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    City Farmhouse Style: Designs for a Modern Country Life
    City Farmhouse Style: Designs for a Modern Country Life
    City Farmhouse Style: Designs for a Modern Country Life
    Ebook388 pages2 hours

    City Farmhouse Style: Designs for a Modern Country Life

    By Kim Leggett

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    About this ebook

    “With Leggett’s guidance, these visits into farmhouse decorated homes provide the do-it-yourselfer with ideas for decorating their own abodes.” —Library Journal
     
    Come along on the hunt to coveted country sources and the best secret antiquing spots, and learn how to create country farmhouse style in your city dwelling. Author Kim Leggett is the creator of City Farmhouse, an interior design business, pop-up antiquing fairs, and vintage store. She is also a legendary “picker” and favorite designer to celebrity clients (and country-style mavens) including Meg Ryan, Ralph Lauren, Sheryl Crow, and Phillip Sweet and Kimberly Schlapman of Little Big Town. In City Farmhouse Style, Leggett offers great style advice, breaking down the design vocabulary that makes for fresh country style (no matter the setting).
     
    The popularity of farmhouse style has designers, home­owners, and fans in search of inspiration to create this look in all its rural glory. City Farmhouse Style is the first design book of its kind to focus entirely on transforming urban interiors with unfussy, welcoming, country-style decor.
     
    “With Kim’s tips and style inspiration anyone can bring country to the city with ease.” —Sheryl Crow, Grammy Award-winning singer-songwriter
     
    “So, what happens when homeowners throw out the design rule book? Genius decorating ideas pop up everywhere. A flip through Leggett’s book reveals dozens.” —Architectural Digest
     
    “Leggett celebrates the ageless appeal of farmhouse staples—and explains why the look isn’t going anywhere. (You can bet the farm on it).” —Country Living
     
    “Forget your old definition of farmhouse style and learn about the diversity of the look.” —American Farmhouse Style
    LanguageEnglish
    PublisherABRAMS
    Release dateSep 12, 2017
    ISBN9781683351054
    City Farmhouse Style: Designs for a Modern Country Life

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    • 2/5
      The first quarter is about Farmhouse style, but the rest is more focused on reclaimed and vintage.

    Book preview

    City Farmhouse Style - Kim Leggett

    INTRODUCTION

    I was raised by my grandmother in a small Tennessee town of mostly long-standing farming families or blue-collar workers. The homes that made up our neighborhood were centered around a textile factory—the cotton mill, as it was known by the locals—and were built to house the many laborers who made their living there. The architectural exteriors were designed as bungalows of sorts; all had a front porch and large picture windows. The dwellings were small, composed of only two bedrooms, but each had a space reserved for a dining room. We were close with our neighbors—meaning they were only a few feet away and friendly.

    I grew up in the 1960s when retro design was all the rage. Pea greens, yellows, reds, and oranges showed up in everything from fabrics to wallpapers, carpeting to furnishings. Chrome dining sets ordered from the Sears, Roebuck and Company wish book appeared in every kitchen up and down the street, including our own. The popular color of the day was red, but my grandmother chose gray. There was a reason behind that: She was a style leader, not a follower. While our neighbors were painting their walls vibrant colors, she was painting hers white. And, while just across the street, mill worker Mrs. Cash, the local schoolteacher Mrs. Bell, and the seamstress Mrs. Waller were proudly showing off their new orange and green sofas, Minnie Ola’Belle Harness (my grandmother) was upholstering hers in a tapestry of various shades of cream. Our seating didn’t come from a catalog or the local furniture store. It was a 1930s tattered and torn Duncan Phyfe–style castoff found one Friday night at the local Peppermint Pond Auction. My bedroom suite was a hand-me-down from my grandmother’s oldest daughter, my aunt Juanita. It was an antique, made of oak, and barely holding together. The golden surface was worn, and not in a pretty way, but Momma, as I called my grandmother, went to work making it look good as new—in an old sort of way. She painted it white and distressed it so that its golden, worn surface peeked through. While our house looked nothing like the trendy homes along the street, our neighbors often remarked that it was the most beautiful.

    Farmhouse style is born out of our love for the past and a desire to live a comfortable, more laid-back lifestyle.

    Holiday gatherings took place in the crowded dining room, with odd chairs pulled up for seating so that everyone could be together. Although the table was small, it held an abundance of food, which always included my grandmother’s chicken and dressing. When she and my grandfather moved from the farm, they purchased the dining room set for their new city home. Along with the table, it included a buffet and a china cabinet. The old sideboard was my favorite, not because it held rows of homemade pies and cakes during the holidays but because it had a silverware drawer, which wasn’t really a place for storing silver at all. I called it the junk drawer, and oh, what a variety of fabulous trinkets it held. I rifled through it often, scavenging bits and bobbles of curiosities that made their way straight to my bedroom. It never occurred to me until I was grown up that Momma likely spiced it up just for me.

    The house sat on a tiny plot of land, just a few steps from the street, but it was surrounded with the most stunning array of blooms—red azaleas, big snowballs of blue hydrangeas, and the annuals that Momma would add to the beds each spring. She and my grandfather were fortunate to have a tiny spot out back for growing fresh vegetables. And the garden yielded enough each summer for farm-to-table meals, or backyard-to-table in our case, and canning for the winter. Momma and Aunt Sue made their own sauerkraut from the fresh cabbage grown in the patch. It was fermented in a ten-gallon stoneware crock that I have today.

    Although money was tight, and repurposing old worn-out pieces was certainly resourceful, I don’t believe that’s why my grandmother chose to decorate that way. I believe it was more about originality and comfort and creating something that comes from the soul and the hands. I don’t remember that she ever referred to it as any certain style—it was simply home. She made use of every inch of her tiny home place, including the yard, creating beauty in all that surrounded her and leaving nothing to waste.

    When I grew up and moved away from the place that I had called home, I took my grandmother’s imagination, creativity, and reinvention with me to a tiny little apartment in the center of town. To style it, I sought out old pieces with a storied past, mismatched tables and chairs, odd fragments that hung on the wall, and scraps that were never intended to be part of home décor in the first place. Just like Momma’s house, it was a simple and comfortable space with no real design label. I came to appreciate it as more of a lifestyle than a formal definition of decorating. Such is the character of farmhouse style today.

    In cities all across America a movement in the way we style our homes is taking shape. The beauty of farmhouse style is that it recognizes no boundaries. It embraces an eclectic mix of periods and aesthetics, combining the traditional farmhouse of decades ago with modern trends of today. Oil-burning lamps have been replaced with crystal chandeliers and industrial factory lighting, antique doors have become creative passageways, old mercantile signs are now prized objets d’art, and cupboards and pie safes once reserved for the farmhouse kitchen have taken on new life as modern-day centerpieces of a room—maintaining their storage function but newly revered as cherished discoveries. Even our gardens and porches are reminiscent of the farmhouse landscape, featuring creative displays of rusty discarded elements of the farm repurposed for the way we live today.

    This book is written as a home tour of sorts, showcasing the many brilliant ways that homeowners across the United States have interpreted the style in their own homes and lives. It is my hope that after reading these chapters, you’ll be inspired to create your own City Farmhouse Style, no matter where you call home—whether it is an industrial loft or apartment, a tiny cottage, a brownstone in the city, or a new build in a contemporary neighborhood. And just in case you’re having a little trouble finding all that timeworn goodness to create the look, I’ve thrown in an entire chapter dedicated to my favorite pickin’ haunts.

    Now, go . . . be inspired . . . create . . . reinvent . . . and come home to the simple beauty of City Farmhouse Style.

    XO

    —KIM LEGGETT

    If you have found that you have a genuine love of the past, then follow your dream to make farmhouse style a part of your home.

    CHAPTER 1

    FARMHOUSE INSPIRATION

    Designing your home is a lot like falling in love. Before you can wrap your heart and soul around a space, you need to feel an emotional attachment to it. When the look of an old worn cupboard, the faded hues of centuries-old wallpaper, or the nubby textures of homespun fabrics tug at your heartstrings, that’s love speaking to you in the form of farmhouse inspiration.

    In the world of design, many things are beautiful. You can appreciate various styles and periods, but when you long to bring a particular look home and build a lifestyle around it, then you’ve truly found your style. This love affair (and inspiration to create) never really ends. It is a constant journey of searching, reinventing, and finding inspiration all over again.

    When you are inspired, your desire to learn increases. There’s no better teacher than your own eye. Study old pieces you are attracted to and look closely at how they are constructed: Examine whether they are finely crafted or lovingly made by the untrained hand. Feel the surfaces and take in the authentic experience of objects that are worn by a storied past. Over time, you will not only have a better understanding of the things you love but also a deeper appreciation for their age, their past, and the hand that created them.

    THE WAY WE WERE

    The rural farmhouse: nothing tells the story of America’s past quite like it. More than just a shelter, it was the heart of the farming family and the central workplace for cooking, canning, churning, and a multitude of other tasks that supported family, field hands,

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