Bodies of Knowledge: Embodied Rhetorics in Theory and Practice

Bodies of Knowledge

Embodied Rhetorics in Theory and Practice

Edited by

A. Abby Knoblauch and Marie E. Moeller

UTAH STATE UNIVERSITY PRESS

Logan

© 2022 by University Press of Colorado

Published by Utah State University Press

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The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State University, Colorado State University, Fort Lewis College, Metropolitan State University of Denver, Regis University, University of Alaska Fairbanks, University of Colorado, University of Northern Colorado, University of Wyoming, Utah State University, and Western Colorado University.

ISBN: 978-1-64642-200-5 (paperback)

ISBN: 978-1-64642-201-2 (ebook)

https://doi.org/10.7330/9781646422012

Library of Congress Cataloging-in-Publication Data

Names: Knoblauch, A. Abby, editor. | Moeller, Marie E., editor.

Title: Bodies of knowledge : embodied rhetorics in theory and practice / edited by A. Abby Knoblauch and Marie E. Moeller.

Description: Logan : Utah State University Press, [2022] | Includes bibliographical references and index.

Identifiers: LCCN 2021045127 (print) | LCCN 2021045128 (ebook) | ISBN 9781646422005 (paperback) | ISBN 9781646422012 (ebook)

Subjects: LCSH: Human body and language. | Language and culture. | Rhetoric—Study and teaching—Social aspects. | Academic writing—Social aspects.

Classification: LCC P35 .B555 2022 (print) | LCC P35 (ebook) | DDC 808—dc23/eng/20211213

LC record available at https://lccn.loc.gov/2021045127

LC ebook record available at https://lccn.loc.gov/2021045128

Cover illustration, Trio Troublé, © Justin J. Sehorn (www.embodiment.us).

Contents

Preface: The Body’s Turn in Rhetorical Studies

William P. Banks

Acknowledgments

1. Introduction: Bodies, Embodiment, and Embodied Rhetorics

A. Abby Knoblauch and Marie E. Moeller

Part I: Affect, Sense/s, Permeability

2. Violence and Beneficence in the Rhetorics of Touch

Scot Barnett

3. Disrupting Embodied Silence

Katherine Bridgman

4. Towards an Olfactory Rhetoric: Scent, Affect, Material, Embodiment

Sara DiCaglio

5. Embodying History: The Bodies and Affects of Museum Rhetorics

Julie D. Nelson

6. The Role of Intrabody Resonance in Political Organizing

Nadya Pittendrigh

Part II: Advocacy, Policy, Citizenship

7. Discomfort Training in the Archives: Embodied Rhetoric in Feminist Advocacy

Meg Brooker, Julie Myatt, and Kate Pantelides

8. Fannie Barrier Williams’s Citizen-Woman: Embodying Rhetoric at the 1893 World’s Columbian Exposition

Kristie S. Fleckenstein

9. Rewriting Maternal Bodies on the Senate Floor: Tammy Duckworth’s Embodied Rhetorics of Intersectional Motherhood

Ruth Osorio

10. Criminals and Victims: The Embodied Rhetorics of Unaccompanied Latinx Children as Represented in Spanish- and English-Language Media

Megan Strom

Part III: Textuality, Multimodality, Digitality

11. The Successful Text Is Not Always the One That Murders Me to Protect You

Vyshali Manivannan

12. Hooking Up Embodied Technologies, Queer Rhetorics, and Grindr’s Grid

Caleb Pendygraft

13. Avowed Embodiment: Self-Identification, Performative Strategic Attire, and TRAP Karaoke

Temptaous Mckoy

14. Matters That (Em)Body

Kellie Sharp-Hoskins and Anthony Stagliano

Index

Preface

The Body’s Turn in Rhetorical Studies

William P. Banks (East Carolina University)

The successful scholarly text does not convey pain, even if/when the author radiates nothing but.

—Vyshali Manivannan

It’s a strange moment to be writing the preface to a book called Bodies of Knowledge: Embodied Rhetorics in Theory and Practice. It’s June—Pride month—and I should be filled with excitement and energy, with the hope I feel each year at this time as so many LGBTQ+ folks get together, march in parades, attend parties, and enjoy a moment when queer and trans visibilities can become more than merely theoretical or textual. There can be all types of bodies, and they can be everywhere: butch and femme bodies, trans and nonbinary bodies, bodies in all sorts of drag, bodies backed by music, bodies moving and gyrating, bodies in glitter and makeup. But mostly, just so many visible bodies . . .

And the Supreme Court just handed us yet another important decision on LGBTQ+ rights, the recognition in Bostock v. Clayton County, Georgia (2020) that firing a gay or transgender person just for being gay or transgender violates Title VII of the Civil Rights Act of 1964. In less than twenty years, LGBTQ+ people have won three major court victories: Lawrence et al. v. Texas (2003), which applied the right to privacy to LGBTQ+ consenting adults; Obergefell et al. v. Hodges (2015), which extended the right to marry to LGBTQ+ adults; and now with Bostock, broad civil rights protections.

We should be partying in every street in the United States. Quite frankly, it’s a party we’ve earned!

But it’s not just any June; it’s June 2020. And we’re living through a pandemic; transmission and infection rates of COVID-19 show little sign of slowing as the White House under President Trump continues to ignore the significance of this disease and the impact it will have on all persons in the United States, though most significantly on minoritized and marginalized bodies, on the very bodies we may recognize as essential workers but whose lives the middle classes have decided are fundamentally replaceable so long as folks can still shop, dine out, and have their overpriced coffee. June may be our yearly month for carnival, but the celebrations have been postponed: queer people do not want to be out here fiddling while Rome burns. We know what a pandemic is; the scars from the daily death tolls of the 1980s and 1990s are still all too present for many of us.

And this June, we are also living through yet another—we can hardly call this unprecedented, can we?—yet another moment in which Black and brown bodies are being slain by unregulated police aggression and white nationalist vigilantism. We have borne witness to Ahmaud Arbery’s murder in Brunswick, Georgia, at the hands of two white men it took local law enforcement over two months to arrest or charge with the crime. We have borne witness to Breonna Taylor’s murder at the hands of plain-clothes metro police in Louisville, Kentucky, who used a no-knock search warrant as cover to enter her apartment and kill her where she slept. And before the mainstream news media could even be bothered to cover Taylor’s murder, we bore witness to the murder of George Floyd in Minneapolis, Minnesota, the nation watching in horror as a white police officer used his knee and the full weight of his body to asphyxiate Floyd while three more police officers stood idly by and did nothing to help save Floyd’s life. And in addition to these high-profile cases—stories that only broke and made news because friends and family and bystanders made these stories go viral on social media—we have now borne witness to at least five Black men and women who have been found hanged in public places, while stories are beginning to unfold of another five or six Black men and women who have been murdered by police across the country.

How do I begin to talk about bodies of knowledge and not recognize these dead bodies? Not recognize that these bodies have been murdered precisely because of the ways language/rhetoric have been used to invalidate these bodies as human bodies in the minds of white nationalists and so many police officers, both groups overweaponized by the military-industrial complex and by the anti-Black and anti-Brown rhetorics of the current White House?

This collection of original and engaging scholarship does work we need desperately in the academy, work we need to see filtering out more thoughtfully and deliberately beyond our campuses. The authors included here look to bodies and embodiment as key spaces where languages and epistemologies interanimate each other, where we come to exist at all as knowable and active subjects. Abby Knoblauch and Marie Moeller have assembled a collection that explores embodied rhetorical practices across a host of contexts. These authors remind us that there are no disembodied rhetorical projects, only our own failures to recognize and/or acknowledge the impacts of bodies on our epistemologies.

At times, the writers here imagine embodiment in deeply sensory ways—linked to touch (Barnett), or smell (DiCaglio), or sound (Bridgman)—or in less individualized ways by looking at how bodies resonate with other bodies in communal acts of meaning making and advocacy (Pittendrigh). Other times, the authors challenge us to rethink internet-based/media-based spaces and platforms (Pendygraft; Strom) as disembodied spaces. Multiple contributors challenge us to return to our archives through methodologies that require us to pay closer attention to the ways historically disenfranchised people have used their bodies as part of their rhetorical projects (Brooker, Myatt, and Pantelides; Fleckenstein; Nelson), and then they return us to the present to recognize how those same sorts of embodied practices are being deployed daily in sites as seemingly disparate as the halls of Congress (Osorio) and the dance floors at TRAP karaoke events (Mckoy). This collection challenges us to think of embodiment in global, macrolevel terms (Sharp-Hoskins and Stagliano) and also in the hyperlocal, where we remember that everything about our writing practices, tools, genres, and conventions is always already impacting (and impacted by) bodies (Manivannan).

While reading this collection, I continually wished that, as a student, I had learned about writing as an embodied act of meaning making, that I had been taught what Vyshali Manivannan teaches me in their contribution: that academic writing is often overly invested in making the reader comfortable . . . but it doesn’t have to be so. Our field needs to be more engaged with the disruptive and discomforting work of writing, not just as a trope of/for poetical texts but as a key component of our own academic/rhetorical writing.

It’s funny to make this case again now, as part of this preface, as this is exactly what I hoped to do twenty years ago when I was drafting a weekly response paper for a graduate course (Feminist Composition) I was enrolled in at the end of my doctoral coursework. About one-third of the way through the course, the professor, Julie Jung, asked us to connect what we wanted to write with what we needed to write. It was an alarmingly simple but powerful question about what writing is, what it does—and why any of us (should) bother doing it. What started out of that imagining I eventually turned into my course project, in large part because of the support and critique of Dr. Jung and my wonderful classmates at the time: Lori Ostergaard, Marie Moeller, Teryn Robinson, Zoë Younker, and Tammie Kennedy. I was also fortunate enough to get to revise that project into an article for a special issue of College English on personal writing that was guest edited by Jane E. Hindman (Banks). At the time, the field felt very much in a particular cultural turn, one often framed more by cultural studies than by cultural rhetorics, where personal seemed primarily to be a code word for bourgeois individualism and the failures of understanding the Other. Having grown up in the academy in spaces heavily influenced by women’s and gender studies scholarship, however, where the personal and the political were always interwoven, I had found this dismissal of the personal overly simplistic, and I had begun to wonder if dismissing what is personal in a writing class is just another way to dismiss the bodies attached to those personal experiences, particularly bodies of queer and trans writers, of Black and Brown writers, of women and working-class writers. Out of those interests and concerns, I composed Written through the Body: Disruptions and ‘Personal’ Writing as an attempt to reembody a sort of deeply personal writing that could also have cultural and political impact (Banks).

But even then, after countless drafts and the most patient and thoughtful feedback Jane could provide, I still wondered if what I was hoping for—that we could imagine writing as a fundamentally embodied and embodying act of composition—if that were really possible in the academy.

There have, of course, long been inklings of this option: early in my teaching career, even before returning to school for my PhD, I had been inspired by Geneva Smitherman’s scholarship; her foundational Talkin and Testifyin: The Language of Black America, as well as numerous articles afterward, had demonstrated to me how our words and bodies can exist together on the page, how they are, in fact, inextricable from each other when we write through our lived experiences. I had seen it in texts like Cherríe Moraga and Gloria Anzaldúa’s This Bridge Called My Back. And in the years since, I’ve been fortunate to read more and more from scholars in writing and rhetorical studies who have also been making those connections, demonstrating through their own writing and storymaking how important it is for us to remember that language is always about bodies and that bodies are always about language. When Malea Powell (Miami/Shawnee) invited a group of folks to join her in a choral presentation of her CCCC presidential address, for example, we saw those bodies and stories intermingle in a powerful way, one that set her address apart from nearly all those that have come before or since: languaging bodies in communal engagement. An increasingly large group of scholars in our field—Angela Haas, Qwo-Li Driskill (Cherokee), Linda Bruggeman, Jay Dolmage, Robert McRuer, M. Remi Yergeau, Abby Knoblauch, Erin Frost, Caroline Dadas, Chanon Adsanatham, Matthew B. Cox, April Baker-Bell, Asao Inoue, Natasha Jones, Carmen Kynard, Stacey Waite, GPat Patterson, Michael Faris, Iris D. Ruiz, to name only a few—are continuing to teach me about the ways bodies, particularly nonwhite, nonmale, and noncis bodies, are erased from our understanding of writing and rhetoric; they, like the scholars in this collection, make clear the damages those erasures enact.

In fact, if I were a bolder writer, I might claim that after the cultural turn in writing studies, we have seen an embodied turn, a turn that centers bodies in our writing as a materialist techné rather than merely a metaphor. This is a good turn.

The joy of reading this rich collection of scholarship comes in knowing how diverse and exciting our work can be when we take bodies and embodiment more seriously. At this moment, as bodies are being ravaged both globally by a pandemic, which is affecting different bodies in vastly different ways, and nationally by our ongoing investment in a white supremacy rooted in colonialist logics of ownership/property and human capital, I am reminded of a point Sara Ahmed makes in Willful Subjects about what happens when our bodies feel nervous: discussing the history of organized resistance/strikes, Ahmed writes, The politics of demonstrating are indeed messy: but when things become messy we do not lose the point. If anything, becoming nervous shows how we are getting closer to a nerve, to what matters (164).

Embodied writing and rhetoric get us closer to those nerves. And this is a moment to be on all sorts of people’s nerves. This is a moment to unnerve others through our writing, as so many of the contributions in this collection do. This is a moment to make white supremacy nervous by showing up for people of color and queer/trans people in our work and in our teaching and in our daily, embodied practices. This is a moment to be on the nerves of local, state, and national authorities as we protest the ongoing atrocities we are seeing, many of which are centered on the bodies of nonwhite, noncis people. And this is, as always, a moment to stand up and push back against the never-silent voices of white supremacy, heterosexist patriarchy, and colonialism that continue to shape our own academic discipline and organizations to an alarming degree. By paying careful attention to embodiment as a materialist techné, the chapters in Bodies of Knowledge provide us with various methods for how our research and scholarship can practice that important work.

Works Cited

Ahmed, Sara. Willful Subjects. Duke UP, 2014.

Banks, William P. Written through the Body: Disruptions and ‘Personal’ Writing. The Personal in Academic Writing. Spec. issue of College English, vol. 66, no. 1, Sept. 2003, pp. 21–40. JSTOR, doi:10.2307/3594232.

Bostock v. Clayton County, Georgia. 590 US___. Supreme Court of the US. 2020. www.supremecourt.gov/opinions/19pdf/17–1618_hfci.pdf. Accessed 12 July 2020.

Lawrence v. Texas. 539 US 558. Supreme Court of the US. 2003. Cornell Law School Institute, Cornell Law School, www.law.cornell.edu/supct/pdf/02–102P.ZS. Accessed 12 July 2020.

Moraga, Cherríe, and Gloria Anzaldúa. This Bridge Called My Back: Writings by Radical Women of Color. 2nd ed. Kitchen Table/ Women of Color, 1983.

Obergefell v. Hodges. 576 US___. Supreme Court of the US. 2015. www.supremecourt.gov/opinions/14pdf/14–556_3204.pdf. Accessed 12 July 2020.

Powell, Malea. Stories Take Place. Conference on College Composition and Communication, 22 Mar. 2012, Renaissance Hotel, St. Louis, MO. Opening General Session.

Smitherman, Geneva. Talkin and Testifyin: The Language of Black America. Wayne State UP, 1986.

Acknowledgments

We want to first thank everyone at Utah State University Press, and especially Rachael Levay. We couldn’t have asked for a better, more patient editor. We’d also like to thank our anonymous reviewers for their generous and formative feedback. We give special thanks to Kellie Sharp-Hoskins, who gave us wonderful feedback on the introduction, and to our formatter, Lindsay Steiner: thank you both for your generosity of time and your careful work. Finally, thank you to our contributors, who stayed with this work through truly extraordinary circumstances.

Abby would like to thank Kansas State University for granting my sabbatical, allowing me to start this project. Thank you, too, to Lisa Tatonetti, Tom Sarmiento, Timothy Oleksiak, Phillip Marzluf, Jess Enoch, Will Banks, Kara Northway, Tim Fitzmaurice, Cheryl Glenn, Stephanie Kerschbaum, and the 2019 RSA Feminisms and Rhetorics seminar group. Thank you to my fabulous family—my mom and stepdad, sisters, brothers-in-law, sister-in-law, and especially my brother, who’s been down this road before. Thank you to my aunt and uncle, who gave up the cottage to let me work along the shores of Chequamegon Bay. Finally, and always, thank you to my husband, my love.

Marie would like to thank Teryn Robinson, Julie Jung, Kellie Sharp-Hoskins, Erin Frost, Angela Haas, Michelle Eble, Will Banks, Amy Robillard, Lindsay Steiner, Dessa Wander, GPat Patterson, Cecilia Shelton, Laura Gonzales, Julia Johnson, James McFadden, and Annamaria Formichella—these thinkers have kindly and thoughtfully informed my way of being in the world and thus my way of being in this book. I am thankful to my family, whose support of my work was never predicated on their valuation of it but rather its value to me. Finally, my utmost appreciation goes to JBS, whose emotional and physical labor made my work herein possible.

1

Introduction

Bodies, Embodiment, Embodied Rhetorics

A. Abby Knoblauch (Kansas State University) and Marie E. Moeller (UW-La Crosse)

In the early 2010s, Jacqueline Jones Royster and Gesa E. Kirsch postulated that rhetorical studies was on the precipice of (re)definition, one that was much more fluid, shifting, and expansive (139). Royster and Kirsch referred to these changes as tectonic reverberations that led to ways of expanding and recasting our ways of seeing and being (132). Bodies of Knowledge explores one such paradigmatic shift: how lived experiences—such as, inhabiting specific places and particular bodies—can shape research and teaching (Royster and Kirsch 93). The contributors in this collection focus on the impacts of the body and embodiment on our various interdisciplinary fields; collectively, our goal is to flesh out and flesh up—to be a shudder in rhetorical studies’ tectonic shift, to theorize embodied rhetorics.

That goal, however, proved more difficult than we initially anticipated. When we first started reading through submissions for this collection, we were struck by the difficulty of articulating the boundaries of our key terms: bodies, embodiment, and embodied rhetorics. These are complicated concepts, and the very act of defining them is problematic: Who gets to decide what counts as an embodied experience? Who gets to define the body? We begin our collection, then, by working to parse these three ripe and rife terms in order to reflect their complexities and to illustrate the necessity of an interdisciplinary approach to embodied rhetorics.

Bodies

Debra Hawhee tells us that to understand bodies, a clustering of terms would be the best place to begin (5). She continues by saying that when we talk about bodies . . . we talk about sensation, touch, texture, affect, materiality, performativity, movement, gesture, habits, entrainment, biology, physiology, rhythm, and performance, for starters (5). Yet, Eli Clare tells us, I want to write about the body, not as a metaphor, symbol or representation, but simply as the body (Clare 89). Despite Hawhee’s clusters, in some ways, perhaps, defining the body does seem simple. We know what we mean when we talk about our bodies or, more generally, a body. Or do we? As we become more attuned to the importance of the microbiome, for example, it’s harder to think of the body as a singular, bounded entity when the bacteria in our gut have their own relationships and life cycles. Are these bacteria (part of) our bodies, or do they belong to us? Are they in our bodies but not of our bodies? When we look inward, where do our bodies begin and end?

Sara Ahmed and Jackie Stacey argue that our skin, what we might think of as the outer boundary of our bodies, is actually a fleshy interface between bodies and worlds (1). They caution us not to fetishize the bounded body, but instead to think about how the borders between bodies are unstable (2). And Donna Haraway famously asks, Why should our bodies end at the skin (178)? Building on Haraway, Billy-Ray Belcourt (Driftpile Cree) notes that microbiology and pathology illustrate the mythical containment of the body (9). He reminds us that bodies are inestimably constituted via leakages and exchanges that seep outside themselves, for better or for worse (9). Molly Kessler’s work on fecal-matter transplant (FMT) illustrates this porousness, highlighting how biological bacteria that move from one body to another create complications for regulatory agencies (such as the FDA) that grapple with notions of bodily boundaries.¹ Such complications are reiterated in work such as Teresa Brennan’s The Transmission of Affect, which further illustrates the body’s mutability. As she states, The transmission [of affect] is also responsible for bodily changes; some are brief changes, as in a whiff of the room’s atmosphere, some longer lasting. In other words, the transmission of affect, if only for an instant, alters the biochemistry and neurology of the subject. The ‘atmosphere’ or the environment literally gets into the individual (1). A body can be changed by the shared feeling in a room, physically and chemically impacted by the affects swirling around and through us.

Even within these nuanced discussions, though, we encounter the difficulty of ownership: Who is the we who claims the body? Such a question leads us back to the persistent (and largely Western) Cartesian split, separating the mind and the body. And yet we know things are not so simple. The crux of Elizabeth Wilson’s Gut Feminism, for example, is that the gut is an organ of the mind: it ruminates, deliberates, comprehends (5). Wilson makes clear that she does not mean "the gut contributes to minded states" but that the gut IS mind (5). In other words, while the brain is part of the body, the body is part of the mind. Similarly, Mark Johnson argues that the mind is the term for our engagement with the world, our desire and ability to make sense of that world and to communicate something about it to others (40, 42).

Margaret Price (via Babette Rothschild) prefers to think in terms of bodymind. Price explains that because mental and physical processes not only affect each other but also give rise to each other—that is, because they tend to act as one, even though they are conventionally understood as two—it makes more sense to refer to them together, in a single term (269).

Price calls us to recognize bodymind as a sociopolitically constituted and material entity that emerges through both structural (power- and violence-laden) contexts and also individual (specific) experience (271). Conceptually, bodymind hails notions of subjectivity, as Sami Schalk shows in her work Bodyminds Reimagined: (Dis)Ability, Race, and Gender in Black Women’s Speculative Fiction. Schalk articulates how bodymind adeptly explicates the intersecting toll racism takes on people of color: as "experiences and histories of oppression impact us mentally, physically, and even on a cellular level, the term bodymind can help highlight the relationship of nonphysical experiences of oppression—psychic stress—and overall well-being" (7).

Schalk’s work emphasizes the intersectional nature (Crenshaw) of bodies and beings, reminding us again that there is no entity that can be singularly defined, no lived experience that cuts across subjectivities so as to be totalizing. Gail Weiss puts this pointedly when she states that there is no such thing as ‘the’ body (1). Instead, she continues, whenever we are referring to an individual’s body, that body is always responded to in a particularized fashion, that is, as a woman’s body, a Latina’s body, a mother’s body, and the list goes on (1). As we know, it is many of these things simultaneously. These bodies are judged, controlled, mediated, medicated, incarcerated, all in unequal ways, as those in power react/respond to the physical characteristics of the specific and culturally coded body itself. Bodies are always judged in concert with contexts.

Ahmed encourages us to think about institutional contexts and spaces and to recognize the ways that some more than others will be at home in institutions that assume certain bodies as their norm (On Being Included 3). This fact is keenly illustrated in much of the work in fat studies (Gay; Ioannoni; Lee; West) and disability studies (Dolmage; Kerschbaum; Mairs; Price; Yergeau), as well as in the germinal Presumed Incompetent: The Intersections of Race and Class for Women in Academia (Gutiérrez y Muhs et al.) and its sequel, Presumed Incompetent II (Flores Niemann et al.). Texts such as these implicate institutional spaces, making clear that the body is an impossibility, as it erases (or attempts to ignore) how all bodies are differently welcomed or excluded, touched and shaped by power.

Such institutional constructions, Jasbir K. Puar reminds us, are often violent. In The Right to Maim: Debility, Capacity, Disability, Puar examines the construction of disability and disabled bodies, arguing that the production of most of the world’s disability happens through colonial violence, developmentalism, war, occupation, and the disparity of resources—indeed, through U.S. settler colonial and imperial occupations (xix). Movements to redress such bodily trauma—Black Lives Matter, anti-Dakota Pipeline protests, calls for socialized health care, protests against the U.S. imperial presence in the Middle East—are, as Puar says, leading the way to demand livable lives for all with bodily concerns at the center (xxiv). Such movements depend on bodies showing up, collectively and publicly; as we have seen recently (in Minneapolis, Portland, Louisville, and elsewhere), when (certain) bodies protest state-sanctioned violence, they are met with violence—the severity and frequency of which is impacted by protestors’ embodied identities. Bodies materially change other bodies.

Some theorists, though, encourage us to look beyond the relationships of bodies to bodies. Haraway’s blurring of the distinction between bodies and what we have thought of as objects creates opportunities for bodily connection and relationships to occur not between identities (female/female) but between affinities (feminist/feminist). Such a shift provides space for posthuman bodies, what J. Halberstam and Ira Livingston articulate as bodies that emerge at nodes where bodies, bodies of discourse, and discourses of bodies intersect to foreclose any easy distinction between actor and stage, between sender/receiver, channel, code, message, context (2). Posthumanism forces us to recognize the speciesism perpetuated by a privileging of the human body. Such an anthropocentric focus—white, Western, patriarchal—ignores, too, the connection of bodies to place, to land: speaking of the devastating impact of settler colonialism on Indigenous bodies, Belcourt explains that when a population is corralled in land-bases not entirely their own and legally forced to make do with very little therein, bodies will revolt and sometimes shut down (8). Such trauma has lasting and devastating effects on Indigenous bodies, even at the cellular level: [W]hen the cell or the nervous system runs amok in response to histories of colonial trauma, there is little you can do to stop it (10).

Clearly, notions of body are complex. While body is not the same as object, it is also not the same as person. It is not solely biological material, not simply flesh, is not removed from intersecting matrices of institutional power. But bodies, at least human bodies, are also flesh, and this fleshiness can’t be sidelined or ignored. Whatever bodies are, they are socially constructed, discursively constructed, sociomedically constructed, technologically mediated and constructed, deconstructed, reconstructed, constrained, damaged.

Embodiment

As we continue to grapple with definitions of body, Eleanor Rosch reminds us that "body is not necessarily the same as embodied" (xxxvi). Thus, we must also ask, What is embodiment? Perhaps the answer is simple: embodiment is the process of being a person in a body. Gail Weiss and Honi Fern Haber explain it as "a way of living or inhabiting the world through one’s acculturated body (xiv). Diction is important here, though. Elizabeth Grosz chooses her words carefully when she says, [I]nsofar as I live the body, it is a phenomenon experienced by me and thus provides the very horizon and perspectival point which places me in the world and makes relations between me, other objects, and other subjects possible. It is the body as I live it, as I experience it" (Volatile 86). Note that Grosz writes I live the body rather than "I live in the body. Here, the body and the living of it are one and the same. To have a body is to live the body; there is no disembodied one who lives within the body-object. And yet there’s slippage in the wording even here: I live the body, the body as I live it, as I experience it. We hear in this a distinction between the I and the body that the I" lives and experiences.

For some, the space between body and embodying seems to hinge, at least in part, on motion. Merleau-Ponty points to the ways we move our bodies through the world as a key aspect of what separates bodies from objects (Ahmed, Queer Phenomenology 53). And of course bodies move even when they are still: air and blood circulate, bacteria mill about, autonomic reflexes twitch—the body moves without conscious effort, but not without bodily effort. But even here, bodies work differently one from another. As James Wilson and Cynthia Lewiecki-Wilson argue, we might even best define embodiment as difference (18).

Of course, to assume that embodiment necessitates motion reflects a troubling ableist framework. Weiss, instead, thinks of embodiment in terms of relationality and connection, pointing out that embodiment is never a private affair, but is always already mediated by our continual interactions with other human and nonhuman bodies (5). Here, embodiment emphasizes the reciprocal nature of being, the interconnectedness of lives and objects.² This echoes Royster and Kirsch, who say that embodied experiences are "grounded in the sociohistorical context and cultural conditions of which they are lived (94). N. Katherine Hayles agrees, arguing, [E]mbodiment is contextual, enmeshed within the specifics of place, time, physiology, and culture (196). For these scholars, embodiment is a result of connection and interaction; it is a literal social construction. Such a configuration assumes embodiment is more than simply" the experience of being a being with a body but is instead the experience of orienting one’s body in space and among others, as Ahmed might say, the result of objects and beings acting with and upon each other.

Embodied Rhetorics

Despite the tangled issues that arise when we try to define these terms, at the heart of this collection is the idea that, as Judith Butler reminds us, bodies, whatever they are, matter. And whatever they are, they are rhetorical. Knowledge and meaning are never disembodied—they are always made by somebody—and yet, as a field, we’ve often ignored the role of the body in knowledge production. As Karma Chávez explains, [T]he abstract body on which rhetorical studies is based is, in reality, an actual body, that of particular white men. The white male body haunts rhetorical practice and criticism. But only due to its presumed absence do the actual bodies of different others become significant to rhetorical invention and study (244). In other words, "only when actual bodies are not white, cisgender, able-bodied, heterosexual, and male do they