ausgabe, die allerdings auch schon ein paar Jährchen auf dem Buckel hat und sich nur bedingt zum „einfach mal drinrumlesen“ eignet. Daher habe ich mich wirklich gefreut, als ich diese Ausgabe gefunden habe, denn die wurde wirklich sehr gekonnt zusammengestellt und besonders der Punkt „weitgehend an der originalen Sprachlichkeit orientiert“ hat es mir angetan.

    So sind die Märchen in dieser Sammlung zwar z.B. grammatikalisch auf dem neusten Stand und auch sprachlich nicht mehr im „Originalzustand“ aber sehr nah dran. So kommt der ursprüngliche „Zauber“ der Grimmschen Märchen nach wie vor rüber, während sich die Märchen trotzdem etwas angenehmer und flüssiger lesen lassen als in der Originalversion.

    Alles in allem ist „Kinder- und Hausmärchen“ der Brüder Grimm aus der Reclam Bibliothek eine Ausgabe dieser Märchensammlung, mit der man kaum etwas falsch machen kann. Die Umsetzung ist sehr gut gelungen und inhaltlich bin ich ja sowieso ein riesiger Fan dieser Märchen. Von daher definitiv eine dicke, dicke Empfehlung für dieses Buch.
  • Rating: 5 out of 5 stars
    5/5
    Classic stories. It is interesting how these stories have been altered through the years. Another reminder that life isn't always a "happy ending."
  • Rating: 4 out of 5 stars
    4/5
    The one thing I would change about this book is to add more color to the illustrations in the stories. This way it would be more appealing to the students than just a black and white illustration.
  • Rating: 5 out of 5 stars
    5/5
    Ever since I was a little girl, fairy tales have always made a way into my heart. I will never forget staying up late reading stories about Sleeping Beauty, Cinderella and The Little Mermaid. The more I read these fairytales the more I wanted. Then I found my way to the fae. Another realm of stories I fell into. Then I learned about The Brother’s Grimm. I was immediately consumed with learning about all these stories and fascinated that even existed. I wanted the beginning. I wanted the truth of how and where this stories began. So I began searching for the perfect book to open that door. I found it in my local indie bookstore. I ask if they have a collection of the “real” Grimm’s brothers stories. They said yes and brought me this beauty…

    Can I talk about how BEAUTIFUL this book is? Cause it truly is. Leatherbound, eerie and smelling wonderfully (yes I sniffed the book). It has gold pages laced with the real stories of Cinderella, Rapunzel, etc. I have it sitting by my bedside in which I read a story each night. And each story has brought me so much satisfaction.

    The stories themselves aren’t anything new. Most of us all heard of the Grimm’s stories either by movies (Disney has turned many Grimm’s stories into movies) or tv shows. I personally love reading the real thing. I feel like I stepped into a whole other world when I open this book. And maybe there is hope that something, maybe something strange will happen…you know, just like in stories. (WINK, WINK)

    If you are a fairytale lover like me and enjoy reading, go pick up this beauty. I can’t even begin to tell you how much I adore this book. I’m not even half-way through it (as I’m reading it slowly) but it is truly a wonderful collections of stories. I will warn you that these stories don’t all have happy endings. These stories were meant for children as lessons for life. Some end in happy endings while others not so much. With each story, I think about the life lesson that the Brothers Grimm are portraying. The way the capture it so beautifully in just a mere couples of pages always leaves me in awe.
  • Rating: 4 out of 5 stars
    4/5
    These are Stories I have read and loved as a child and Adult.
  • Rating: 4 out of 5 stars
    4/5
    There are alot of good fairy tales, but alot depends on the editor or the edition, and going for "The Complete" isn't always the best choice. Repeating a story simply because it was told in the past isn't always a good idea-- it's a bit like turning on the TV and watching something simply because it's being aired. After a certain point, editing is required, whether you admit it or not, after all, there are infinite possible variations to every story, some of which have even made it into writing. So calling any collection "The Complete" is an illusion, and a damaging one, I think.

    If they simply mean that it's a translation of the "original"-- in terms of the written word-- Brothers Grimm collection of the 1810s, they could simply indicate that in some way. Perhaps-- 'Grimm's Fairy Tales-- Children's and Household Tales', or something like that. I suppose that even of this type of translation there are different versions, and the edition I have (Arthur Rackham as [mediocre] illustrator), doesn't have an introduction (which can be good as well as bad), and doesn't really explain the name-jokes when they come up-- "Fair Katrinelje and Pif-Paf-Poltrie"..... I mean, if you're not going to do something like that well, then maybe you shouldn't include it at all.... should you stuff it in there, just because you have this illusion that there can ever be a "complete" book of fairy tales?

    In the end this is to me more like a mine from which good stories can be picked, rather than a really good version in itself; my favorite collection of Grimm's Fairy Tales at this point is a google book's version with Edna Henry Lee Turpin as editor, from about a hundred years ago, although there are probably also other good versions, actually meant to be read by, I don't know, children and householders. (I don't want to get into specifics, but if you glance at the list of stories, even, you'll find at least one that clearly you wouldn't read to people of today.... which is why it only makes sense to edit it, as any story-teller modifies what he or she receives from the past....)

    In the end, the *average* quality of *all* these stories is simply that-- average. It could be better, although it could be worse, too. That's my take.

    (8/10)
  • Rating: 5 out of 5 stars
    5/5
    Classic book of many traditional fairy tales and more. I would use this for upper level elementary students when discussing how the same story can be told in different ways.


    This is really a great read for third grade on up.
  • Rating: 4 out of 5 stars
    4/5
    Indeholder "Katten og musen", "Eventyret om en, der drog ud for at lære frygt at kende", "Den tro Johannes", "De tolv brødre", "Pak", "De tre små mænd i skoven", "De tre spindersker", "Hans og Grete", "Fiskeren og hans kone", "Den tapre lille skrædder", "Askepot", "Gåden", "Mor Hulda", "Rødhætte", "De Bremer stadsmusikanter", "Djævelens tre guldhår", "Lusen og loppen", "Den kloge Hans", "Den kloge Else", "Bord dæk dig", "Tommeliden", "Tornerose", "Kong Drosselskæg", "Snehvide", "Ranselen, hatten og hornet", "Rumleskaft", "Guldfuglen", "Hunden og spurven", "Kongen af det gyldne bjerg", "Det lille æsel", "Ferdinand Tro og Ferdinand Utro", "Jernovnen", "Enøje, Toøje og Treøje", "De seks tjenere", "Jernhans", "På rejse", "Historien om en roe", "Den stærke Hans", "Bonden i himlen", "De to brødre", "Den lille bonde", "Guldgåsen", "Historien om seks, der kommer gennem verden", "Nelliken", "Den kloge Grete", "Bedstefaderen og sønnesønnen", "Bror Lystig", "Lykkehans", "Den fattige og den rige mand", "Den kloge bondepige", "Djævelens snavsede bror", "Bjørneskindsmanden", "De klge folk", "Den fattige møllerdreng og katten", "De to vandringsmænd", "Det blå lys", "Kongesønnen, der ikke var bange for noget", "De tre håndværkssvende", "Salatæslet", "Levetiden", "Bonden og djævelen", "Alfernes gave", "Haren og pindsvinet", "Ten, skytte og synål", "Marsvinet".

    "Katten og musen" handler om ???
    "Eventyret om en, der drog ud for at lære frygt at kende" handler om ???
    "Den tro Johannes" handler om ???
    "De tolv brødre" handler om ???
    "Pak" handler om ???
    "De tre små mænd i skoven" handler om ???
    "De tre spindersker" handler om ???
    "Hans og Grete" handler om ???
    "Fiskeren og hans kone" handler om ???
    "Den tapre lille skrædder" handler om ???
    "Askepot" handler om ???
    "Gåden" handler om ???
    "Mor Hulda" handler om ???
    "Rødhætte" handler om ???
    "De Bremer stadsmusikanter" handler om ???
    "Djævelens tre guldhår" handler om ???
    "Lusen og loppen" handler om ???
    "Den kloge Hans" handler om ???
    "Den kloge Else" handler om ???
    "Bord dæk dig" handler om ???
    "Tommeliden" handler om ???
    "Tornerose" handler om ???
    "Kong Drosselskæg" handler om ???
    "Snehvide" handler om ???
    "Ranselen, hatten og hornet" handler om ???
    "Rumleskaft" handler om ???
    "Guldfuglen" handler om ???
    "Hunden og spurven" handler om ???
    "Kongen af det gyldne bjerg" handler om ???
    "Det lille æsel" handler om ???
    "Ferdinand Tro og Ferdinand Utro" handler om ???
    "Jernovnen" handler om ???
    "Enøje, Toøje og Treøje" handler om ???
    "De seks tjenere" handler om ???
    "Jernhans" handler om ???
    "På rejse" handler om ???
    "Historien om en roe" handler om ???
    "Den stærke Hans" handler om ???
    "Bonden i himlen" handler om ???
    "De to brødre" handler om ???
    "Den lille bonde" handler om ???
    "Guldgåsen" handler om ???
    "Historien om seks, der kommer gennem verden" handler om ???
    "Nelliken" handler om ???
    "Den kloge Grete" handler om ???
    "Bedstefaderen og sønnesønnen" handler om ???
    "Bror Lystig" handler om ???
    "Lykkehans" handler om ???
    "Den fattige og den rige mand" handler om ???
    "Den kloge bondepige" handler om ???
    "Djævelens snavsede bror" handler om ???
    "Bjørneskindsmanden" handler om ???
    "De klge folk" handler om ???
    "Den fattige møllerdreng og katten" handler om ???
    "De to vandringsmænd" handler om ???
    "Det blå lys" handler om ???
    "Kongesønnen, der ikke var bange for noget" handler om ???
    "De tre håndværkssvende" handler om ???
    "Salatæslet" handler om ???
    "Levetiden" handler om ???
    "Bonden og djævelen" handler om ???
    "Alfernes gave" handler om ???
    "Haren og pindsvinet" handler om ???
    "Ten, skytte og synål" handler om ???
    "Marsvinet" handler om ???
  • Rating: 3 out of 5 stars
    3/5
    It's hard to read and repetitive. Every story is a variation of Cinderella, Little Red Riding Hood, Snow White, or Sleeping Beauty. There's lots of long paragraphs, little dialogue, and the narrative does little to evoke imagination. Everything happens in sets of threes, and I know nothing is going to happen the first two times, so I would just skip to the third.

    Every story is the same. Someone goes out into the world to seek fortune, marry someone, or defeat evil. He/she collects some magic artifacts. Something happens based on wordplay or puns. Then he's told not to do something, and inevitably, he does it. Because where would the plot be if anyone actually followed directions? Otherwise we wouldn't have "Gremlins". Go see the Disney versions.
  • Rating: 4 out of 5 stars
    4/5
    These are the unabridged tales of the Brothers Grimm, which means death and envy and not-nice endings. These are old German tales, which can bring back rather Teutonic visions of paganism and malicious parents. One can understand the superstition of the Germanic population and how many of these tales originated during the Thirty Years' War, when entire families and villages vanished in flames. I suppose if I had to survive during those times, my mind would have created wondrous stories that focused on retribution and survival. While the Grimms collected these tales in the 19th Century, the horrors of the previous centuries come through loud and clear.

    There are many patterns throughout the stories with the numbers 3 and 7 being very popular. Three sons venture into the world, seven brothers are turned into swans, three puzzles must be solved by the potential groom, seven years must be served under the Devil...and so forth and so on. Wives and mothers do not come out well here, either being selfish or witches or both. Hansel and Gretel still resonates, more so after reading the original version (as in, parents not wanting the kids).

    I took my time reading this over several months, so I could enjoy each story. There are many favorites but the one I enjoyed the most was the shortest:MISFORTUNE, which quickly tells the tale of a man who couldn't win, even as he was being saved (crushed by a wall).

    When misfortune pursues any one, it will find him out into whatever corner he may creep, or however far he may flee over the world.

    Book Season = Autumn (season of the witch)
  • Rating: 5 out of 5 stars
    5/5
    I read this over and over again as a kid (obviously not the "kindle" edition, but it was one big volume.)
  • Rating: 5 out of 5 stars
    5/5
    What a great thing to reread all these old tales again, most of them as if for the first time! I'd forgotten how much simpler and purer many of these are than their Disney versions (although I do appreciate those also) such as Rumpelstiltskin and how explicitly Christian many of them are such as Our Lady's Child, my favorite, from which Tomie Depaola's classic "Clown of God" obviously draws from. I think the translation is one of the most readable I've seen, keeping a touch of old world flavor without sounding too foreign to modern ears. Great collection.
  • Rating: 4 out of 5 stars
    4/5
    This is a reprint of Friedrich Panzer's 1913 publication of the first edition of the fairy tale collection of the Brothers Grimm (from 1813). Although his introduction is quite dated, the real find are the fairy tales themselves, as many of the tales are slightly different from the later editions (most modern editions of the tales are of the seventh or final edition from 1857). For example, in the 1813 version of Rapunzel Rapunzel is sent into the wilderness by Mrs. Gothel (the fairy) because she is obviously pregnant, a fact that is not mentioned in the 1857 version of the tale. And in the original tale of Snow White, the heroine was pursued by her jealous mother, only later was the jealous mother turned into an evil stepmother. While I would probably not recommend this edition for casual reading, as even some of the language and orthography are somewhat old-fashioned, it is a very interesting and enlightening addition to the bookshelf of anyone interested in the genesis and development of Grimms' fairy tales. It is, however, in German, and I do not know if an English translation of the 1813 edition even exists.
  • Rating: 3 out of 5 stars
    3/5
    This fairytale was about a brother and sister named, Hansel and Gretel, who are lured into the woods by their evil stepmom. They can't find their way back home and come upon a gingerbread candy house. They begin to eat the house and then get invited in by a witch who tried to fatten them up to eat them in a stew. They trick the witch, kill her, and then find their way home to their father with riches. The theme of this story could be triumph and perseverance. This story is kind of scary to teach as a lesson but I think it is a great book to have in the classroom for special story days to read about fairytales and the different types of them.
  • Rating: 5 out of 5 stars
    5/5
    This is an extensive collection of 210 stories, fairy tales, and legends written by the Grimm Brothers and is 845 pages long. It includes a few of their more famous stories, like Sleeping Beauty, Hansel and Gretel, and Cindarella, along with many that are not as well known.

    It's interesting to see how the versions of their famous stories in this book differ from the popular versions that are usually told.
  • Rating: 5 out of 5 stars
    5/5
    This is a reread for me, as I read a volume of these when I was nine or ten. What always resonates for me is the violence that was in these stories and how lessons were always to be learned for the reader/listener. Stories of comeuppance and knowing ones’ place in society are in many of the tales, but so are stories of “happily ever after.” For me, it’s the sheer volume of stories that is intriguing. It’s easy to pick a favorite story for however one might be feeling at the time and get a lift or feeling of vengeful satisfaction in the misfortunes of the bad characters that remind us of terrible bosses or the guy who cut us off in traffic.
  • Rating: 4 out of 5 stars
    4/5
    Every book nerd should have a copy of the Grimms' tales. If you haven't delved any further than Disney, you should definitely get a copy of the complete tales right away.
  • Rating: 2 out of 5 stars
    2/5
    I guess I'm glad I read it, but it was a chore. For every good story, there are twenty near-unreadable messes.
  • Rating: 4 out of 5 stars
    4/5
    The brothers grimm book of fairytales is not for the lighthearted. Its scary and has many dark themes yet somehow on a cold winters night im always drawn in.

Book preview

Grimm's Fairy Tales - Jakob Grimm

1

LITTLE RED-CAP

THERE WAS ONCE A SWEET LITTLE MAIDEN, MUCH BELOVED BY everybody, but most of all by her grandmother, who never knew how to make enough of her. Once the old woman sent the girl a little cap of red velvet, and as it was very becoming to the youngster, and she never wore anything else, people called her Little Red-cap. One day her mother said to her:

Come, Little Red-cap, here are some cakes and a flask of wine for you to take to grandmother. She is weak and ill, and they will do her good. Make haste and start before it grows hot, and walk properly and nicely, and don’t run, or you might fall and break the flask of wine, and there would be none left for grandmother. And when you go into her room, don’t forget to say, ‘Good morning,’ instead of staring about you.

I will be sure to take care, said Little Red-cap to her mother, and gave her hand upon it.

Now, the grandmother lived away in the wood, half an hour’s walk from the village. And when Little Red-cap had reached the wood, she met the wolf, but as she did not know what a bad sort of animal he was, she did not feel frightened.

Good day, Little Red-cap, said he.

Thank you kindly, Wolf, answered she.

Where are you going so early, Little Red-cap?

To my grandmother’s.

What are you carrying under your apron?

Cakes and wine we baked yesterday. My grandmother is very weak and ill, so they will do her good and strengthen her.

Where does your grandmother live, Little Red-cap?

A quarter of an hour’s walk from here. Her house stands beneath the three oak trees, and you may know it by the hazel bushes, said Little Red-cap.

The wolf thought to himself:

That tender young thing would be a delicious morsel, and would taste better than the old one. I must manage somehow to get both of them.

Then he walked by Little Red-cap a little while, and said:

Little Red-cap, just look at the pretty flowers that are growing all round you, and I don’t think you are listening to the song of the birds. You are posting along just as if you were going to school, and it is so delightful out here in the wood.

Little Red-cap glanced round her, and when she saw the sunbeams darting here and there through the trees, and lovely flowers everywhere, she thought to herself:

If I were to take a fresh nosegay to my grandmother she would be very pleased, and it is so early in the day that I shall reach her in plenty of time.

And so she ran about in the wood, looking for flowers. And as she picked one she saw a still prettier one a little farther off, and so she went farther and farther into the wood. But the wolf went straight to the grandmother’s house and knocked at the door.

Who is there? cried the grandmother.

Little Red-cap, he answered, and I have brought you some cake and wine. Please open the door.

Lift the latch, cried the grandmother. I am too feeble to get up.

So the wolf lifted the latch, and the door flew open, and he fell on the grandmother and ate her up without saying one word. Then he drew on her clothes, put on her cap, lay down in her bed, and drew the curtains.

Little Red-cap was all this time running about among the flowers, and when she had gathered as many as she could hold, she remembered her grandmother, and set off to go to her. She was surprised to find the door standing open, and when she came inside she felt very strange, and thought to herself:

Oh, dear, how uncomfortable I feel, and I was so glad this morning to go to my grandmother!

And when she said, Good morning, there was no answer. Then she went up to the bed and drew back the curtains; there lay the grandmother with her cap pulled over her eyes, so that she looked very odd.

Oh, Grandmother, what large ears you have got!

The better to hear with.

Oh, Grandmother, what great eyes you have got!

The better to see with.

Oh, Grandmother, what large hands you have got!

The better to take hold of you with.

But, Grandmother, what a terrible large mouth you have got!

The better to devour you!

And no sooner had the wolf said it than he made one bound from the bed and swallowed up poor Little Red-cap.

Then the wolf, having satisfied his hunger, lay down again in the bed, went to sleep, and began to snore loudly. The huntsman heard him as he was passing by the house and thought:

How the old woman snores—I had better see if there is anything the matter with her.

Then he went into the room, and walked up to the bed, and saw the wolf lying there.

At last I find you, you old sinner! said he. I have been looking for you a long time. And he made up his mind that the wolf had swallowed the grandmother whole, and that she might yet be saved. So he did not fire, but took a pair of shears and began to slit up the wolf’s body.

When he made a few snips Little Red-cap appeared, and after a few more snips she jumped out and cried, Oh, dear, how frightened I have been! It is so dark inside the wolf. And then out came the old grandmother, still living and breathing. But Little Red-cap went and quickly fetched some large stones, with which she filled the wolf’s body. When he woke up and was going to rush away, the stones were so heavy that he sank down and fell dead.

They were all three very pleased. The huntsman took off the wolf’s skin and carried it home. The grandmother ate the cakes, drank the wine, and held up her head again, and Little Red-cap said to herself that she would never more stray about in the wood alone but would mind what her mother told her.

It must also be related how a few days afterward, when Little Red-cap was again taking cakes to her grandmother, another wolf spoke to her, and wanted to tempt her to leave the path. But she was on her guard, went straight on her way, and told her grandmother how that the wolf had met her and wished her good day but had looked so wicked about the eyes that she thought if it had not been on the high road he would have devoured her.

Come, said the grandmother, we will shut the door so that he may not get in.

Soon after came the wolf knocking at the door and calling out, Open the door, Grandmother, I am Little Red-cap, bringing you cakes. But they remained still and did not open the door. After that the wolf slunk by the house and got at last upon thereof to wait until Little Red-cap should return home in the evening. Then he meant to spring down upon her and devour her in the darkness. But the grandmother discovered his plot. Now, there stood before the house a great stone trough, and the grandmother said to the child, Little Red-cap, I was boiling sausages yesterday, so take the bucket, and carry away the water they were boiled in, and pour it into the trough.

And Little Red-cap did so until the great trough was quite full. When the smell of the sausages reached the nose of the wolf he snuffed it up, and looked round, and stretched out his neck so far that he lost his balance and began to slip, and he slipped down off the roof straight into the great trough and was drowned. Then Little Red-cap went cheerfully home and came to no harm.

2

THE RABBIT’S BRIDE

THERE WAS ONCE A WOMAN WHO LIVED WITH HER DAUGHTER in a beautiful cabbage garden, and there came a rabbit and ate up all the cabbages. At last said the woman to her daughter:

Go into the garden, and drive out the rabbit.

Shoo! Shoo! said the maiden. Don’t eat up all our cabbages, little rabbit!

Come, maiden, said the rabbit, sit on my tail and go with me to my rabbit hutch. But the maiden would not.

Another day, back came the rabbit and ate away at the cabbages until the woman said to her daughter:

Go into the garden, and drive away the rabbit.

Shoo! Shoo! said the maiden. Don’t eat up all our cabbages, little rabbit!

Come, maiden, said the rabbit, sit on my tail and go with me to my rabbit hutch. But the maiden would not.

Again, a third time back came the rabbit and ate away at the cabbages until the woman said to her daughter:

Go into the garden, and drive away the rabbit.

Shoo! Shoo! said the maiden. Don’t eat up all our cabbages, little rabbit!

Come, maiden, said the rabbit, sit on my tail and go with me to my rabbit hutch.

And then the girl seated herself on the rabbit’s tail, and the rabbit took her to his hutch.

Now, said he, set to work and cook some bran and cabbage. I am going to bid the wedding guests. And soon they were all collected. Would you like to know who they were? Well, I can only tell you what was told to me: all the hares came, and the crow who was to be the parson to marry them, and the fox for the clerk, and the altar was under the rainbow. But the maiden was sad, because she was so lonely.

Get up! Get up! said the rabbit. The wedding folk are all merry.

But the bride wept and said nothing, and the rabbit went away but very soon came back again.

Get up! Get up! said he. The wedding folk are waiting. But the bride said nothing, and the rabbit went away. Then she made a figure of straw, dressed it in her own clothes, gave it a red mouth, and set it to watch the kettle of bran, and then she went home to her mother. Back again came the rabbit, saying, Get up! Get up! and he went up and hit the straw figure on the head so that it tumbled down.

And the rabbit thought that he had killed his bride, and he went away and was very sad.

3

SIX SOLDIERS OF FORTUNE

THERE WAS ONCE A MAN WHO WAS A JACK-OF-ALL-TRADES. HE had served in the war, and had been brave and bold, but at the end of it he was sent about his business with three farthings and his discharge.

I am not going to stand this, said he. Wait till I find the right man to help me, and the king shall give me all the treasures of his kingdom before he has done with me.

Then, full of wrath, he went into the forest, and he saw one standing there by six trees which he had rooted up as if they had been stalks of corn. And he said to him:

Will you be my man, and come along with me?

All right, answered he. I must just take this bit of wood home to my father and mother. And taking one of the trees, he bound it round the other five, and putting the firewood on his shoulder, he carried it off; then soon coming back, he went along with his leader, who said:

Two such as we can stand against the whole world.

And when they had gone on a little while, they came to a huntsman who was kneeling on one knee and taking careful aim with his rifle.

Huntsman, said the leader, what are you aiming at?

Two miles from here, answered he, there sits a fly on the bough of an oak tree, I mean to put a bullet into its left eye.

Oh, come along with me, said the leader. Three of us together can stand against the world.

The huntsman was quite willing to go with him, and so they went on till they came to seven windmills, whose sails were going round briskly, and yet there was no wind blowing from any quarter, and not a leaf stirred.

Well, said the leader, I cannot think what ails the windmills, turning without wind. And he went on with his followers about two miles farther, and then they came to a man sitting up in a tree, holding one nostril and blowing with the other.

Now then, said the leader, what are you doing up there?

Two miles from here, answered he, there are seven windmills. I am blowing, and they are going round.

Oh, go with me, cried the leader, four of us together can stand against the world.

So the blower got down and went with them, and after a time they came to a man standing on one leg, and the other had been taken off and was lying near him.

You seem to have got a handy way of resting yourself, said the leader to the man.

I am a runner, answered he, and in order to keep myself from going too fast I have taken off a leg, for when I run with both, I go faster than a bird can fly.

Oh, go with me, cried the leader. Five of us together may well stand against the world.

So he went with them all together, and it was not long before they met a man with a little hat on, and he wore it just over one ear.

Manners! Manners! said the leader. With your hat like that, you look like a jack fool.

I dare not put it straight, answered the other. If I did, there would be such a terrible frost that the very birds would be frozen and fall dead from the sky to the ground.

Oh, come with me, said the leader. We six together may well stand against the whole world.

So the six went on until they came to a town where the king had caused it to be made known that whoever would run a race with his daughter and win it might become her husband, but that whoever lost must lose his head into the bargain. And the leader came forward and said one of his men should run for him.

Then, said the king, his life too must be put in pledge, and if he fails, his head and yours too must fall.

When this was quite settled and agreed upon, the leader called the runner, and strapped his second leg on to him.

Now, look out, said he, and take care that we win.

It had been agreed that the one who should bring water first from a far distant brook should be accounted winner. Now, the king’s daughter and the runner each took a pitcher, and they started both at the same time. But in one moment, when the king’s daughter had gone but a very little way, the runner was out of sight, for his running was as if the wind rushed by. In a short time he reached the brook, filled his pitcher full of water, and turned back again. About halfway home, however, he was overcome with weariness, and setting down his pitcher, he lay down on the ground to sleep. But in order to awaken soon again by not lying too soft, he had taken a horse’s skull which lay near and placed it under his head for a pillow.

In the meanwhile the king’s daughter, who really was a good runner, good enough to beat an ordinary man, had reached the brook, and filled her pitcher, and was hastening with it back again when she saw the runner lying asleep.

The day is mine, said she with much joy, and she emptied his pitcher and hastened on. And now all had been lost but for the huntsman who was standing on the castle wall and with his keen eyes saw all that happened.

We must not be outdone by the king’s daughter, said he, and he loaded his rifle and took so good an aim that he shot the horse’s skull from under the runner’s head without doing him any harm. And the runner awoke and jumped up and saw his pitcher standing empty and the king’s daughter far on her way home. But, not losing courage, he ran swiftly to the brook, filled it again with water, and for all that, he got home ten minutes before the king’s daughter.

Look you, said he. This is the first time I have really stretched my legs. Before it was not worth the name of running.

The king was vexed, and his daughter yet moreso, that she should be beaten by a discharged common soldier. And they took counsel together how they might rid themselves of him and of his companions at the same time.

I have a plan, said the king. Do not fear but that we shall be quit of them forever. Then he went out to the men and bade them to feast and be merry and eat and drink. And he led them into a room, which had a floor of iron, and the doors were iron, the windows had iron frames and bolts. In the room was a table set out with costly food.

Now, go in there and make yourselves comfortable, said the king.

And when they had gone in, he had the door locked and bolted. Then he called the cook, and told him to make a big fire underneath the room, so that the iron floor of it should be red hot. And the cook did so, and the six men began to feel the room growing very warm, by reason, as they thought at first, of the good dinner. But as the heat grew greater and greater, and they found the doors and windows fastened, they began to think it was an evil plan of the king’s to suffocate them.

He shall not succeed, however, said the man with the little hat. I will bring on a frost that shall make the fire feel ashamed of itself and creep out of the way.

So he set his hat straight on his head, and immediately there came such a frost that all the heat passed away and the food froze in the dishes.

After an hour or two had passed, and the king thought they must have all perished in the heat, he caused the door to be opened, and went himself to see how they fared. And when the door flew back, there they were all six quite safe and sound, and they said they were quite ready to come out, so that they might warm themselves, for the great cold of that room had caused the food to freeze in the dishes. Full of wrath, the king went to the cook and scolded him, and asked why he had not done as he was ordered.

It is hot enough there: you may see for yourself, answered the cook. And the king looked and saw an immense fire burning underneath the room of iron, and he began to think that the six men were not to be got rid of in that way. And he thought of a new plan by which it might be managed, so he sent for the leader and said to him:

If you will give up your right to my daughter and take gold instead, you may have as much as you like.

Certainly, my Lord King, answered the man. Let me have as much gold as my servant can carry, and I give up all claim to your daughter. And the king agreed that he should come again in a fortnight to fetch the gold. The man then called together all the tailors in the kingdom, and set them to work to make a sack, and it took them a fortnight. And when it was ready, the strong man who had been found rooting up trees took it on his shoulder, and went to the king.

Who is this immense fellow carrying on his shoulder a bundle of stuff as big as a house? cried the king, terrified to think how much gold he would carry off. And a ton of gold was dragged in by sixteen strong men, but he put it all into the sack with one hand, saying, Why don’t you bring some more? This hardly covers the bottom! So the king bade them fetch by degrees the whole of his treasure, and even then the sack was not half full.

Bring more! cried the man. These few scraps go no way at all! Then at last seven thousand wagons laden with gold collected through the whole kingdom were driven up, and he threw them in his sack, oxen and all.

I will not look too closely, said he, but take what I can get, so long as the sack is full. And when all was put in there was still plenty of room.

I must make an end of this, he said. If it is not full, it is so much the easier to tie up. And he hoisted it on his back and went off with his comrades.

When the king saw all the wealth of his realm carried off by a single man he was full of wrath, and he bade his cavalry mount and follow after the six men and take the sack away from the strong man.

Two regiments were soon up to them and called them to consider themselves prisoners and to deliver up the sack or be cut in pieces.

Prisoners, say you? said the man who could blow. Suppose you first have a little dance together in the air. And holding one nostril, and blowing through the other, he sent the regiments flying head over heels, over the hills and far away. But a sergeant who had nine wounds and was a brave fellow, begged not to be put to so much shame. And the blower let him down easily so that the sergeant came to no harm, and the blower bade the sergeant go to the king and tell the ruler that whatever other regiments he liked to send should be blown away just the same. And the king, when he got the message, said, Let the fellows be. They have some right on their side. So the six comrades carried home their treasure, divided it among them, and lived contented till they died.

4

CLEVER GRETHEL

THERE WAS ONCE A COOK CALLED GRETHEL, WHO WORE SHOES with red heels, and when she went out in them she gave herself great airs and thought herself very fine indeed. When she came home again, she would take a drink of wine to refresh herself, and as that gave her an appetite, she would take some of the best of whatever she was cooking, until she had had enough—for, said she, a cook must know how things taste.

Now, it happened that one day her master said to her:

Grethel, I expect a guest this evening. You must make ready a pair of fowls.

Certainly, sir, I will, answered Grethel. So she killed the fowls, cleaned them, and plucked them, and put them on the spit, and then, as evening drew near, placed them before the fire to roast. And they began to be brown, and were nearly done, but the guest had not come.

If he does not make haste, cried Grethel to her master, I must take them away from the fire. It’s a pity and a shame not to eat them now, just when they are done to a turn. And the master said he would run himself and fetch the guest. As soon as he had turned his back, Grethel took the fowls from before the fire.

Standing so long before the fire, said she, makes one hot and thirsty—and who knows when they will come! In the meanwhile I will go to the cellar and have a drink. So down she ran, took up a mug, and saying, Here’s to me! took a good draught. One good drink deserves another, she said, and it should not be cut short. So she took another hearty draught. Then she went and put the fowls down to the fire again, and, basting them with butter, she turned the spit briskly round. And now they began to smell so good that Grethel saying, I must find out whether they really are all right, licked her fingers, and then cried, Well, I never! The fowls are good. It’s a sin and a shame that no one is here to eat them!

So she ran to the window to see if her master and his guest were coming, but as she could see nobody, she went back to her fowls. Why, one of the wings is burning! she cried presently. I had better eat it and get it out of the way. So she cut it off and ate it up, and it tasted good, and then she thought, I had better cut off the other too, in case the master should miss anything. And when both wings had been disposed of, she went and looked for the master, but still he did not come.

Who knows, said she, whether they are coming or not? They may have put up at an inn. And after a pause she said again, Come, I may as well make myself happy, and first I will make sure of a good drink and then of a good meal, and when all is done I shall be easy; the gifts of the gods are not to be despised. So first she ran down into the cellar and had a famous drink and ate up one of the fowls with great relish.

And when that was done, and still the master did not come, Grethel eyed the other fowl, saying, What one is the other must be, the two belong to each other, it is only fair that they should be both treated alike. Perhaps, when I have had another drink, I shall be able to manage it.

So she took another hearty drink, and then the second fowl went the way of the first.

Just as she was in the middle of it the master came back. Make haste, Grethel, cried he, the guest is coming directly!

Very well, master, she

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